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#but i thought i'll try again (and again) anyhow because it's not like he is the only available SSR on the pull list
ryllen · 5 months
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live up ur sillies
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luveline · 9 months
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Congrats on 40k Jade! Also hi, I hope you're having a great day (I'm really nervous this is my first time sending in a request I'm so sorry if I sound weird)
𝐡𝐨𝐩𝐞 𝐦𝐲 𝐛𝐨𝐲𝐟𝐫𝐢𝐞𝐧𝐝'𝐬 𝐨𝐤 —send me a hurt/comfort request for any reader and any character and I'll write a ficlet, 2k or less
Can I request a reader that has a bit of a temper and got told that no one would like her because of it so she's a bit insecure about herself? My favourite character is James so maybe with him or with Remus whichever you prefer (and they reassure her and it's awesome because your writing is just so awesome)
Congrats again <3
luveline's 40k party ☆ thank you so much, you didn't sound weird at all dw ♡ fem!reader
The day has been long, your feet dragging up the steps to Remus' flat. His door sticks and the only radiator that doesn't need bleeding is the one in his bedroom, so it's cold, and you're irked. You kick out of your pinching shoes and hang your jacket up, which falls on the floor. You pick it up and it falls again. Huffing, you put it on the sideboard and trudge down the hallway to Remus bedroom. 
"Hello, my lovely," he says without looking up. 
There's a notebook in his lap. He's wearing his reading glasses. If you were in a better mood you'd try to distract him by laying across his thighs. As it stands, you're fucking exhausted. You flop down in his bed and curl towards him where he's sitting against the headboard. 
"Tired?" he asks. 
"Mm." Tired isn't the right word, but the right word makes people cringe at you. 
Today has been awful and you hate the part of you that wants to rail about it. You can't help how you feel; this anger glows molten. It makes you hate yourself, which irks you worse. You grab one of his pillows and pull it against your chest to squeeze it until your arms hurt. 
"Bad day?" he asks, pen scratching.
You exhale. "A bit," you say into the pillowcase. 
"Sorry, dovey," he says. There's the sound of paper leaves catching against one another and the clink of a pen put away. "What did you say? I needed to finish writing that edit down before I forgot."
You're not mad at him in particular but your voice comes out tightly strung anyhow, "I said it was a bit of a bad day."
Remus hears your tone and refuses to skirt around the issue. Not from a want to be confrontational, but a direct way of going about things. "What, are you mad at me?" 
"No," you say, turning away from him. 
"You seem mad." 
"I think I am." 
"Well, now you don't sound mad," he says, dipping down to talk into the back of your neck. "Now you sound upset. Have I upset you?" 
"No, Remus," you say. Mad to sad to mad again, your shoulder and spine ache with rigidity. 
All his questions didn't make you mad, but you were mad to begin with, and so what might usually be very normal turns to irritating. In the moment, you've no hope of controlling it, and, not wanting to further subject Remus to any misdirected annoyance, you shuffle out of his reach. "I just need a minute," you say. 
Remus is used to your temper, though you often worry he'll grow tired of you and your big moods and throw in the towel. You count useless numbers in your head and curl your fists into balls until your bones feel like they're too big for your skin, wanting to deal with it alone. 
A minute or two later and Remus reaches for your side. "I was trying to lighten the mood, and it wasn't my best work," he says, tip of his thumb drawing semi circles into your shirt. 
Remus taking the blame for your emotions has you frowning, rabbit-holing into twisting thoughts. He's always been good for you and good to you, accepting of your short fuse. He's not always sunshine and lollipops himself. But, he's not angry half as often as you are. Does that bother him? People have said to you before that your temper will be the ruining of a good thing, that Remus won't want to deal with it. And it makes sense. 
You don't want to deal with it either. You don't really feel like you have much choice when it comes to being mad. 
"Sorry," you mumble. 
Mattress springs groan as he leverages himself closer to you. Familiar, his hand sneaks under your shirt to tickle the soft roll of your stomach. He draws a slow and winding line with no end nor goal in mind, uncaring of the pouch you get laying down. Remus doesn't really care about anything that could be marked superficial. It's one of the many reasons that he's markedly the best person you know; he loves everything that you hate about yourself without hesitation. Like your anger. 
"Do you want to set a rule?" he asks. 
"Pardon?"
"Humour me. Let's make a condition before we have this conversation." Remus stops drawing to slide his hand between your hip and the mattress, hugging you to him. "I'll assume you're not mad at me even if you sound angry, and you can assume I don't mind." 
"Do you mind?" you ask. 
"Well, I don't love when you're angry, but I know it isn't at me so it won't matter." 
Reassured enough to face him, you meet his eyes. 
"I know I have a tendency to make it sound like I'm angry at you when I'm really mad at someone else," you say. 
"That's not true. And I ask, don't I? If I think you're mad at me?" Remus' already dulcet voice drops to a murmur, words said slowly and with as much care as a person can put into words alone, "I don't know why you feel like you're such a bad person for being angry." 
"Because it's all the time," you say. Your throat burns with the effort that it takes to stay intelligible. 
"It's not all the time." 
"It's often, and it's not fair to you." 
"It's not fair to take it out on other people, and I promise you I'd let you know if you were doing that. So… could you just tell me why you're mad? Without worrying I'll take it personally." 
"It's not about taking it personally, I don't want you to take it personally, but it's just– it's just ugly, isn't it?" 
Remus frowns. "Honestly? I don't think so. You have to be angry sometimes. Everyone gets angry and those feelings need somewhere to go, or it'll eat you up inside and make you bitter instead. Like… okay, he'll forgive me for telling you this, but Sirius used to get into these awful angry tirades where he'd shout at nothing, you know? And I hated seeing him do it, but I wasn't sitting there thinking he was ugly for it. I just kind of hated that something was able to occupy him so heavily. And that's how I feel about it when it happens to you, dove." 
"He used to?" you ask, the bridge of your nose flat to his knee. 
"Yeah, he did." Remus pushes your shoulder flat to the bed beneath you and leans in to give you a kiss. The corner of your mouth takes the brunt of it. 
"Did you kiss him like this, or–" 
Remus laughs and hugs you, "A discussion for another day," he murmurs. He gives you a last kiss and squeeze and then sits up. "So shout at me." 
"I don't want to shout at you." 
"You know what I mean. Tell me what pissed you off today." 
"Are you sure?" you ask. 
"Yeah, I'm sure, I like the way your eyes look anyways, when you get riled up." Remus finds your hand to hold. "Tell me, dove. I'll be angry with you."
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⚙️ Steddie Big Bang 2024: Project Reveal ⚙️
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I am stoked to reveal my project for the @steddiebang2024 - an action-filled, steampunk-inspired Steddie adventure. I'll be collaborating with the amazingly talented @cuips-not-cute on this one, and I can't wait to see what they'll create! 😍✨️
Summary and snippet under the cut
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⚙️ Excerpt
“Look,” he finally says. “We've been over this. The doctors said it's perfectly normal. ‘s called phantom limb or whatever the fuck. Can take years to go away, sometimes never does. It's fine.”
Gareth shuffles unhappily. “Yeah, but-”
“No buts,” Eddie insists. “I appreciate your concern, Gare, I really do. But to be perfectly honest with you, I’d rather hack off another limb than go anywhere near those shallow, sanctimonious, rich assholes ever again, so they can take that money and shove it right up their-”
“Eddie, shut up, for fuck’s sake!”
Gareth's voice cracks around the last syllable and Eddie trails off with an irritated groan.
“What? Why?”
“Just-” Now that he thinks about it, Gareth is sounding weirdly nervous. Eddie frowns at the wrench in his hand. “There’s, um …”
“No, by all means,” says a new voice. “Let him continue. He hasn’t said exactly where to shove that money yet.”
Eddie shoots out from under the transporter and nearly crashes into a pair of legs.
“What the fuck?” he blurts, slamming his feet down in a desperate attempt to brake. His right leg creaks and the metal foot scrapes over the floor with a harsh, grating sound. Eddie thinks he sees sparks, briefly. “Hey, look where you’re-”
There’s a guy staring down at him. A guy in an embroidered waistcoat with tails so long they nearly brush the shafts of his shiny leather boots. He's leaning on a carved walking stick, raising an elegant eyebrow from under a swoop of shiny, chestnut hair. Eddie decides then and there that he hates that douchebag.
“Where I’m going?” Douchebag finishes his sentence. “I was just standing here. Maybe you should-”
“Yeah, well,” Eddie sneers, finally remembering to sit up and push his goggles back. The movement leaves a black smudge of oil on his forehead, wet and sticky. “It’s still my damn shop, good sir, so excuse the fuck outta me if I don’t go out of my way to kiss your-”
“You’re Edward Munson then?” another voice pipes in. “Of Munson’s Machinery? You own this place?”
Eddie blinks. A girl is peering over Douchebag’s shoulder. She reminds him a bit of one of those tall monster birds with the long necks he saw at the zoo once - all gangly limbs and jerky movements and nervous eyes. Ostriches? Yeah, he thinks that's what they're called.
“Eddie is fine,” he says automatically, then remembers he's still mad at the both of them. “I mean … what's it to you?”
Douchebag huffs a sound that might pass as a laugh, if only his face matched the noise.
“Nevermind,” he murmurs and turns to go, making to put his preposterous top hat back on. “This was a stupid idea anyhow.”
“Steve?” The girl latches on to his arm and yanks him back. Douchebag makes an annoyed, whiny sound and Eddie can feel his own mouth twitching into a grin. “Be nice?”
While Douchebag pouts and grumbles something unintelligible under his breath, she turns to Eddie with a strained smile.
“Sorry about him,” she says, fingers awkwardly tugging on the dispensers of her billowy pants. “We talked about this before coming here, or at least I thought we did, only right now I'm honestly wondering if we had the same discussion, because you're sort of our last chance, so it would really befit us to treat you with some basic-”
“For fuck’s sake, Robin,” Douchebag blurts. His hand flies up like he’s trying to scrub it down his face, or pinch his nose maybe - one of those theatrical, overdone gestures of long-suffering exasperation - just that he’s still holding the stupid hat and almost whacks himself in the forehead with it. “Just go ahead and tell him everything, why don't you? That'll do wonders for our negotiation position, I'm sure.”
“Excuse me, what position?” asks the girl. She throws up her hands, so suddenly that her dispensers twang with it, and Douchebag flinches. Eddie’s starting to like her more and more. “And I'm asking that in all honesty, dingus. This place is the only option we have left. Our position isn't just shitty, it's literally non-existent. There is no position, Steve. So you can either try again and behave like a decent human being or we can just go home and forget about the whole-”
“Ugh, alright,” Douchebag snaps. “I'll do it, I'll do it.”
He shoves himself past the girl and her shit-eating grin so that he can glare down his nose at Eddie. Eddie, who is still crouched on the ground, glares right back, head tipped into his neck.
“I, um-” mutters Gareth, shuffling off the workbench and gathering his half-finished breakfast. “I'll just … I’ll come back later, I guess. See ya, Eddie.”
Eddie makes a vague sound of acknowledgement as he bustles out, but doesn’t bother breaking his staring contest.
“So, Mr. Munson,” Douchebag drawls after a second or two. “Would you be interested in a job offer? I heard you’re one of the best mechanics on this side of town.”
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ns-media · 3 days
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Incredibly long analysis on Oda's thoughts on romance, way of portraying romance and LuNami in One Piece
Okay, so I want to make a LOOOOONG post about something interesting that's been on my mind for a while, about romance in One Piece. I was originally going to post it on Twitter but this post is way too long for that platform. I always preferred posting here, but not too many people are here nowadays. Anyway, onto the main topic here. I'll be talking about Oda's portrayal of and thoughts about romance, how he views it, why he puts a good chunk of it in "non-canon" material and so on. This post is to understand Oda's perspective on romance and why he goes about it the way he goes about it. I'm a LuNami fan, so this is also to make a point about how he decides to portray them.
Do not read this if you don’t want to see me express unfavorable opinions (and also factual information) about LuHan and other ships I just don't see working out, as they basically don’t fall in line with how romance works in Oda’s work. I'm not mean-spirited about it though. (Also I'll be bringing up SanPu for a bit too, in a favorable way) I am guaranteed to get at least one eyebrow raise or a "What the fuck are you talking about?" from any person reading this whole thing, but that's fine. I'll only tag LuNami because this is for LuNami fans.
Anyhow, in an interview with Aoyama back in 2022, Oda stated how he doesn’t want to include actual romance into his story and how he’s fine with one-sided stuff. His reason is because he fears he would lose certain fans for doing so. This is an interesting statement.
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First, if you read this up here, it essentially confirms how Oda doesn’t see one-sided affection as romance so there’s no reason to think that Sanji or Boa’s affection are hints when they’re both for comedic effect.
The reason they're one-sided in the first place is not because he's teasing you with the idea that the other might return that affection one day, no he treats it as a joke, it's as straightforward as that. I don't understand how people try to act like it's not purely for humor. If he intended on making something like Boa and Luffy’s relationship as something to seriously consider being “romance” then Boa wouldn’t be so humorously delusional even after being rejected twice in back to back chapters, she’d be taken aback at the very least. But doesn’t. Why? It’s a joke.
I mean for heaven’s sake, whenever this gag is used with Nyon around, she’s the voice of reason, y’know, a woman who also experienced the same kind of delusional love once? Again it’s all a joke, the entire point of Boa’s gag is that it’s love that’s supposed unreciprocated.
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Also, the second time he rejected her was him rejecting her before she even got to ask anything...
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This lets us know that Luffy knows how persistent she in trying to get with him and also implying that Luffy is going to say no, no matter what, as he knows how desperate and persistent she is about it. Now that I think about it, Rayleigh left Luffy to train by himself for 6 months before the timeskip fully ended, Rayleigh's supervision made it to where Boa couldn't get to Luffy, but after he left, was fully capable of doing so. I mean just look at Boa down here:
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Yeah she said she won't go and remain strong for Luffy's sake, but with her being the way she is, I wouldn't be surprised if Boa in those 6 months went to the island and was asking Luffy multiple times which was how he was able to reject her before even knowing. If what we saw in Chapter 598 was the first time he rejected her, he wouldn't be so quick to know that she was gonna ask it again when he rejected her the 2nd time on panel. We know that the Kuja girls KNEW that Rayleigh left half a year ago as well, meaning they must've gotten to the island itself if they found this out. Unless Rayleigh told them directly, which, to be fair, is likely, but if he didn't, this implies that Boa has been talking to Luffy on the island in those 6 months, and if so, would definitely have brought up marriage at least once, or a lot, honestly, thus explaining Luffy being able to shut down her marriage request before even knowing what she was going to say, because he already heard it THAT much in those 6 months. Now, I don't truly believe that Oda thought of it like that, but it does make logical sense so I figured "why not bring it up".
Also, in a 2014 interview with Fuji TV about the 3D2Y special, Oda mentioned that not only Buggy but BOA bring in the comedic elements into the arc and how they're comic relief characters, again making it obvious that Boa’s infatuation is a complete joke for the sake of comedy. Same with Sanji. Being a gentleman is part of his character but he tries to score every woman. Why? Jokes.
Even if you somehow use the argument of “Oh but this behavior of his is even stronger towards Nami specifically” I don’t see how any of that can be seen as a “shipping hint” and not a gag that’s exaggerated even further, cause he’s still hitting on every woman. Besides, the first time he actually got his heart broken by a woman was by Pudding, and never Nami, Robin and every other woman despite getting rejected a billion times by them. Why? Because the Nami/Robin affection is for comedy while the story between Sanji and Pudding is supposed to be taken seriously.
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It's why Oda went out of his way for Sanji to write a dedicated story between the two, with Sanji getting genuinely sad when Pudding talked shit about him only for everything to turn around by the end where she actually likes him. THAT is a romance story with substance behind it, and Oda clearly wrote it like there is merit to it. There is obviously a story written here with a beginning to an end, Sanji acts no different towards Nami in Wano than in say, Punk Hazard. Beginning of Whole Cake vs end of Whole Cake Sanji is on entirely different terms with Pudding and she is on entirely different terms with him. There is development, a plot, a purpose that impacts the plot. Not just "Haha jokes".
Soooo yeah that’s the first thing I wanted to address regarding that statement.
Second, Oda saying “I don’t want to include romance because I don’t wanna lose fans” may seem like an odd thing for him to say at first given how Oda post-timeskip portrays actual romance in his story, and plenty of times, I might add. This was when Oden/Toki was relatively fresh too so there’s no way he forgot he did so. Because of that, Oda is referring to romance for specific characters rather than for the characters he’s already written romance stories about.
So this basically means that Oda’s fear of losing readers obviously doesn’t stem from the romance stories he has already written, it’s very clear from the interview that he’s hesitant to write romance out of fear of losing some of his readers. But of course as we know, he clearly has written blatant romance already, primarily with non-main characters like Rebecca’s parents, Rouge/Roger, etc. It makes plenty of sense for Oda to not be afraid or hesitant to write romance stories/romantic elements for those non-main characters.
Because well, those stories written are basically all backstories that are over in a few chapters (Senor Pink/Russian) or briefly talked about (like the aforementioned Rouge and Roger.) As such, there’s no long-term impact on the story.
Notice how in the only case of a STRAW HAT having a blatant romance story (Sanji/Pudding), it is a character who's most defining character trait is his lovey dovey/romantic behavior? Oda most likely felt more comfortable giving a romance story to Sanji specifically as that goes with his personality, and likely felt he would not be getting backlash for giving the LOVE cook a romantic story. (Because again keep in mind he clearly stated he's hesitant to include romance due to losing fans of the characters getting romantically involved)
But STILL, even with all of that, the impact of this love story from Sanji's perspective is just erased entirely as Pudding erased his memories, as if Oda is being particularly protective of the Straw Hats getting impacted by any obviously permanent romantic development. (Because as I said SanPu is on entirely different terms from the beginning to the end of WCI, so their romance plot had impact on the story.)
So, because of how romance in One Piece is basically all deceased/minor characters having short backstories or in the case of the one Straw Hat who got a blatant romance story, (I said blatant cause you could say Usopp/Kaya, but it’s not super obviously blatant the way SanPu is) erased from his brain, there’s no obvious long-term impact that romance seems to have in One Piece.
I very much think that this “obvious long-term impact” is what Oda wants to avoid so badly, particularly for the Straw Hats (the main characters of the story). This is because this long-term impact would make it apparent to his readers that romance has a fundamental and established role in the story of One Piece as something important, which goes against his target audience of boys, who, from his point of view, don’t like it.
This idea Oda has stems from how Jump used to be when he was a kid, as clearly stated in the interview with Aoyama. It’s his own experiences with how boys manga are “supposed” to be coupled with his insecurities about being embarrassed to write romance that makes him hesitant to do just that.
This is why I scoff at the idea of “No romance in the crew” being used as an actual argument. People use that argument as if Oda himself is completely against the idea of anybody in the crew getting together, despite the painfully crystal clear reason for “no romance in the crew” being to not alienate readers and lose said readers as he is under the impression that boys won’t like that because of how he thinks that everyone still has this idea that they should be segregated due to how it was when he was a kid himself. It's why he said "People are so supportive of couples!" all surprised in the interview with Aoyama, clearly being surprised about the positive reception it gets that he didn't think it would get. It has nothing to do with him hating the very concept of romance, it's him being under the wrong impression on what his young male readers would find acceptable or not.
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There is a reason why almost every single time that he brings up or hints at any, ANY hesitance or opposition towards romance in the crew, he brings up his readers. ALMOST. EVERY. SINGLE. TIME. He tries to please his target audience. “It’s a shounen manga” or “the readers” he keeps saying, despite not even being asked about his readers' opinion. "I don't think there will be any romance in that crew" is said clearly because "It's a shounen manga THEY won't be interested" not because "OMG WTF I HATE ROMANCE BETWEEN THEM GTFO!" the way people intentionally misconstrue this to be. He even says "Nami probably sees all the good aspects/qualities of those guys, BUT One Piece isn't a romance" So he LITERALLY says that his reason isn't "She does not like any of her crewmates in a romantic way!" but instead says "Well it's not a story about romance and I think only girls care so I won't show or depict it because I think my primary young male audience wouldn't give a shit". Nothing about himself. Legitimately nothing about his own opinions about supposedly being disgusted with nakama romance. Gotta love the made-up narrative being presented as a fact to the fandom at large.
Oda's "but" could have EASILY been followed up with something like this: "Nami probably sees all the good aspects/qualities of those guys, BUT she doesn't see them in a romantic way and I don't want it to be that way" or something, but instead essentially opted for "Nami probably sees all the good aspects/qualities of those guys, BUT think of my young male audience! They don't care about romance. They'd probably hate it if I decide to capitalize on Nami seeing their good qualities as romantic, right? After all, only girls want it! It must only be them for asking this!" What I am saying isn't even me grasping at straws, it's RIGHT THERE. "I don't think there will be romance in the crew cause boys will not like it". Bam, that's all it is. I know I am repeating myself but it seriously bears repeating because of how so many people see that one answer in particular as the ultimate evidence against Mugiwara romance. Oda seems like he's being evasive on purpose with that answer, talking about how concerned he is about the opinions of boys while not once talking about whether or not he would like to write it or not.
Also for the love of everything can we get someone who has the untranslated version of this answer? Given how Japanese language works I would not be surprised in the slightest if he's even more evasive than in VIZ's translation.
How people come to the conclusion that he’s disgusted by the very idea of a Mugiwara couple being a thing is beyond me when it’s as clear as day that he opens his mouth about “his readers” and “his audience” for a reason.
I mean hell, Strong World was originally going to be a movie about Nami’s past and the reason he changed it was because of how he kept his TARGET AUDIENCE in mind. He kept the young boys he appealed to in mind despite clearly wanting to write something else at first.
Him pleasing his audience doesn’t equal “I really don’t want this to be a thing”. If anything, he restricts his desires purely on the basis that he thinks whatever he wants to write is not what other people want, why the hell wouldn't you think this applies to the idea of "no romance in the crew" when he literally spoonfed us the reason being exactly that in the earlier photo of the Jump Fests '09 interview?
He clearly wants to avoid it because of this idea that his male audience will take issue with it and not because he doesn’t wanna do it himself. This why he said “Seriously!?” all surprised when Aoyama said he wouldn’t leave if he decided to implement romance into his story, and he was saying this to a man who writes romance and has already said “I love romantic comedies” 2 sentences ago. Oda is THAT unsure of himself and he's THAT much under the impression that males have no interest in romance. I rarely if ever see people bring this up.
There's a sense of insecurity Oda has on the topic of romance. When Aoyama said “I guess you have no interest in love comedies” Oda didn’t say yes or even imply that he's right about that being the case. He just said “I’m not confident I could draw those, it's a bit embarrassing” Again, he's insecure about it. Not AGAINST it. He basically spells it out for you. But many people still pretend as if he's saying all of this because he's supposedly disgusted by romance among the crew being a thing, only because that made up narrative supports what THEY want to be the case, instead of looking into the actual reason for as to why he's saying all these things.
As I said before, almost every single time he is hesitant to write romance he mentions his audience, but in the situations he doesn't bring up his audience, he instead mentions how he's embarrassed to do it. I mean when asked in a 2019 interview with Oda, he was embarrassed when asked if he incorporates arguments with his wife into how Nami argues, perhaps showcasing how he's embarrassed to talk about his wife (ya know, the person he loves) in other words, the person he's romantically attached to. This is definitely a stretch so I'm not saying that I seriously think that this is more proof on how he's embarrassed/insecure about romance, but I figured it was worth bringing up. But embarrassment aside, he also cares a lot about his manga keeping face to his boy audience.
This leads me to the next thing… Oda’s involvement with the movies. Notice how, every single time he’s involved with writing the plot there’s always some LuNami stuff he wants to throw in there?
Strong World obviously, as well as parts of Film: Gold. Now, at first things seem… odd. The LuNami hints between the two in those films are quite a bit more on the nose than anything Oda has written in the manga, like a oh-so clear parallel between Tesoro and Luffy. At first it puzzled me why Oda would relegate these stories and moments to movies. And then, if you read the Aoyama interview, things start to make sense why he approaches things this way.
Movies aren’t treated as a main part of the story by people, it’s not the manga. You have to go out of your way to see the movie. There's no need to watch the movie to understand One Piece's main manga story. Look at the contrast between Chapter 0 and Strong World itself. Chapter 0 is manga content and it seems so much more concerned with the action and hype the young boys are there for (obviously cause it takes place decades before the current canon but that was a deliberate choice, it could've easily been like how Glorious Island, being a prequel to Film Z, was contemporary to the story). While there still is a bunch of that hype/action in the movie itself, there are also romantic elements thrown in there. It's kind of like Oda's experimenting, testing the waters with those movies. It makes sense for him to approach it this way. People who so happen to hate the addition of (LuNami) romance are willing to let things slide and overlook it because said romance is in a movie they don't have to watch.
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So basically a non-mandatory-to watch movie provides Oda with more leeway, or rather makes him more comfortable to add what he wants, allowing him to put just a little bit of obvious romantic themes revolving LuNami.
Although it’s just a BIT of leeway, as Oda still kept the young boys in mind as he, of course, changed the movie from what it was originally supposed to be from something darker to something more light-hearted.
Here's where we get to the main point of this long wall of text: After three seconds. See, this could have easily, EASILY been animated into the movie, it’s as simple as having a 1 minute scene of everyone hearing the final part of the message, it could have easily been the post-credits scene, heck 1 minute is probably a lot more than what was necessary to show after three seconds animated. So why did it not happen in the movie? Probably because Nami was blushing.
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Blushing is the most cliché and obvious way to tell if someone is into someone else (unless it’s physical like kissing). Oda, likely due to him keeping his young male audience in mind, relegated it to something even MORE obscure than a movie you don't necessarily have to watch, instead of through said movie, it’s through… these pin things? I honestly don’t even know what the heck it’s supposed to be. I know that One Piece Color Walk 6 featured it...
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...but I don’t know the origin of this or how it was distributed before the color walk. Was it given to people in theaters? Was this purchasable merch? Did it come with the DVD/Blu-Ray as an extra? There's so little information online on where in the world this came from, and that just goes to show how oddly obscure it is, as if Oda did this on purpose just so that as little people would find about it. As if he thinks “Okay my intentions will be too obvious if this gets put in the movie itself, let me try something else”. It makes sense given how he's clearly shy about the whole romance thing as I explained earlier. Of course in the movie proper Sanji still mentions the whole love message thing but without Nami explicitly blushing at Luffy hearing it, naysayers can easily just interpret it as one of Sanji's self-serving delusions as always, as Nami doesn't show explicit emotions (blushing) giving away that it's really a love message.
Yes, everything I am saying about this isn't some guaranteed factual info or whatever, but this makes WAY too much sense. He had no reason to make this featuring Nami blushing but he did anyway, like it’s a way for him to draw what he wanted without being overly concerned with his demographic at large getting to see this, you know. And it worked! For example, a lot of the LuNami naysayers point out how the message wasn't romantic and they all say it without the knowledge of After three seconds. Oda did a good job with keeping this art on the down low because let's be honest, who outside of the shipping community or people analyzing shipping to insane degrees (me right now) even know about after three seconds? Exactly.
And by the way, you can’t even say that Nami is blushing out of embarassment for everyone hearing it. In that artwork where she blushed, she knows damn well at that point that the only person on the ship who didn't hear the last part is Luffy, so she’s clearly blushing because of how LUFFY SPECIFICALLY heard it, she blushes once she’s realized that he heard it, it’s that straightforward. And Oda wrote Nami saying "It's embarrassing!" in reference to the message.
Oda is the same man who is embarrassed to write very on the nose romance. Not saying "Oh dude this totally means Oda is projecting how he feels writing after three seconds/the ending of Strong World onto Nami by making her say it's embarrassing meaning he sees this as romantic because HE is embarrassed about romance!" ....Well okay I totally AM saying that buuut I am not saying that it's actually true. I just wanted to bring it up lol.
Another perfect example of relegating obvious romantic things to obscure content is a certain sketch. And it’s in the heroine novel, obviously aimed at girls instead of boys, and oh would you look at that:
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Oda does a complete 180 and features Nami with Luffy’s hat on with a HEART IN HER HAND… seriously, how more obvious can this sketch get? It can't! And it doesn't need to be subtle this time! Oda knows that on average more girls are going to care about romance so why be subtle here? In the past he said specifically that he thinks girl readers keep asking him questions related to romance, as I clearly said before, and this here novel is targeted at girls as opposed to boys. There’s no reason for Luffy’s hat to be on her, especially because, well, he has nothing to do with Nami's novel, it's not like he plays a role in it. Nami post-timeskip is pretty much never seen wearing his hat before this sketch, making it very peculiar for him to draw her like this here on something aimed towards girls, the demographic he keeps mentioning "loves romance and keeps asking me to include it in One Piece". Seriously, the ONE TIME to bring it back in like, a decade, and it’s done like this? It feels ridiculous to call people crazy for thinking it has to mean something given all the context I have provided.
I mean, notice how in the main manga storyline, Nami hasn’t had his since SKYPIEA??? Hell, even then, she has only had it on her head once in the main manga in Arlong Park, yet Oda made Nami wear the hat in color spreads, which are treated as not important at all by a lot of readers. Color spreads by casual or young readers are usually looked at like “Huh cool artwork I guess, not going to extensively think about it though”, again giving Oda a liiitttle bit more leeway than his main manga story. Why else do you think that Luffy and Nami are CONSISTENTLY portrayed as King and Queen in color spreads and not the main manga storyline? Because from Oda's perspective it gives naysayers or the boys who in his mind supposedly hate romance leeway to say "Oh it's just a color spread! Just fun little aesthetic stuff!", in other words, nothing to take seriously. If he wrote it into his main manga story he would have to explain why Luffy and Nami would dress up as King and Queen too, again making things a loooot more explicit depending on the way he goes about it, and he's already insecure about it, so.... I'm just saying.
Also come on, there has to be a reason why Oda has portrayed Nami with Luffy’s hat plenty of times after Skypiea yet none of those times were in the story proper, just like the movies he's involved in being heavily focused on Nami herself or LuNami. He himself wrote Tesoro and Stella's romance, he himself said that ROMANCE WAS A GOOD IDEA FOR FILM: GOLD yet is much more adamant about romance being included in his manga storyline and it was HIS idea to parallel the romance for Tesoro/Stella that he wrote with Luffy/Nami. Almost as if he is less concerned with a certain audience for the movies and side material than he his for his manga... Nah, that's ridiculous!
Isn’t it just weird how a lot of the side content Oda makes/is involved in is more on the nose with shipping hints? To me it seems like his thought process is “Okay! I can finally do something I want to! I want to make a movie about Luffy saving Nami with a few romantic undertones thrown in there… I could’ve easily made an arc like this in the manga but, can’t let my main audience be disappointed, can I?” Arlong Park and Skypiea are the only times in the manga in which Nami gets to be saved by Luffy. (Funnily enough they’re both are the only times in the main story where Luffy gives Nami his hat.) Both arcs were so long ago. It just seems to me like he wrote Strong World and the romance aspect of Film: Gold to scratch his “Nami gets saved by Luffy” itch. Even with the Zou hug being a thing, it is not something that Oda puts emphasis on at all, it’s pretty zoomed out in the manga, as if he is avoiding any overly direct intimacy that the readers he’s catering to would catch on to. It’s all too suspicious to me.
All this isn't to say that Oda doesn't do any LuNami stuff in the main manga storyline, it just that he's not mega obvious with it at all and doesn't plan to include said mega obvious hints as long as his concern with his boy audience remains there. So it doesn't invalidate any LuNami hints that people think happened in the manga like Nami blushing over the CPR Reiju gave (naysayers could easily say she was just shocked unlike Strong World where it's blatantly her blushing over Luffy hearing what Sanji called a "love message") or things that are more subtle like Nami's "I don't want to marry yet" in Thriller Bark, I'm just saying that cliché hints of romance is what he would like to avoid, something cliché enough that his shounen audience would figure out.
As a side note, Oda's "People seem so supportive of couples!" is also interesting as before his Aoyama interview he always knew/thought that girls are always the ones ask him for romance and as such of course he would know the female demographic would care more about it, so this surprise about people seeming supportive of couples may or may not be him realizing that it's not just girls who are interested, but perhaps boys too. Of course we all know that Oda drew Luffy and Nami together for Aoyama, the author he just talked about romance with. Now again not saying "Oh man this HAS to be a LuNami hint!" because they talked about much more than just romance, but still, something to consider!
Oda's "Ah, seriously!?" is still funny to me when Aoyama said he won't leave if One Piece were to include romance, despite Aoyama writing romance in Detective Conan, interesting reaction from Oda given how Aoyama literally said "I like love comedies" just earlier. As if to convince himself that Aoyama is writing the romance in his story to pander to his female audience instead of doing it because he likes doing it. Anyway I think I am digressing.
I think my theory may hold some water, but hey if you disagree, that’s totally fine. I’m not the best at articulating myself so the way I talked about some things here may just be seen as completely wrong, but hey, that’s okay! If you have something to add, you can do so. I know there will be people disagreeing with me, including even some LuNami fans, but again, I don't mind at all.
My verdict is this: Oda likes the idea of LuNami but due to his concern with his target audience, he won’t make any obvious advances that young boys would pick up on and as a result, tries to sneak in more obvious hints into supplementary/more obscure content like Movies, After three seconds, a sketch, etc. because people take those less seriously/not at face value like stuff that happens inside the manga's story, so only puts more subtle or non-cliché hints in his manga and the less subtle ones in secondary material. (I mean seriously dude, wearing Luffy's hat with a heart in your hand? A romance parallel in a movie? Blushing at the "love message" being heard? Come on, that so much more on the nose than anything in the entire manga)
I guess you can say there are layers to how far Oda is willing to go to show LuNami more explicitly lol. The more of a low profile he think he has from his boy readers, the more explicit it'll be. That is seriously a trend I have been noticing from him.
Honestly, with all this being said and done, I think the only way he will feel totally at ease with including explicit LuNami romance is if he is convinced that his boy audience doesn't mind romance at all and wouldn't leave in salt, bitterness and passive aggression.
I think One Piece will continue to be written like this without on the nose romance. The best we can hope for is a sudden LuNami ending once the story is over, because 1. By then he stops writing One Piece and doesn't need to be walking on eggshells to please his audience and 2. Romance not being written doesn't necessarily mean characters won't end up together as BF/GF, husband/wife. Portraying romance is simply showing us the way that lead to the BF/GF husband/wife relationship in the first place.
Keep in mind that the whole interpretation I have about Oda's portrayal romance and LuNami could be entirely wrong!
To talk about the "Boys don't like romance" thing, I'm a man, and look, I wrote all of this stupid shit. To me it's funny that he still is under the wrong impression that all, or at least most, boys don't like romance. I am not a shipper of everything in fiction myself, LuNami is one of the few ships I even care about. If your audience grows attached enough to a series they would get attached to the characters too, this attachment can lead to a desire of wanting to see these characters be more, that is how I started to love LuNami. I think a decent amount of male One Piece fans feel the same way, for guys like me liking a ship usually takes a slow burn, whereas, usually from what I observe, women ship things much quicker than guys. I also feel less willing at expressing my love for a ship, a big part of it being that guys just "support" a ship instead of going balls to the wall insane for a ship with a million essays about how great the ship is, on top of that they almost always support the ships I think are lame where it's stupid one-sided love for 95% of the story (For example, Western men support LuHan so much more than LuNami on average it's not even funny) For a long time I was sitting in the back, keeping my interest in LuNami to myself. And what better way to "come out the shipping closet" I guess you can say, than to make... whatever the hell I wrote here? I don't know man at this point I'm so drained I'm starting to doubt that anything I even said here made any sense, I just flung all the things stored in brain at this post so it may be all over the place but whatever!
Hope you loved reading this regardless! See ya!
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theyluvlyss · 14 days
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"...𝐀𝐧𝐝 𝐓𝐡𝐞𝐲 𝐂𝐚𝐥𝐥𝐞𝐝 𝐈𝐭, '𝐏𝐮𝐩𝐩𝐲 𝐋𝐨𝐯𝐞'..."
《 ♡ 》 headcannons
───────── 《 .°•♡•°. 》 ──────────
𝐏𝐫𝐨𝐦𝐩𝐭 :
no real summary, just some loose thoughts I have, per the request😙.
𝐑𝐞𝐚𝐝𝐞𝐫 :
fem!reader x finney blake - she/her/hers pronouns!
𝐓𝐢𝐦𝐞𝐥𝐢𝐦𝐞 :
70s-80s (🤷🏽‍♀️) - the grabber doesn't exist - finney's dad isn't a p.o.s.😃
𝐓𝐖/𝐂𝐨𝐧𝐭𝐞𝐧𝐭 :
FLUFFFF - I think I cussed just a little😆🤏🏽 - finney being the best boyfriend you'll ever have in your life - short/small mentions of bruises/scars - me getting carried away
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ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ...𝐛𝐚𝐜𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭
───────── 《 .°•♡•°. 》 ──────────
It's true, they did. Not that either you or Finney could deny such a claim because that's exactly what it felt like. What it was. Innocent, blissful, doting puppy love.
Who's "they", you ask?
Well, literally everyone. Your parent(s), his father and sister, your friends, his friends, other peers/classmates... hell, even the strangers that looked at you two long enough, observing, could tell- No, feel the love radiating from you two at what seemed like all times.
Which you found surprising, seeing as you two were under the impression that your relationship was kept rather private to the naked eye, but I'll get to that in a second.
Even before you two had made it official, the mutual crush was painfully obvious to any and everyone around. It was in the way your eyes would find their way over to him whenever he walked into the classroom, worry filling them to the brim should he adorn any bruises and/or scars from any bullies of his.
The way he'd fidget whenever you were in his line of sight, biting his thumb at his desk if you sat close enough to him or clicking that space-themed pen over and over again when you breezed by him in the halls.
God forbid you said hi to him when you did. Poor thing would just melt, remember he had to respond back, and then go, "H-...hi...!" when you were already long gone😭.
And oh my god, you'd better believe Gwen and Robin were getting an earful, damn near every topic of conversation somehow circling back to you. Vice versa for Donna, knowing it was no use trying to pry any other subject from that brain of yours because it was all muddled with "Finney this..." and "Finney that..."
So yeah, though elated when you two finally became an item, nobody was shocked. Not even a little.
But anyhow, dating Finney is so sweet, and quiet, and peaceful (if that makes sense). It's just very loving and calming, with LOTS of a reassuring being done between the both of you. I feel as though Finney is just a naturally semi-anxious person but he also masks really well, so for the first while of your relationship, you spent it gently poking and prodding away, letting him know he could trust you fully with any and everything.
It's lots of sweet touches - hand holding, you rubbing his shoulders/back/arms often, him moving hair from out of your face or shooing away small bugs/dust from your person, face cupping - little things that bring about butterflies, even if it's been months (maybe even years) into the relationship😭.
AND THE KISSESSSSJFJEKDO omg- (sorry I just💀🥴-) He's such a huge fan of little pecks, I mean, sure... an actual KISS-kiss or a makeout sesh is fun-cool-awesome whatever, but bro actually forgets how to breathe for a second when you randomly peck him on the cheek or lips. The biggest grin in the whole world just spawns on his face if you bound up to him and the first thing you do is, "Hey, Finn!" and give him a lil' kiss right there on his nose.
And forehead kisses are something sooo special to him. He gives those out left and right, yes he does😌. There's something about them that just makes him feel like he's cherishing you and that he's just pouring all of his love and adoration into you, y'know? Plus, he loves the way you'll watch him carefully each time, too. Like, not saying he's the biggest fan of being watched at all, but in this instance, he doesn't mind and actually wants you to see/prepare for that special kiss he's delivering.
Which, speaking of, he's not fond of PDA. If anything, the most he can tolerate is hand-holding and just a short/small peck when you greet each other. But anything more, he's pretty inclined to reserve it for when you two are alone. Or at most, amongst well-known/close friends/family. Although, he won't shy/pull away if you want to hold his hand under the table/desk. And he won't move away if your legs or shoulders are touching if you two are doing/working on something together.
Cuddling/hugging? Bed and/or couch activity only, and can not - I repeat - CAN NOT be interrupted, or he'll be so salty about it. Again, it's a very special thing for him, getting to hold you, feel you, hear your heartbeat (or vice versa if you're laying on his chest). He gets to just sit and admire you, whether it be in comfortable silence or if you two are quietly talking, using this time to memorize each and every single feature on your face over and over again (hoping you're doing the same for him). So yeah, Gwen waltzing right on in without knocking, or your parent calling you two down for dinner definitely kills that vibe for him.
You might giggle at the way he goes, "mncht..." and rolls his eyes, but baby, he ain't laughing at all💀.
Hell, even you two talking with each other is pretty intimate and soft. He's never once raised his voice at you (even if he's upset), is always asking your opinions/thoughts on things and what the vibe is before moving forward, and the only time you've ever spoken over each other is when you guys are hyperfixating on a common topic and are getting really excited.
WHICH ‼️‼️ omg if you're an astrology girly, lord knows this boy... You got him, he's hooked, he's never leaving you alone. Fate - sealed. While yes, he's an astroNOMY guy, which is more science-based and leans towards a more logical outlook, he loves that with you/astroLOGY comes this inate belief and spiritual outlook. He LOVES that you've attached meanings to the stars and space-stuff that he already really fucks with. Like, star signs and shit? He might not fully understand it (will definitely strive to, though), but oh my god, he practically foams at the mouth when you start listing them off, giving definitions, pointing out the connections between yours and his, etcetc.
And on the flipside, he loves that you let him pop off about whatever he's got in the tank. Black holes, other planets outside our solar system, the possibility of extraterrestrial life, rockets,,, whatever he's spitting, you're all ears without even a shred of judgment.
Plus, like I mentioned, there's a lot of healthy communication/checking in between the both of you. Lots of, "Are you okay?" "How are you feeling?" "Did you eat today?" "What'cha thinking about?" "I'll call you later today/tonight, okay?" type of stuff, along with the silly, all over the place topics and the long, "today was shit" rants, of course.
To try and sum it up/ball up the millions of other things I have running through my mind (I'm trying not to make this longer than it needs to be💀✋🏽), he's basically a huge sucker for the love between you two. Loves that you listen and loves listening to you, loves knowing that you're there (especially physically, like, again, not a huge fan of PDA but really, truly can't get enough of your touches and calming rubs and cute little pokes/boops soooo😗... *cut to Finney wayyy too eager to get to either yours or his house so he can shut his brain off and cuddle with you*). He loves loving you and being with you, like...
AUGHFHSJH and he LOVES making you happy, finding every and any new way to impress you. He likes taking you to go get snacks from the Grab'n'Go; I'm talking the second this man gets a LITTLE bit of change from who knows where, the first thing on his mind is, "What should I get (Y/N)?" Or taking you along with Robin to the drive in when they go see movies, or to the diner to get milkshakes...
In all honesty, anything - spending time with you outside of school - is a date to him. Y'all could walk circles around a small ass park fifty-million times, and he'll drop you off at home like, "I had fun today. Thank you for letting me take you out :)♡." Like what a sweetie😭.
But if it's an "actual" date you're craving, he'll come up with and spend hours prepping little makeshift ideas that he'll enlist Gwen to help him with. Some of his best have been stargazing (with all of the stops, of course - snacks, drinks, books to read and flashlights, blankets and pillows, etcetc.), library dates where you guys spend nearly the whole day skimming through each and every section to look for new interests and topics, 👹CRAFTING!!!👹...
Finney is a craft king, argue with the wall😐.
Point is,,, Finney Blake loves you to the moon and back, and is still in mild shock that you feel the same way (y'all could be married with twins, a dog, and two cats and bro will wake up next to you in the morning like, "...She loves me🥹🩵??"), and if allotted, I'd go on forever and ever.
But I won't😻!
If asked one of these days, though, I would totally be down for writing general headcannons about all of the boys +Donna and Gwen +Max and other adults and characters that aren't canon but might as well be canon in my head because I have SO many thoughts😃...😀...*eye twitches*...
soyeahanywaysBYE👋🏽✨️.
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𝐚𝐩𝐨𝐥𝐨𝐠𝐢𝐞𝐬...
for both the long wait and the fact that I went a little crazy at the end, but it's fine xD🩷. I really enjoyed writing this, and I hope it satisfies. I feel like there's some parts where I fell off a little bit and then got back into the groove, but yeah...
good news is, I can only improve from here, so don't be shy to request more :)!
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ...𝐛𝐚𝐜𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭
ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ...𝐛𝐚𝐜𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐡𝐞𝐚𝐫𝐭
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𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐞𝐝 𝐛𝐲 :
anon
𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭 :
1,563
𝐭𝐚𝐠𝐥𝐢𝐬𝐭𝐬 :
none :(
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amethystfairy1 · 1 month
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hiya it’s been a hot minute since I sent an ask but I want you to know that I’ve been reading all your stuff for months now, refreshing multiple times a day bc I can’t get enough and I adore everything you write <3<3<3 I think your more recent writing with the darker themes is well done, it adds the perfect amount of angst and stakes to the story, more than vague threats of getting hurt, esp in the under city, but it’s not too much at the same time. Also your newest TT treebark is probs my favorite fic thus far, and treebark isn’t even my favorite ship lmao. It’s so arghhh yesss with Rens acting but Martyn can’t tell nooooo 😭 I REALLY want to know what Ren was thinking that whole time negotiating with the bandits, esp when he finally looked at Martyn bc he could probably hear his cries the whole time and UGH it breaks my heart in a good way. AND MARTYN ACCEPTING THAT REN WOULD DO THIS, AND FORGIVING HIM????? The angst, the FEELS. Stunning. A masterpiece. I start my days checking to see if you’ve posted I’m so obsessed XD. Might have to draw the scene… anyhow. I see you get a lot of requests to write certain ships now bc all the stories r so captivating we just HAVE to know more. But. I hope you don’t feel pressured or stressed about it, make sure to prioritize your own wants first. The quality is worth the wait <3 that said, I’m going insane over Martyn. oH also!!! Ren grabbing the wolf pendant!!!!!! He knows how much it means to Martyn my HEART they’re so AAAaAAaAaaaaA!! And he waited until he was between Martyn and the bandits to attack! To protect him! 🥺🥺🥺 the little details are so sweet I’m dying to know rens thoughts. He probably has the rage of a thousand suns in him after seeing Martyn tied up, hurt, crying, bc they would DARE lay a finger on the only one who protected him, who was nice to him. Just. Tomorrow can’t come fast enough. I’m def gonna draw this. Also side note love the new pfp
Hello!!!! Good to see you!!!!
I'm so glad you're still reading and enjoying my works!
Also very happy to hear you're enjoying the darker themes that have been coming up recently in both TTSBC and TT! You're exactly right, that's exactly the sort of thing I was trying to nail...oh yeah ANGST with Treebark right now!
I mean. If you feel inspired. I would LOVE if you drew this scene. Because like, I have that art you did of Ren asleep on Martyn's shoulder as the cover image to my Treebark fanfic doc 🥹
Thank youuuu I appreciate the thought about not feeling pressured or stressed, I promise I'm not! I know everyone is just excited for their favorite/most compelling storyline to continue! And like I've said elsewhere, I plan to stick to my mantra...when I try to write something I'm not in the mood to write, I burn out and don't feel like writing at all. That's what happened to me the last time I stopped writing, and I didn't post at all for nearly a year. I HATED THAT. So TTSBC and TT is the perfect situation for me! Lots of ships, lots of characters, lots of dynamics, and between the two I can write BASICALLY anything I feel like at any point in time! So yeah! I'll write what I feel like writing in the moment, because that's always when I come up with my best stuff!
THE WOLFS PENDANT YUP GOOD CATCH. Ren's a good guy, he pays attention to that sort of thing 💖
I'm glad you like my new pfp!!! I love it! It's by my same friend who drew my old pfp, but THIS one is of an original character of mine everyone who reads TTSBC is very familiar with and people very scared of, but I assure you, any resemblance to characters previously mentioned is purely coincidental, hypotheticals should be, should be, should be dismissed, and there is no need to be concerned. 😉
Thank you for coming by again!!!
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wheels-of-despair · 2 months
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Live A Little | A Worth It AU | Ralph Penbury x You | Masterlist
In This Edition: You and Ralph venture out of your cabin! Words: 1.3k
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You wake to the sound of angry whispers.
"It's not proper!"
"Those kids have been through Hell together!"
"They're not married!"
Ralph's eyes open. You hold your breath and listen closely, watching each other beneath the covers and not daring to move a muscle.
"And?"
"And it's despicable! Having to share a room with… with…"
"With my niece, and the boy who saved her life?"
"I thought you said his sister was on board! Send him there, or back to the lounge!"
"My girl wouldn't leave that boy to get on a boat and save her own life, and you think she's going to let him go because you said so?"
A proud smile spreads across your face. You knew Aunt Molly would always be on your side.
"Ugh!" The other woman groans in frustration, and you hear the door open.
"If you think for one minute that I'm--" Molly shuts the door, and your eavesdropping is abruptly cut off.
"She's got it wrong," Ralph whispers. "You're the one who saved me."
"Aunt Molly is never wrong," you smile.
"Then perhaps we'll have to agree to disagree."
"That won't do," you argue, reaching out to cup the side of his face. "Because we saved each other."
You're already close, but you both move your faces forward just a tiny bit for a kiss.
The door closes again.
"Food's here, kids! I let you sleep through dinner last night, but I draw the line at missing breakfast."
Aunt Molly sits on her bed and tells you about how the other survivors are being treated by the generous crew and passengers of the Carpathia while you eat, but you find it hard to concentrate. You do notice that she makes no mention of the argument with her roommate… whose few possessions have disappeared.
Molly leaves again when you've finished eating, and you and Ralph return to bed. You've never been so exhausted in your life. You're grateful for your tiny bed, and the boy you're sharing it with.
There are no windows in your cabin. The only marker of time is whispered words on well-timed bouts of consciousness with Ralph. You remember getting up to eat once more, and to visit the lavatory. You have a vague memory of Molly suggesting that you switch beds, now that Hettie had found other accommodations, and guiding you and Ralph to the slightly larger mattress.
You'd continue to sleep inches apart anyhow.
"Should we go find Victoria?" you ask, during one of those rare occasions you're both awake at the same time.
"No," Ralph sighs. "I don't want to see her."
"I don't want to see anyone but you," you breathe.
"Likewise," he says.
And then you both drift off again.
"I can't stop dreaming about it," Ralph admits another time.
You know exactly what he's talking about. It haunts you too.
"What would you like to dream about?" you ask.
"You," he answers.
"Perhaps if we concentrate on happier things, we'll dream about them?"
"It's worth a try," Ralph sighs. "I want to see snow. Real snow, not just a flurry. I want to be in a warm house, with you, looking out the window at the falling snow. At Christmastime."
"That sounds wonderful," you smile, closing your eyes and trying to picture it. "I'll make us hot cocoa... we can bake cookies… maybe it'll be so hot, we'll have to take our clothes off…"
"Mm…" Ralph hums.
You both drift off again, hoping to experience the romantic scene you've set instead of the horrifying vision of the sea swallowing an unsinkable ship.
It's not until after dinner, delivered by Molly, that you feel truly awake again. Your aches have subsided. Your brain isn't foggy anymore. Your body still wants to remain in bed, however, so you lie there on your back next to Ralph, looking at the ceiling.
"I think I'll enjoy being on solid ground again," you muse.
Ralph doesn't respond. You turn your head to see a worried expression on his face.
"Ralph? Are you alright?"
"Do you still want to marry me?
His question makes your heart stop. Is he having second thoughts? You turn your gaze back to the ceiling, rather than stare at him in fear.
"Of course I do, Ralph. Do you still want to marry me?"
"Absolutely, but… do you think your parents will allow it?"
"I'd like to see them try and stop us," you respond without even having to think about it.
Ralph looks taken aback by your comment.
"I love you, Ralph Penbury," you smile, squeezing his hand and gazing at him in adoration. "I want to spend the rest of my life with you. Whether it's an hour or a lifetime, I want it to be with you. And I don't give a damn what anyone else has to say about it."
Ralph's eyes begin to water. He leans over for a kiss. It starts sweet, but soon turns desperate. Passionate. Something you haven't felt up to in days.
"I'm so happy I met you," he breathes.
"So am I," you smile, cupping his jaw and staring into his beautiful eyes. You can't imagine spending another day without him.
"Let's do it," you suggest.
"Do what?"
"Let's get married."
"Have we not just established we're going to?" he asks.
"Now."
"Now?"
"Let's get married now," you clarify. "They can't object if it's already done."
"Do you mean it?"
You nod.
"But… weddings take months to plan."
"Do you want to wait months, Ralph?"
His brow furrows, and you can see him weighing his options.
"You'd be willing to forego the dress, and the flowers, and the church? Your family being present? All those traditions? For me?"
"I don't need any of that, Ralph," you smile. "All I need is you."
"Are you sure?"
"Ralph, please don't think that I'm trying to pressure you into this. We don't have to do this if you don't want to. We're both tired and hazy still. If you want to--"
"No," he interrupts. "Are you sure you want me?"
The unsure look on his face pains you. How can he not see that he's your entire world? You lean forward for a deep kiss.
"Now who's mad?" you ask, pulling back with a smile. You cradle his face in your hands. "Of course I want you, Ralph. You're the only one I've ever wanted. And I'll still want you tomorrow, and the day after, and the day after that. We don't have to do this now, if you're not ready. I'll wait forever for you."
Ralph stares at you for a moment, then laughs.
"I love you," he says, leaning over to pepper your face with kisses.
"I love you too, Ralph," you giggle, lying helplessly under his attack.
"Well, my love, shall we find ourselves a minister?" he asks when he finishes.
You grin and roll out of bed. You visit the lavatories and fix yourselves up the best you can, and set off in search of a holy man. A steward directs you to the person you're looking for.
You had no idea a wedding could happen so quickly. All the ones you'd attended back home had taken months to plan, like Ralph said. Hundreds of guests, many of whom the bride and groom probably didn't even like. Thousands spent on venues and decorations and dinner for hundreds. So much commotion, the people it was for barely had time to speak to each other.
And then there was this. A quiet ceremony in a dark corner of a ship's library, days after an event that would surely be one for the history books. In the clothes you'd been wearing for days. No fanfare at all; just you, the man you love, and the man reading scripture who would happily sign the necessary papers for a young couple who chose love in the face of tragedy.
It was perfect.
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belit0 · 10 months
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Madara and Indra tag-teaming the reader? Indra gets called back from the afterlife and takes offense that Madara is almost as good as he is. I love your writing! I binge read it all this afternoon! I'm so happy you write Indra, he's perfect!
Thank you very much for your words! Indra is absolutely my favorite, there is no one who can get to me like him!
I love that you like my work, and feel free to send as many requests as you want! Welcome to this beautiful corner of Uchiha perdition!
This was actually hard to picture, but bc I can't imagine both of them together lol.
I don't think both their egos would fit in the same room🤣.
Anyhow, sorry for taking so long to reply, but here we go!
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Why would anyone call him from death, from eternal rest, to bring him to a present where his name is only a legend? Indra does not know, but such is the scene he encounters when opening his eyes for the first time in millions of years.
In his original body, but in his 24-year-old guise, the Otsutsuki awakens in the midst of a ritual. There is blood on his feet, a strange pattern drawn in peculiar intersections that don't seem to make sense, and four men he doesn't recognize looking at him expectantly.
His world spins as he tries to acknowledge the space, and understand he has been summoned to the world of the living again. "Very good... you did it, Tobirama. Now put him back where he came from." A man with long, black, prominent hair speaks with his arms crossed, looking at him with eyes he identifies as his own.
"Of course not. I just brought the most important piece of history we could get, adding I don't know how to release him either." Another jabbers angrily, with strange white hair and red marks on his skin.
"You brought my fucking grandfather and you have no fucking idea how to let him die again?!" A third man shouts in despair, very similar to the first guy, but smaller.
"He's not our grandfather, Izuna. He's our ancestor."
"We should bring our grandfather too, Tobi! It can be a great family reunion and-"
"Why would anyone rouse me from everlasting slumber without apparent reason... I'll get an immediate explanation right away, or else things will get bad." The Otsutsuki decides to interrupt the interaction impatiently, holding his head between both hands and trying to focus his gaze without his eyes hurting. He has no balance to get up from the ground, sitting up and trying to regain control of his body.
...
4 months have passed since Indra was forcibly brought back to life, and all he wants is to die again. People became progressively more stupid, having as idyllic proof this supposed descendant of his who goes by the name of Izuna. The young man keeps pestering him with uncomfortable questions about a life that no longer is, and the Otsutsuki does not know how to get rid of him.
The man who dared to bring him back, Tobirama, still can't find a way to reverse his jutsu, and works tirelessly every day to give him eternal rest again. Meanwhile, Indra decided to confine himself inside the current leader's house, and learn a bit of the current world through him.
Madara Uchiha, his supposed reincarnation, recounts an era of peace where his clan and his brother's became friends. The sole purpose of creating the Uchiha was an endless war against Ashura's family, and apparently, they had figured it out.
Outraged and dismayed, Indra constantly compares his power to that of the current leader and understands they opted for peace because power levels decreased over time. The only thing he and Madara have in common is the darkness of their thoughts, the shape of their hair, and their taste in women.
The Uchiha has a wife alarmingly similar to his own, both in attitude and appearance, and he ponders whether reincarnations are possible. (Y/N), he learns her name is, is both charming and submissive, perfect to his preference.
When the leader disappears for the day to attend to his work, Indra has convenient access to the woman and enjoys her quiet company. There is nothing like an obedient, non-fighting wife, and after seeing today's world, the Otsutsuki understands there isn't much of that anymore.
(Y/N) treats him like a king, attends to his every need, and genuinely respects him. Nothing gets his dick harder than a woman who knows her place.
Madara seems to notice his attraction to her, and after consulting with his wife, they decide to give him a gift of satisfaction before dying again. A night of passion, discreetly catalyzed and planned to perfection.
...
Indra walks through the corridors of the Uchiha house, trying to find a quiet place to meditate. His mind is a mess, he is tired, and all he wants is perpetual repose again. Overwhelmed by his situation, he wanders aimlessly, seeking release somehow.
He decides to try the first room he finds, and as he slides open the door, he comes across an image both provocative and scandalous. (Y/N) shamelessly touching herself while sucking Madara's cock. The Uchiha smirks, grabbing her roughly by the hair and pressing her against his pelvis, forcing her to swallow him completely as she masturbates.
Kneeling with her ass in the air, he has a perfect view of her wet pussy, and how her fingers slide in and out with need. "She looks like she needs help, doesn't she, Indra-Sama?" Madara asks sardonically, leading her to follow an overwhelming pace with her mouth.
"What is this... what are you implying-"
"A little parting gift. Tobirama figured out the formula, and you'll be going home tonight. One last indulgence is impossible to deny, isn't it?"
The Otsutsuki genuinely considers it, relieved for the torture to end and feeling a bulge growing between his pants. There's no denying the sight is beautiful, and that (Y/N) looks both inviting and predisposed to be fucked by whomever she's commanded.
He's never had a threesome, but as long as the Uchiha leader won't touch him, he'll have no problem abusing that beautiful cunt and claiming it as his own.
In a burst of arousal, he walks over to the bed, and with no words to say, makes quick work of his clothes. If the woman is anything like his wife used to be, she will accept being violently and angrily fucked, used as Indra sees fit and without complaining about it.
Positioning himself behind her, he penetrates her with a dry thrust, burying himself deep inside her and listening to her moan being muffled by the other man's cock. "Shit, (Y/N), no teeth, or there will be consequences."
A dark satisfaction runs through his mind at the thought of getting to punish her, to destroy her as he wishes, and his thrusts become brutal to the point of trying to make her lose control of her mouth. The woman cannot continue to move her head, and Madara grabs her by the hair to direct her to the pace he thinks necessary.
Both of them use her holes as they wish, taking her with abandon and making her scream all the way through. Indra will soon return home, and plans to take a good fucking before then.
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palestporn · 7 months
Text
Gamzee: Attempt the complex advanced maneuver known as "get hugged, idiot"
It's only being as how you got "be cool, dumbass" slapped into your thick nugbone so hard so many times, that you don't go "huh?" and freeze up--but whatever shit your face does get up to must read plenty clear enough anyhow, because Karkat goes "...Hm" at you.
"Everybody's always rubbing all kinds of disgusting body parts talking about how the consorts must just be committing the most decadent possible acts of debauchery to each other all night, every night," he says. "I guess I'll use my fucking, lightning wit and wildly functional gazebulbs to deduce that's just a rumor."
You nod your head, and then shake your head, and then shrug at him.
"I know how shit gets done--"
"For me," says Karkat, laying it out clear, still frowning. "By you."
Motherfucking relief to hear he gets it. But when you nod grateful at him, he frowns some more. "Well, as far as I'm concerned that falls under the heading of ass-kissing," he says. "Which we've already figured out, you're not going to be doing. So. Well. Maybe, just--"
He marches up to you, and hugs you hard.
Startles you to freezing up for a second--but he's gripping hard, and he's so warm, and when you put your arms down around him he makes a low little satisfied chirr and squeezes you harder.
Your body gives way on you in pieces and parts; he tries holding you up a second or two and then stops fighting it and lets you down on the ground, lets you curl closer around him and grip onto him hard. For a second, he twists and wiggles loose--but before you can try to get yourself to let him go he just hugs you again, over your shoulders this time, so he can put your face in his shoulder and grip a hot, strong hand on the back of your neck.
"Okay," he says, over your head, and pets at your hair, like he's not sure he's allowed. "Yeah? Good. That's enough bullshit for today, you uh. You did good, we're done. Fuck, I thought you were going to kick Kankri's ass. He would've deserved it."
Hits you first that Kankri must mean the emperor; second, flinching fear like you gotta not be allowed to know that. Third, boiling-up anger you can't even blame on your ancestor's whispering this time.
"...Wanted me safe," you say, thin over the growl you're choking on. "He said--"
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"Yeah, well, maybe if he ever bothered explaining his fucking high-horned for your own good plans to people, he wouldn't be so fucking insufferable," says Karkat. "Maybe he did keep you safer in here! But holy shit. If I was you I would've hunted him down a long time ago and blown up right in his fucking face." His claws knead prickling at your back, protective at you. "...You can get pissed off. That's uh. What I'm here to help with. If you want."
You haven't gone and wound yourself up like that since you were new, when you didn't get how everything was all set to go and no point arguing--but you remember how ugly shit got when you let it, and how much trouble you got in. The growl that pushes out of you is ugly enough already, even if he doesn't flinch back from it.
"Yeah," he says. Low and half-relieved and holding you even tighter like the ugly's just exactly what the fuck he was looking for. "Come on. Say it."
Gamzee: Rage
==> Your body's been changed ==> You lost your name and your sign ==> They came back with a hundred sweeps of curse on them ==> All for your own motherfucking good
[START OVER]
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desertfangs · 1 year
Note
Picturing Armand coming up with all sorts of creative aka absolutely batshit ways to prevent Daniel from being intercepted by the Talamasca while Daniel remains completely oblivious. “Lover LOOK it’s Lestat right behind you, he’s only wearing a g-string 🫢😜” and then he’s setting all of Daniel’s mail on fire and scattering the ashes in one of his clandestine e boat rides. Or trying to pass Talamasca correspondence as high school reunion invites (“you couldn’t possibly be interested in that my love? Such silly nonsense”) before tearing them off and throwing them out and changing the topic altogether. It all pays off years later at Lestat’s concert when they bump into Jesse and Daniel is like “Tala-what? lmaoo what a funny little name”. Armand has never been more proud of himself xoxo DA 🥹
Right? Dying at the idea of Armand going "Look! Lestat in a g-string!" to distract Daniel because wow, that would work! Armand would have already gotten rid of whatever it was and Daniel would still be searching behind him, going "Where? I don't see him??"
This could be a whole sitcom, tbh. A whole montage of Armand pulling Daniel in the other direction all of a sudden when he spots a Talamasca agent or changing their plans out of the blue. "I thought you had to see this band tonight!" "I realized their brand of folk music is quite droll. Let's go to Prague." Stealing his mail every evening before he wakes up him to sift through it. I imagine even in the chase years, he might get Daniel's mail at the hotel desk and bring him the royalty check while holding back the Talamasca's letters.
Maybe Daniel finally gets one of the letters in New York, and of course because it's the Talamasca, it's impossibly vague, imploring him to come meet someone at some hotel in a week's time and only vaguely mentions their interest in his novel. So Daniel asks Armand what he thinks it is? Do they want to discuss a sequel? It's not his publisher's letterhead. Is it an agent? Someone who hopes to represent him?
Armand reads it several times, expression impassive, even though he immediately knows what it is. "It's a scam," he finally says. "These vultures target young writers. They just want a share of your royalties and they'll do nothing for you." He tosses the letter aside. Maybe Daniel wonders if he should go the the meeting anyhow, just to see, but Armand will coincidentally need them to fly somewhere very far away the night before so he can't make it. Such a shame. Oh, well, Armand was probably right.
And when they try to approach him in person, ooh boy. I know Armand has some pretty clever mental tricks and could probably scare them out of the city for reasons even they don't entirely understand. Like they're on Daniel's trail and then all of a sudden, they feel uneasy about going into the city or into a certain neighborhood. They may mention that feeling or just that they're not able to establish contact, but no one can seem to get near him and he never replies to their letters or shows up for the pre-arranged meetings, so they just assume he's not interested.
Ironically, I think Daniel would want to know all about them. I don't think he'd join them--I don't think he'd give up being with Armand for anything, and certainly not that--but I think he'd find their mission fascinating, and if he hadn't run into Armand, he would have loved working with them to investigate the paranormal. Sadly, he's also one of those people predisposed to get too close and get himself in trouble, because nothing would keep him from approaching a vampire if he knew where to find them. So he wouldn't have lasted long in the job. Although, Daniel would kill for an hour or two in their archives, even now as a vampire.
I wonder if he ever asked Lestat if his friend David could get him in there for a night to sift through what they had. No doubt Lestat was like "Sure, yeah, I'll ask" and immediately forgot and it never came up again. Ironically, I think the Talamasca would salivate over the stuff in the Night Island cellar and whatever Armand has in the depths of Trinity Gate. I'm curious if, after QotD, when they realized where Daniel had been and with whom, they tried to excavate some of their old abandoned apartments and now, somewhere in the cellar of a Talasmaca motherhouse, sits a blender stained with beet juice and quick-dry cement, a Chia pet with dead seedlings sticking out of it, and an electric toothbrush with blood all over its bristles, all in some box labeled "Armand, New York, 1980s."
Thank you for the ask, DA!!! Always happy to hear from you! I will be thinking about this all day.
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stormblessed95 · 11 months
Note
Hello Stormy~ ✨💜🌪️💜✨
Thank you for kindly answering my “ask” even though it was more like a monologue/message. I’m still working up my courage to DM you one of these days…
JK live was just so 💎pure💎 and had an effect to move even dark crumbling souls 🧹🪨 like mine. (😅Not to sound so dramatic, but I’ve been stuck in darkness yet again🧟‍♀️). His reaction to the FESTA 💌 project (and other fan songs), + the euphoric experience of listening to him sing 🌿✉️🌿…this fandom is so very spoiled. 💜😌💜
Anyhow, I am here again because I have two thoughts/items I wanted to share with you. ❤️
1. https://twitter.com/motokorich/status/1684337153403424769?s=46&t=H01H2IYxpN8-BH-REKQ-hA Unrelated to Bangtan, but I just learned about a J-pop idol who held a rather official event to announce his sexuality and wanted to share. The NYT article has been gifted via the reporting journalist’s tweet above. I’m not at all familiar with this artist or his group, and do not know anything about J-pop…but am somewhat familiar with the conservative social landscape of Japan. IMHO the fact that such a fuss needs to be made to apologetically disclose such a personal matter is wrong, alas that is where 🇯🇵 and many other societies stand. I applaud his courage, and hope the best outcome…truly, but I reckon it remains to be seen.
2. I was watching JK’s live and noticed there were numerous spamming from the TK shipper side of the fandom (as usual). But the curious thing today was, every time (at least a handful of times) I tried to hold it or swipe it to report the comments as I’ve done in the past, they disappeared before I even had the chance(!) Memorizing the usernames and scrolling back to find them was futile also, they were just *poof!* gone a moment after they appeared. I’m curious if you or anyone on your blog have noticed this… in all cases the ship name was a part of the comments—perhaps the term is now being screened(?).
Yet another stamp📓💮 collected!
1. I'll have to check this guy out! I hadn't heard of him before, thank you for sharing!
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2. Interesting. I know weverse is monitoring their lives more now I believe for inappropriate comments. I *think* but it's possibly they are trying to cut down on the stupidly overwhelming number of shippy comments to get to actual more actual engagement types of comments. But who knows! It's Interesting regardless. I personally turn the comments OFF whenever I watch lives unless I'm rarely adding some of my own. Simply because it's too distracting for me and people saying stupid shit jn an attempt to get noticed detracts from my enjoyment at just seeing the members lol so I can't speak to seeing anything like this for myself 🤷🏻‍♀️
3. I love JK. He is so sweet and cute. Also stamp given! My DMs are still open to you friend!!
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lutawolf · 2 years
Text
Twin Flames that Burn Each Other
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People are drawn towards others who complement them in good and bad ways, for their strengths and their weaknesses. We often look for those that match our achievements and failures. This includes seeking those with complementary emotional and mental wounds. Basically, complex trauma survivors will partner with someone else that matches their trauma. We then describe this magnetic pull towards one another as chemistry. If this relationship occurs between two partners with unresolved traumatic wounds, this type of chemistry can be volatile and explosive.
Whether the trauma was physical, sexual, or emotional, the impact can show up in a host of relationship issues. Survivors often believe deep down that no one can really be trusted. That intimacy is dangerous, and that a loving attachment is an impossible dream. Many tell themselves they are broken and not good enough. 
Yet many survivors are desperate for love and protection that they have never received before. While still being fueled by fears of abandonment and mistrust. They will often completely ignore appropriate boundaries in their desires to find happiness. As a result, patterns of intense, unstable relationships occur. This could be the continuation of abuse or where the survivor is at further risk of repeated victimization and disillusionment in adult life.
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Both Vegas and Pete are ill equipped to deal with the storm that is their relationship. Pete is spiraling due to their intimacy. Meanwhile Vegas is locked in a cycle of abuse and has no idea how to negotiate any kind of relationship. He as clumsy as a newborn child, one with sociopathic tendencies. Still, they are magnets pulled to each other. Because of this, Pete is constantly trying to reach out to Vegas.
Then Vegas pushed Pete too far. Pete was already losing his shit over Vegas chaining him again, but he still asked Vegas to leave and come with him to the Main family. Vegas lashes out but it's his emotional trauma that broke Pete and caused him to move past his love.
"Don't you ever think that just because we had sex that you could say anything" This, is the moment that Pete cries. It wasn't the physical, remember he comes from a world where physical punishment is a thing. No, it's because he gave himself to Vegas. He handed himself over and Vegas just said it meant nothing.
"Anyhow, your just my pet" and Pete cries harder. Then Pete says "A guy like you will never regret" aka a guy like you will never change. He realizes he was a fool to have stayed. Vegas isn't going to change, and he can't live like this, in this cycle of abuse. "Kill me jerk" "You want to die so much, huh? I'll kill you as you wish." Pete has never not once been scared of death. He has welcomed it with open arms. What is hurting him now is that he gave himself to a man that he loves, and that man is threatening him. Continues to threaten him over and over.
Pete says that he has nothing left "Not even my humanity" that's when it clicks for Vegas, that he has become his father. His mouth parts on an I'm sorry because he knows he is in the wrong. Pete interrupts him before he can talk though. Pete says "Right now, I feel useless, no, I've always been useless. I never exist." He is saying that he saw Vegas, but he never existed to him and now he knows it. He is saying that he thought he was someone, but Vegas has proven that was a lie. "I don't have anything left within me" I loved you, but it's gone. Vegas whispers' Pete's name in devastation now.
"I can't take myself anymore, vegas" I can't take the pain of the past and the pain of the present. "If you don't kill me today, I'll do it myself" Because I would rather die than keep up the cycle.
Vegas fights Pete for the knife but Pete wins. Vegas throws his hands up "Pete, Pete, okay you win" "Pete, I'm sorry" He has heard everything Pete said between his words. That he has destroyed what Pete gave him. He is desperate. "Don't leave me, I'm begging you" Vegas can tell that Pete is done and broken.
"I'm human, Vegas." Pete saying that he wanted Vegas to see him as human, as someone. "I have feelings" Peta wanted Vegas to see and care about his feelings. Vegas now realizing what he has done, scared he is going to watch Pete kill himself. He begs "Can we start over, just you and me" now he is ready to leave because he wants to keep Pete. He had gotten used to Pete wanting to be there. Cause the bolt cutters always been there. "I need you, Pete. Just you and me" I'll leave like you wanted to do before. Pete no longer trusts Vegas' words though.
"Need me? For emotional projection, like a pet with no feelings?" Vegas finally realizing how bad he fucked up, that he has broken his already broken love. He whispers no while taking the knife from Pete. He can't live with him not in this world.
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"Then what is this" showing the cuffs. Because the cuffs were security for Vegas but for Pete, they are a reminder of the past. That's when Vegas finally realizes that his boy is just as, if not more damaged than him. Because the bolt cutters have been right there. "Okay Pete" but he is still more worried about himself than Pete because all he can think about is he is about to be abandoned. He had found security in Pete wanting to stay despite his unworthiness. He pushed Pete too far though and he knows it. He begs Pete to promise not to leave him, but Pete can't promise because he is done. One last kiss, one last touch. Vegas "stay with me" Pete sucking in a breath, the pain because as much as he loves Vegas he can't. He touches his face and caresses his lips.
Pete apologizes as he knocks Vegas out. He stares at his hand that hit him. The pain immeasurable. He takes the keys and frees himself. Pete crying the entire time he escapes.
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heartofspells · 1 year
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Hi ❤️✌️
May I inquire further about 'you'?
Of course you can! I think you're going to like this one (if i ever manage to finish it; we're staring down a very endless-looking barrel here help)
For those that have seen the Netflix show and are in The Know, yes it's based off that. If you haven't seen it...no big deal! I've changed things anyhow! But it's all very stalker Remus, trying to be good Remus, desperately in love (obsessed) Remus a la Joe Goldberg. And then we've got Sirius, who is perfect and flawless and can do no wrong whatsoever (lies) a la Love Quinn (you know, with the family and the money and the working for a living and the SUPER co-dependent relationship with her brother (James)). There is stalking (duh) and spying and Inner Monologues and manipulation and Murder along with Creative Body Disposal.
Not everyone's cup of tea, but for those that are interested, I cannot WAIT to share it. This is becoming my new baby (co-parented by @narcissa-black-supermacy because she said so).
"Worst decision of my life," remarks Benjy, working his crossword again, but he smiles, and Remus is forced to admit that it lightens him. For the first time, Remus feels like he's catching a small glimpse of what Sirius sees in the other man, his friend, there by his side, filled with a deeply ingrained camaraderie built from years of a forming and solidifying relationship, no matter what infatuations might stand directly behind its walls.
Sirius huffs out a laugh. "And if I ever believe that, I'll eat my right foot. I'll even carve your name into it."
"Oh, well," murmurs Benjy, eyes flickering up to Sirius, "I was going to say that's going overboard, but if you're going to brand me with your name, by all means."
And just like that, so instantly it twists his stomach, Remus is restraining himself from ripping Benjy's lips from his mouth as it spreads into a leading smirk. Sourness bubbles inside of him as Sirius continues talking, not acknowledging the expression on his friend's face, Remus no longer hearing his words.
You'd like that, wouldn't you? Having him branded into your skin, or better yet, you branded into him so that everyone will know he's yours. You're just sick enough to do it, too. You'd look down your nose at anyone else who even thought of doing such a thing, but you'd carve those letters into his flesh, tattoo him in the empty spaces he still has, but I won't let you. He's mine, Fenwick, and he's perfect as he is. I wouldn't need the proof of claim to know that, and I'd never worry about anyone else taking him from me. He'll never want to leave me, whereas you'd bore him to tears in no less than three hours.
"…and Reg was always adamant about it, no matter how well he convinced everyone else to the contrary, so I count that as a win in the book of Black." Sirius is still speaking, jostling Remus from his thoughts as he shifts in his chair, gaze sliding over Remus, his mouth quirking upwards. "You just did it again," he announces. "What is that, the drifting? You're like James. He's got focus problems, too, but his is a bit different. He doesn't tune out; just jumps when you're not expecting it. Bit jarring until you get used to it."
Oh, great. Potter again. So much for escaping him, but at least he's apparently missing lunch this afternoon. It's better than nothing, and I'll take what I can get.
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morphinejunkie · 1 year
Note
Hello!!! I've collected so many crushstions, but I'm going to contain myself and so I'll only ask two:
In chapter 14, matt is willing to prostitute himself to Mello for some heroin. Is he just desperate or he has also an awareness? Did Matt already realise that Mello was attracted to him? Was he ever aware of this?
On the premise that crush is the universal manifesto for anti-romanticism, and on the premise that matt and mello will never have a functional relationship. In your view though, is there even a glimmer of ''exclusivity'' in the relationship they have? Do they notice differences in this with other lovers? Do they ever miss each other in the years they are apart, or are they just flat and passing like everyone else?
thank you for continuing your activity and sharing your ideas.
cool questions! thank you always!
1. this is up to interpretation really since mello believes matt “knows,” but i personally think that matt was willing to do anything at that moment and mello’s expression towards him was that of dominance and desire, so matt acted and delivered what was asked of him directly.
matt knew mello was attracted to him on a subconscious level since meeting again, and that became a conscious bit of knowledge after the explosion, but his self esteem never let him really see it as mello finding him attractive for his own sake - just thought it was mello being gay or horny or maybe some sort of power play. it didn’t bother matt and he didn’t think much about it. but, i think matt had a hard time coming to terms with the idea that mello actually liked him, and was interested in him not because he’s a warm body or sort of cute but because he’s matt. i think matt spent most of crush coming to terms with the realization that mello was deeply caring about him and had a romantic interest in him, but he didn’t care much about the fact that mello was sexually interested in him.
2. this is a really difficult question to answer and one i do try to grapple with in evidence. anyhow, matt and mello are indescribable in their connection to each other. they’re codependent and they always will need one another. they aren’t something as simple as lovers - they’re best friends, they’re colleagues, they’re brothers, they’re family. so they are different to one another because no one can even come close to understanding the broken pieces that wammy’s left them both with. they speak a language that no one else in the world could ever speak. and i think that helps one part with closeness and affection, but also breeds resentment, especially with someone like mello, who craves freedom and hates being predicted or understood. i don’t believe they’re ever exclusive because of that exact reason too, because matt already has parts of mello that no one can ever have, so mello will never let matt have him exclusively.
but, they miss one another undoubtedly because no one will ever be mello’s matt or matt’s mello. something will always feel missing even if they don’t want to admit it.
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asjjohnson · 1 year
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Part 6 of my poll adventure fic. Links: the beginning, part 2, part 3, part 4, part 5.
It's mid-day Wednesday (at least for my time), which means a new part of my poll adventure fic, because I've been here for over a year and still don't know how to use this site effectively. :D (Oh wait, here, I made a poll about tumblr timing.)
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Valerie walked toward Vlad through the rubble, hugging a hissing and clawing Maddie against her armor. "Found him," she said proudly, smiling up at Vlad. "Is there anything else I can do for you?"
"Actually, there is. There's a malevolent ghost loose in Amity Park, posing a serious risk to my health, as well as to the city. I need him contained and brought to me."
Oh, cheese sticks with marinara dipping sauce! He had meant to do the responsible thing here—not ask a fourteen-year-old child who couldn't even hold a cat properly to risk her life in his stead.
...He really had become too accustomed to avoiding anything unpleasant.
"Sure thing, Mayor Masters!"
Maddie squirmed out of Valerie's hold with an angry yowl and ran off.
Well, he could still work with Valerie. ...If he truly wanted to. He was unlikely to succeed on his own, anyhow, if this older version of Daniel actually was as powerful as he'd heard.
But did he truly want to be a part of this endeavor? He was already dreading it, with only the thought.
He recalled what the older Daniel had said—that he let his emotions hold too much sway, and that in turn caused his plans to fail.
Which had been exactly the case when he'd felt some level of compassion for that ghost.
Thinking purely objectively, Vlad could still use the ghost if he could get him back under his control. And if Vlad were to have some part in the ghost's capture—in saving Amity Park—it would boost his ratings. He did need to keep his position as mayor of Amity Park for his contingency plans.
"Valerie, dear. Why don't we work together? I'm sure it's just misplaced guilt, but I can't help but feel somehow responsible for this situation. Ridiculous, I know. However, working with you on his capture would ease my poor conscience."
"Oh... uh, you've never suggested this before," Valerie said uncertainly, shifting her weight from one foot to the other, as though she was trying to think of some way that poor old 'Mayor Masters' could work with her. "But if that's what you want."
'Cheerleader' isn't, ah, a literal cheerleader. (Don't make me dress him up in a skirt.) It just means... like, advertising and cheering her on. More of a cheer-leader (...which is probably an even more literal meaning actually).
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@charlietheepic7, @chrysanthemum9484, @mymadmedleyw, @dp-marvel94, @aikoiya, @whydouwantmyname, @cinturon-cadena, @freakofyournature, @satanicrutialspecialist, @danphantom80
(if you want on the list, specifically ask to be alerted for updates in a tag or comment. Ask again if I forget! If I can't tag you, I'll send a Message.)
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countrymusiclover · 2 years
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7 - Alaric Wants to Kill Me
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Part 8
Her Life Means Everything
@mrs-fanfiction-2001
@the-big-bad-klaus
Rubbing the sleep from my eyes shifting up in the bed seeing Klaus laying peacefully asleep beside me. Laying my head down on his chest he wrapped his arms around my waist kissing my forehead whispering in my ear. "I have been waiting forever for your little butt to wake up so I can kiss you."
"Oh I'm sorry humans have to sleep, Klaus." I teased sitting up so I could kiss him but he suddenly flipped me on my back using his vampire speed where I grunted. "That's cheating using vampire powers."
He leans down deepening the kiss that we had started. "I never said I played fair, Maddie Forbes." Wrapping my arms around his neck I kissed him back enjoying the feeling until the bedroom door gets broken into by Rebekah who seemed on edge for some reason.
"Alaric Saltzman just tried to kill me." She blurted out stomping around the room.
Klaus flopped on his back laying close to me rolling his eyes. "Alaric Saltzman is supposed to be dead." He leans over trying to kiss me again. "Now leave little sister."
"Would you stop focusing on your soulmate and care about our lives for a second!" She stomped her heels on the floor rolling her eyes. "He's a vampire thanks to mother's spell with a white oak stake that can't kill him. He is strong, Nik. Too strong."
Klaus sits up in the bed focusing on her. "Where is he now?"
"He's stuck at the school without a daylight ring, but as soon as night falls he'll come after us. We need to leave now." Shs replied turning on her heels about to leave the room seeing me shivering at the thought of him killing me.
She walked over taking my hand in hers squeezing it then vampiibg out of the room. "Don't worry Maddie. We'll protect each other, like we always have. Always and forever, Nik."
Klaus kept trying to break into Elena's house until Stefan stepped out onto the porch before he could set the house on fire. "Elena is not here. Alaric has her and Caroline. He's gonna kill them both unless you turn yourself over to him."
"He has my sister. He has Caroline!" Stomping up onto the porch in between the two boys I felt my heart beating faster in fear. Throwing my hands out away from my sides I start freaking out in a panic. "What are we standing around for. Let's go rescue her - uh them!"
Klaus squeezed my shoulder tilting his head to the side. "Now I know you're not asking me to walk into a certain death." We glanced into each other's eyes as he spoke. "Because I'd hate to make you have to explain to Caroline why her little sister died alongside me."
"What the hell are you talking about?" Damon asked carrying a piece of broken fence over his shoulder. "Little Forbes, isn't a vampire. Why would she need to be protected anyhow?"
Whipping my head around to the raven haired vampire I start twirling my ring on my finger. "Damon, I am the soulmate of the Original boys. So if Klaus dies I'll feel his pain. But that's not important. What's important is saving my sister before Alaric kills her. Let's go!"
Entering the high school the Salvatore brothers followed us through the hallways trying to be quiet since Alaric could hear our movements. Pressing my back into the lockers I catch the flying of blonde hair so Klaus vamped behind my sister covering her mouth with his hand so she wouldn't scream. "Shhh. It's okay. It's okay. It's me. It's okay. You're safe. We'll save Elena. You go straight home, you stay inside. Do you understand?" He turns her around so that she faces him. "Do you understand me?"
"Thank you." She whispered back seeing me standing there in the corner. "Maddie, it's not safe here for you."
Walking up to her I grab her hands in mine weakly smiling to my sister. "I had to come save her. You're my sister after all."
"Caroline take Maddie with you right now. Alaric is coming and I can't risk him killing her." Klaus declared before I spun on my feet ready for a fight.
"I'm not going anywhere, Klaus. I can handle myself-" He cuts me off cupping my face in his hands resting his forehead against mine gently.
"You're my mate and I can't let him kill you. You'll be safer with your sister, please." He whispered until I nodded intertwining my hand with my sister's where she vamped us back into our house. Heading into my room I sat down on the bed I run my fingers through my hair sighing with my head between my knees.
My sister enters the room a few hours later where I felt a sharp pain in my heart where I clutched my chest. She rushed forward bending on her knees concern on her face instantly. "Mads, Mads, hey what's going on?" I gasped feeling the pain going away where I grasped her hands in mine.
"Care, take me to Klaus now. Take me to him please!" I begged her where she started to argue but takes my hand in hers vamping me to a storage unit hearing foosteps inside the building.
"Alaric's here Maddie. We should go home." She tried but I pull her hand from mine reaching down into my boot pulling out a white oak stake. "How did you get that?"
Twirling it in my hands I sighed gripping it tightly since I haven't killed anyone ever in my life. "Klaus and I are mates. Actually I'm linked to Elijah and Kol too. We'll talk about this later. Go home if you want I'm going in there." Opening the door I slowly closed it sneaking through the halls looking around just in case Alaric finds me and try to kill me. Someone vamped down the hallway I raised the stake but Rebekah grabs my wrist so I can't kill her.
"Maddie, why are you here. It's dangerous. Did my brother give this to you?" She takes the stake from my hands until somebody vamped us against the wall covering our mouths so we couldn't scream. Moving my eyes up I saw Damon before he led us over to where Klaus's body was trying to get him to the car but Alaric vamped forward in front of us.
Rebekah rushed forward but he grabbed her by her hair slamming her head into the truck hood. So he threw her onto the ground. Grabbing the stake from my inside my boots again I ran up trying to stake him. Alaric snagged my wrist twisting my arm behind my back shoving me into the ground harshly with his vampire strength. Sliding across the floor I winced feeling blood coming from my left elbow. Damon tried to stop him but he throws him too. "No!" Rebekah and I both cried in unison getting to our feet as fast we could seeing Alaric pull out his stake and opened the coffin.
Damon scrambled to his feet too before he stabbed Klaus with the dagger making him gasp and Klaus's body started burning. "No! Don't!"
Suddenly I collapsed onto my knees feeling my heart is on fire with the stake still sticking inside his chest. Damon puts Rebekah behind him trying to protect her but she started sobbing uncontrollably in his arms trying to go to her brother. Holding myself up on my hands and knees I gasped them tears staining my face reliving through this much pain. "Klaus...no...no!"
Damon struggled to hold Rebekah seeing Alaric pull out the stake facing all three of us. "Rebekah, run. Take Maddie now, Run!" She grabbed my arm helping me to my feet vamling us away and into the middle of the woods finding Elijah.
"Elijah...he's gone...Klaus's gone!" I shutter stumbling into his waiting arms still sobbing where I stained his suit shirt with tears. He wrapped his arms around my frame feeling my body collapse into his embrace. He stumbled a little being able to feel the suffering you felt much stronger than he did about Finn. So he had to assume it was because of your connection to Klaus more.
Breaking our hug he embraced Rebekah who was sobbing still too. "He's gone, Elijah. There was nothing I could do to stop it." He has tears in his eyes too where I dropped on my knees crying against a tree trunk.
Comments really appreciated ❤️
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