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#but he just can't out of that fear
kachawo · 1 year
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What if Wei Ying turned out different? What if he had gone through much worse as a homeless child?
Heaven knows what his life was like before Jiang Fengmian found him, but it surely wasn't friendly. What if that changed him so much? The trauma ingraining itself into his brain that it becomes his main source of survival?
Yiling was a badly managed town, even the children saw that. And among the cultivation sects, none were really keen on investing their time and materials on withered soil, especially the nearest jurisdictions of Qishan Wen and Yunmeng Jiang.
That's why in Yiling, everything tagged crime can be stashed away, hidden into, escaped out of. Sects turn a blind eye to it, hell, even the previous Baron of the land didn't bother reclaiming Yiling because of its high crime rate.
It built itself up by blood money and fear, and with the Burial Mounds so close in vicinity it was much worse.
Anything and everything illegal was practically spoiled culture there.
Especially,
Especially slave traders, especially human trafficking. There was no authority to call upon, no one strong enough of a will to stop it. And so whenever Yiling hears the heart-dropping sound of golden bells chiming, the heavy hooves of a bull that carries with it a large wooden cage. They do nothing.
They can do nothing.
And there goes A-Ying, freshly orphaned, still getting a hang of wandering around the streets he would have to call his new home.
The first time it happened, his face got too close to the torch while he panicked. The large men and their ropes scared him too much and he wanted them to let go let go let go-
They didn't like how he moved around too much and tightened the noose around his neck, A-Ying suddenly couldn't breathe. He felt the bones of his weak throat cave on itself and it hurts. It hurts. It hurts. It hurt so bad. It made him thrash around the cage widely, using his remaining air to scream so violently that would have guaranteed his broken throat.
In his panic attack he hit his head on the splintered pole used as a torch on the corner of the cage they threw him in.
A-Ying didn't think he had the strength to scream about it, but apparently he did. He realized later that the graining sound against his ears were his blood-curdling cries, and that he couldn't feel the left side of his head.
They never took him, in the end. The slave traders complained loudly that he damaged himself and would be of no value. The large man who tied him up, held him by his hair and threw him out of the cage.
After that it was black.
You'd think that after that experience, Wei Ying would have known how to escape people like these then.
He should have died. He should have died a long time ago. When the slave traders lured him in with promise of a meal, when a drunk man mistook him for someone else and beat him with shattered wine jars, when a cultivator feigned kindness and Wei Ying took his hand--
A-Ying should have died when he was 5 when-
Wei Ying should have died when he was 7 when-
When-
It hurts. It hurts. It hurts. It hurts. Someone stop it STOP IT STOP IT STOP IT STOP IT STOPITSTOPITSTOPITSTOPITSTOPSTOPSTOP
He can't be blamed! He can't deal with it! The ringing in his head has made itself a home in his head a long time ago and at that point its been a part of his life.
He's half-blind, half-dying, half a body, full of scars.
Wei Ying can't be blamed.
So when a man comes to him, on a cold winter night calling his name-- he can't be blamed.
(That was used on him several times, several ways, at this point the whole world knows his name. Maybe they were never addressing him really? And it's just so his foolish brain responded to every call hoping it was a-niang or baba who came back to get him.--
Hoping. He was hoping. Such a silly thing to do these days.)
The man wore purple robes, was surrounded by many people with purple robes. One of them approached when he didn't respond.
Wei Ying was 11 by now, 12 almost, he couldn't be blamed.
The robes were different-- a dark royal hue, but it was the same color of the- the same- and the man was approaching him too quickly he-
A child was never supposed to go through this pain. Wei Ying wouldn't know this, but he couldn't be blamed. A small tooth-dagger was plunged into the cultivator's abdomen and the man shrieked--- he couldn't be blamed.
He ran and ran and ran, the man who called his name ran after. His feet didn't acquaint well with the cold solid ground, it burned his skin ironically, but he ran with only fear to power him.
The man grabbed him by the shoulder and said his name again-- Wei Ying couldn't hear anything amongst the rapid beating of his own heart. Couldn't see quite clearly, couldn't think quite straight, he feared.
Wei Ying couldn't have been blamed. When carriage wheels screeched to a halt but it was too late-- and the man in purple had to let go of him one way or another.
He didn't stay too long to see what happened to him. He just ran and ran and ran.
Until there was no ground to run on. Until Yiling was no longer seen. Until he felt the last of his breath stolen from him.
Wei Ying falls falls fall-
His eyes close on their own, they can't be blamed.
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shitpostingkats · 5 months
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Riz Gukgak and his bloody hands
SUCH a metal visual and motif. Kalina, Baron, they tease him for it, they twist it into one of his worst qualities, just as they belittle that he his heart, leverage his fear that he cannot love anyone enough.
Riz Gukgak loves. He will claw himself to shreds on love. He will dig through reality, lacerating himself on crystal, just to help his childhood friend. He will hiss at the devil, he will bite out eyes, he will do anything to help his friends feel safe. He will attempt to eat an entire dragon. Out of love for a father he barely knew.
"That’s you saying “I love you” to the people who matter to you the most."
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suchawrathfullamb · 2 months
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Forever, irrevocably fascinated by Will Graham's love for Hannibal Lecter. You guys don't give him enough attention. I actually think he loves with more intensity than Hannibal. His love is not only sacred, but it's also kaleidoscopic, and visceral, and convoluted, and so fucking much.
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chayannesegg · 5 months
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might be worth noting that tubbo got lore today because he made it canon he warped back from the boat.
i think this was confusing bc he wasn't sure initially how to play it (he is not a lore guy by trade we all know this), and waffled back and forth with it (with fun bits like "it's tuesday" or "it's a time rift"), but he definitely did make it canon.
he has the story: the boat didn't leave, he had his warpstone. he knew they would just steal him back, like they did the first time.
he has the reason: he desperately needed to see sunny before he left; couldn't sit idly by
and he made it clear that's what he wants to have happened. he told his chat to stop "-rp point"-ing him about it multiple times bc he's trying to make it canon (and told fit the same when he came back post-ghost bit).
he also asked sunny's admin whether she wanted their interactions to be filler or canon and she chose canon
plus he had a canon interaction with forever explaining it and asking him to watch over his daughter
and he and sunny built things and interacted with each other based specifically off the info he was kidnapped, that he will have to go, and that they both knew it was coming
so while you may have to ignore or recontextualize some of the goofier interactions when he initially came back (phil/etoiles/fit stuff esp), tubbo did come back, the code attack did happen, it's already been fit into the lore, and i don't doubt sunny is going to tell fit about it this week!!
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thebad-lydrawn-sanses · 4 months
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Can I offer them a bunch of groceries? The idea of them running low on supplies worries me ;v;
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Horror: FUCK- YEAH- I M ean- yeah. thank you. this is appreciated s'much thank you-
(Creator sidenote: i can't draw grocery bags)
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caluette · 6 days
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the truth
#blue lock#blue lock fanart#alexis ness#ブルーロック#art#fanart#blue lock manga#my art#michael kaiser#in spirit#i think about scenarios where ness leaves kaiser#whether just to pass to isagi or for good#and i believe this is the key to kaiser's awakening#given that his “identity”/ego first appeared not out of malice but out of the desperation to protect the one thing he cared about (the ball#and of course his monologue in 260 about how he treats the ball explicitly parallels how he treats ness#which makes me believe losing ness or the risk of losing ness is instrumental in kaiser's reawakening#BUT.#kaiser is a deeply sad angry person and he cannot let the world know he's weak#so i fear that ness leaves him and instead of admitting oh maybe i do care kaiser snaps#because ness can't leave him if he pushes ness away harder right?#kaiser telling ness exactly what he was to him#exactly why he approached him in the first place#you're nothing but a dog#an experiment#because fury covers up the hurt (hurt that kaiser is even angrier that he *has*) and so the damage is done#so that's what this doodle is based on el oh el#and ness is left reevaluating every moment they've ever shared and wondering if it was real at all#(because even if kaiser did care he doesn't have the capacity to realize he did-- i do believe his behavior in 243 was genuine and proof he#-cares for ness in the only way he can he just does not understand that yet because he fundamentally does not understand kindness)#and he won't before it's almost too late
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carefulfears · 10 months
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one thing that stands out to me about the IVF arc is the way that, for as much as i make fun of her for asking her coworker if she can have his babies, scully asking mulder to be involved in the biggest process of her life (and the most important thing in the rest of her life) is such a healing and reverent experience. like he says “i’m absolutely flattered,” but it’s so much more than that. it’s like…spending your whole life feeling like you should’ve died at age twelve and then being told someone just wants more of you, more and more and more, in everything.
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camels-pen · 4 months
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the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?
Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.
Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.
With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.
So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.
#one piece#sanuso#zosopp#long post#nemotime#does this make sense or is this the ramblings of a person who's only got 3 hrs sleep#bc thats me. 3 hrs sleep. ugh#listen okay its like. zosopp has their own growing pains to get through yknow? zoro will eventually get the whole#'oh usopp isnt as open with me bc he wants to seem tough and is also kind of doing the same thing i do. thats bad for him'#and it'll be a whole thing about making a promise between the two of them to try and be more honest with their fears and seeking help#when they need it#the sanuso thing is like. i hope i didnt mean to make it seem like sanuso is 'better' or w/e bc its just a different thing#sanuso got their own problems to sort out. 1. Sanji's everything 2. boundaries on special treatment-#i'm not gonna go seriously into this but both relationships start out not the best and get better over time yknow#also i know usopp's afraid and freaking out a lot but for this post i meant his deeper fears and insecurities#not 'i've got can't-go-on-this-island disease' lmao#the tl;dr of this post is: Usopp is more closed off with Zosopp. Usopp and Sanji have similar issues that cause problems with Sanuso.#also the way i see these ships will probably change at some point. who knows#there was a post i saw recently that was like 'hey sanuso bc romance trio were already chill with each other so sanuso became chill with#each other in an 'alone together' type of way and also they have the same issues' and i thought 'wow so true bestie' and here we are#also. man. usopp taking on / copying the behaviours of his loved ones regardless of his age is just. my jam. in a positive or negative way#maybe i'll make a post about that explaining it more. maybe
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crystallizsch · 3 months
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Hello! I would like to say that your art my favorite in the entire fandom, I don't know how to describe it but it just feels the best 💃 The way you draw the characters is very nice, Jamil is one of my favorites and you have his personality captured very nicely! Anyway, I hope you have a good day and I hope a lifetime supply of your favorite food drops from the sky for you 🤸‍♀️
AAHH THIS IS MAKING ME CRYYY ANON
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i've never received a compliment about my art like this before so that's such an honor to hear 😭💕💕
THANK YOU SO MUCH I WISH YOU ALL THE BEST (*chucks this out here as another thanks*)
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gayvecchio · 1 month
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Frannie, you are in over your head. Meaning? Meaning, guys like him don't marry girls like you. That's fairy tale. And girls like you get hurt, and guys like him don't even know it, and that's life.
#due south#ray vecchio#francesca vecchio#benton fraser#oof the way you can see the truth of this hit ray so hard#good for frannie for saying all of this and sticking up for herself because ray was being an unfair jerk#especially since he was projecting his own fears and insecurities about losing fraser and taking it out on frannie#ray's behavior here only makes sense to me if he's acting out of jealousy#because he doesn't seem the type to get involved in his siser's love life (unless she's being harmed in some way)#and what he says about fraser directly contradicts what we know ray actually thinks about him#i can't imagine ray sees fraser as the type to 'love 'em and leave 'em for lack of a better phrase. he knows he's not like that#ray is the one in over his head and worried about being left heartbroken (and not being good enough for fraser to stick around for)#if fraser was involved with frannie; ray loses ever getting a chance with him either way whether it works out or not#if the potential relationship worked out ray would have to sit by and watch the man he loves be with his sister#and if it doesn't work out (which it likely wouldn't lbr) he loses his frienship as well because it would never be the same after#and the fact remains that fraser will likely go back to canada one day and leave ray behind#and not realize just how much it will hurt ray when he goes#AND FRASER IS LISTENING TO ALL OF THIS#HE'S JUST ON THE OTHER SIDE OF THE GLASS#THE PERSON RAY DREAMS ABOUT#SO CLOSE BUT STILL OUT OF REACH#i can't with them#frannie is the only brave one here i love her#ds30below
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vethbrenatto · 2 years
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This group that you used to work with, the Nobodies, do you resent them for all leaving you? Absolutely fucking not, I would have done the same. They very, very smartly took off and I very, very happily took the debt. It’s what you do for family, you fucking take care of them.
--
What happens your past trauma does not loosen their grip? I suppose my first instinct would be to break its fingers.
--
I’m out.
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hypocriticaltypwriter · 7 months
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✯𝐃𝐨 𝐲𝐨𝐮 𝐛𝐞𝐥𝐢𝐞𝐯𝐞 𝐢𝐧 𝐭𝐡𝐞 𝐁𝐢𝐠 𝐁𝐚𝐝 𝐖𝐨𝐥𝐟?✯
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Notes: So like... @mjtheartist04's Little Red Riding AU, amiright??? 👀 This is just a little gift for my pookie 😚🫶🏻 gotta say this one's pulling me out of a writers block, so thanks for having such a clever dream, 'Jay!! 🩶❤️🩶
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"I don't believe in fairytales, Genya." Rika stated with a mear shrug, her eyes leaving the young innkeeper as she glances back at the picture etched into the aged paper of a wolf, baring its large teeth at a little girl cowering against a tree deep into dark woods. She closes the burgundy leather clad book, setting it back down atop the dark oak front desk that Genya had tapping his finger against, the tapping in sync with his anxious leg bobbing, causing small whines to leave the old floorboards.
He only grunts in response, his jaw taught as he almost seemed to be grinding his teeth behind his tight lips. It wasn't new to Rika about his behavior, but something about it of all nights felt... Off.
"What? Don't believe in the Big, Bad Wolf?" Genya stated - almost genuine, and Rika would have considered it so if it weren't for the slightly raising of his brows that implicated his comment was supposed to be taken with humor.
Rika returned it with a grin splaying across her lips, bringing a hand up to the end of her crimson colored hood, tugging at it like one would tipping a hat, the action causing some of her Prussian hair to fall at her shoulders from where it had been hidden behind the vibrant fabric. "If that were true, I wouldn't have a job, now would I?" She strides across the room, not leaving Genya's train of eyesight - both not daring to break it just yet.
"To say The Big Bad Wolf would be insinuating the folks around this village believe we're dealing with a Werewolf problem which, of course, is ridiculous." Rika says, Genya tilting his head ever so slightly, eyes squitning just a tad, as though he wasn't curious by the theory, but almost offended.
"Even then, the problem is as obvious as finding the difference between water and wine." Rika gives a lopsided grin, leaning a window at the front of the dimly lit inn.
"Sheep and other wildlife disappearing or found mangled is a simple conclusion: it's just a pack of hungry wolves - actual wolves, I mean. And they just need to be relocated or taken care of."
She turns to the window, using two of her fingers to pry open the dark fusia curtains, just enough to take a peek outside and see her horse chewing at a few weeds that had crept from a few floorboards beneath near the stone streets. For some reason, she didn't feel comfortable on the idea of leaving him out there any longer, wanting to get him to a stable soon before the sun had fully set in only a few minutes.
"Look at that moon... It's beautiful tonight." Rika spoke, her voice a little softer now, dual colored eyes trained on the full pale beauty in the night sky, glistening against her iris’s of blue and pink. "Wven in the dark of night, something about their always being a light, even behind murky clouds... It makes you feel safe, doesn't it?"
"Funny." Genya spits bitterly, his voice breathy and muttered - but Rika caught the venom, almost feeling as though it was aimed at her. "It's funny what the moon does to people." He finishes after a second of silence, now seeing he had Rika’s attention.
Genya's execcent tapping against the counter came to a halt as his nail dug into the carvings, making a small squeaking noise at the traction of his nail splintering into it. He pulls away from it, trudging toward where Rika once was, eyes trained on the book, his buckled boots dragging across the floor, making a noise that didn't bring comfort to Rika, her brows furrowing.
"For most, it brings comfort, a feeling of safety," he picked it up, flipping through the pages, his fingers skimming along the assorted jumble of paragraphs and such, matched with pictures and depictions- his dark eyes lingering on a picture of a man, almost in aogny as his body began to morph into a clawed, fanged, yellow-eyed beast.
"For others, it's a curse, an omen, a warning... For people like me." He snaps the book shut with a feirce 'crack!' As the pages collided shut once more- earning a little flinch from Rika, who had now forgotten her attention on the sky outside, and kept her cautious gaze on the man in front of her.
"Genya... You're scaring me." She speaks, her voice faltering ever so slightly to prove that point, but she still kept her ground, finding her hand slowly making its way toward the hilt of her weapon, hidden behind her cloak.
"I know."  Genya bluntly confirms, finally standing to his full height instead of hunched over the table. Something about him made him almost look taller now. "I can hear your panicked breathing."
The statement had already set enough alarm bells off in Rika’s head, enough for her to start backing away from her close friend- which she immediately regretted, cause Genya must've taken it as a challenge, and with each step she took backwards, he took a step forward.
"What good ears you have." Rika would have said it in a sarcastic dry tone if it weren't for the tremor in her voice, keeping her vocals to a mere mumble.
The pit in her stomach grew deeper and steeper with each step, unable to tear her eyes from Genya, almost in fear that if she did, he'd take that chance and jump at her. Hell. She didn't even want to blink. She felt so... Hunted.
"The better to hear your pretty little heart racing with."
In that moment, watching the cautious steps he took, the way his body almost hunched like an animal hiding in bushes and trees, his eyes trained and laser focused, not a sound coming from him other than his voice. He was like an animal stalking.
And she was prey.
"I can see it too. See your heart pounding in your ribcage... I can see it all." His eyes were like empty sockets, nothing but a blazing gold in place of iris’s that put the dim candlelight in the Inn to shame.
"W-what good eyes you have." Again, Rika stated, and with each one, she was beginning to see a side of Genya she knew she wasn't supposed to see. As a matter of fact, one she was supposed to ever find out about.
"The better to gaze at that face of yours morph into fear." Genya explained almost subtly, like it was passing conversation, his voice low and quiet - different from his usual behavior and mannerism. Rika didn't like it. This wasn't Genya. This wasn't her Genya.
It only took one final step before Rika felt the sensation of the wall, and the pit in her stomach formed so large that she was surprised it hadn't swallowed her whole. The beating in her chest started to sound louder, thundering in her ears so hard in almost hurt. The grip on her weapon stayed firm- but that's where it stayed, her body almost frozen with fear and defeat, leaving her unable to draw put and ready herself for the ever coming attack.
And now, finally unable to escape, she watched helplessly as Genya got closer - painfully slow in doing so, as if he was enjoying the sight as she realized she was cornered and unable to run. Not this time.
His lips curled into something sinister, all teeth and no smile, suddenly, pearly white fangs on display, prodding from his dark gums, his jaw tense and causing the muscles along his neck and collarbone to strain.
"W... What big teeth you have." Rika swallowed thickly, her throat feeling suddenly dry, her body both hot and cold as a sweat begins forming on the back of her neck, and a chill slithers up her spine, like daggers drawing into her skin. Her face was hot, and she thanked heaven above it was too dark to see the red shade her skin had began to become.
At this point, Genya is already too close for comfort. His now clawed hands were splayed out at each side of her face, his face far enough Rika begin could examine the new features starting to become apparent under the moonlight still creeping through the sliver of opened curtains... But he was close enough she could hear the low growl emiting from his throat with his slow rise and fall of his chest.
Genya opened his mouth as though to finish this little banter of words between them, but he simply laughs, a low, slow laugh, his head lolling to the side as he brings his face close to the side of her own, his almost manelike hair tickling against her tan skin, causing goosebumps to ripple along her shoulder.
He brings his hand down from where it was perched, his knuckle barely brushing against her cheek, the cold meeting her warmth was enough to even make him shudder. Tugging a long strand of her dark hair from where it was hidden behind her pointed ear, playing with the strand between his fingers.
"Now that you believe it," He starts, his voice gravelly and low, animalistic, something she hadn't heard out of him before. "Tell me something, Rika..." His breath was hot against her ear, making her hiss ever so slightly between her teeth, trying to cock back from the feeling, but only making contact with his other arm, caging her in.
"Are you scared of the Big, Bad Wolf?"
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theprinceandthewitch · 2 months
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Hmm... it's interesting how they made Luz wear a witch's cloak in Hunting Palisman - the episode where she introduces Flapjack to Hunter. This is also the episode where Hunter defies Belos by choosing Luz over him. He goes back to his palace empty-handed and he doesn't hand over Flapjack to Belos. Unbeknownst to Hunter, he is following Caleb's footsteps.
But then, in Hollow Mind, they made the choice to have Luz not wear her witches cloak - instead they made Luz wear a jacket with a giant "E" on it. They could have given Luz a completely different outfit like they did in Hunting Palisman. But they don't... they make her wear this specific jacket...
...They also make Hunter wear Caleb's symbol in Hollow Mind... an episode where Luz and Hunter are trapped in Philip's mind... where we can see paintings of the two most important characters in Philip's life - his brother and a witch from another world.
But I'm sure this is all unintentional.
You know, like this is:
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oh, nbd, just a painting being paralleled with the scene happening right before our eyes
here's a more high def image of the painting
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Oh, hmm, okay, this is a painting of Caleb standing next to a witch with short dark brown hair and who just so happens to be a witch from another world. Both of them are startled by Philip...
Hunter, the Grimwalker who looks the most like Caleb, is standing next to someone who ALSO just so happens to be a witch from another world with short dark brown hair... both are startled by Philip's monster form...
Hmm, must be unintentional I guess.
there's also this:
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Mhm, okay, I see... I see, very interesting. Here we have Caleb being lead away from Philip by a witch from another world after the brother's have a fall out. This fall out marks the point of no return for them, as Philip later kills Caleb out of anger.
Hunter and Philip's relationship completely deteriorates because of Luz, which leads to Philip's decision to kill Hunter. She shows Hunter Belos' true nature and she offers Hunter sanctuary at The Owl House right after he finds out Belos has been lying to him his whole life... Luz saves Hunter's life and changes it forever.
Hmmm... very interesting
But I'm sure this is unintentional [I'm being sarcastic]
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sollucets · 8 months
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wrote a whole long post that didn't make sense because i'm a fic writer not a meta writer and the point comes down to this: sand and ray are both Such Bad Liars
they have honest faces. nobody, in-universe or in the audience, is ever really fooled when they pretend things are other than they are.
when sand is hurt you can tell, it's in every line of his body. ray is expressive and straightforward but hides his hurt a little better, not because he's better at lying but because the hurt hardly ever goes away.
ray can see sand freezing up and looking upset when he's called a friend or not prioritized, he can see the lie, but it doesn't matter compared to what sand's actually saying and what it'll mean if it's (not) true. he's gotten a lesson recently about pushing. and sand, i think, can see ray caring but he can't imagine it could be enough, that he could matter the most or be a priority. when ray calls sand a whore it's the only lie he told that night and sand knows it
when they hurt each other sand lies and pulls away and ray can tell, and similarly ray lies and pulls away and sand can tell, and theyre stuck in limbo because of it. awful. hate it. 10000 more just like it please
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eternalchemy · 23 days
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sometimes i think about when jordan called declan dauntless in the dreamer trilogy and then i think about both aurora and mor calling declan dauntless and i need to lie face down on the floor for five hours until i feel normal again
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Wait crying again bc I was rewatching The Intruder today (episode 4 of season 1) and I realized that like. The glyphs represent a few things in the narrative but one thing that's consistent is they're always there when Luz doesn't feel like she's good enough on her own. They appear to her as comfort in moments of self depreciation or self doubt, or she coincidentally learns them in episodes where she faces her fear of rejection or makes a mistake (at least this is true in terms of the first four base glyphs she discovers). It's the titans way of saying "you may have to do things differently, but you can do anything they can do" to Luz bc he cares about her
AND THEN. IN WATCHING AND DREAMING. WHEN THE TITAN PASSES ON AND THE GLYPHS DON'T WORK ANYMORE. IT'S BECAUSE NOW LUZ FINALLY FEELS LIKE SHE'S GOOD ENOUGH, ALL ON HER OWN. SHE'S LEARNED THAT SHE HAS INTRINSIC WORTH AS A PERSON AND SHE DOESN'T NEED TO MAKE UP FOR WHO SHE IS. SHE MIGHT DO THINGS DIFFERENTLY BUT SHE CAN DO EVERYTHING ANOTHER WITCH CAN DO- THIS TIME WITH HER OWN, MORE PERSONAL ACCESSIBILITY TOOL (HER PALISMEN) INSTEAD OF THE ONE THE TITAN GAVE HER. MAN!!!!!
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