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#atelier sophie figure
dailyfigures · 3 months
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Sophie Neuenmuller ; Atelier Sophie ☆ Alter
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87294 · 1 month
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ソフィーのアトリエ ~不思議な本の錬金術士~ ソフィー・ノイエンミュラー お着替えmode 1/7 完成品フィギュア 💛
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wildgothorita · 11 months
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soapy nendo!!!!!!
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pngkatios · 1 year
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manta85-blog · 28 days
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ソフィーのアトリエ ~不思議な本の錬金術士~ ソフィー ノイエンミュラー お着替えmode
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animefigured · 1 year
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Atelier Sophie ~Fushigi na Hon no Renkinjutsushi~ - Sophie Neuenmuller - KT Model+ - 1/7 - Everyday Ver. (Koei Tecmo Games, Wonderful Works)
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grailfigure · 10 months
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Sophie Neuenmuller // Atelier Sophie: The Alchemist of the Mysterious Book
1/7 Scale by Alter
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nemuichu · 2 years
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♡ please do not remove caption
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megamidevice · 29 days
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Plachta • Atelier Sophie 2: The Alchemist of the Mysterious Dream 1/7 Scale Figure by Design Coco & Parco Oneslash
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dailyfigures · 2 months
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Sophie Neuenmuller ; Atelier Sophie ☆ Design Coco
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87294 · 1 month
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ソフィーのアトリエ ~不思議な本の錬金術士~ ソフィー・ノイエンミュラー お着替えmode 1/7 完成品フィギュア 💛
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thefigureresource · 11 months
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Sophie Neuenmuller : Wedding Dress ver [Atelier Sophie 2: The Alchemist of the Mysterious Dream] 1/7 scale from FuRyu coming May 2024.
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gamersonthego · 1 year
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GOTG Review: Echochrome
This is the fourth game in my Backlog Roulette series, where each month I spin a wheel to randomly select a game on my massive backlog that I must play (though not necessarily to completion). These wheel spins occur on the monthly preview episodes I co-host with my friends on The Casual Hour podcast.
You want to hear something super lame? Echochrome is all about your perspective. 
OK, maybe I should explain why that’s lame. Echochrome is literally a game about perspective. You rotate a camera to hide, reveal or alter the level’s geometry to coax a character you don’t directly control to navigate to specific areas of the map. It’s Lemmings in the style of an M.C. Escher. 
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So when I say it’s a game about your perspective, that’s some on-the-nose, too-clever-for-your-own-good writer bullshit. Except that that’s not what I’m talking about. 
The perspectives I’m talking about are not within the game’s clockwork levels, but outside of them. In the menus. In the presentation. In your approach to the game as a player as you hold your PSP and look upon it. 
Echochrome does not function like a traditional game. You don’t go from Level 1 to Level 2. I mean, I guess you technically can, but good luck figuring out how. Because when you load up Echcohrome for the first time — after getting through its initial tutorial — you’re thrown into its main menu, greeted not by more expected options like “campaign” or “time trial” or “challenge.” Instead you’ll see the words “freeform,” “atelier,” “canvas” and my favorite “etc.”
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Love it. No notes. Well, maybe just one note: What the hell do any of these things mean?
“Freeform” is the top option. Let’s try that. It dumps you into a puzzle. You solve it. You’re dumped into another puzzle. You solve it. Maybe this is a traditional game after all. But then you notice a letter and a number shown at the beginning of each puzzle. B4, F6, D1, C3. But you don’t think much about it. That is, until you reach a puzzle you can’t solve. One in which you realize the game has a 10-minute time limit per puzzle. 
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This is B8. I'm too stubborn to look up the answer, but I just can't figure out how to get the last echo. I hate it.
Cool, cool. While I think on that puzzle, let’s go back to the main menu and check out “atelier.” There’s no Ryza or Sophie to be found though, only a 8x7 grid of level options. And now the codes you saw on freeform make sense. Those were level identifiers. Row B, stage 4. Which means freeform is essentially a randomizer, whereas atelier presents them in the game’s natural order, of which you’re free to tackle any of the 56 stages however you wish. You go back to the one that stumped you before — B8. But after five minutes elapse, the failure bell rings. You only get half the time to complete a level in atelier mode (I guess because you chose the level yourself?)
And then there’s canvas — a neat little level editor to make your own stages — and etc., where the options, saves, credits and a replay of the tutorial go. 
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The game itself? Oh, it’s pretty cool, I guess. The perspective mechanics can feel a little inconsistent, requiring very digital outcomes through an analog control scheme. And the time limits feel rather pointless (if the game is already tracking your time on each puzzle like a score, then what’s the need for a limit?) in a game that should be as pleasantly relaxing as doing the daily crossword or sudoku. And it is equal parts frustrating and funny when the soothing disembodied lady voice says “oops” every time you let your Escher lemming fall off the world. 
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But more important to me is how the game bucks traditional names, rules and conventions to do its own thing (as the late Sony Japan Studio was wont to do with all their games), giving it a novelty and charm that endures to this day. Echochrome II though, requiring both a PS3 and a PlayStation Move controller to play, ages quite a bit worse unfortunately.
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discountfinder · 1 day
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Atelier Sophie The Alchemist of the Mysterious Book 1/7 Scale Pre-Painted Figure: Sophie Neuenmuller Okigae Mode Buy Now Product Features 1/7 Scale Pre-Painted Figure Material: ABS, PVC Size: Approx. H21cm Limited Availability Note: Actual product may differ from photos. Item Description Sophie Neuenmuller from "Atelier Sophie: The Alchemist of the Mysterious Book" comes to life in this beautifully crafted figure by Ques Q. Inspired by an illustration by the popular artist Noco, this figure captures Sophie in an intimate and playful moment. She is depicted mid-change, clutching her outfit to cover herself while blushing furiously. With her ornate staff pointed directly at you, this dynamic pose adds a sense of immediacy and charm, making it a must-have for any fan of the series. https://www.play-asia.com/?tagid=5757035
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animefigured · 1 year
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Atelier Sophie ~Fushigi na Hon no Renkinjutsushi~ - Sophie Neuenmuller - 1/7 (Alter)
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jlmrtn · 11 months
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Florilège, vol 2 / Socheata Aing, Laurence Cathala, Margot Criseo, Lison Noël (collectif La Lecture-artiste), la revue Phylactère (Roxane Maillet, Auriane Preud'homme, Camille Videcoq), Axel Raingeard, Julie Saclier, et Caroline Sebilleau
16 et 17 juin
Une publication vivante déployant dans le temps et dans l'espace divers rapports aux livres, au texte et à la parole.
Au sommaire, pas de blabla ni d'exercices dactylographiques, mais des performances, des lectures en mouvement et mouvementées, des paroles collectives, des imprimés disséminés... avec Socheata Aing, Laurence Cathala, Margot Criseo, Lison Noël (collectif La Lecture-artiste), la revue Phylactère (Roxane Maillet, Auriane Preud'homme, Camille Videcoq), Axel Raingeard, Julie Saclier, et Caroline Sebilleau.
16/06/2023
19h — Laurence Cathala, "En parlant avec des sous-titres" Depuis 2014, Laurence Cathala déploie sous diverses formes "Les Versions", des textes d'anticipation composés de multiples strates, à voir autant qu’à lire. "La Quatrième Version" est actuellement exposée au BBB à Toulouse dans l’exposition "Bad Poetry / Vilaine poésie". Un livre se prépare, avec les éditions Sombres Torrents. À Trois‿a, les Versions se manifesteront sous la forme d'une lecture-performée, à tendance collective.
19h30 — Margot Criseo, "Une mnémotechnie des mnémotechnies" Une brève histoire et tentative d’application de diverses méthodes de mnémotechnie à travers (mais aussi sans) une collection d’ouvrages mnémotechniques du dix-neuvième siècle. Réutilisable pour retenir l(es)’ histoire(s), les dates, les livres, les poèmes, les listes, les itinéraires, la géopolitique, les calculs des cotisations sociales, les recettes de cuisine, les mots de passe, etc.
20h — Phylactère (Roxane Maillet, Auriane Preud'homme, Camille Videcoq), "pushed apart . pushed down . and then reshaped by distorsion" Phylactère est un projet éditorial et multiforme. Dans son format imprimé, la revue retranscrit des performances à travers des visions plurielles et subjectives. Les retranscriptions, l'écriture, les signes, la typographie ― en soi, tout ce qui constitue la mise en forme — deviennent des corps permettant de multiplier les sens et les identités des contributions. La lecture performée "pushed apart . pushed down . and then reshaped by distorsion*" propose une lecture samplée, mastiquée, et digérée des deux premiers numéros de la revue. *Titre emprunté de la contribution "Swallowing Surfaces", de Laure Vigna.
17/06/2023
14h30 — Julie Saclier, "Autopsie Domestique, Variation A" Écrite et mise en voix par Julie Saclier, mise en scène par Sophie Briffaut, "Autopsie Domestique, Variation A" est une proposition de lecture en mouvement qui s’intéresse à des figures de femmes dans l’espace privé, en faisant se re​​joindre mémoire individuelle et histoire collective.
15h30 — Socheata Aing, "Hot dudes reading" "Hot dudes reading" est un ensemble d'anecdotes* qui lie intimement Socheata Aing et ses proches aux livres qui ont traversé leur vie. Collection de sensations, d'affects, de réflexions et d'images, ces récits singuliers révèlent les attitudes et les usages que nous font faire les livres. Ils permettent de dessiner un monde commun avec honnêteté, humour et générosité. * cf. Claire de Ribaupierre (éd.), Anecdote, 2007
16h — Lison Noël (collectif La Lecture-artiste), "Lectures mouvementées" Atelier d’improvisation de lecture dansée pour explorer les potentialités de la lecture à produire des mouvements dansés et de la matière chorégraphique, depuis le mouvement des yeux sur la page jusqu'à ce que peut l’ensemble du corps en lisant.
Goûter / tea-time
17h30 — Caroline Sebilleau, "France au revoir" "France au revoir" est la revue en FLE de la famille Rester. Étranger. Sa saison éditoriale se meut hors scène, hors livre. L’écriture manuscrite semble être le motif principal, la langue française le lieu à habiter avec chacun·e ses langues maternelles, ses histoires de trajectoire, ses histoires de papiers, ses histoires chantées, imprimées, racontées.
18h — Axel Raingeard, "Pao" La démarche d'Axel Raingeard se développe entre scène littéraire et performative queer, théâtre et recherche. "Pao" est une parenthèse intime et politique abordant crûment l'importance vitale des mots quand on craint ne plus rien avoir d'autre.
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