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It did.
I got the FNV DLCs
I love the fact that Dead Money starts with a literal flashbang.
Made me flinch.
Also I love new companions so much
(No spoilers)
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everydayyoulovemeless · 2 months
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Ulysses, Joshua, Dean, Christine, and Follows-Chalk Reactions To Destroy Dick December
➼ Word Count » 0.5k ➼ Warnings » MDNI ➼ Genre » Romantic, NSFW ➼ A/N » Actually kicking myself for adding quotes to this series
Ulysses will actually agree to this scarily fast. He's a very physical person and adores the idea of spending that much time with you sexually. Besides, he feels that this is the perfect time to try a few different things out on you, just to make your time together a tad more interesting. You'll find that he's very passionate when it comes to your pleasure and will fuck you in all sorts of places to ensure you beat this month, especially if you lost in November. 9/10, depends on how busy the month is, but he's putting in some crazy effort for the both of you.
"Shh, just lay back."
Joshua is not only disgusted with you but amazed you think he could actually do all that with how many burns he has on his body. The first thing he's doing in the month of December is baptizing you. The fact that you even tried to ask something of this from him during the month of the Lord's birth baffles him and he will instead be doing a challenge of his own where he goes over one story of the bible every day until the month's over. 0/10, it just leads to another month of no sex.
"No."
Dean will get drastically more flirtatious with you as the month goes on. He'll plan out romantic, candle-lit dinners at random locations in the Villa, tilt your head to meet his gaze and play all sorts of records he's managed to salvage just to get you into the mood. He has tons of experience and would love to demonstrate it for you during these 31 days. It's honestly the friendliest Dean has ever been throughout the entire year, he just likes getting laid. 11/10, he is an animal.
"My dear~ How could I say no to a request like that?"
Christine will just shrug when you mention it. Sure, you guys can try it. She's aware of her limits and already knows she won't pass at all.. but you will. She'll make sure of it. She's not that into overstimulation, but throughout this month, she'll be doing her best to ensure you actually pass this time. Besides, she likes women who don't quit, even when put under all sorts of pressure. 9/10, you said you were going to do it, didn't you? She's just making sure you keep your word.
"You're tired? Already? C'mon, we can get one more in for you."
Follows-Chalk understands the rules of this one a lot better than he did in November, however, he doesn't pass it as easily. He finds that after the 9th or 10th day, he gets incredibly exhausted. He still needs to go out and hunt for his tribe, especially during the colder months. 4/10, he tries but, logistically it just wouldn't work out.
"Sorry... I.. I'm too out of breath."
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tannnnblogs · 2 months
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"Aw, shhh, don't cry."
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sodawizardo · 4 months
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Good evening all 5 of you in the Dead Money fandom
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ilmarisart · 2 months
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My nomination for the cuntiest ghoul in the wasteland
(Psst I have commissions open right now)
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mushroommans-cache · 2 months
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ROSE NOW IS NOT THE TIME
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jaxon-c6 · 9 months
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w98pops · 5 months
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small christine sketch... i love you my short queen
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thapunqueen · 9 days
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has someone done this yet...dont tell me..
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louhinks · 1 year
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Back again with a new FNV fanart series. Starting the DLC with Dead Money :)
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artbyblastweave · 6 months
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Frederick Sinclair is a really interesting foil to Mr. House. I mean you start digging into this and it's just parallel after parallel after parallel. Start at the high level. House sinks inordinate amounts of resources into saving the city of Las Vegas - not the people, but the city- from nuclear destruction; as long as the stage endures, he can get anyone to wear the costumes. Sinclair sets up an entirely new "community" totally off-the-grid for the sake of protecting one woman, plasters that place with her likeness. House is a visionary with a 200-year action plan to rebuild society in his image, bootstrap space exploration, and construct an interplanetary empire; Sinclair sank everything he had into building the most secure facility possible for a woman who he knew was terminally ill anyway, just to ensure that her last few years lived in the aftermath of the nuclear apocalypse would be as comfortable as possible- there's a fundamental pessimism baked into what he was doing. Both House and Sinclair relied heavily on automated defensive systems and cutting-edge, esoteric technologies to accomplish their ends, but House built his power base on proprietary robotics and computing technology, much of which he personally designed- an outgrowth of his policy of never widening his circle any more than he absolutely has to. Sinclair, in his naive techno-optimism, outsourced his utopia, grabbing flashy third-party technologies like a kid in a candy store- opening a backdoor for the Think Tank to poison his city and ultimately getting everyone at the Gala Event killed when the holograms malfunctioned and went berserk.
Their management styles are inverse. House allows countless abuses to occur under his aegis because he subscribes to a libertarian-when-convenient philosophy where he doesn't much care what the little people do as long as he gets his cut and they don't rock the boat too much- a hands-off approach that fosters resentment amongst his subordinates, lets the White Gloves and Omertas get up to untold levels of fuckery while Freeside languishes and Benny conspires against him. Sinclair, by contrast, had a sincerely-held utopian-straight-edge safety-first micromanagement approach built into the very bones of the casino, he appeared to genuinely give a shit about the safety of the construction crew on the villa, and he was well-liked by nearly everyone who had any direct contact with him- and yet untold horrors also went down under his aegis, because his myopic focus on building the vault for Vera let Dean Domino and the Think Tank run circles around him, good intentions be damned. Their respective interpersonal dispassion and obsession are on display in how they react to betrayal. House's tone never rises above exasperation when it comes time to clean house of Benny, the Omerta Leadership and the White gloves; he treats them as problems to be solved, gears that are slightly out of alignment; By contrast, when Sinclair learns that Dean and Vera have been playing him, he channels the monomaniacal energy he previously directed towards protecting Vera towards the goal of building the perfect poetic-ironic death trap for her and Dean.
There are some other parallels in their personal lives. For one thing they both trusted a pastiche of a 40s lounge singer a lot more than they should have. They both tried to digitize, immortalize their girlfriends- and the discrepancy in how they went about it is telling. House's recreation of Jane isn't terribly robust, and in terms of House's overall project she's an afterthought. She's more a sock-puppet than a person, a sanded-down copy of a woman who died forever-and-a-half ago, forever agreeable, never saying no. Convenient. Only the most superficial visual elements preserved- an illustration of her face on a robotic chassis. Sinclair was obsessive in recreating Vera, preserving her likeness. It's all over the villa, her hologram is everywhere, her voice is everywhere. The terminal in the lightwave lab in Old World Blues reveals that he was still obsessed with getting her hologram right even after the love curdled into hate. All of it a monument to the real woman, and yet in all of it the real woman is still lost, buried under the mythologized projection. He didn't respect the real person enough to let her know that she was dying. A total failure of preservation from the opposite direction. (Except in the suites, where you can hear her very authentic dying pleas.)
You find both of them in their basements. House only looks a little better than Sinclair, but he's got much more of a voice in the narrative. He took steps to make sure he'd be around to tell you what he thinks about everything, fine-tuned the voice with which he speaks to the world, the face he presents. It matters to him that he gets to tell his own story. We find out a lot about House, from House; but for the kind of figure that he is, a shocking amount of what we learn about Sinclair comes from other people, people who knew him or wrote about him. The only image of him you can find is a downplayed element of a larger mosaic. The two documents you find that're written from his perspective have been buried for 200 years, and they're yards from his corpse. And the more recent of the two is an apology. I mean admittedly at the point where he wrote that apology Sinclair was personally turbofucked regardless. If the cloud didn't get him the holograms would have, or the radiation, or, or, or. You can read some level of ego into what he did in the face of that. But however futile it was, he died in the specific way that he did because he recognized that he'd done something awful, and he was trying everything he could think of to correct it. Somehow I find it very hard to imagine House doing either of those things- admitting fault or putting skin of his own in the game to make it right.
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toffee32 · 6 months
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Do you trust me? If you do, let go of this.
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tannnnblogs · 3 months
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Begin again
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dr-moss · 2 years
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"This is Mr. New Vegas, and I feel something magic in the air tonight, and I'm not just talking about the gamma radiation." ✨🌃🌵🌙
Aaa so it’s been a long long time since I made some New Vegas art, but I promised myself if my fanmix on Spotify got to 500 followers, I would revamp the cover art. So here it is!
Follow me on Instagram 💖
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chimaerakid · 8 months
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post Sierra Madre
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mushroommans-cache · 5 months
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POV: Dean Domino gets roped into fighting at the Hoover Dam
100 Speech has never been more crucial
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