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luckydragon10 · 2 years

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KinnPorsche Ep04 Lines of Power

Hello, I’m back to call out lines of power, staging, and framing in the latest episode of KinnPorsche.

There's so much. I can't possibly call it all out, but I'll hit biggest highlights, now with actual IMM logo watermark. Isn't Philippe adorable? 🦩

More of LoP: [Trailer], [Ep01], [Ep02], [Ep03], [Ep05]

📢 ALERT ALERT! Parallel found!!! Remember the scene from Ep 03 where I pointed out the teensy tiny line of power above Porsche's head during the Mes beating?

This damn shot is exactly the same with the tiny line above Kinn's head, the darker half of the screen to the left, and the lighter elements on the right. *eyetwitch* This show, tryin' ta kill me.

(I have a feeling I'll start finding more parallels like this. Maybe later on I'll have enough to pull them together in a special post.)

*mutter mutter* damn mirrors *mutter mutter*

You know? I really don't care about the lines dividing the screen in top and bottom (heh, top and bottom, heh), but the POOL reflections, unf. This show has an obsession with mirrors, and it's absolutely nucking futz.

The symbolism is kind of off the charts. Just...think about inversions, and reversals, and opposites, and hidden selves and...okay, you get the idea.

That beautiful, beautiful line between them, dividing them. In this case, it's a clear separation of dislike.

There's a LOT of this sort of vertical dividing in this episode.

Speaking of which...

Credit to @moerusai for help with this one. I was scanning and scanning. I knew there had to be something in the Porchay Kim scene but kept missing it because it's subtle and brief. So I called in mo for backup.

See the speaker? The edge of the speaker creates a softer, subtler dividing line between the two young'uns.

I'm so soft for these two. You have no idea. 😭😭😭 C'mon, darlings, you can break down that measly little barrier!

And then there are these assholes...

Dividing line. Diving line. FUCKING DIVIDING LINE. Shot after shot, WTF. Okay, okay already, we get it. They are NOT on the same wavelength yet, geez.

These two have issues, and it's everyone's problem, including theirs.

ALSO: In the first and third shots in this set, Porsche has a lighter background. And in ALL of the shots, Kinn has a darker background, especially that last shot. This is a reversal from Episode 3 of the scene where Kinn tended Porsche's gunshot wound, when Porsche had the dark background and Kinn had the light background.

*mutter mutter* mirrors and reversals and opposites and foils *mutter*

Kim, I'm glad they let you out of the cage for a little bit this episode, but I'm sad that they immediately put you back in it. Oof, look at those railing posts acting like prison bars!

This dude is so trapped by circumstances. Kim, darling, it's gonna be okay (I hope).

I try to keep the pics mostly in order of appearance in the episode, but the 10-pic limit for posts is real, so here we are.

I put these together as examples of Kinn and His Fucking Throne Habit. He's SO good at it. Everywhere he sits, he turns it into a throne.

In the sauna, he's in the higher position, in the best lighting, and that line on the left in particular is pointing right at him.

At the auction, will you look at the curved shelf behind him? That damn shelf points right at him and helps draw attention to him, as do the highlights on the top of the blue bench, plus he's very center in the frame. Even in this busy shot, he claims visual focus (while competing with the glow lamp of doom).

I desperately need to see this throne thing reversed in the future, to see a moment when he ISN'T in the king's seat. It's the only way I will feel peace and balance.

In contrast...

Everybody puts Vegas in the corner. Because he deserves it, the sleazebag. (But he's very good at being a sleazebag, and we appreciate that. Thank you for being our villain so we can hate you.)

This framing is shit. The dude in the foreground and the lamp weaken Vegas's attempt to sprawl with his arms and take up space. Nothing is pointing to him, and the foreground dude's mysterious floating head is much more interesting than Vegas. Plus, he just looks shrunken.

He's small. He's powerless. And he haaaates it, precious.

RESCUE MISSION!

These shots have such a feeling of tightness and claustrophobia to them. They're crowded, with tall verticals that make the characters seem hemmed in, trapped. And in the third shot, the closeness of the characters and the camera add to that sensation. All of this framing adds to the anxiety and tension of the moment.

///

Sorry, no smexy scenes this round, but I might do a special LoP meta this week for something I've been tracking that also appears in the smexy scene.

In the meantime, here, have a bonus:

Charmed. He has been fucking charmed. Is there something about the Kittiswasd bloodline that's like catnip for the Theerapanyakul brothers?

Kim's line of power is his stupidly happy smile.

///

Other KP LoP breakdowns: [Trailer], [Ep01], [Ep02], [Ep03], [Ep05]

And here’s color theory from my friend @antique-forvalaka: [Hidden Messages], [Kinn + Porsche], and see the ends of posts for more color theory links.

We have all sorts of meta going on, from costuming from @chaoselmo to vocal analysis from @yeetlegay and even good humor with product placement from @biochemjess. Always more coming from the IMM!

#kinnporsche #kinnporscheep04 #kinnporsche meta #cinematography #cinematography breakdown #my imm mates

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ratcandy · 3 years

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Subcon Forest Analysis

Hi everyone I'm here to spill my aggressive overflowing thoughts on Subcon Forest and what it represents because it's been driving me insane since I finished the Sleepy Subcon time rift. Okay let's go. Obvious spoilers for AHIT ahead so proceed with caution.

This is also very, very long.

Disclaimer/warning: I will be discussing abusive/unhealthy relationships in this analysis. I mean. Vanessa. Come on. Also, there is a section on the nooses, and that delves, of course, into mentions of suicide. It will be sectioned off and easily skipped, but if you'd rather be safe and skip the entire post, that's completely understandable! Please stay safe. <3

Alright. Main point to be had here:

Subcon Forest is a giant extended metaphor for Snatcher's mind and character.

You all get to now listen to me spout nonsense about metaphors and symbolism because I'm a sucker for analysis and I'm given an opportunity to go ham. So perish.

The Ice

Let's start with the most obvious and most glaring thing in Subcon. The ice. It's everywhere. Not just outside Vanessa's manor, either; no, it's throughout the village, too. Shows up in the well and in random locations sprinkled about. When it comes to literal plot, we know that ice is just what lingers after Vanessa's wintery curse on Subcon. But going deeper and analyzing the meaning behind it?

Well, let's look at this from the perspective I've suggested. Subcon Forest being an extended metaphor for Snatcher's mind and character. A symbol for Vanessa then litters his mind, enough where it's certainly noticeable at first but blends in more easily once more of Subcon is unlocked to Hat Kid. This is clearly meant to be his lingering trauma, whether or not he wants to acknowledge it. Which he doesn't, as he never mentions it directly in his forest (that I can recall). Her influence plagues him, as to be expected with the traumatic experiences he went through with her. Breaking the ice is something Hat Kid must do in order to fulfill the wishes of the Fire Spirits (another subject I'll get into shortly), which, if self-indulgently playing with the found family idea, could mean that Hat Kid is helping him heal; if indirectly. Even if fulfilling the Fire Spirits' wish to die is... counterproductive, in that measure, which I'm now getting ahead of myself so hold on a sec!!

Vanessa. Ice. Everywhere. Traces of it all over his forest. That's the effects of an abusive relationship! Especially in a worst-case scenario where... yknow! One party in the relationship dies! So of course ice would be everywhere.

In and of itself, ice is a common symbol in literature and other forms of media. In this case, it's presented as an antagonistic force; emphasis is placed upon freezing and the harm that comes with it. The cold is unwelcoming, threatening, merciless. Snow can act as an insulating force, at least, but ice cannot. It can only make things colder.

A slight stretch: Seeing as this game deals a lot with time shenaniganry, I'm not sure if it'd be too out of left field to connect "freezing" with the theme of time. Yknow. Frozen in time. Both parties here, Snatcher and Vanessa, would be in this frozen state. One largely repressing it and never fully moving on, and the other doomed to her isolation ever since the event in question. They never moved past that moment after the Prince and florist's interaction.

The Fire Spirits (& the Portraits)

I'll put a slight warning here for suicidal ideation, if only because... it's the Fire Spirits we're talking about. It's not as grossly in-detail as the noose discussion will be, though, so make of that what you will.

To me, the Fire Spirits are a very interesting case. After all, they're fire. They're a direct contrast to the ice, thus being the only thing we're shown that could potentially melt it. The Fire Spirits, in my opinion, represent hope or a strength to continue. A strength to move on after troubles of the past.

...And that hope wants to die.

The Fire Spirits wish to burn out, to leave this mortal coil and abandon the forest to the cold. They make no effort to melt the ice, they simply dance, blissfully ignorant towards their surroundings. This being a metaphor for Snatcher's own hope for moving on is made all the more obvious by the fact he wants them gone. The first contract is to kill the Fire Spirits, to kill the hope. Perhaps he believes that sort of thing to be fruitless or naïve, so it only clutters his mind or has him foolishly optimistic at points. So, get rid of it. And the hope is happy to oblige.

(That, or their willingness to leave the forest to its own suffering and not aid in the ice's thaw angers him. Besides the whole "bark bark growl I can't get to parts of my forest because of them!!" which... also could represent a naïve hope clouding his judgement, not allowing him to see a bigger picture. But hope can't all be lost if one wants to move forward...)

A little side-tangent now on the portraits! And it's another slight stretch but the idea is in my head and I can't let it go. Portraits are another common symbol, usually being a physical representation of a memory or idea. For our purposes, let's say they're memories. I know in canon they appear to just hold souls captive or something but for now we're just Ignoring That(tm). The Fire Spirits have to burn the portraits to disappear. See where I'm going with this, maybe?

Instead of handling bad memories (or perhaps memories of the past in general) in any healthy manner, Snatcher chooses to forget/repress them, which just allows his hope to progressively die out.

I'm really hoping this is making sense because it makes a lot of sense to me but I might be insane rn

The Fact that this is a Forest

Forest symbolism breakdown! What's a forest usually mean in literature? "Traditionally, the forest has come to represent being lost, exploration and potential danger as well as mystery and 'other worldliness'." Okay. Yeah. Fair enough. That certainly works with the whole aesthetic we've got going on. Wood usually is life, growth and strength. But the trees of subcon are all dead. So what about that? It stands for death, big whoop, very spooky, we know Snatcher's dead and so are the children, yadda yadda wowie wowie. But. :) The trees in Subcon look a lot like trees that were scorched in a forest fire. Don't believe me?

(You could also argue they're just regular marsh/swamp trees bUT SSHHSUUHSH HANG ON HEAR ME OUT LOOK LOOK,)

What I believe to have happened was a controlled fire to rid the forest of the majority of its ice and snow. Likely done by Snatcher. It leaves behind a very desolate, depressing, barren scene... but. What else do dead/burnt trees symbolize? Rebirth. After all, controlled fires happen to make way for new trees to take the place of old ones. Some trees only drop seeds in fires/hot temperatures, so new ones take root and begin anew. Weird. It's almost like... I dunno. Snatcher was given some sorta second chance, given he's not just a corpse in Vanessa's cellar. So were the subconites. Another life given then by Snatcher. All connected I tell ya!!

Generally, aside from that, forests have many connotations. Mystery, isolation, claustrophobia; a place to dwell on regrets, or the past; to worry over one's future; to seek escape from or escape inside of... hmgmrnmm!

-=-=-=-=-=-=-=- T / W -=-=-=-=-=-=-=-

The Nooses

The t/w is given at the top and another cut-off point will follow the bottom of this, for those that would like to skip. This will delve into talk of suicide and abusive tactics used by abusers. Please don't read if it will upset you or make you feel unsafe!!!

Personally, I cannot stand the nooses, but that's just due to my own triggers. Were there a way to hide those from the game or replace the damned talking ones with anything else. I would take it. In a heartbeat. But I can still appreciate the potential analysis to be had with them. So now i'm gonna talk about it despite how uncomfortable it will make me to do so. yEa

So, what about 'em? There are three types of nooses seen in Subcon. At least that I remember but I didn't really go looking for them. Empty ones, ones containing empty subconites, and the talking ones.

Nooses in general obviously can hint towards suicidal thoughts or behaviors of the characters that interact with them. If saying Subcon is Snatcher's mind, it could suggest that he suffered from some sort of suicidal thoughts in life (or currently, if second death is possible... or if he never truly died... or maybe he's trying to figure that out...which has given me... a separate idea...uh oh). But. And hear me out. Different perspective.

A talking noose. I hate them with a fiery passion that is unmatched. But think of the packed symbolism of a noose that talks. And think more about what it says. "I wouldn't mind being strapped around a cute neck like yours." "Be careful now, I don't want to see you meet a miserable end anywhere, but with me." Oddly, a lot of what the noose says seems almost... endearing? One could argue it's a way of luring someone to put it around their necks, which in and of itself is a whole lot to unpack when it comes to suicidal thoughts beckoning one forward; painting itself as something romantic, almost. But. Here's a wild idea, now. What if the nooses, at least the talking ones, are another symbol for Vanessa?

They're tinted blue, after all. While Vanessa's scheme is more red, one could argue two things: One, ice. Blue. Ice. yeah. Or two, the fact that Snatcher's scheme is more purple. Blue and red... make... purple. So, for all we know, Snatcher's current state was a compound effort between suicidal thoughts and Vanessa's treatment of him. Perhaps he even found a way to put himself out of his misery before freezing/starving to death. (I know he has dialogue that argues against that, but... are we certain Snatcher would be the kind to admit suicide over freezing to death?... I don't think so.)

At any rate, a common threat by those in "control" of an abusive relationship is that of killing themselves should the other person not do as they desire. It's a cruel form of emotional manipulation to get their way, worse off if the other party is an empathetic individual. As a person who has been the empathetic individual in relationships like this... I would know. I've been here, unfortunately So, it's not completely out of the question to say Vanessa could've used some tactic like that, even before the whole... cellar ordeal. Did she? I dunno. I'm tossing ideas around. But if she did, the threats of such would sit around in the Prince's mind easily. Even if she has a reputation of not going through with it. It doesn't matter. That shit sticks with you forever, that scare, the potential of it ever being true, is horrifying and it ruins you. I'm projecting, Squirtle.

Still. A noose cannot hang itself. It has to have a victim.

...yea.

-=-=-=-=-=-=-=- T / W PASSED -=-=-=-=-=-=-=-

Misc. Ideas

- The spiders: Aside from the usual things spiders can be chalked up to symbolizing - toxicity, alluring danger, just... general pain - I like the potential wordplay that can happen here. Yknow. A black widow. Say the Prince and Vanessa were married when one died. What would that leave Vanessa? A widow. ...She's red and black, too. Yknow. Like a black widow. HA wordplay is fun isn't it?

- Snatcher's tree: Love this place, love sitting in here. But not the point! The inside of Snatcher's tree is such a harsh juxtaposition to the rest of Subcon that it kinda throws ya off guard. After all, the dark, purples and blues then contrasted with the bright warm colors of the inside. Even the music switches over. The thorns outside aren't present indoors. Ohh yeah this is gonna be on the nose as hell but the Tree(tm) is 100% representing Snatcher's appearance/put-on personality vs. his truer nature. Spooky outside with thorns, foreboding, unwelcoming. Then the more comfortable interior. VULnerable. Have I even mentioned that the tree is HOLLOW I mean COME ON. The sturdiness of that tree? Nonexistent. He's not a sturdy guy at all no matter how he fronts

- Intrusions are unwelcome: Snatcher does not like the fact that Hat Kid sticks around in his forest. His personal space. His mind. In fact he tries desperately to get rid of her after their fight, not wanting her presence in his forest at all. He has no problem providing more contracts later on with the Death Wish thing, and he finds great entertainment in messing around with Hat Kid, so it's not just a weird sudden hatred he has for her; it's the fact that. After she's finished being useful, he no longer wants her around, lest she find some things she shouldn't find. Now he's just uncomfortable with her in his personal boundaries. Could just be a denial that she's helped him heal (breaking ice, stealing from Vanessa, being something interesting for his kids to interact with) or just not really wanting a child to get wrapped up in. All that. Most likely the former. Considering the amount of joke-hints he drops regarding his background during his Death Wish dialogue. I see you funny man, making jokes out of your trauma as a coping mechanism. Punts him

Annnd I think that's all I got, for now! I'll make an update post if I get any more sporadic ideas. If you read this whole thing, thank you!! and also!! Wow that was a lot!! Hell world. Please feel free to elaborate on any of my points or debate with me on em!! I'm always open to other ideas, just be aware that if I disagree I am not shy when it comes to debate hehehe, tho I won't be aggressive to any extent I prommy!!

Alrighty. goes to sleep goodnight

#clamtalk #VERY long ramble #a hat in time #snatcher #ahit snatcher #subcon forest #vanessa ahit #ahit #analysis #the prince ahit #goes crazy. goes insane #ask to tag #i'm frazzled I can't add more tags I'll do so later

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ash-imagines · 2 years

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I am but a humble simp, might I request for ingo+emmet (gen 5) with an s/o who’s a major internet horror fan? loves to talk with them about things like ARGs, analog horror, dash of true crime possibly :)

Ahh, I regret never picking up black and white as a kid, I distinctly remember seeing it at Target and completely passing it up because I hadn't finished Pearl (and still haven't lmao). Now it's impossible to find anywhere for a reasonable price and my laptop can barely run Garry's Mod, let alone an emulator (believe me, I've tried). Essentially, what I'm trying to say is that my introduction to the train twins was PLA, and most of my knowledge on the both of them comes from the fandom.

Ingo loves your passion, it's infectious. When the two of you watch interrogation footage analysis videos, you have incredibly thoughtful conversations about the justice system and where you think lines need to be drawn. Although he does have a tendency to get really chatty and talk over the video, you don't mind because of how engaged you both are in the topic at hand. The two of you need a podcast or something...

Horror is something that he didn't really have too much of an interest in until you showed him how spectacular and thrilling it can be. It truly is a genre where nothing is off-limits, and it makes for pieces of art that are rich with symbolism and themes that other genres would hesitate to explore. He's particularly come to appreciate psychological horror. It seems like a challenge to create something that unnerves and disquiets without relying heavily on things like blood and gore, but when it's done well it can be incredibly effective.

On days when the sun hangs high in the cloudless sky, riding through a tunnel can be a strange and chilling experience. Down where the sunlight can't reach and all that can be heard are the sounds of machinery as the train carries you forward. It's also a comforting feeling, perhaps because of nostalgia or the way the tunnel shields him from the sounds beyond its walls. In any case, it now makes him think of the "liminal spaces" you've told him about. On the track between what scares and calms him, he thinks of you, and there's something weirdly romantic about that.

Unlike Ingo, I think the nuanced psychological horror approach doesn't do a lot for Emmet. The one that did get to him a little bit was NOC+10, and the concept of machinery turned sentient by the souls of its operators. Aside from that, though, the really subtle horror stuff just doesn't scare him. In fact, it kind of has to have some blood and gore for him to be scared by it.

Even then, not a whole lot scares him. Working on public transportation sort of forces you to develop of a strong stomach for anything bizarre and alarming. Although, that doesn't stop him from joining you to watch some horror. Despite not being easily scared, the stories are often still quite interesting!

More than anything it's the mystery aspect that draws him in to true crime and horror. He has a love-hate relationship with unsolved cases, both enjoying the puzzle of it and despising the fact that there is no conclusion. It gets frustrating, so he can't watch too many of those. Thankfully, he's pretty adept with the ARGs. He's pretty good with the codes and ciphers, although he can definitely lose his patience and give up. This is in stark contrast to Ingo who has basically no patience at all for deciphering things and is more than happy to leave that part up to someone else.

#pokemon #submas ingo #submas emmet #xreader #idk if you can tell but i love horror

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watchinglikeafangirl · 3 years

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Lovely Writer episode 9 - analysis

Since I need to distract myself from the exam tomorrow, I figured, I would interest you in a new Lovely Writer analysis because oh boy did much happen yesterday... Gene and Nubsib took things next level again, Aoey showed his true colors and thankfully we didn't see very much of the director because I wanna punch him so badly.

Aoey

This whole episode starts with Aoey more or less inviting Gene to spend time with him. I think the tension and uncormfortness Gene feels is well portrayed here. Aoey is in a bar which doesn't seem to have any windows which already makes us feel imprisoned. Even though the color scheme focusses on earth tones, which are normally very calming, all those light bulbs in the background mixed with Aoey's clothes, all in one color only, make this scene even more uncomforting. Aoey seems dangerous only wearing a neutral color because nothing of his personality shines through and we fear he holds back because it's ugly. This whole scenery seems to scream "Gene doesn't want to be here".

Then, Aoey starts to talk and we know why we feel like this. The tension is extremely uncomfortable and I cringed about it - not in a negative way - because I was so scared what Aoey was going to do. This scene underlines one more time that Aoey feels unloved and unworthy of love.

Stop loving Nubsib. Love me. I'm cute too.

It gets more precise when Aoey talks to Mhok and rejects him not because he doesn't like him back but because he hates himself so much. He feels pathetic. He feels worthless. He has very low self-esteem and messes things up to make people hate him. He is his own enemy. Mhok doesn't know what to do, doesn't know how to help him emotionally because Aoey pushes him away. At the same time, Aoey is thankful for Gene not hating him even though Gene has every reason to. Gene is someone he hangs on to, like Gene is his redemption. But Aoey will never reach redemption if he continues to do stuff to convince people otherwise. His character is very dark and lonely and lost.

Gene and Nubsib

They take two next steps this episode. First, they have their first time and second, they tell their parents about the relationship.

First of all, their first time has a weird aftertaste. I believe Gene wanted to do it with Nubsib for some time now but wasn't quite ready and now felt the pressure of "getting it over with" because he thought Nubsib took viagra. It's not like he doesn't love Nubsib or anything, but I feel like he wasn't entirely ready and forced himself a bit. Nubsib, thankfully, felt this vibe too and even asks him about it but there's nothing more he can do than ask and if Gene says he's fine, then Nubsib can only believe him. When Gene discovers Nubsib actually didn't take any viagra, he's a bit shocked. This raises the question in me if he really wanted it. But well, he doesn't exactlu panic about it, so maybe he really was very sure in this moment.

What I definetely didn't see coming was their outing. I thought it would take a while but well, okay, if they are ready, why not? I like the way Gene has changed since he and Nubsib got together. When something is on his mind, he says it. It bothers him their parents don't know about them and he tells Nubsib. They talk about this decision and once Gene is sure, Nubsib just rolls with it reassuring Gene he doesn't have to step out of his comfort zone if he doesn't feel like it.

This dinner was the most awkward dinner I have ever seen and it must've been horrible for Gene and Nubsib to just sit there and listen to the jokes about them being together which already implied it wouldn't be fine if it were true. These jokes last for a few minutes and the mothers talk about the popularity of BLs whilst Gene's father looks very scary. I can literally taste the awkwardness and how uncomfortable they both are.

For these few minutes, when the parents were just joking, I feared Gene wouldn't go through with it because he was usually the kind of guy to back off when such things happened, but not right now.

What if the two of us are really together?

The mood switches from casually joking to extremely serious. This outing and the following make their relationship far more serious and real than before. They don't touch each other like crazy when they are together because it wouldn't've fit with the characters at all. And it's totally right Nubsib only adds an explanation to Gene's question/outing in a verbal way. They still don't touch because they are both overwhelmed by the negative feelings they are faceing. Only when no one says anything, Nubsib takes Gene's hand to comfort both of them and this small touch was all that was needed. They didn't need to hug or even kiss. They also didn't need to make a scene out of it. Them staying in silence hurts even more because it feels so damn realistic. In other BLs, the couple mostly storms off angrily but that's not how you treat your parents. You discuss the matter and talk properly about it or at least give them time to answer no matter what it may be. Here, all of this happens and no one storms off to leave even more awkward silence. It was just as painful as it would be in reality.

BL fans

What makes the dinner even more awkward is the talk between the two mothers about BLs. The way they talk about it makes obvious they like to see it on screen because it's not happening in their real life. They have a distance to it and it's also a huge critic to all those female watchers feteshizing these relationships. They like the kissing and hugging but never reflect on it and ask the question what they would do if they would know someone with any other sexuality than heterosexual. They don't accept it at all when it comes to their sons. What they worshipped is now disgusting and nothing they "can understand". (This sentence "I don't understand it" freaks me out everytime shows pull that because what is there to not understand about love? It just doesn't add up to me what is so not understandable about two people loving and deeply caring about each other.)

Family's reaction

Gene knew his father would not approve because he's a self-hated bisexual and his mother just never raises her voice. In general, the relationship of the parents looks distant. The mother never says anything for her own sake and just exists under the fathers approval. The father loves to have control and now has to learn the hard way gender stereotyping doesn't exist like this any more. Gene can leave the family if he wants to and there's nothing this father can do about it because he doesn't have as much power any more. And also, his sons are not children anymore even though he treats them like they are in order to gain control again.

I want you to go upstairs!

Nubsib lives in a devided and distant family as well. He knew he would not be accepted because like we've seen in the flashbacks and what his dad talked about this episode as well, his parents don't support his choice of being an actor. But he's more worried about Gene because he already went through the phase of not feeling appreciated. Gene didn't. He discovers a new side of his parents and never had such drama with them. After this awful evening, we see the difference between both families nevertheless. Gene's parents cry both on their own but Nubsib's parents sit together on the sofa, symbolizing this unity they always were. They live in a distant world apart from their children. The world of them and Nubsib is disappointed, angry and worried at the same time.

Dad, but Gene and I did nothing wrong.

Cinematography

There are many examples to talk about the beautiful cinematography of Lovely Writer. I will only list the ones which are the most memorable to me.

Like I said above, the bar in the beginning sends out mixed signals of comfort and angst.

In contrast to this, we have Nubsib's bedroom with calm and warm light when he and Gene "take the next step".

The next morning, they brush their teeth in a very bright and white bathroom. Like they reached heaven. It's used to symbolize their happiness and also honesty. Their love is very pure because they mean every word they say and every action they follow.

At the very end, we have both Gene and Nubsib crying in their bedrooms. Gene's bed seems to be huge because he curls up. He is sad and angry but not surprised. He expected things to go down this way. Nubsib in contrast, is filmed through his shelf. This shelf frames him and since it's not a very big one, it makes Nubsib seem extremely small. He is disappointed in his parents, didn't expect things to happen this way and feels like he doesn't belong there. He feels very small on a very big planet.

Conclusion

This episode was overwhelming and the atmosphere switched a lot.

What I realized, especially after the scene between Aoey and Mhok, they all share the same feeling of loneliness. They all feel lonely and seek redemption. Gene and Nubsib found theirs and Aoey pushes his away. They all hate the feeling of loneliness but have gotten so used to it, it made them a bit bitter and feel a certain level of worthlessness. Like redemption would never come. But it did, at least for the main characters, but that doesn't necessarily mean everything is fine now and I like this. Even though they've grown, they are still not untouchable and there's always something that could set them back and make them face a challenge. Mostly, BLs end as soon as they are together and when everything looks like they will last forever. They feel untouchable because "love survives" but here we have a situation which is challenging for both of them and it looks like they are nearly breaking up because of this. Their relationship is not untouchable at all because the outside is also a part of their lives (like it normally is). BLs just tend to forget that but Lovely Writer thankfully doesn't and talks about this which I really like about this new episode.

Anyway, I have to go to bed now...

#lovely writer #gene x nubsib #aoey #i just want all of them happy #they deserve the whole world

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cutiebeams · 4 years

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Hello TWEWY fandom, it's meta time.

TWEWY is filled to the brim with symbolism and hidden meanings, as we all know. Even the partners and their colors when they sync with Neku; I realized, have some depth, and I'm going to articulate my thoughts on it. This is going to be long, so get cozy.

Shiki

Let's start with the first partner we get. Her theme's red, and Neku's is blue. Before we even delve into this analysis, let's unpack the general symbolism of the colors themselves, because that is important as well.

Red: passion, love, anger, energy, courage

Blue: trust, loyalty, wisdom, intelligence, stability

These two colors are essentially on the opposing sides of the color wheel as well; the only shade darker than blue is purple (which is Neku's theme of his attire but that's not important rn stay with me fellas)

Red & blue are portrayed as opposites in a plethora of media and this is no exception: Shiki is the extroversion to Neku's introversion, the pathos to his logos, bubbly and chipper vs his stoic and reserved demeanor. Neku is outwardly hateful (towards other people and his circumstances), and Shiki is inwardly hateful (she hates herself to the point she doesn't think there's anything special about her)

As expected, they clash vehemently at first. Neku is extremely irritated by Shiki's energy and she is frustrated with how aloof and mean he can be. But as they get to know each other, they become like yin and yang; and Shiki's kinder qualities begin to rub off on Neku which he exhibits in the following weeks. Red is often symbolic of love; and Shiki shows a lot of it: she's very friendly and amiable, sympathizing with total strangers and getting along with almost everyone; but she's pretty feisty too- she gets visibly upset when Neku ignores her and makes himself difficult and she's not afraid to call him out (and she DOES, quite a few times). However, she is still overall kind to him, even when he's prickly; trying her best to be patient with him and her gentleness eventually wins him over.. eventually.

When confronted with an issue, Shiki seems to lean towards the emotional aspects of the matter, such as when Ai and Mina were at odds, she hesitated to bring the truth to light because she didn't want to jeopardize their friendship and emotional wellbeing; in contrast to Neku who wanted the truth to be brought to light as soon as possible because he felt that lying was wrong and it needed to be addressed sooner, rather than later, or things would just get worse. Or when 777 couldn't find his tech, Shiki listened to him vent out of sympathy while Neku agreed to help because of the logical results it'd bring-

Shiki is also very outwardly emotional: she's very chirpy but she also isn't afraid to openly express her sorrow, anger, or fear, and sometimes she gets overcome by her emotions. But for the most part, she exhibits high emotional intelligence and understanding of other's feelings; and she's essentially the group's moral support: she's one of the most verbal about being sure that they'll make it back and that they all need to work together. Shiki is also extremely passionate; about other people, about the things she creates, it spills into virtually every aspect of her life.

The sad thing though, is that Shiki seems to love everybody but herself, and we see tiny glimpses of this in her small moments of passiveness (such as telling Neku he doesn't have to shout when he snaps at her) On the flip side, Neku's blunt honesty gives Shiki the inner strength to not only face her self-hatred; but overcome it. And that brings me to Shiki's other color: green. You can see it in her stickers + it's her nickname in Another Day.

Green: nature, rebirth, growth, harmony, healing

I believe that this choice is two-fold: green also symbolizes envy and jealousy and this is something that Shiki's character battles with. She wants to be like Eri- beautiful, smart, charismatic; to the point she even tells Neku that she emulated Eri's personality at first because she was so excited to be in her body. But she then realized that she wasn't Eri, and would never be; nor did she ever want to be. What Shiki truly wanted was to love herself: and that's what her character arc encapsulates; a journey of self-acceptance and self-love.

When we finally get to see real game Shiki, she's wearing green because she's a new person, hence the themes of rebirth and harmony: she's confident and happy in who she is; and so the green changes from the negative connotations of jealousy and envy to the positives of steadiness and self-harmony. There's also healing, for both her and Neku: she helped him to open up emotionally and become gentler, and he helped her accept herself. We don't get to see her face because it doesn't really matter: as Neku himself said, "You'll always be Shiki." It's her character that is important, not her appearance. Green is also red's complementary color, and we see that rather than doing a complete 180 in personality, Shiki just gets a little milder. She's not quite as bubbly, but a lot of her passion is still there, it's just gentler.

In short, Shiki is Neku's opposite. They're like night and day: completely different, but inseparable.

Let's talk about Neku a while now, shall we? His color choice seems contradictory given his personality when we meet him: he is extremely distrusting, volatile and aloof. The thing is though, Neku's arc is also about growth and while he does not exhibit any of the traits of his color scheme at first; during the entirety of the game, he regains himself. Neku's character is about relearning how to trust people and not being afraid to be open and accept different points of view and values- and that diversity is good and healthy! During his first week with Shiki, we get very small glimpses of how emotional Neku actually is, particularly through inner monologue.

When Rhyme is erased, he's distraught (his thoughts tell us he feels awful) but he masks it with blunt logic ("Because we couldn't. That's how it was meant to be"), perhaps to avoid showing vulnerability, even declaring teaming up is a dumb idea- because people get hurt and there are situations where there's nothing you can do about it. Neku's rant when Shiki declares that Beat and Rhyme were their friends takes us right into his psyche:

"Who needs friends?! They just laugh and talk like idiots and pretend to agree with you- so you end up caring about them….exposing yourself...getting HURT..Screw it! We're better off without them! You want other people getting in your way? Dragging you down? I don't!"

And suddenly, Neku's prickliness makes sense- he views attachment as painful and vulnerability as a risk, and so he vehemently avoids them. He's mean because he's hurting and he's sad: and how fitting, as one of the negative connotations for blue is sorrow and grief. Remember how I said Neku didn't exhibit any traits of blue? Well, that was specifically for the positive ones.

Negative symbolism of blue: coldness, aloofness, lack of emotion, unfriendliness, sorrow

And that's Neku to a tee: at first, anyway. While his behavior is not justifiable, it is understandable.

When Shiki snaps at him and tells him that he's inhuman Neku doesn't show any outward response during the actual conflict, but the next day when she apologizes his sprite changes to the "sad turtle" and we get to see his thoughts again:

That I was no better than a Reaper…

Rhyme…

……………

Well...right now…

Neku proceeds to tell Shiki that they need to focus on the mission, and she agrees. While he isn't being especially friendly with her, it's leaps and bounds from his initial open hostility: he's more willing to work with Shiki towards a common goal and one could argue this is when his paradigm shift begins- her comment rattled him a lot, and Neku makes baby steps to change. The daily mission (which involves helping two friends address a misunderstanding) gives us more development for him, too. At this point, he still doesn't think conflicting views and values are a good thing and that relationships only hold him back; and he voices to Shiki that he doesn't see the point of friendships built on falsehoods (which is an excellent point and one that she actually agrees with) and we get to see one of Neku's good qualities: he values truth and honesty a lot.

She asks him if he truly thinks that people are better off without friends, and when he doesn't answer; Shiki talks about how meeting Eri made her want to be her best self (which is how ALL healthy relationships should be, whether platonic or romantic). She mourns Rhyme again, venting that it isn't fair she'll never know what dreams are like and this time, Neku doesn't deflect. He sympathizes, and for the first time since entering the game, allows himself to be emotionally vulnerable:

"I know. I…. I'm sad too. We'll just have to live a little extra. For her sake."

From this point onward, Neku begins to grow positively, slowly but surely. He's not friends with Shiki yet, but he feels safe enough in her company to not only express sorrow but caring enough to encourage her to keep pressing forward; for Rhyme's sake. The next day Shiki is quiet and sad due to being confronted on her self-hatred, and Neku doesn't know how to deal with her lack of cheeriness. But instead of being annoyed with her like before, he's visibly concerned and wondering what's wrong; and he tries to engage with her as much as possible: asking for her viewpoint on the daily mission and what they should do, etc. When he learns the truth about Shiki's identity, Neku just listens patiently and afterwards, his monologue is much more positive and understanding:

All this time..she's been as confused as me.

He now realizes that she's just as scared and upset as he is and he empathizes with that, going even further to say that "I like you the way you are" when Shiki expresses fear in being brought back due to her underlying jealousy: he appreciates her, every aspect of her; not because she's perfect, but just for who she is. Later on when Shiki hesitates to scan Eri and runs away Neku gives her the push to do so: as said earlier, he values the truth, and he knows that Shiki needs to face it if she's going to improve as a person- and we see him beginning to exhibit his wisdom. He's not really gentle, but his honesty is needed. When Shiki begins comparing herself to Eri and self-deprecating, he intervenes, in his own way:

"Oh, would you cut the crap? Who ARE you? You're you. You're not Eri. You'll never be Eri. You'll only ever be you."

Neku reiterates what Shiki told him earlier, about never wanting to be Eri, but he goes a step further. She only went as far as to say she wanted to love herself, but that she never could; while Neku asserts to her that being herself is absolute and unchangeable. Shiki mildly protests this though, saying that Eri is "so much better". To her, while she does value her identity the most, Eri's identity makes her feel inferior. She wants to be her own self, but Eri, in her eyes, is perfect, something that she cannot achieve. And that is why Neku's reply is so important.

"Forget her! You need to live your own life. If she can do it, so can you. All that matters is that you try. You're lucky you're jealous. It gives you something to shoot for. So..shoot."

Up to this point, Shiki has measured the worth of her identity based upon comparison to others, and Neku understands that and tells her upfront that she needs to stop trying to be somebody that she isn't and be confident in her own self, and just do her best- and that'll be enough. He also encourages her to use her jealousy in a productive way, to find her niche; her drive. This gives Shiki the courage to go back and listen to what Eri has to say, and in doing this she hears her friend praise her positive traits, ones that Shiki herself most likely never even realized: her empathy and love for people, her eye for detail, her skill in creating things, her passion and motivation-

ALL things, that according to Eri, "I don't have." And Shiki finally understands that Eri saw her as her equal and that who she is, is valued. Of course, a few positive reinforcements is not enough to do a 180 from most likely years of self-hatred, and so she asks Neku again if she's okay the way she is; and his reply shows yet more growth:

"Hey, Shibuya's got room for all types."

This is a STARK contrast to his dialogue when we first meet him- "All the world needs is me," "You have your values, and I have mine," etc. Neku valued his identity, but he took it to the extreme in that he ONLY valued his identity, values, and morals. After meeting Shiki though, his viewpoint changes a bit and at this point Neku now appreciates diversity- he's still not at the point that he feels he can understand other people, but he at least doesn't see conflict of morals as a bad thing anymore. And in turn, this gives Shiki the inner strength to want to go back to the RG and start afresh. He gives her one last push to go back when she hesitates since she was the only one granted a second chance, with the promise to see her again; and in just a week, Shiki goes from being the biggest pain in Neku's side to his biggest motivation for surviving the second game and one of his best friends.

Joshua

Another week, another partner.

What's interesting about Joshua is that he is also blue, just a lighter shade. While Shiki is Neku's opposite, Joshua is more akin to his shadow- a mirror, of sorts.

Light Blue: peace, serenity, ethereal, spiritual, infinity

Josh and Neku are extremely similar, but their personalities still converge at enough points that they're starkly different: their tempers especially are a separating point as Neku is much snappier than Joshua (especially if provoked), and despite Josh being represented by a lighter color, in a lot of ways, he symbolizes his partner's negative traits in even more extreme ways in a subversion to expectations; a "darker" version of him, in a sense.

When they first meet, these two also clash, but for entirely different reasons. Joshua's attitude, as well as his dodginess, pisses Neku off immensely. While his first week with Shiki is about relearning how to build trust, his second week is a test of said trust by giving him a partner very similar to his former self: distant, aloof, uncaring. It gets especially tricky when Neku scans Joshua and sees himself dead, and he begins to distance himself again; deciding that there is no way that he can trust him- and not only that, but that it'd be ridiculous to do so. Neku senses something is off: he doesn't know what it is, but it unsettles him enough that he is steadfast in his decision to keep Josh at arm's length.

...Until he and Josh visit Mr. Hanekoma, and upon learning that his teammate and Mr. H are acquainted, Neku decides that perhaps Joshua isn't as bad as he initially thought: but he's still pretty hesitant; and understandably so. Mr. H gives him some backstory of his partner, and his motives start to come to light - turns out, Joshua has been able to see the game while living, and that alienated him from other people since Hanekoma was the only one he could confide in. Just like with Neku, this doesn't justify his behavior, but it does make it understandable: Josh pushes away people by playfully antagonizing them and making himself difficult, and Neku pushes them away through hostility.

When he and Josh visit Udagawa, they connect on both not doing well in groups and Joshua comments that they're more alike than he thought, which leads into a conversation about people not being able to understand each other as long as they have their own worlds and Neku begins to backslide a little:

"Right? They're them, and I'm me. Talking to them gets me nothing."

He goes on to say he respects CAT and their philosophy about doing your own thing and how he needs to just enjoy his life and forget about others, and Josh agrees. While Shiki is Neku's friend, she is the exception, not the norm, and Neku still doesn't trust most people. However, when Josh expresses not needing other people's values, Neku's reply is interesting. He agrees outwardly, but it's hesitant, as if he's unsure of himself.

"Yeah..."

His inner thoughts show us that once again, he is changing.

But...I don't feel that way anymore. Since coming to the UG, reading people's minds- Shibuya's full of people with just as many viewpoints. Mr. H said the world ends with me. To expand my world, I have to learn to look farther- not write off other people's values as inferior.

….Maybe I had it backwards. Maybe I need to open up to really enjoy-

Josh calls him and snaps him out of his thoughts so we don't know what he was going to think next, but Neku has definitely experienced a massive paradigm shift in his way of thinking: he's inwardly questioning himself and acknowledging his wrongs and showing willingness to trust again and is showing a lot more empathy to other people. However, this resolve begins to crack when more holes in his memory get filled. Neku is angry and confused, but most of all, he's hurt and we see it in his reaction when Josh asks if he's okay; because he distances himself again. This situation causes him grow distant once more and he also gets more openly prickly since his trust is shaky. Josh relating to him that he feels he belongs in the UG doesn't help matters, either.

However, a later conversation has him moving forwards again. While acknowledging that people are not meant to see eye to eye, he thinks to himself that perhaps it is better that way. People don't think alike, but they can at least try to understand each other; and he then gets the resolve to actually counter Joshua's argument of solely reading people's thoughts and not talking to them.

"But why? Where's the enjoyment in that? I'd rather broaden my world my own way."

And again, we get a small paradigm shift of Neku feeling comfortable enough to express the positive changes that he has slowly been experiencing: blue symbolizes stability, and by this point in the story he is obtaining more and more of it: in his values, in his emotional expression, in how he deals with people, etc. He gets thrown for an immense loop learning that Joshua is alive though, and Neku finally snaps when his teammate brushes it off claiming they're "just like any other pair"-

He's utterly disgusted by Joshua treating the Game as an adrenaline rush- even when Neku first got into the Reaper's Game, he never enjoyed it, even if he initially was only looking out for himself at first; and the idea of getting excitement from toying with death is foreign to him. It only gets worse when Neku accuses Josh that HE killed him, and simply is taunted in return. From that point onward, he becomes openly hostile and snappy again, throwing the idea of trusting his teammate to the wind and tells him upfront that he's only going to tolerate him to survive; leaning back on his negative qualities (because growth is a process and there will be moments of wavering and backwards steps, and that's normal!)

Later on he also shows open distress when a Reaper is attacked and they are unable to save him; declaring they "left him to die." Even though it wasn't any fault of their own, Neku self-blames just like Shiki did in the first week- thinking that he could've done something, maybe if he had gotten there sooner, or defeated the Noise faster. While not 100%, Neku is comfortable enough to openly express sorrow, and Joshua underhandedly sympathizes and takes the blame off him ("We did what we had to do Neku.") He also protects Sota from Noise later down the line even though his partner is already erased and he's going to die anyway and again expresses sadness ("If only we'd gotten here earlier") and even indignation after the older man dies, screaming in anger about all the people who have been erased ("These are people, not toys!!"). When Josh questions him about the interest in others, he then explains that he's gotten to know folks better and that "it's different now".

"They're not just strangers. I can't shut them out like that."

This is really important because in this, Neku is essentially declaring he cannot go back to who he used to be; nor does he WANT to. He refuses to, and he is making a conscious effort to be open to other people even if he doesn't understand them. Neku goes on to assert that one needs to reach out to others as well in counter to Josh asserting that he won't ever be able to understand others and this time, Joshua responds positively. Through Neku's steadfastness and refusal to waver on his viewpoints once he truly feels solid in them, and his courage to express them and not back down; he influences Joshua into thinking that perhaps people truly do need each other and can understand each other, even if it isn't easy to do so. In showing sympathy towards his enemies, he also proves again and again that people can change too, for the better; and his wisdom begins to shine once more. (And it is this change that ultimately leads Joshua to decide to save Shibuya) Unfortunately, Neku is thrown for yet another loop upon getting more of his memory back and thinking that Sho killed him, and Josh sacrificing himself is absolutely world-rocking.

He blames himself again, angry at himself for not opening up; and it is with this mindset that he is thrown into the Reaper's Game for the final time. His trust is in shambles, and the third week is Neku's personal test to see if he is willing to reach out despite being recently wounded by his partner.

Speaking of, Joshua doesn't really have an arc compared to the rest of the cast: rather, he serves as the catalyst to their growth instead. His character is interesting because from beginning to end, he expresses essentially none of the positive attributes of the color he is represented by; he only appears to at first glance. While Josh does change his mind about destroying UG Shibuya and is convinced that people can change for the better, whether he himself changes for the better is up for debate. Orange is the second color associated with him (it's the shade of his cell phone and his stickers), but just like with light blue, he expresses none of its positive traits.

Orange: enthusiasm, happiness, creativity, determination, encouragement

Negative symbolism of orange includes insensitivity, pessimism, and being unsociable, all aspects of Joshua's character. He doesn't think that people can change; and that it is impossible to understand them (he even goes as far to express "I'd rather just get rid of them" in a dark contrast to Neku, who is content to merely ignore people). Josh doesn't like groups of people either, and he exhibits insensitivity many times throughout the second week, merely behaving charismatic in order to interact with others. He doesn't really grow outwardly, but that's not the point of his character; he's Neku's test to see if he's truly changed or not.

Joshua is Neku's shadow, he's in the same vein. Rather than night and day, they are as dusk and midnight.

Beat

Beat is interesting because his color was actually switched for Final Remix: in the original DS version Beat is green, and in the Switch version he is yellow. I'm going to dive into both because I feel they're equally important. I already covered green for Shiki, but green has yet another meaning which describes Beat to a tee- safety. While Shiki is the moral support and mediator, he is the protector: he's extremely sacrificing for his sister and the people he cares about to the point of putting himself in physical danger to keep them safe (such as jumping in front of a car to save Rhyme, or jumping in front of Neku to protect him from a brainwashed Shiki). That much stays constant throughout the game. Healing also applies to him, as he helps Neku to open up and feel safe being emotional again by not being ashamed of being emotional himself: Beat openly cries over Rhyme and Neku mourns with him, and they help each other heal by learning to rely on one another. Not just as partners, but as friends.

Yellow: joy, warmth, positivity, friendship

From the get go, Beat is a huge bundle of energy and he's extremely kind; although he gets rather volatile if he feels slighted. But like with Shiki, he's overall a very sweet person and openly emotional: he gets angry in a heartbeat, laughs heartily when he's happy, and cries freely when he's sad- and his tears are never portrayed in a negative manner either; they're just a normal reaction to a sad situation and this normalization of sorrow leads to Neku getting comfortable again in being vulnerable- one could argue he's the most emotional in Week 3. Yellow is the complementary color to purple, which is also the main shade of Neku's design. Rather than an opposite like Shiki, or a shadow like Joshua, Beat is Neku's foil. He's a lot kinder and he's got a big heart but he is also extremely impulsive and acts w/o thinking. In contrast, Neku thinks things through logically, but he's a little lacking emotionally; and so they balance each other out. He's also highly attune to when Neku starts withdrawing into himself and gently snaps him out of it constantly; showing once again his sensitivity to emotion. (He consistently asks Neku if he's okay when he gets lost in thought; which Neku does a lot, especially if he's upset. Beat keeps him grounded.)

Beat's arc is finding value in himself again + doing his best; not for other people, but for himself and finding his drive. When mourning Rhyme, he vents that "she thought I was worth dying for" and that she had much more to live for, and he doesn't understand why she'd sacrifice for him. (And he blames himself for her death, as well) While Beat is protective out of the kindness of his heart, it also comes from a lack of self-worth: he places other people above himself, to a fault. Neku sympathizes with his grief but then goes a step farther to encourage him to not be regretful. In another contrast to Shiki, rather than another's identity making him feel inferior to the point of emulating them and overshooting, Beat jumps to the other side of the ditch and loses his passion altogether.

Rhyme refused to give up on him, but eventually Beat began to resent her pity and he began to push her away as well. After they both died and came to the Game though, Rhyme's declaration that she had nothing to live for startled him into realizing that she meant a lot more to him than he thought and more than anything else; he wanted to be there for her as she was for him. After beating himself up, Neku comforts Beat in his own way, telling him that he needs to focus on the now and not let his sorrow overcome him, in essence; but also to go the distance just for himself, not for anyone else.

And Beat gets his fire all over again, eventually declaring that Neku isn't his partner anymore- he's a friend, and one that he cares about a lot.

Through his partners, Neku finds himself, they all strengthen different aspects of him. He learns to trust, to be open, to find value in friendship again and him taking off his headphones is the ultimate metaphor of him letting the world back in.

Shiki, his opposite.

Joshua, his shadow.

Beat, his foil.

They all shaped his world, and showed Neku just how wonderful it really is.

And that is beautiful.

#twewy #neku sakuraba #shiki misaki #joshua kiryu #beat #daisukenojo bito #the world ends with you #meta #I have a lot of feelings for this game. It's a masterpiece.

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kemonododo · 4 years

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Decided to rewatch the whole series after seeing the finale, here's my thoughts as they come along part 1

Razz tells Adora not to look for others to tell her what to do and asks her what she thinks. Adora decides she must fight the Horde. It's poetic that Adora gets so hung up on destiny and fulfilling her goal, when the final message she needed to learn was said in the third episode. Razz is the wisest of us all.

Angella repeats what she heard in the legends of She-Ra, notably that she is meant to "bring balance to Etheria". From Angella's perspective this seems like a good thing, but it's so much more sinister knowing that basically means "to turn the death star on".

Catra was pissed at Adora, but seemed willing to leave the Horde until Hordak elects her as Force Captain. This is the start of her conclusion that Adora was only holding her back, and so the decent of her madness. That little smirk kills me, because that face will shed a lot of tears from this point on.

Season 5 showed us what Adora's She-Ra looks like, without the First One's influence. It might be a bit blasphemous, but I think that reveal would have worked better if this early season She-Ra was the mini-skirt, cleavage design of the 80s. Have a bit of symbolism about societal beauty standards. Love the muscles though that part is perfect.

The first time Catra and Adora meet back up after their falling out is a little unremarkable, the wounds are still fresh and they're still angry at each other but I think both still don't understand how big this schism between them will be.

I just realized Entrapta's castle has a picture of a Tyrannosaurus rex with a unicorn horn and Pegasus wings. Is that what Mara's dragon was!? 😂

God I love Entrapta, even when I first watched this I was excited to see the purple Hatsune Miku in the intro. She always cared about people since the beginning, she just doesn't understand politics.

Castaspella and Angella were shipping Glimbow from the start lol.

The show gives us a full view of how Shadow Weaver's abuse affected Adora. Being constantly pressured to be the best and strongest at the threat of Catra's health has left Adora a jittering wreck. Call me sadistic, but I love that it wasn't resolved in this episode. Adora wins the battle against SW today, but all the way up to the series finale we see SW's dirty fingers clawing away at her conscious. It takes more than 20 minutes to escape a life of manipulation.

Princess Prom! This is when the show goes from a 7 to a 10. Not only the prom being a fun venue, but this is where Catra begins to get some agency. This is the first time she really feels like a main character, which is great because I love her more than anything. Also the first time we see Double Trouble and the Star sisters, which I guess are different from the Star Siblings in season 5? A bit of a continuity error.

Aww, Glimmer is jealous. I can relate to her fears of being pushed out, but the fact that she's pretty madly in love with him adds a whole new layer. Bow is right but he's being a bit insensitive here.

Let's just take a moment to appreciate how far we've come. Remember when this was the gayest thing in the show?

It's fun watching the princess alliance so early in their friendships, they obviously care enough to go with Adora on this mission to save Glimmer, but I love how annoyed and distracted they get with each other.

This episode is also really big for Catra, realizing she will never get Shadow Weaver's approval, that longing look at Adora, "this is not because I like you".

The Beacon is sandwiched between two great episodes that make it feel like filler, but a lot actually happens. We see more of Adora's insecurities, especially how she starts to take it out on herself when she runs into a problem out of her control. We got the formation of the super pal trio, a short lived group with an amazing dynamic. And we also have a huge moment with Angella that basically defines her entire character.

Entrapta's insecurities are revealed. She wants friends, she loves people, but they're complicated and hard and always seem to leave her. It's heartbreaking and something that comes to a head on Beast Island.

I love this scene with Catra and Shadow Weaver. It's clear she still loves her evil mom, and we see how SW has abandoned the idea of Adora for now and is now beginning to manipulate Catra. We also see another Catradora parallel, both of them tell straight to SW face that she has no power over them anymore, something we continue to see is not true.

Promise! 18 months later and it's still my favorite episode of the show. I like how it starts off with the anger they've been feeling up until now, but through the mind melting manipulation by skynet Light Hope, it's multiplied a thousand fold. Before this Catra was pissed at her friend, now Catra wants to murder the person she thinks destroyed her life. After this Catra isn't a cute tsundere, she's completely homicidal. She still loves Adora obviously, but Light Hope has corrupted that love into the most vitriol hate on the planet. It's wild to think they both love each other so much, and yet the abuse that have scarred them prevents that love from breaking free. This is the true moment where the show starts, this is where it became the best cartoon I have ever seen.

Also this is the only time since the first episode and Catra's redemption in season 5 where their chemistry is in full play. They just love each other so much, god I'm fucking tearing up again.

An important thing people forget about the Catradora dynamic is Catra's inferiority complex. She has been told since the day she was born that she is worthless, below Adora in every way. She loves and looks up to Adora, but her existing in Adora's shadow blackens that love. Which is why her joining the rebellion isn't a good ending for her. She needed time on her own, away from Adora, to carve out her own identity. It was her struggles as Force Captain that finally pushed her to start doing good, that realization that she is unhappy in that role. If she had left with Adora in episode 1, she would still be bitter and cruel and toxic, because she'd still be standing behind Adora.

Shadow Weaver's abuse goes both ways, as now Adora feels like she needs to protect Catra like a helpless kitten. That dynamic was not healthy, and it would not have lasted. Catradora can only exist now because they both accept each other as equals.

That final "you promise?", probably the most important words in the show. I've seen this episode a dozen times, but after seeing the finale the tears are running down my face again. Adora was the light of Catra's light, nothing mattered as long as Adora was there with her. She loved her so much. The Fright Zone, Shadow Weaver, her own insecurities, they all impacted Catra. But in that moment, them cuddling on their bunk, it didn't matter. Little did she know Adora loved her back just as much. Fuck I'm crying again.

Catra took that memory, tainted by Light Hope, and saw Adora as a monster. Someone who manipulated her like everyone else and abandoned her at the first opportunity. Someone who broke her most important promise, someone who broke her heart. Catra is probably the best written character in fiction, no I am not exaggerating.

It's a hard follow up after that episode, but the amazing juxtaposition of Entrapta and Light Hope telling the same story with different information is bone chilling and goosebumps giving.

Knowing the whole story of Mara, Light Hope's speeches are terrifying. Her manipulation makes Shadow Weaver look soft. Luckily we have an Alicorn to help, like all other abuse in the show it isn't over in a single dialog exchange, but Swift Wind is speaking the truths Adora needs to hear. The thing about Adora though is one of her main character flaws, she gives in to the doubt her abusers seed her. Her friends constantly tell her she has worth and deserves love, but she has it in her head that she must sacrifice herself for the greater good. That's another reason why Catradora works in the end, Catra helps bring out the selfishness she needs.

Battle of Brightmoon isn't a great finale, my time in the MLP fandom has soured me on "then all the friends came together and shot the villain with a rainbow" conclusion. Luckily, the show would knock the next three out of the park.

Catra starting the new season strong, I love the juxtaposition of the horde soldiers fearing her while the super pal trio doesn't. I love that little smirk, she thinks it's the first she wants yet we all know it's the later.

Frosta got a character change, I understand what they're doing where the other princesses are bringing her out of her shell, but it all happened off-screen so she just seems out of character. The little moment with her and Glimmer is great, and a little bit of forshadowing for Glimmer's queenly role.

Every Shadow Weaver and Catra interaction is fantastic, I love how SW gets so easily under her skin and how Catra pretends to brush it off. Those black tenticles still have a hold on the Kitty's heart.

Ties that Bind is a fantastic episode, especially seeing Catra's interactions with Bow and Glimmer. I love how this contrasts with the season 5 episode A shot in the Dark, here Catra is bullying the best friend squad with malice while the later has Glimmer and Bow playfully making fun of her with love.

Glimmer's actions here are also great forshadowing for her role as queen, especially how desperate she is to destroy the horde and how it affects her morals. Makes her decision to use the heart in season 4 very believable.

I love how Adora keeps referencing ghost stories she heard as a kid. I love the idea of her and Catra under the covers telling scary stories to each other until they'd both end up cuddling while insisting they aren't scared.

Entrapdak! Entrapta's love of science, complete lack of fear, and unending kindness can turn even a dictator cute. They have fantastic chemistry.

I love this little moment with Catra, Shadow Weaver correctly assumes that she's being pushed out and left behind by Hordak, and sure enough she finds Entrapta standing next to him in the lab she was almost killed just for stepping in. Her fears are repeating.

Ah! Goosebumps! The show is slowly moving to be more and more Sci-Fi, and that little shot of Mara's crashed ship with the fantastic music is just a hint to what's to come.

Roll With It is an absolutely adorable low stakes slice of life episode that shows how fun these characters are even when they aren't fighting a war. It's probably the funniest episode in the series, the 80s She-Ra segment is my favorite. There's also the wonderful moment of Adora's breakdown, the pressures of being the world's savior takes a toll on her.

White Out! One of my favorite episodes. The mostly self contained story, the new setting and outfits, great Super Pal Trio bonding, Scorpia being a lesbian, Sea Hawk, and the only time we see the corrupted She-Ra. It's a fantastic microcosm of the show itself, and it's really funny. The Scorpatra stuff is a bit sad knowing how it ends, but it is nice seeing how Scorpia can have a crush while still realizing the toxicity of her relationship later on.

Shadow Weaver's backstory and the biggest window into her head. She believes what she is doing is right, but her methods are full on psychotic, and she was power hungry from the start. I love her so much, she's so deliciously evil. The Eldritch horror that is the spell of obtainment is a treat, and SW's arrival at the Fright Zone is beautifully terrifying. This episode also has the best scenes with her and Catra, it's devastating to watch Catra continue to pine for SW's approval and how, after all this time, SW still only sees her as a tool.

Shadow Weaver is one of my favorite characters, literally every scene with her a amazing. "I can tell by how your voice turns shrill when you scream" what a bitch I love her. I also really like how you can tell Catra and Adora still love her, even after all this abuse. She's a monster, but she's also a mom, and both of those identities conflict in their heads.

Shadow Weaver's and Light Hope's reveal of Adora's origin is goosebumps giving. The revelation that there is a universe beyond Despondos is amazing, but I especially love Light Hope continuing to withhold information and effectively lie to Adora. Razz, Swift Wind, Angella, Catra, they all tell her to make her own decisions but this moment with Light Hope where she is told she doesn't have a choice is what Adora latches on to.

There's also the deal with Hordak, when Light Hope tells the story, she paints it as Hordak ripping the poor baby away from her family. We later learn that's wrong, Hordak saves Adora, he finds a tiny baby and even as a heartless destroyer he knows he can't leave her out there to die. He steals her away, but he does so from Light Hope, the original kidnapper. If Adora was raised by Light Hope, she probably would have fired the heart without question. The Horde was not a good environment to grow up in, but it was an important part in making her the hero the universe needed.

I love Hordak's monologue, the art style and music are fantastic and the whole thing is terrifying. To imagine the big bad horde of the show is just a tiny sliver of what is out there. It also shows Hordak's motivations, which don't excuse his actions but do explain them. This show does a fantastic job at letting us sympathize with the evil-doers, and that has only grown now that Wrong Hordak has shown what it's like to be disconnected from the hive-mind. Bonus points for explaining Imp's origin and showing how Entrapta is exactly the person that he needs right now.

Catra is being embarrassingly edgy here, but it is funny that she's talking about "lost it all" and she seems to think this is rock bottom, oh girl you are in for a ride awakening with how much farther you can fall.

Promise plays again as Adora has another break down. We finally see Mara, and as with everything to do with the First Ones it is chilling. I love this slowly unraveling storyline of Light Hope's true intentions. At this point it is clear she is not to be fully trusted, but we have yet to see how truly sinister her intentions are.

Catra, again, being one of the best characters ever written. She finds a minimum amount of happiness in the wastes, and immediately it all comes crashing down when her trauma resurfaces. That scene of the anger taking over is a masterpiece. I have said a million times that she'd never be truly happy in the wastes, and the later seasons confirm it, but it is heartbreaking to see how even the slightest hint of a smile is ripped off her face.

The Glimmer Angella arguments hurt, they're both right but it's sad to see them fight and how Angella takes Glimmer's advice while Glimmer doubles down on her faults.

Shadow Weaver back on her bullshit, manipulating teenagers to give her power. Noelle mentioned how she truly believes she's on the good side, and obviously she doesn't want the Horde to win, but you can't deny she has some selfish motivations behind recruiting Glimmer. That lust for power remains with her until the very end.

We see Adora getting to Entrapta here, people I think really didn't get their impressions of her right. Entrapta loves tech and science, and sometimes it blinds her, but she isn't immoral, she does care about the safety of her friends.

"You made me this way, and you get to be the good guy" "you couldn't wait to get away from here, from me. But you came back for Adora". You can see how SW's betrayal not only reaffirmed Catra's fears, but was probably just as much a force behind her decent into madness as Adora was.

There's also something beautiful about the symbolism of Shadow Weaver using her new victim like a battery to crush her old.

And Catra betrays Entrapta and Scorpia, this is officially the worst she gets, at this point her hatred of Adora is taking over her. We see more of it in season 4, but her desire to hurt Adora as much as Adora has hurt her causes her to crack like an egg. Scorpia's face says it all.

I love getting to see Catra and Adora in their element, completely in love with each other. None of the complexity of the world at large, just them two together. Even Shadow Weaver's approval of Catra, this is her dream world.

It's funny how Scorpia's first instinct upon seeing Catra is to hug her while her first reaction to Adora is to insult her. She has terrible judgement of character lol

Everyone's insistence that it's "perfect", watching the world shift and fall apart, the confusion, the panic, the show masterfully shows Adora's emotions in this mind-melding episode.

"Soon the two of us will be ruling Etheria together just like we always planned" "Is that what you really want, to rule the world?" "I mean, yeah, obviously. Isn't that what you want too?" God this little moment is perfect, it shows how much they're wavelengths differ. Catra focuses on the "together" while Adora focuses on the "rule the world". Like DT says later, Catra's heart was never truly in it. This thirst for power is just the world's most destructive coping mechanism.

#she ra #spop #analysis

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