the thing about eliot spencer as a character, right. the thing about him.
(and as always your mileage may vary on my analyses so if we disagree that's cool actually)
is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.
(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)
on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.
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uhh for sketch suggestions how about shou?
here goes something :'3
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underverse frame redraw (og under the cut)
this took me so long and so many overlays but i did it ,,
[error by loverofpiggies, underverse by jael pēnaloza]
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You guys know that knife twirl Aemond does in Storm’s End??
WHY IS IT SO HOT?? Absolutely feral for that moment
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Even more silly Reigen Expressions :3
More mp100 art
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honestly the amount of courage it must've taken arthur to admit that merlin might not even be alive anymore is rlly something.
gaius walks into the room and asks "where's merlin?" - we're talking about gaius, someone arthur respects and values the opinion of greatly, but more importantly merlin's guardian, his father figure. sure, "he's alive" is his first answer - the hopeful, optimistic, reassuring answer. the 'don't worry, i've got everything under control and it'll all be fine' answer. but then maybe he realises that could be a lie. he doesn't know if that's true, and maybe lying to gaius' face about it is worse than admitting his failure.
so he continues to look gaius in the eye and tell him merlin (who he lost, in the middle of the forest, injured, weak, unwell, surrounded by bandits) was still alive, last he saw of him. he's saying 'i don't know if he's alive anymore, i dont know how he is, where he is, if he's ok'.
it probably makes him sick to his stomach saying it out loud, but he has to state it plain and true. he has to tell gaius that his ward (read: son) may no longer be alive. that takes guts.
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My brother recently got into Demon Slayer so I wanted to make a kny oc for him since I did it before with both me and my sister and never got around to my brother :)
But I started by refreshing my own design because wow?? It’s been 4 years since I first made my kny insert character and a lot of things are now outdated! Not to mention my art has improved a lot, I hope. More details under the cut!
Meet Ebisu Koharu: youngest of the Ebisu family and physically the weakest. They only barely passed Final Selection by hiding for the entire week and surviving off tips from their older siblings. Nonetheless, they still want to contribute, which is why they hold onto a thick, leather bound book that records every demon they’ve ever met in precise detail, with labeled diagrams and scribbled calculations in the margins of different strengths and weaknesses.
After spending a few years on the job, and properly seeing their data contribute to the successes of other demon slayers, they’ve come a bit more into their own as a competent researcher and fighter, though they still do tend to request paired missions with friends and family to act more as a support role rather than a fighter.
The Ebisu family is one of scholars. The eldest daughter Kaoru is a doctor, and the eldest son Shougen is a chemist. By nature, fighting is not necessarily their strong suit, which is why their family breathing style and techniques are all poison-assisted. Of the three, Koharu is the weakest and most averse to combat— they wield a short half-length blade, with more of a smooth ceremonial hilt and sheath than any practical weapon.
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