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#being you is great i wish i could be you more often
wishmaster · 2 days
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I really don't know why I agreed to go to the big college party tonight. Coulda just stayed and studied... God I'm getting anxiety. This app's probably a scam but maybe it'll have some placebo affect. I wish I was the kinda guy that fit in at these parties. I wish I could forget being some socially anxious pathetic nerd and just loosen up. Ugh it's so embarrassing I'm even venting to an AI, wish I could forget ever doing this too while I'm at it...
New Life to Live
You suddenly found yourself at the party, every and anything that happened before you arrived there was wiped from your memory.
You were the most popular person there, a popular get as the hottest leather model on the internet was gracing his lowly college's biggest party of the year.
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People anf fans flocked to you, anxious no more in fact you enjoyed getting up close and personal with your fans, especially you male fans as they often wanted o get a fell of your leather and your hard body beneath it. Usually at functions like this you'd end up having sex or blow jobs by a handful of guys, but tonight you'd be extra busy as the guys at this party was extremely horny and wanted to get into you tight leather.
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Fuck you thought as the mob of guys led you to the back where you proceed to engage in a wild orgy. You loved the attention, was this how all parties you attended ended up? If so this would not be the last one you attend. Fuck what a great new life!
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rants-about-opm · 2 days
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I would have preferred if Garou had kept his memory after the whole time travel adventure, and managed to do something Saitama and Genos hadn't: realize that Saitama is a problem.
I wish garou would have run off into the jungles like he did in the webcomic and just gone absolutely bonkers with forbidden knowledge, finally seeing that every big conflict comes to a head with this bald man, and how that isn't a good thing because that means the only thing standing between humanity and the kind of havoc people like himself try to wreak every day is a man who never gets there in time, never learns, and never changes despite having fended off such world shattering enemies several times before.
Can you imagine Garou being chased out of the town square because he's there with a megaphone telling an absolutely insane story about him being radioactive and getting knocked the fuck out by a god egg?
It's funny, but also could have so many interesting story repercussions; the Hero Association, who laughed Genos off, now have to rethink their entire approach to everything because the guy who was kicking the shit out of their heroes two weeks ago now wants nothing to do with them and is instead running around freaking out about the same story Genos told them, with the caveat that he doesn't think Saitama's supposed strength is anything but a ticking time bomb.
Genos would definitely end up hearing about what Garou is up to, and have to wrestle with his jealousy, his suspicion of Garou, and his attachment to Saitama if he is going to eventually team up with the only other person who knows the full extent of the truth about Saitama's power in order to prevent the doom Garou predicts will come about should other forces as powerful as the hero hunter was continue to challenge Saitama.
And of course, running around town doomsdaying is sure to catch the attention of Bang, who has no idea what to do with Garou anymore, the attention of the general population, who are going to flip their shit when the "ultimate evil" suddenly changes his mind about killing them and is trying to warn them of an even more ultimate evil, and also the attention of the exact kind of challengers Garou is trying to warn everyone about, who no doubt will be drawn to Saitama the way people who learn of his power often are.
I just think it could have been a real domino effect type deal. That being said, I'm not wanting ONE and Murata to change what they have in mind for the story. Somehow I get the feeling that the experienced writers and artists who have brought us countless other great stories have a better idea of how OPM should proceed than a guy with a Tumblr account and a dream.
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deep shpace nine... if that's too vague then maybe s7 specifically?
[For the reverse unpopular opinion ask game, where I talk about an aspect I like of any topic]
I think Deep Space Nine is still the best Trek show out of all of them, even the new ones! I realize I complain a lot re: how it approaches its women (especially its women of color—obviously I have my gripes about the Daxes and Winn but the people who really got the short end of the stick are Keiko, Kasidy and Sarah Sisko), but it's still the show who tried to really push the envelope and try to fully explore its premise /and/ also tried to adress issues of race and colonialism in a... not completely naive (ie, racist) point of view. There are exceptions to this too (there always are in Trek) but I totally understand why this show is so popular now.
For season 7 specifically, while some episodes are certainly... there, I've always defended it probably more than most people, and perhaps even more than it actually deserves. I think as far as final Trek seasons go, it's again one of the best, and again tried to push the show as far as it could go. It's Ezri's season as well, and of course that influences my perspective quite a bit. I think she was a great addition to the cast (add obligatory caveat about Jadzia's death being stupid and unnecessary etcetera) and allowed the show to get a little deeper into what a Trill joining actually entails. With Jadzia the transition between Curzon and her was mostly theoretical and off screen; in season 7 we see all the characters struggle (even if momentarily) with what it means to have in front of you a different host of your old friend, who can never come back as she used to be. And the show gave some space to Ezri to develop too, which wasn't a given for a character coming in so late into the fold.
I think the whole season is also worth it for the whole Cardassian resistance arc. It's got so many great moment for Kira and Damar and Garak, I kinda wish the whole season had focused on it more rather than only in the back half. Then there are great standalone episodes like The Siege of AR-558 and It's Only A Paper Moon, which coupled with the final episodes on the war really manage to send the strongest, most affecting anti-war message out of most Star Trek. I love that the writing stubbornly refuses any easy trumphalism, that's something I wish modern Trek took inspiration from more often. Sometimes I find it would be best to shy away from moralizing and/or uplifting messages or whatever and be more willing to really sit with questions that have no immediate answers, like 'what is the price we will pay for all this death and destruction?'. DS9 was never afraid to leave the audience picking up the pieces, and I think that for the Dominion War plot at least season 7 managed to do the same fairly consistently.
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beatsforbrothels · 1 year
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Just stepped in from outer space, damn I'm feeling great People I done met, places I done stayed Lessons that I learned from my unmendable mistakes Pressure to be greater than fiending to relate
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mattodore · 8 months
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hello good morning happy thumb in his mouth tuesday (a day i just made up for matthias's slutty little whims)
#river dipping#theodore doe#matthias evanoff#echthroi#a burning house to live in#ts4#blender#now i just have to make a pose where theo's thumb is in matthias's mouth so everything goes full circle#you already know matthias is gonna be on his knees for it 😌#but anyway i finished making that first pose last night while recording a little video showing nene how i make poses#and then when i woke up i jumped back into blender to make another version of the pose but like. hornier.#i love making poses rn like i'm in blender so often these days... honestly i'm in blender more than i'm in the sims lmao#there's one i started working on like two days ago that is so... i wish i could share it on here but cock and balls are out in it </3#placing so many curses on tumblr hq#...........i did make a pillowfort account tho so :)#i'll post the wip of it onto there when i get further along bc the pose is kind of messy atm. still trying to figure out the anatomy 😁🔫#i actually made a pillowfort yesterday just to post an old screenshot from the casual oc save that i found again and had a good laugh at#i've been messing around on there and i really like how you can set posts to being just for logged in users / followers / mutuals#and there's an 18+ label you can slap onto your posts too#like it's great!!! tumblr sucks so bad why don't we have those options on here... seriously#ALSO you can turn off reblogs on pillowfort any time you want and you can set it so that it DELETES ANYONE ELSE'S REBLOGS OF THE POST!!!#WHY is that not an option on this website like i hate it hereeeeeeeeee#but anyway pillowfort also seems to not have that many people on it so like. that's literally perfect for me and my avpd#i'll probably end up posting on there a lot#...... oh and#nsft#?? just in case i mean matthias does in fact have a handful in that second pose there so. for the blacklists ☝️
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magentagalaxies · 7 months
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fucking love it when one of my professors brings up kids in the hall in giving me feedback, not in a pandering way but in a "this is an observation i've made about their work and how you could channel this aspect in your own comedy to get yourself out of your comfort zone and play with new things"
#shoutout to my improv teacher fr#we were talking about how i don't use dynamic physicality and movement as much in my characters#and she brought up how so much of their characters are very physical and encouraged me to play with that#and also specifically character temperament and emotions and stuff bc i have a specific range i play in#and it's funny even tho i personally think my comedy style is most like bruce#and scott in a lot of ways has these uninhibited moments i wish i could throw myself into#in terms of character range/voice/temperament/emotion? i'm playing heavily in the scott zone rn#and my professor was like ''that's great but also i wanna see you play a bruce girl''#we also had a whole conversation about gender and kith and how gender plays into my improv or is absent from it a lot of the time#and holy shit erin my improv teacher wins cis ally of the day award she was so respectful while also having good feedback#(her feedback was low key ''be more overtly trans even if it makes cis people uncomfortable'')#bc like. i'm very overtly trans in my standup rn like you know how aubrey is#but in improv? sure i play many characters regardless of gender but that's the thing. it's ''regardless'' of gender#so i sort of default to being neutral so that others can project onto me. it's sort of ''idgaf i'm chill'' which in itself still is radical#but it gives ''cis allys'' who don't want to deal with gender an outlet to just project onto me in a way that i could own much more#anyway the way i process feedback is often by repeating it to someone else so like. this didn't need to be a post this is for me#but idk if you're following along with my comedy journey (or even if you just want to hear my professor reference kids in the hall!)#maybe this is of interest to you. in any case i'm very excited to play with all this stuff much more#and i definitely feel confident in my comedic identity and trans identity and most of all my trans-comedian identity#and i'm excited to see how i grow from here
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pipskippy · 1 month
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theres something abt suzaku and lelouch that makes for really nice atmospheric dreams for me i think it’s a big part of why cg has stuck with me lolll. very fitting actually bc i originally watched it because i kept having dreams about it and got curious…
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merriclo · 9 months
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bro just beat totk. goddamn.
#spoilers incoming#!!!!#anyone who doesn’t want to be spoiled gone?? yall are gone? yeah?? ok good. don’t continue. spoilers.#ok so. the final battles were kind of super fucking easy 😭😭😭#and ngl i’m a little disappointed that it didn’t include like. anything from the zonai. we could barely use the sages.#the arm was useless aside from bettering weapons#aside from that tho beautiful fight the animations and visuals were gorgeous#the story was sick as hell#while it definitely could’ve been more effective in some ways it was still great overall#tulin dropping in and being like ‘you don’t have to fight alone’ I LOVE YOU LITTLE GUY#don’t mind that the final battle was literally just Link and then Link using Zelda to get leverage on dragon ganon 🏃‍♂️💨#still a wonderful game tho. wish the sky was involved more and that the depths were advertised more#bc. so much of the game is in the depths lmaoo#and the zonai research team felt underutilized 😭 for how often you ran into them they did very little#aside from the one quest with Paya and Tauro#idk. wish they had more. like they could’ve been the one investigating caves and such and that how you came across murals like the ones—#—under the castle which could’ve been the memories instead of the glyphs which were difficult to get in order#‘uh they told you how to get them in order—‘ not everyone immediately went to the forgotten temple 💀#sonia dying was the second glyph i saw bc i went out and explored thinking ‘oh it’s a non linear game!! surly the memories will match that.’#plus the grave glyph was very obvious#the memories and the sky are rlly my biggest gripes w the game i think. they’re good but idk they could’ve been a lot better#loved the depths tho i was all up in the depths#i couldn’t get enough. still can’t tbh#love that shit#it’s so cool#the shrines were super fun as well#loved the mario kart one#and the clothes were all super fun to find!!#why are lynels still harder to beat than ganon for me 💀#uhhhh good game. rlly good. link is so fucking pretty and so is riju and i love tulin what a cutie pie
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rinielelrandir · 21 days
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Whenever someone in this one discord server I'm in complains about being neurodivergent and says they "wish they were neurotypical" I have to suppress the strong urge to tell them to unlearn their internalized abelism. Cause like, no, sorry, while being autistic or having ADHD might make it difficult to socialize and maintain friendships with neurotypicals, if you focus on friendships with other neurodivergent people you'll have an easier time. Because they'll grok your ways of being more easily. And some neurotypical folks will still think you're great even if you are bit "odd" to them. Trying to socialize like a neurotypical person is just setting yourself up for failure!
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It's me. I'm the cis, heterosexual, aromantic man. I will never marry, I will never be married, I will grow into middle age and elder age and I will die unmarried. I will be forced to support a household of myself on only my wages alone for the rest of my life. I will be asked about women and marriage and children by my family for the rest of my life (or men, the progressive ones might say). I may not ever come out to them. I feel like I burned my coming out on something stupid. I don't want to explain it. I don't want to run them through the definitions and intricacies. I don't want the acceptance without understanding, placating me with ceased questions and poor explanations to other, drunk adults.
I like my hair to be long, I spent a year with it dyed a golden blonde with dark roots because I like the trashy party girl aesthetic. I want to dye it again with pink tips. I like painting my nails, black and blue are my favorite colors. I like wearing chokers. I also like wearing baggy jeans and ratty hoodies. I like having stubble. I like having chest hair. I like having a square jaw and broad shoulders. I wish I had a flatter stomach and a thinner profile frame. I don't know what this makes me, perhaps this is something no more GNC than Machine Gun Kelly. I think about this a lot, how queer my appearance truly is. I should think about it less. I have thought long and hard about if I could be trans or if I could be non-binary or if I could be genderqueer and the conclusion I ultimately came to is that I most enjoy being a man open to whatever self-expression I want.
I don't date, but I've thought about it. I would like to meet people, and I would like to have sex with them. But I don't want to hurt them. I fear if I explain what I am beforehand it'll scare them away. I fear if I explain after they'll feel manipulated or abused. I don't know how many people in the dating scene want what I want. I fear my own lack of experience will make me a bad lay, an embarrassing story to tell to confidants in hindsight. I fear my own virginity, a boundary to those I wish to be like. All of these fears are baseless, as I've not been able to even begin a single relationship in my life. Despite this I still heavily identify with terms like "slut" and "manwhore" and "thot" because my interests lay so deeply within casual sex, sex without great intimacy or emotion. This may be some form of stolen valor. I hope the true sluts are not too mad at me.
I made this blog several years ago because a mutual of mine reblogged memes making fun of aro and ace people, making fun of the concept of aphobia, and in addition well known aphobes. I didn't feel comfortable talking about aro stuff on my main blog, for as little as I talk about it. Living through the ace discourse of the 2016 era has largely caused me to cringe in embarrassment any time I am forced to discuss my orientation with people who aren't aro or ace themselves. I no longer follow this person. I unfollowed many people I was mutuals with from that time, most of them because they posted too often about how much they hated men and I didn't want to see that, some because our interests simply drifted too far apart, only one for explicit aphobia reasons. (Also one because they became a "both sides are bad, any vote is wasted" libertarian, but that's unrelated.)
I guess at this point I don't care deeply about what strangers on the internet think of me. If a trusted friend told me that they don't think I'm truly queer that may hurt. But I am going to continue to use the word for myself. I take up no resources. I go to events that are open to me. If an event was not open to me, I think I'd not want to go anyways. I am not a hypothetical, I am not a strawman, I am a person with lived experiences both within and exterior to the queer community. If you hate me, I will permit you to continue to do so. But ultimately, I am who I am, I cannot change these facts, and I would not choose to do so even if I could.
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Fandom can do a little gatekeeping. As a treat.
So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.
Lurkers really are great, tho
I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.
Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.
The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.
Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.
There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.
I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 
I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.
I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.
So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.
But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.
I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.
Should we gatekeep fandom?
I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--
A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.
That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.
See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.
So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.
The entire world is here now. That gate has been demolished.
And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”
Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.
Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.
And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.
However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 
I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.
And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 
And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)
But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.
Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.
Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.
Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 
While reading through the initial Reddit thread on the lore.fm situation, I found this comment:
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[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 
OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]
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“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.
I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.
It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 
So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.
And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.
So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.
Think of it like a garden gate
When I interact with commenters on my fic, I have this sense of hospitality.
The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 
Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 
Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.
My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.
But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.
I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.
Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.
And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.
Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.
Do you leave comments? Congrats, you're a community member.
Do you curate reclists? Congrats, you're a community member.
Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.
Do you provide a space for other fans to convene in? Congrats, you're a community member.
Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.
Do you have fandom friends who you interact with? Congrats, you're a community member.
There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.
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beatsforbrothels · 1 year
Audio
Either cool is just a guise Or the same - maybe the fool is the disguise I open up my eyes, and spin in three-six-oh degrees And see “Spy Versus Spy” within me, plottin’ how to end it Wiley Coyote - great regrets always define my image Seems I never reach the goal but always meet the finish Popeye kickin’ the can but never eats the spinach
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contact-guy · 4 months
Text
lol THIS ENDED UP BEING SO LONG but it's such a cute story opening that I had to draw Watson roasting Holmes's messiness for the newspaper and Holmes skillfully maneuvering his way out of having to do chores. It's all canon, even the indoor sharpshooting, except for the bit about the cold bath.
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canon text under the cut:
An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
Our chambers were always full of chemicals and of criminal relics which had a way of wandering into unlikely positions, and of turning up in the butter-dish or in even less desirable places. But his papers were my great crux. He had a horror of destroying documents, especially those which were connected with his past cases, and yet it was only once in every year or two that he would muster energy to docket and arrange them; for, as I have mentioned somewhere in these incoherent memoirs, the outbursts of passionate energy when he performed the remarkable feats with which his name is associated were followed by reactions of lethargy during which he would lie about with his violin and his books, hardly moving save from the sofa to the table. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. One winter’s night, as we sat together by the fire, I ventured to suggest to him that, as he had finished pasting extracts into his common-place book, he might employ the next two hours in making our room a little more habitable. He could not deny the justice of my request, so with a rather rueful face he went off to his bedroom, from which he returned presently pulling a large tin box behind him. This he placed in the middle of the floor and, squatting down upon a stool in front of it, he threw back the lid. I could see that it was already a third full of bundles of paper tied up with red tape into separate packages.
“There are cases enough here, Watson,” said he, looking at me with mischievous eyes. “I think that if you knew all that I had in this box you would ask me to pull some out instead of putting others in.”
“These are the records of your early work, then?” I asked. “I have often wished that I had notes of those cases.”
“Yes, my boy, these were all done prematurely before my biographer had come to glorify me.” He lifted bundle after bundle in a tender, caressing sort of way. “They are not all successes, Watson,” said he. “But there are some pretty little problems among them. Here’s the record of the Tarleton murders, and the case of Vamberry, the wine merchant, and the adventure of the old Russian woman, and the singular affair of the aluminium crutch, as well as a full account of Ricoletti of the club-foot, and his abominable wife. And here—ah, now, this really is something a little recherchè.”
He dived his arm down to the bottom of the chest, and brought up a small wooden box with a sliding lid, such as children’s toys are kept in. From within he produced a crumpled piece of paper, and old-fashioned brass key, a peg of wood with a ball of string attached to it, and three rusty old disks of metal.
“Well, my boy, what do you make of this lot?” he asked, smiling at my expression.
“It is a curious collection.”
“Very curious, and the story that hangs round it will strike you as being more curious still.”
“These relics have a history then?”
“So much so that they are history.”
“What do you mean by that?”
Sherlock Holmes picked them up one by one, and laid them along the edge of the table. Then he reseated himself in his chair and looked them over with a gleam of satisfaction in his eyes.
“These,” said he, “are all that I have left to remind me of the adventure of the Musgrave Ritual.”
I had heard him mention the case more than once, though I had never been able to gather the details. “I should be so glad,” said I, “if you would give me an account of it.”
“And leave the litter as it is?” he cried, mischievously. “Your tidiness won’t bear much strain after all, Watson. But I should be glad that you should add this case to your annals, for there are points in it which make it quite unique in the criminal records of this or, I believe, of any other country. A collection of my trifling achievements would certainly be incomplete which contained no account of this very singular business.
-The Memories of Sherlock Holmes: The Musgrave Ritual
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sterredem · 1 month
Text
She’s real!?
Charles Leclerc x reader
Face claim:
Summary: Charles has said he has a girlfriend for a few years now. But the longer people hasn’t seen her the more they think they he made her up. Until they are proven wrong
Word count: -
Warning: fluff, rushed, maybe some spelling mistakes.
A/N: the ending was ruched cause I am working on something bigger. But This has been in my draft for weeks so I wanted to put it out before the big thing.
Please interact or give feedback🫶🫶 it helps a lot
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Charles knew that he was lucky. He had an amazing girlfriend, his dream job, great friends, enough money so that he could last a lifetime, fans that supported him and a family that loved him.
But not everyone believed that he had all that. It may sound a bit weird because they where all facts. …right?
Well not every on of them. The first one the girlfriend one. That one wasn’t. He claimed he has one. And he always brings her up, for 3 years now. And you may think ‘well why don’t people believe him then?’ Well that can be answered quite easily.
No one has seen her yet. Well not no one because his family and his closes friends have. But they have never been seen public, and if they did see her they didn’t know it because they don’t know who she is and how she looks. They know there is someone, just not how she looks, what she does or what her name is.
And that is why people don’t believe him. Even some of his close friends and colleagues don’t. His team doesn’t even believe him.
And that’s all because they wanted to wait with going public. They wanted to wait because Y/n was really busy with her school work and Charles was travelling the world for formula 1. They did live together in his house in Monaco. But they didn’t see each other that often. But they still managed to keep it private.
And they do want to make it public. But in the first year that they where together they decided to keep it quiet, and when they where in their second year, she was really busy with school and being in her year before her exams she needed to study a lot. And then with him travelling the world and having a lot of trouble with Ferrari they still didn’t have the time. And now in their third year together, she was in her last year of school and studying a lot and him starting the season again. They still didnt find the time to go public.
And when they did find the time they where together and enjoying the privacy they had. So they decided to not hard launch yet and just torture the fans and public with corny soft launches.
And while they enjoyed the privacy they had. Charles did find it annoying that his friends and fans didn’t believe him. And he tried everything, but he will prove that she is real. Even if it will cost their privacy.
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When Charles walken in the paddock alone… again, people stared looking and asking questions. A bit teasing of course.
And when it was media day there were a few questions about his ‘girlfriend’ but he successfully dodged them all. Not that he didn’t want to talk about her. But his media team said that it was better to not answer them, and he talked to Y/n about it and she said that it if came up he could talk about her. But just not randomly saying stuff.
So as promised he kept quite about their relationship. And when Fp1 and 2 rolled around it was still going great.
Well besides the teasing comments from his colleagues and even his team.
And when qualifying came around it was going really great. He started on 5th place, with was not the best but still good.
But then Race day came and he was as pretty excited. He started on a good place and Carlos was back again.
He ignored it for now and talked with his engineer for the last time before the race.
Before he got in his car he checked his phone one last time to see y/n has wished his good luck, he smiled a bit at that. But when he looked up again he saw that Carlos shot him a knowing look.
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After Charles was done at Australia he got on a plane. When he was in the airport he saw his girlfriend. He ran up to her and hugged her. After not seeing her for a few days he had missed her.
“Hey amour, I missed you” he said in her hair while hugging her.
“Hey love, I missed you too. So much” she said looking up at him smiling. What they didn’t notice is Joris taking pictures (not that they would mind).
“Would you want to go home or walk around a bit?” She asked with a slight smile while looking in his eyes.
“I think it would be fun to walk around wouldn’t it?” He asked while putting a bit of hair behind her ear.
“Yeah it would. Come on we should get to the car.” She said while grabbing his hand. “Hey guys good too see you.” She said addressing the other people that where with her boyfriend (and a few of the little people that knew about them and believed it).
“Yeah yeah. Good too see you too y/n/n. Could you just keep the PDA down or something?” Joris said reading a bit.
“Oh sure, I will just keep down being with my boyfriend after no one believes we are together and not seeing each other for a few days. You know you are lucky, you get to be with his all the time.” She said jokingly.
“Yeah yeah whatever.” Joris said while smiling at the couple. They really where something.
“Where do you guys want to go?” She asked looking at Charles again.
“We could just walk around the city and maybe catch the sunset, no?” Charles said while they all walked to the car.
“Yeah that would be fun.” She said opening the back door. “Who wants to drive!” She asked specifically to the other two boys not wanting Charles to drive with his parking skills.
“I could drive, Andrea so you want to go home? I can drop you off and give the lovebirds some time to catch up. ” Joris said.
“Oui, s'il vous plaît.” Andrea said while getting in the passenger seat. (Yes please.)
After dropping Andrea off at his home and walking around the city for a few hours they decided to go to a field to watch the sunset.
“It is so pretty.” Y/n said while looking at the sunset.
“Yeah it is.” He said looking at her. Admiring her.
A few hours later they decided to go hand and hang out there. Joris was with them for a bit longer after deciding to go home too.
Once it was just them they cuddled un in bed and talked for a bit longer.
“Hey Charlie I have a question.” Y/n said once the conversation dialed down a bit.
“What is that Belle?” He said looking- no more admiring her.
“Would you want to go public? And if when?” She asked playing with his hair.
“Of course I would want to go public. And whenever we are ready.” He said kissing his head.
“What if I just come to the paddock and surprise everyone. And we just randomly hard launch?” She asked looking at him.
Charles looked at her thing about it. “It would be fun wouldn’t it?” He asked smiling at her with a little smirk.
“Should we?” She asked him.
“We cou wait a few races, maybe chose a good one. We could stir up some thing. Maybe soft launch some?” He asked her now being a lot more serious then before when they just joked around and talked a bit.
“That would be fun.”
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After Y/n postet that on her story a lot of people begin to notice. Especially because Joris was posted. So when people begin to put everything together they where shocked.
So with now people beleving Charles Y/n could finally be at an race. And that happened. And people loved it.
The drivers where shocked that she was real, so where the fans and the people that worked their.
But they where all happy for them
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luveline · 2 months
Note
do you have anything more from office frenemies with james? i just read it and i loved it so much
yes! love u ty
—you and James don’t get along until you kind of, sort of do. fem!reader, 1.5k
James listens to the most obnoxious playlist in the mornings. There’s about a fifteen minute window between when he arrives and when the workday officially starts, which coincides exactly with your window. He often gets the same elevator ride, walks a pace beside you, and decides whether he’s going to let the ‘lady’ go first through the door depending on the day. 
That morning, he’d opened the door widely, grinned at you with music blaring loud enough to make a normal person deaf from his earphones, and let you pass. Then he pretended to stick his foot out to trip you up, pulling it back at the last second. 
Jerk, you think, angry even now as he tucks himself into his desk, his earphones still ridiculously loud. He actually, genuinely, is going to get hearing damage. You’re not being bitter. Human ears aren’t meant for that. 
You click onto the workplace Outlook and open a tab on your desktop. How loudly can you listen to music? you google. A few articles appear straight away that fit your purpose —you drag them each into an empty email. Then, smiling to yourself, you find an article on the negative effects of workplace noise pollution and how this sort of selfishness can affect your coworkers’ mental health and add that at the very top. 
Hi James, 
please find attached a few articles I felt might be important for you to read.
Worst, 
Your unhappy adjacent desk. 
You know he’s received it when he laughs loudly, turning down his music with a few quick clicks on his phone. 
An email comes through to your inbox shortly after.
Hi bestie, 
I’m so so sorry for the noise. Please find attached a few articles I, in turn, felt you might enjoy. 
Best, 
James Potter :) 
He’s attached an irksome variation of articles. Why music can help you get ready for the day. Ten ways workplace friendships are important. Can you really find your soulmate at work? 
You open your personal messaging system. You tend not to use it with James, but this morning he’s winding you up. 
I could report you to HR for that last one, you send. 
He replies quickly. You try very hard not to look up at him from over your desktop. I didn’t mean me. 
You’ll be deaf by thirty. 
Jealous you don’t have such great taste in music? 
Jealous of everyone in the annex. 
Want a cup of coffee?
You meet his gaze finally over the computer, find him already looking at you. You shake your head scornfully. In what world would you ever want him to make you a coffee? He’s never actually offered to make you one before, to be fair, but he’s awful to you so what are you supposed to think? He’ll probably poison it. 
He stands to leave. Remus, the other accountant to complete your trio, arrives while he’s gone with his boyfriend Sirius in tow. They’re also James’ best friends, unfortunately. It makes for some awkwardness. 
“Where is he?” Remus asks you, in the midst of a quick goodbye kiss before Sirius makes his way to his desk further down the office. 
You nibble your lip and give a dispassionate shrug. You hate talking about James. You hate his stupid mess of hair, his reading glasses, his lips when he smiles crookedly and worse when he’s glaring at you. You hate the way he sighs as he clicks his neck, the quick lap he does every other hour complaining of tired legs, the genuine tenderness he shows you whenever you’re sick. You hate James. You don't like to think about him too much lest you get caught, a fish in a net.
Or a fish with a painful hook in its lip. 
“Ah, you’re here,” James says, two cups of coffee in his hand. 
You’re only a little heartbroken when he puts one on his desk and one on Remus’. Didn’t want one anyways. 
Remus grins as James comes up behind him for a rough hug and hair ruffle. “How was last night?” 
“I wish you’d come. Sirius spent all night trying to out drink Marl, you know he can’t, so I spent all night holding his hair out of his face. I wasn’t gonna talk to him this morning, but he was being very pathetic.” 
James laughs. You pretend you aren’t listening to them, pretend you don’t feel left out even if they have no reason to be your friend, clicking at random things on your screen and scrolling through spreadsheets long finished and filed. “You know I couldn’t come, Moony,” —no point starting on their awful nicknames— “what if she needed me?” 
You still. She? 
“James, there’s not much you can do,” Remus says gently. He’s a quiet, soft sort of man, but they’re all so loud about loving one another. “You have to let her… you know.” 
You feel them both looking at you, your gaze steadfast on your screen. 
“Try not to think about it,” Remus says. 
“I’ve been distracting myself,” James agrees. 
Oh, you think. Oh. I’m such a dick. 
“You could go home?” Remus says, putting his face in his hand. “I could cover you.” 
“It’s too much work.” 
“I know, but, you know, I’ll do half, and you’ll only have half to catch up on when you come back.” 
You’re not sure who she is, and you very much still don’t like James Potter, but you're not heartless. He sounds awfully upset, fragility to his voice and a foreign balling of his fist by his hip. “Um,” you say, clearing your throat weakly, “well, with me and Remus, we could cover for you.” 
James’ face is unreadable, looking down at you. “You’d cover for me?” he asks. 
“Your work isn’t exactly hard, James.” 
“But you’d do it?” 
“How long will you be off for?” 
James frowns. “Like, two days?” he says quietly. 
“That’s fine. We can do that,” you say, checking with Remus from around James hip. “Yeah?” 
“Of course,” Remus says quickly. 
James looks at you long and hard. “You’re not kidding?” 
“No, James. Not kidding. You’d do the same for me, right?” 
James leans down to hug you before you can stop him. His arms wrap around your shoulders, a perfectly amicable touch made up of sleeper muscle and the attractive smell of almond oil, nearly sweet, slightly woody. He laughs against your cheek as he pulls away, turning back to Remus for a similar hug. “Thank you. I’ll go tell Danny right now.” He beams at you. His relief is thick as honey, palpable in his warm tone. “Thank you.” 
You can’t look at him very long. 
The memory of his fingers linger, the weight of his arm behind your head. He excuses himself to go talk to your boss, and you and Remus sit in a semi-awkward silence, of which you’re wholly responsible. 
“His cat is dying,” Remus says eventually.
You wince. “Oh, no, really?” you ask. 
“He’s had her since we were kids. It’s really nice of you to do this.”
“I really do think he’d do it for me,” you interrupt. “I’m not, you know, cruel, because we don’t get on.” 
“I know. James knows that too.” 
You want to get defensive. Why does it matter if James knows? But Remus is too nice to argue with, and secretly, strangely, you’d wanted James to know you aren’t mean. You wouldn’t have sent him that email this morning if you’d known, and maybe this is apology enough for that. 
Still, it doesn’t feel right when James returns, gathering his suit jacket from the back of his chair. “Thank you guys, so much. I will bring you the most amazing desserts of all time as a thank you. I won’t even put your mug on the top shelf the next time I wash it,” James promises you. 
You bat aside the rage of knowing he’s the culprit and instead get out of your seat before he can leave. “Uh, James?” you ask. 
He raises his eyebrows. “Yeah?” 
You look at the floor by his shoes. “About earlier…”
James stands subtly between you and the bulk of the office. “You okay?” 
“I just– I’m sorry for complaining about your earphones. I wasn’t trying to be insensitive.” 
“You weren’t insensitive,” he says, “I was being obnoxious. Don’t worry about it, okay?” 
“I–” You hate yourself for all your stammering. “Hope whatever is wrong, that you’re okay. I’ll cover for you for the week if you need me to.” 
“Please stop feeling sorry for me. It looks weird on you. I much prefer you when you’re frowning, you get these super deep wrinkles in your forehead that I just love.” 
You turn away without looking up. “I’m gonna input all your sales information wrong.” 
“And I’m gonna bring you the best donut you’ve ever tasted to say thanks, sweetheart.” 
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foone · 1 year
Text
Look if there's one thing, just one thing, that I wish everyone understood about archiving, it's this:
We can always decide later that we don't need something we archived.
Like, if we archive a website that's full of THE WORST STUFF, like it turns out it's borderline illegal bot-made spam art, we can delete it. Gone.
We can also chose not to curate. You can make a list of the 100 Best Fanfic and just quietly not link to or mention the 20,000 RPFs of bigoted youtubers eating each other. No problem!
We can also make things not publicly available. This happens surprisingly often: like, sometimes there'll be a YouTube channel of alt-right bigotry that gets taken down by YouTube, but someone gives a copy to the internet archive, and they don't make it publicly available. Because it might be useful for researchers, and eventually historians, it's kept. But putting it online for everyone to see? That's just be propaganda for their bigotry. So it's hidden, for now. You can ask to see it, but you need a reason.
And we can say all these things, we can chose to delete it later, we can not curate it, we can hide it from public view... But we only have these options BECAUSE we archived it.
If we didn't archive it, we have no options. It is gone. I'm focusing on the negative here, but think about the positive side:
What if it turns out something we thought was junk turns out to be amazing new art?
What if something we thought of as pointless and not worth curating turns out to be influential?
What if something turns out to be of vital historical importance, the key that is used to solve a great mystery, the Rosetta stone for an era?
All of those things are great... If we archived it when we could.
Because this is an asymmetric problem:
If we archived it and it turns out it's not useful, we can delete.
If we didn't archive it and it turns out it is useful, OOPS!
You can't unlose something that's been lost. It's gone. This is a one way trip, it's already fallen off the cliff. Your only hope is that you're wrong about it being lost, and there is actually still a copy somewhere. If it's truly lost, your only option is to build a time machine.
And this has happened! There are things lost, so many of them that we know of, and many more we don't know of. There are BOOKS OF THE BIBLE referenced in the canon that simply do not exist anymore. Like, Paul says to go read his letter to the Laodiceans, and what did that letter say? We don't know. It's gone.
The most celebrated playwright in the English tradition has plays that are just gone. You want to perform or watch Love's Labours Won? TOO FUCKING BAD.
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Want to watch Lon Cheyney's London After Midnight, a mystery-horror silent film from 1927? TOO BAD. The MGM vault burnt down in 1965 and the last known copy went up in smoke.
If something still exists, if it still is kept somewhere, there is always an opportunity to decide if it's worthy of being remembered. It can still be recognized for its merits, for its impact, for its importance, or just what it says about the time and culture and people who made it, and what they believed and thought and did. It can still be a useful part of history, even if we decide it's a horrible thing, a bigoted mess, a terrible piece of art. We have the opportunity to do all that.
If it's lost... We are out of options. All we can do is research it from how it affected other things. There's a lot of great books and plays and films and shows that we only know of because other contemporary sources talked about them so much. We're trying to figure out what it was and what it did, from tracing the shadow it cast on the rest of culture.
This is why archivists get anxious whenever people say "this thing is bad and should not be preserved". Because, yeah, maybe they're right. Maybe we'll look back and decide "yeah, that is worthless and we shouldn't waste the hard drive or warehouse space on it".
But if they're wrong, and we listen to them, and don't archive... We don't get a second chance at this. And archivists have been bitten too many times by talk of "we don't need copies, the original studio has the masters!" (it burnt down), or "this isn't worth preserving, it's just some damn silly fad" (the fad turned out to be the first steps of a cultural revolution), or "this media is degenerate/illegal/immoral" (it turns out those saying that were bigots and history doesn't agree with their assessment).
So we archive what we can. We can always decide later if it doesn't need preserving. And being a responsible archivist often means preserving things but not making them publicly available, or being selective in what you archive (I back up a lot of old computer hard drives. Often they have personal photos and emails and banking information! That doesn't get saved).
But it's not really a good idea to be making quality or moral judgements of what you archive. Because maybe you're right, maybe a decade or two later you'll decide this didn't need to be saved. And you'll have the freedom to make that choice. But if you didn't archive it, and decide a decade later you were wrong... It's just gone now. You failed.
Because at the end of the day I'd rather look at an archive and see it includes 10,000 things I think are worthless trash, than look at an archive of on the "best things" and know that there are some things that simply cannot be included. Maybe they were better, but can't be considered as one of the best... Because they're just gone. No one has read them, no one has been able to read them.
We have a long history of losing things. The least we can do going forward is to try and avoid losing more. And leave it up to history to decide if what we saved was worth it.
My dream is for a future where critics can look at stuff made in the present and go "all of this was shit. Useless, badly made, bigoted, horrible. Don't waste your time on it!"
Because that's infinitely better than the future where all they can do is go "we don't know of this was any good... It was probably important? We just don't know. It's gone. And it's never coming back"
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