For some of us, the sadness running under the skin of things begins as a trickle and ends up a hemorrhage, staining everything.
- Daphne Merkin, This Close To Happy
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Stormhead
a print for the INHIBIT: BOOK 2 Kickstarter!! I got to draw Victor, the anxious sadboy protagonist 🌩️😢
INHIBIT is a comic about troubled teens with superpowers, written and drawn by my brilliant friend @evegwood. they are soooo close to their goal, let's nudge them over that finish line!!
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
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psa that the day there are no jgy stans left on tumblr dot com is the day i am dead
but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open
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Oh, Hazel, look! The field! It’s covered with blood!’
Fiver is my favorite character in Watership Down, he's just like me fr. I was afraid this wouldn't read especifically as Fiver, but alas... i liked my initial sketch a lot so i kept it as it was.
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I post Kirby and WH40k art exclusively now.
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my dads an audiobook narrator, his current project is winnie the pooh, and he’s making me cry because he’s making himself cry trying to record the last chapter when christopher robin leaves the 100 acre wood for the last time and accepts that he’s going to grow up. Idk like aside from the eternal shared humanity and understanding between artists, this is also why AI replacing voice actors will do nothing but harm. We deserve to be given art from each other!!! The AI voice will not waver and that comes at a loss!
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After the Pometrios dreams I am both excited and terrified to know what the other students dreams are like
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do you ever think about the tragic fact that odasaku's dying words to dazai were to become a good man, to be on the side that saves people.....which leads to the creation of the beast universe as dazai, in his grief and denial, finds the book and alters reality with the mentality "then....that means saving you too, right?"
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Another thing that makes kaladin so painfully relatable is how much his mental illness hides his personality, because between depressive episodes and trauma he's this sarcastic little shit that smiles a lot at his friends and then the depression gets to him and all that disappears
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i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way.
but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.
idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word).
in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is.
the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares.
but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care.
tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.
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I am totally fine
...Lester, who saw that Meg was like him, while observing her and her Beast...
...(and who didn't admit to himself, that he had a Beast too)...
...Meg who was so scared and worried out of her mind that Lester is in dander and is going to die in the cave of Trophonius that she kept trying to catch his attention and started singing in order to guarantee his safety...
...Lester, who selflessly agreed to give his life only if Meg is going to live; and then proceeded to put himself under risk of being suffocated...
...Meg who was helplessly watching how [her] dummy stabbed himself in the heart and fell limb (I am sure that for a second she was not sure if it was the end or not)...
...Lester who watched people he knew only for a few hours were killed for his sake, clearly not understanding why they would sacrifice themselves for him ("and, for some reason, Jason Grace decided that I would not die today too")...
...Meg, who was watching how her best friend was dying from poison; she didn't want him to die, she cried because she didn't want him to die...
...Lester who helped her to kill her Beast Nero... (I am sure that he is very proud of this achievement of hers)
...Lester, who promised her to come back, no matter what, because the sun always comes back...
Apollo, who did.
They, who became each other's family, because their families are shit (not all of the people/gods).
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Thoughts on the Alysanne is Maegor's daughter AU? I feel like it has some interesting potential, and it vastly recontextualizes different parts of Jaehaehae (I do not like him sjsjsjs) and Alysanne's relationship (such as Jaehaehae's treatment of their daughters) but I wanna hear what you think about it!
I’ve touched on this a bit before but since you actually want to hear my thoughts, allow me to present to you my Jaehaerys Is The Goddamn Worst, And Alysanne Annoys Me Too: An Essay lmao but my answer is basically “yeah all of what you just said.”
I think it makes Alysanne much more palatable (to me) as a character because as she stands, she just fixates on forcing her daughters through these fucked up marriages at too young an age bc it traumatized her to be married and pregnant at 15 too but she’d never admit that being a willing participant in her own kidnapping by her brother-husband was the single worst thing that ever happened to her, and because Alysanne doesn’t want to admit it (and Jaehaerys would never see it as wrong or a mistake) F&B really shies away from delving into the fact that Alysanne is as deranged of a mother as Cersei is. So as she stands, she’s very flat to me because she’s presented very flatly and inconsistently. She’s so in love with Jaehaerys, she’s maritally raped by Jaehaerys, she’s a loving and doting mother, she forces her daughters into marriages when they’re the same too young age she was, she accuses her teenage girls of being scheming whores then gets angry when her husband accuses their teenage girls of being scheming whores, and worst of all we are just told “Maegelle tells them to make up so they do” so we don’t know why Alysanne gets over all of this. What is the point of riding a dragon when you never use that dragon to protect your daughters from unwanted teen marriages? We’re just not given a good enough justification for why her behavior is so weird and frustrating towards her daughters.
Make her Maegor’s daughter though…most of her behavior as an adult makes more sense. Like a worse version of Rhaenyra’s childhood almost - a father desperate for a son, but lowkey obsessed with his daughter, who makes all his hang ups about his parents the problems of every woman around him, except Maegor is out here blood sacrificing and torturing and starting wars and forcing babies on wives he discards quickly and brutally. Then here comes Jaehaerys on a white horse green dragon to save her from the horror her life has become, and he loves her so much he runs away with her even though Alyssa says they shouldn’t marry because people won’t like it. And they have beautiful children, and a beautiful marriage, and build a beautiful kingdom.
Then her pregnancies start getting dangerous. Gaemon, then Valerion, die. Alysanne thinks of the shriveled up mutants she called brothers, if Maegor’s taint has passed to her. Her perfect husband ignores her no, and forces Gael on her. Alysanne remembers that he said nothing to Rogar when Alyssa died, merely wept. Then her daughters start to die. Daella, Alyssa, Viserra, all within a few years. Then Jaehaerys makes Saera watch as he murders her boyfriend, calls her a whore, and says Alysanne cannot follow Saera to Lys. Alysanne thinks of Maegor torturing the Harroways over Alys’ presumed infidelity. Jaehaerys says he’s sorry, and her daughter badgers her into forgiving him, and she remembers how she helped Jaehaerys badger Alyssa into forgiving Rogar. Not two years later, Jaehaerys passes over Rhaenys. Alysanne thinks of how she was never enough for her father, how she felt so superior to Rhaena banished to Dragonstone and resented by Aerea, yet there she is dragging Gael away from court because she can’t stand to be with Jaehaerys. How her father was surrounded by dead women and dead babies and how Jaehaerys is surrounded by his own dead daughters, but surely she did the right thing, surely Maegor was worse, surely the realm is better off? Is he right to pass over Rhaenys? Is she enabling a man just as monstrous as her father? She will never decide, because Maegelle will guilt her about keeping Gael isolated at Dragonstone, and Alysanne will do as she’s told, just like Rhaena, and Alyssa, and Jeyne, Elinor, Ceryse, Alys, and Tyanna, just like every one of her daughters.
I do get why Alysanne is Alyssa & Aenys’ and not Maegor’s. The weird Targ babies, the line not descending from Visenya, Jaehaerys and Alysanne being held up as the perfect Targaryen couple specifically because they are brother and sister and dragon riders. I do even think canon Alysanne is likely traumatized by her time as a hostage on Dragonstone, and the ensuing war, and the trauma bond that caused with Jaehaerys, and it makes her idolize Jaehaerys, and then he isolates her at Dragonstone so he can swiftly and safely marry, groom, and knock her up. It’s not like,,,, a fun time, and it’s enough to make anyone crazy and weird about their daughters, but I think having her father be Maegor makes Alysanne herself much deeper because it gives her, as the most beloved Targaryen queen, a blood tie to the most hated Targaryen king, and a marriage to the most beloved Targaryen king. It fits better with a lot of the themes of the main series (again, imo) - forcing the spotlight on the outsiders to see how the affect the story from behind the scenes. The fall of Aegon’s sons, and The Long Reign, not told from the PoV or to serve the PoV of any of the kings or princes, but of the queen that tied them all together.
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One of the things I've learned since starting to do storytimes at my library is that if you have a puppet, little kids will come up to you and like... just stare because they wanted to engage with the puppet, but also didn't really think through their half of the interaction. And then when you start talking to them through the puppet they're like, "Oh double shit, what am I supposed to say here." And then me as the puppeteer is stuck in this weird limbo position because I don't know if they're more intimidated by the aspect of interacting with me or the puppet.
...I think I have to work more on little routines between myself and the puppet so that I can kind of toss the conversational ball between myself and the puppet before tossing it to the kid.
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I genuinely believe the fact that so many popular Imogen/Laudna fics are no-powers AU is, if not the main cause, at least a factor in why so many people resist or even are hostile towards any interpretation of Imogen that isn't largely sweet and harmless. Like, write the fic you want, but Imogen in particular is someone so fundamentally shaped by her powers that to write a no powers AU is to write what is essentially a completely original character who happens to share her name.
I think it's made even more obviously a factor because many of those fics try to reconstruct aspects of Imogen's personality by giving her anxiety or agoraphobia (or both) but the problem is that those are purely mental illnesses, rather than something that both gives her powers and penalties (again, the X-Men problem). Some real-world mental illnesses cover the symptoms of Imogen's abilities, but none cover the abilities themselves. It's quite literally a removal of agency: they take away what she can (and frequently does) do with her powers, leaving only the negative effects on her behind while eliminating the negative effects she can have on others. No wonder there's this overwhelming push to woobify her from that corner; they've utterly defanged her and are now crying that other people who can still see her fangs (and even like them) are talking about them.
And the thing is, for all I can be negative about fanon, it is, ultimately, fine - so long one can either keep it separate in one's mind from canon or else remain in a particular fanon sandbox. But unfortunately people leave the sandbox, and when other people respond to the canon Imogen, who as of episode 81 (RIP CRStats) has voluntarily used Detect Thoughts/Open Mind 60 times and has openly stated her intent to use it specifically to know what her party members are doing in advance and theoretically prevent it, the fanfic crowd is utterly unable to react to this intelligently. The idea of Imogen they have is sweet girl with severe anxiety and a goth girlfriend. The problem is this construct exists only in their favorite fanfic writers' domestic fluff modern AU no powers setting. And frankly, I'm not interested in talking about that warped mirror version of her when I could have all the fascination, complexity, glory, and agency of the real thing.
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I saw you post about how people should like to comment on writers work but I slightly sympathise bc some people are embarrassed and/or think that their comment/reblog would be useless. But more people are coming to this app to read a fic like another wattpad or an ‘easier’ ao3 instead of using their acc to post what they like yk
Srry for the rant <333
no need to apologize for the rant it’s always welcome here if it’s done in kind and yours was <3
i get what your saying about people coming to the app thinking it’s like all the other reading platforms but if we’re being honest i’d say ao3 is easier, better selection, plus when someone views your work your ‘hits’ go up and that can sometimes help more people find your work if they go by that / sort the fics on ao3 like that. wattpad literally has the same system of ‘views’ on your work that help boost it, but also commenting there is really big (as someone who was once on wp comments meant everything which is why i don’t get how ppl don’t understand that comments are everything here as well).
you could also say these other platforms make it seem like tumblr works the same way and it doesn’t, but even when writers try to spread the word on that fact not everyone wants to listen or sees it because people don’t rb (which tumblr was made for that let’s not forget).
but on this great app it doesn’t matter how many people view our work, read it silently, press the little heart, no one will see it unless you rb it. and being shy about commenting and thinking comments won’t matter is backwards thinking to me. how do you think writers feel knowing they have 100 notes and 10 of them are rbs and 0 comments? like we know there’s people out there reading our work and not even giving the pointless heart to it and there’s not much we can do about it, and yeah we are so grateful for all of it, but what we wouldn’t give to even have ONE PERSON comment some emojis on our fic. let us know that someone other than ourselves actually liked it. a ‘like’ can mean anything, it can mean nothing. it does nothing. it’s nice, it’s acknowledging, but that’s all it does. it’s a silent compliment that keeps our minds wondering.
if you weren’t embarrassed to read the fic you shouldn’t be embarrassed to comment on it. i’m not trying to sound harsh but it’s 2023, half the population reads fic. devours it. ppl are famous authors because of it now or get ‘tiktok fame’ over liking it. you commenting ‘omg amazing’ or putting two little emojis in a writers comments is only going to make them feel seen. feel great. feel like they’re not just posting stuff on here for bots. so i don’t super sympathize with people who are embarrassed because i just can’t wrap my head around it. but i’m also saying it’s okay and i’ve never once saw a writer get mad over anything someone has commented on their work (unless it’s been mean or a criticism they didn’t ask for or a ‘part two pls’).
if you like something on here reblog it!!!! comment on it!!!!!
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