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#austin city limits music festival
userparamore · 2 years
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HAYLEY during MISERY BUSINESS ACL music festival | oct 9th 2022
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desertpups · 7 months
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Weekend 1 at @aclfestival! Massive thank you to everyone who came to check out the set - I’ve always had such a great time here, was so glad to be back. See you in a week 🖤
📸 @RuthlessImagery
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domhnallgleesonhaven · 6 months
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Clip of Hozier's Alternative 101X interview about working with Domhnall on De Selby Part 2 music video.
So sweet ❤️
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cmonbartender · 2 months
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M.I.A. performing at Austin City Limits Music Festival (2007)
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paramorefold · 1 year
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HAYLEY WILLIAMS OF PARAMORE @ Austin City Limits 2022
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tomlinsonvuitton · 9 months
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I spy with my little eye.. a booby light
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kermitgasm · 2 years
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gxbtx · 7 months
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ACL 2023 (QT)
Attending ACL with thousands of others this weekend, my expectations were pleasantly exceeded. A certain clarity was achieved this year, one that I failed to understand the previous two years. Going with people you love can create a kind of love that defies all definitions. The combination of wonderful music stimulating all parts of our brains, the acceptance, the love, the diverseness, the passion, all creates a combination of a good time for any and all. Music does a magical thing to the brain, proving that jam packing a weekend with hundreds of bands and local businesses can create a sense of community. When we put our differences aside and share the passion of a cross-culture experience we show the true essence of the social creatures we are. Connecting this with my personal growth in understanding music as well as living in the moment is an experience that brings tears to my eyes, and an experience I think everyone should reach for. Even if not in the sense of music, I take away from this festival that the best way to seek a content state of mind is to try to live in the moment, and appreciate the natural beauty in life. To have a moment where nothing in the past or future matters is one I describe as true happiness.
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perfsonal · 2 years
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🥵
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ellewritenow · 7 months
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pokemon-camper · 7 months
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Idk if it's the autism but I feel like it's my responsibility to voice every compliment that crosses my mind while I'm at a music event.
*Especially* to other women and queers. Like, look at us! We took the time and creativity to coordinate this special outfit with this special hair!
And we're here to partake in the joys of an incredible human experience! We're marinating our souls together in the magic of our ancestors--something that every human experiences both similarly and in an entirely unique way!
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userparamore · 2 years
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why do we like to hurt so much?
PARAMORE | THAT’S WHAT YOU GET acl music festival
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Acclaimed Paris-based electro pop sextet and JOVM mainstays L’Impératice  will be releasing their highly-anticipated, self-produced third full-length album Pulsar through microqlima records on June 7, 2024. Pulsar is an album, where the band — founder Charles de Boisseguin (keys), Hagni Gown (keys), David Gaugué (bass), Achille Trocellier (guitar), Tom Daveau (drums) and Flore Benguigui (vocals) — made every decision while capturing the band’s spirit both onstage and off. Fittingly, the album reportedly radiates with the energy and wisdom of an outfit that has helmed countless dance parties around the world on the way to find itself and its sound. Throughout the album’s material, the Parisian JOVM mainstays move freely and authoritatively among the sounds they love, bridging hip-hop, kosmiche and modern pop with their most unabashed embraces of French Touch and international house of their growing catalog. Pulsar is also the first album of their catalog to feature guest vocalists, including acclaimed folk/pop artist Maggie Rogers and rapper/producer Erick the Architect among a list of others. The album sees the acclaimed pop outfit trying a new creative approach: They split into two teams of ever-interchanging members to explore new ideas, led by the band’s founder Charles de Boisseguin. It was a way of incorporating every voice into the songwriting process like never before, pulling from idiosyncratic upbringings and enthusiasm. They then passed tracks to lead vocalist Flore Benguigui, a longtime jazz singer, who would sometimes write two-dozen vocal melodies for a song, just to see which one fit best. It was an arduous and exciting process that saw the band go from writing through recording in about nine months. For L’Imperatice, this was the sort of self-determination they’d longed for and now found. Throughout the album’s material, the band’s Benguigui boldly sings of self-empowerment, shirking beauty standards, ageism and drag normalcy throughout the album’s material. These are apt messages for incandescent anthems of experience, of fully being yourself, instead of anyone else’s version of it. The album will feature, “Me Da Igual,” a sleek and elegant, hook-driven Giorgio Moroder-era-disco-meets-French touch tune anchored by a strutting bass line, a squiggling Nile Rodgers-like funk guitar line and glistening synths serving as a sinewy and silky bed for Flore Benguigui’s sultry and ethereal delivery. Further cementing the French outfit’s reputation for crafting infectious, sensual, dance floor friendly bops, “Me Da Igual” features lyrics sung in Spanish and French while being a call to free ourselves from the injunctions to please at all costs, to reclaim your body by abandoning yourself to the euphoria of strobe lights and the dance floor — and listening to the sensations that movement and sound provides you.  The album’s second and latest single “Danza Marilú” features Italian vocalist Fabiana Martone. Continuing a bit where its immediate predecessor left off, “Danza Marilú” is a sleek, hook-driven, Giorgio Moroder-era-Italo-disco-meets-French touch bop anchored around glistening synth arpeggios, squiggling funk guitar, a supple and sinuous bass line and thumping beats. Inspired by and written as a rebuttal to Serge Gainsbourg‘s “L’Homme á tête de chou,” Pulsar‘s latest single is a defiantly feminist anthem for women of all ages, encouraging them to get on that dance floor and to be freely themselves — in spite of the looks that may ensue by insecure haters of all stripes. The acclaimed French outfit are in the middle of a lengthy international tour that will see the sextet playing four shows in NYC: April 9, 2024 at  Racket NYC; April 10, 2024 at Music Hall of WIlliamsburg; and September 7, 2024 and September 8, 2024 at Terminal 5. The September 8, 2024 show was added due to demand. And that isn’t surprising to me: I’ve caught them once, and they’re a must-see act that will have the entire room dancing the night away. Alon...
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stiniequeenie · 7 months
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saw kendrick lamar for 20 mins til they turned his mic off :(
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glassefactory · 1 year
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domlovescolson · 2 years
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YUNGBLUD confirmed for Austin City Limit music festival!!!
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