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#examples of foreshadowing kinda
3hks · 4 months
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Foreshadowing I
Foreshadowing is a literary element where the author hints at a future event without giving it away. However, if you're like me and struggle to actually include original, effective foreshadowing, then luckily for you, I completely racked my brain to find very specific types/examples of foreshadowing that you can include to your story!
Note: I specifically stated "very specific types," I'm not going to be detailing the separate types of this element that you learn in school, but more of prompts and ideas that are meant to spark your creativity!
Dialogue:
>> Threats - Threats hint at future negative events that may occur to your character(s).
>> Warnings - Warnings and threats are not necessarily the same thing. While they both suggest negative things, a warning does not have to come from aggression, but rather helpfulness!
>> Promises - Promises foreshadow two things: said promise being kept, and said promise being broken. However, most readers will assume the former, since the latter is typically less likely.
Item symbolism:
>> Flower language - Different flowers have different meanings, and while most readers will skip over that, it's a fun addition! You can use those meanings to hint at what might happen later. For example: Purple hyacinth represents a desire for forgiveness! With the idea of foreshadowing in mind, if a character gives the flower to someone they're close to, it suggests that they might do something they'll regret in the future.
>> A broken item - This is an example used to foreshadow future struggles, pain, and separation. To get the most effective result, choose an item that has value to your character and is connected to the future event. For example: A crack in a glass picture frame holding a picture of a character and their closest friends should hint at the idea that the group of friends will split up.
Miscellaneous:
>> History - You know what they say! History always repeats itself! Use this to your advantage! What people did a long time ago can still influence the current generation, and what happened in the past could most definitely happen again in the future. This could involve family, ancestors, wars, diseases, deaths, friendships, etc.
>> Weather and seasons - This is a pretty simple idea, different types of weather and seasons symbolize different things! Summer and sunny weather typically demonstrate joy and blitheness! Fall and similar weather exhibits a change or shift in things, and even nostalgia! Winter and cold/stormy weather can symbolize an ending, numbness, apathy, and darkness. However, winter can also symbolize beauty, comfort, and festivity! Lastly, we have spring! Spring represents a fresh start and change!
Alright! That's it for now, so here you go! Hopefully, these examples are able to give you some new ideas! There will be a part two, but in the form of dialogue prompts! So if that's what you're looking for, keep an eye out for that!
Happy writing~
3hks :]
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iloveoldermen-posts · 1 month
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Idk if you do these kinds of things but I kinda wanna get this off my chest. 141 or whoever you chose with an actual ghost reader? Like they kinda haunt the base and leave little trinkets and notes. Uh little ghostie has taken a liking to them and vice versa. The boys like to sometimes leave little things they find for her to eventually move somewhere else either for a prank or a pick me up to show she’s there. This is my first time ever doing a request so feel free to ignore if it’s too much
- ♠️ s
My Little Note I'M SORRY BUT THE CREATIVITY. My god this ask ateeee. I will try my hardest to bring the vision to life, thank youuu for suggesting it!!
Warnings: open ending, slight swearing, unsure about continuation of the one-shot, gender neutral however i have not proof read ୨୧
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Everybody knew the base was haunted, I mean with how many people had died, with how many souls that were lost - it was bound to happen. The ghosts pretty much kept to themselves, wanting to finally be at peace. So unless you were a real pain in the as, they left you alone.
The 141 thought it was all a myth, something to make soldier's feel better about being afraid of their past haunting them. That was until 'little ghostie' took a liking to them. At first it was just the taunting of the man who dared call himslef 'Ghost', he hadn't reached that stage yet and Ghostie thought he shouldn't foreshadow the loneliest part of the cycle of life.
Ghostie thought it was funny seeing these big, wise men pracically shit themselves at the creak of floorboard, especially since everybody else knew about the base and accepted the idea of it being haunted.
When the 141 finally accepted Ghostie was there to stay, they started noticing things, trinkets of sorts. For example, leaving a bar of soap on Johnny's pillow, him replying 'real funny Ghostie.' Eliciting a gentle giggle to be heard and echoed through Johnny's mind for the rest of the week.
Or when Ghostie left a little ghost plush for Simon in his regular seat in the meeting room. He smiled under his mask and stuffed it in his pocket. Later that night when Ghostie was doing rounds of the base, they noticed Simon fast asleep with the small teddy almost engulfed by his arm muscle.
Gaz was given a drawing of himself sitting next to an empty chair filled with small orbs. Gaz classed it as a masterpiece and not only did he hang it up but he had it framed and placed on a wall in their common room, not even caring about the design rules.
Price was the last to recieve any gift at all, some of the boys even had multiple before he recieved his first. He didn't care about all of that when he recieved his gift - a beautifully written cursive letter explaing to him who Ghostie really was and how happy they are now they have all met.
The letter included the fact that when a ghost finally reaches full contentness, they either pass over or come back from the land of the dead.
That was the last time they heard from 'little ghostie' for the past week, unsure of what they finally chose..
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My asks are currently open so get the requests in, and check out my masterlist.
THANK YOU FOR READING!! -> ALL REBLOGS, LIKES AND COMMENTS ARE GREATLY APPRECIATED!!
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somerandomdudelmao · 1 year
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ok wait hold up can we actually just like talk for a second about Donnie's behavior in these last few pages??
Before he found out about the infection, Donnie was still very nonchalant about a lot of situations, but he always had a sense of care and compassion for certain things, like for example, his family and friends. He used a lot of sarcasm and was overall just the snarky autistic tech dude who had more love than he could even imagine giving. He had a relentless grip on his bad-boy image, was stubborn as all hell, but was a well-rounded, lovely guy!
And then the realization hit that he was going to die sooner than expected. Then...
Poof!
Now he's just a shell (Hahaahahahahaha) of who he used to be. Now all he has for himself is a bunch of self-deprecating jokes, responsibilities to pass on to others, and a lack of hope that is just so incredibly unlike him. He still has the sarcasm, sure, but this time it's a lot more dry and emotionless. There's no brevity or lightheartedness to his words anymore, it's all just a monotone mess of half-assed goodbyes and thrown out dreams for the future. Any method of survival has seemingly been lost to time for Donnie, so now he's just kinda... Accepting the fact he's gonna die soon, which only leaves him with his own decaying body and a voice he doesn't even want anymore. And judging by the way he just ignores or shrugs aside everyone's concern, it's all basically just him saying, "Welp, guess I'll die. Here's my shit, no will required."
Also another thing I noticed is that Donnie is basically not allowed to really do anything anymore because he's at risk of dying sooner than he already thinks he will. If he gets more rest and works less, his death come significantly slower.
Meaning he must feel incredibly useless right now.
I think I've also pinpointed the time when this all started happening to Donnie btw. It's a very small moment and I don't have the screenshot on me rn but I think it was in the robo-Raph comic, specifically the moment when Donnie was zooming over to Casey and went "Past" that Kraang alien dude on the way. I imagine he didn't really go past and instead went through, because u know, he's Donatello. If given the chance to commit murder, he will commit, and he very much had the chance right there. I think he went through that Kraang alien, (Very plausible given how fast he was going like jesus- ) got its blood inside a cut or something, and it infected him via his veins or something. Kind of a stretch to assume this since it literally could've been something that took place before the time of this comic series, but this was the earliest instance of foreshadowing/possible infection that I can think of.
I also want to apologize for making all those jokes about like taking you to court and throwing you in jail and stuff because maybe they came off as mean or rude at some points. And for constantly flooding your inbox lol-
Thanks for existing and for making this comic, and congrats on beating the deadline at work! I think you deserve a cookie for that! *Gives a million more cookies* oh yeah and those are for you being you
Oh my fuckiNG GoD...
I don't even know what to say to that
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I guess I just want everyone else to be able to read it too because..oh shit...oh wow.
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doyouevenshipbr0 · 3 months
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examples of atla live action’s attempts to be more feminist and how they actually had the opposite effect and/or hurt the integrity of the show
already talked about katara and pakku. does not make sense that she did not have a master. point blank. just because something sounds empowering (ie katara saying “yes. and ur looking at her.” after zuko asked if she found a master) doesn’t mean it automatically is. there still needs to be logic and katara “being her own master” defies logic imo im sorry!
katara in general. she has no ferocity here which to be very honest i dont think is fully the writers’ fault. some of the blame goes on them but the actress for katara just delivered alllllll of her lines w the same exact mild tone. katara is overly motherly. she is bossy. she is passionate. she is nurturing. she is emotional. THERE IS POWER IN THESE THINGS!!!!! why would we take away her spark?!?!?!
i loved live action suki. however, i LOVE the line in the original when her and sokka part ways and sokka says “i treated u like a girl when i should’ve treated u like a warrior.” and suki says “i am a warrior” *kisses sokka on the cheek* “but im a girl too.” THAT LINE WAS SO PERFECT like lemme say it again there is POWER IN FEMININITY! there is no shame in that!!!!! why does this show wanna take that away so badly. at one point live action suki says something like “im not just a warrior, im a kiyoshi warrior” and before she parts ways w sokka she thanks him for showing her some of the world or something like that. which was fine but i just love the simplicity of the original. a girl can be a warrior and have a crush. why do we have to change that?
this is a small one and it doesnt REALLY matter, but i cant help but think they changed this to be more “feminist” which is just dumb. yue isnt betrothed? well she was but she broke it off? and hahn (her ex) isnt a huge dick? i mean it wasn’t the worst thing and i didnt really mind it but i was just kinda like ?????. feel like yue being betrothed tied into her sense of responsibility and foreshadowed the sacrifices she will make for her people. so. feels rly weird that they changed it. i think it was to show more women agency which is always cool. but in the original, yue finally gets her agency by becoming the moon spirit. that should be the end of her character arc. idk. a weird change that seemed unnecessary.
sokka not being sexist. honestly i think the live action did a good job at omitting this while not REALLY making it feel like something was missing. with that being said, something was still missing lol. once again, its apart of sokka’s character. i feel like everyone has already expressed their hate for this so ill just leave it at that.
i am a TAD indifferent on the women of the northern tribe joining the forces during the fight. on one hand i cant lie i smiled bc obviously i love water bending and i love women so there was definitely apart of me that was happy to see that moment. however. it was kind of giving like in endgame when theres that random shot of all the women superheroes in one frame so the movie could have a “slay queen. we are girlbosses:)” moment. like it just felt a little empty and it wasnt the feminist battlecry they thought it was. these women have been healing their whole lives. why would they be any good on the frontlines of a fight? they never learned combat skills! HOWEVER, when we see them, its mainly just them reinforcing the walls so like. that makes enough sense. im cool w that.
i know im dwelling but as we know i hold atla in the highest regards. it does a lot of things perfectly imo. and one of the things i think it does PERFECTLY is its treatment of female characters. literally the only thing i can think of that i dont like is when team azula beats the kiyoshi warriors and ty lee says something like “u are NOT prettier than us” NDBSKSJDJ like ok that was weird. but anyways. it irritates me how the live action kind of seems to have this pov that says “the original was good, but there were some ideas and plots that were outdated so we changed them to keep with the times” like they’re fixing something that was broken if that makes sense. when in actuality, i think atla’s representation of women is perfect and timeless. it was relevant and powerful in 2005, and it is equally as relevant and powerful in 2024. there was nothing about its feminist themes that needed to be “fixed” or “updated”.
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cerastes · 4 months
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With the exception of Arknights what are your thoughts on gacha games?
I don't feel like I need to exclude Arknights from the statement, I can criticize things even if I like them.
In general, I don't like that their widely accepted and even defended business model is "Capitalize on FOMO, exploit gambling addictions, create dependent users". I also think that the use of the "game as a service" model, and one that needs to keep pumping content forever and can't risk to alienate the player, severely limits what can be done with the medium in terms of creativity, because you can't kill off playable characters nilly willy (I actually think Epic Seven was cooking with this, Epic Seven will kill off playable characters and remove them from the plot if it feels like it, or at least used to back when I played, don't know nowadays), relationships and dynamics with characters tend to be limited because otherwise your audience can feel like you are cucking them, and I wish I was kidding but just look at the absolute dumpster fire of a drama going on as we speak (22nd of January, 2024) in Girls' Frontline 2 over in China over one of the characters having interactions with a male NPC, and you can't ever bring a true sense of finality to any given arc because everything ends up having to be foreshadowing, set-up, build-up and so on and on and on. In many cases, you also have a mold cast of Must Have tropes in your playable cast: The Maid, The Idol, The One That Worships The Ground You Walk On, The Underage And Underclothed One, The Underage (But We Treat This One As A Precious Child!) One, Foxgirl, The Cold And Highly Analytical One (But Actually, Loves You), Chuuni, etc, so it feels like in every game I kinda already know at least a third of the cast minimum already and I'm kind of primed to not really want to know them, even though there's subversions I end up liking sometimes (Fenny from Snowbreak is an example of an Idol-type I ended up loving despite not liking Idol-types).
On the other hand, even with these negatives in mind, having a game that periodically updates and adds content, and that you can discreetly play pretty much everywhere on the go due to smartphones being their main 'console', games that foster community and something to talk about with your friends that also play and that will always have something new every couple of weeks, as well as inspire fanart, fanworks, analysis, and commentary, and that tend to be more risque and interesting with their designs is honestly good to have. I personally enjoy the community aspect of gacha games, I consider it one of the two most important aspects for me, because I know I can come here, for example, and see people talking about the story, the characters, the music, the gameplay, and more, every day, and the other important thing to me is how discreet they are, since I can just play a few maps or stages in my phone real fast midst a social situation at work, and then hop back in with a renewed social battery or when a topic I like comes up.
I fully get when people showcase their disdain for gacha, yeah, but if we really want to be nitpicky, the majority of the game industry is kind of a cesspool of toxicity, which is not to say "stop bashing gacha" and instead say "bash the whole thing if you're going to be bashing it anyway" (and we should! Game devs and other personnel in the industry have been crying for better conditions for years now!). Either way, if someone decides to sit at the gambling den, it becomes their responsibility. I want there to be more safeguards for people with actual addictions and to protect them, but with this in mind, if anyone still decides to sit at the den, it's assumed they are going to take responsibility for their actions and financial decisions.
So all in all, yeah, predatory games that suffer in quality due to their own trappings, but also good sources of community, inspiration, and effective at being discreet games you can play anywhere and that get periodic updates (this isn't necessarily exclusive to gacha but it is an aspect of them that bears mentioning, which I point out since no doubt people will want to point out there's good non-gacha smartphone game options out there)
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theplatypusblue · 3 months
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Idk if this is a sentiment that’s already been expressed, but one thing I really like about ninjago is the show’s ability to just… “recontextualise” certain things? Not really “foreshadowing” — that would imply a level of preplanning that just isn’t possible with the way the show is produced. I also don’t think it really fits into “retconning” either — I feel like a retcon completely changes established events/lore, and this isn’t quite that. Like, it specifically happens after the fact: something will happen in one of the earlier seasons, and then later, the writers will retroactively give that event more context. Not changing the event itself, but rather changing its meaning or how we’re supposed to interpret it.
The example that immediately comes to my mind is Cole’s flashback sequence from season 8. That flashback is taken all the way back from the pilots, and (from what I remember lol) it mostly existed just to establish some basic character traits: Cole climbs a mountain to test his own strength, cuz he’s the buff earth ninja. But then in season 8, this event is recontextualised as one of the ways Cole dealt with the grief over his mother. The writers took a scene that was originally kinda bare bones and basic, and then they refreshed it in a way that gave us new insights on Cole’s mental state. (Btw I love you season 8 you did so much for Cole’s character mwah I give season 8 a lil kiss <3)
I think it speaks a bit to the resourcefulness of the writing team; they could’ve made up an entirely different flashback and touched on the same topics, but instead they chose to use a scene that was already there. And even though there’s definitely instances of this happening where you could it’s lazy or making an unnecessary change (I’m NOT saying ninjago never retcons anything lol), it’s also led to some genuinely interesting bits of characterization and lore. It’s one of the few things I can unironically say is pretty cool about this show, writing wise.
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moghedien · 8 months
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ok so i was genuinely unsure about how I felt about the way Lanfear was revealed in the moment, but there are three main things that are really selling it for me:
1: It immediately sets up the threat of going up against a Forsaken:
So far we haven't really gotten much of an indication from the show about what the Forsaken really are, who they are, and why they're any different that a regular darkfriend. Obviously there's still a ways to go in explaining it, but Lanfear provided an immediate visual explanation
Because for example, we've already seen one darkfriend innkeeper who had a thing for Rand (or pretended to) take a knife through the throat
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We've even seen Rand stick around and linger by her body and its very clear that absolutely nothing happens.
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We get a lingering shot on her bleeding out and she is very clearly actually dead in this moment. Its not even really a question.
But with Lanfear we kinda get the exact opposite of this moment. We see her take a knife to the throat and clearly go down, then there is no lingering by the characters.
The camera goes back to her and we see the saa very clearly moving in her eye, then she blinks and breaths in.
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And by this being the opposite of Dana, I mean that with Dana there was no question that she was actually dead. With Lanfear, there is absolutely no question that she's still alive.
Dana was also a darkfriend, but this is very clearly showing non readers that Lanfear is something DIFFERENT. We're told she's a darkfriend of some kind, then we're seen that she actually apparently cannot die by normal means. This coming AFTER the reveal that she is definitely a channler of some kind, and if we now know she's a Forsaken, then we know that Moiraine clearly said the Forsaken are the most powerful channlers ever, more powerful than any Aes Sedai.
And now apparently they can't die.
2. Its foreshadowing.
Moiraine was able to take out Lanfear (if only temporarily) with a physical attack because Lanfear was so fixated on Rand.
The above is also a spoiler for the climax of a certain book.
I'm not gonna get into it, but its clearly like showing that there's a course of action and there is a playbook that works here.
3. NOW we have Lanfear
Before we had Selene. I'd argue there were even moments where we had Mierin, but the only time Lanfear has really come out before this was when she went into Rand's dream and threatened him in episode 3.
By this I mean that while Selene was always obviously an act Lanfear was putting on, it stopped us from really seeing how manipulative and obsessive Lanfear could be and was currently being. If we didn't know she was Lanfear (and non readers shouldn't) then there's no reason to realize the lengths to her manipulation. We still don't know that the man she was telling Rand about was Lews Therin. We still don't know that Lanfear even knew Lews Therin much less would want to rekindle any kind of lost romance with his reincarnation. Because even when Lanfear was being honest as Selene, she was keeping herself back. She wasn't latching onto Rand and telling him that he was hers. She was very clearly holding onto the memory of Lews Therin, but there has yet to be any clear indication that she 100% buys that Rand and Lews Therin are the same person rather than Rand just being his reincarnation.
So while Lanfear was definitely getting some joy out of sleeping with Lews Therin reborn, there is no real indication that that is what she wanted. She said she wants Lews Therin. She tells Rand she's more or less settling for him. Let's assume that was 100% honest for the moment (because I believe it mostly is to a point), I don't think that's the case after this episode. Because Mierin Eronaile suddenly got the one thing she'd always wanted:
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If you watch the moments immediately before this scene and immediately after, there is a shift in how Lanfear is acting here.
Before she was very clearly putting on an act. She was playing up being afraid of Rand and didn't seem at all concerned about keeping him here. The most she does is ask him where he's going to go, and even that is said in a weird tone unless you know that she's probably going to use this information to keep tabs on him and report it/follow him herself.
But Rand does the one thing he absolutely shouldn't have done with Lanfear and told her that he loves her.
So now I think is the moment where Lanfear is willing to accept that Rand is Lews Therin. Because if Rand is Lews Therin, then Lews Therin just said that he loves her.
And her entire tone shifts here. You can see she's visibly shocked in the moment, and then smiles and flips the scene to her being afraid of him, to her reassuring him and telling him that he should have told her and telling him that he didn't do anything wrong and he was just acting in his nature. Before she was bringing up the inn and was clearly trying to make him feel bad. Now she's clearly trying to reassure him and keep him around. Absolutely manipulation but I think she didn't really need him to stay until he indicated that he loved her.
So what this means is that we now have Lanfear, who is established as being unkillable and one of the most powerful and oldest being in existence, NOW becoming obsessed with Rand al'Thor and thinking of him entirely as Lews Therin. And not only that, but now she's PISSED because he just left her and was taken away from her by Moiraine exactly when she finally had him back after thousands of years.
She finally got everything she's wanted and it was immediately taken away, and I think that's frankly terrifying, so yeah, I think I do like this reveal now actually.
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phddyke · 3 months
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Was thinking about Alastor and what a complicated character he is. He resists the boxes everyone wants to put him in, doing bad and good things on the regular. One thing that does seem to be true is that he genuinely cares about the hotel and the people there, whatever his initial motives for arriving happen to be.
I was thinking about how he can be redeemed for what he did for Husk, for example, and unfortunately an idea did come to me, one that won’t leave my head:
die.
That’s one way Alastor can be redeemed, and unfortunately it seems more and more likely. The things he’s done can be forgiven and wiped out by him dying to protect the rest of the team. Not for a while, maybe not even the final season, but I could see it happening.
And also, this from the finale today:
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Kinda seems like foreshadowing.
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b3achysurfer · 6 months
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I really wanna talk about this scene where “Logan saves Ashlyn” because I really believe it’s more than just that
I’m gonna be referencing mostly episodes 34, 35, 43, and 44 just in case you want to do your own digging 😋!
for starters I kinda bugs me when people brush this whole scene off as ‘Logan saving ash’ because 3 things:
1.) Logan saving Ashlyn didn’t really feel natural! mans was allllll the way in the graveyard, he was scared, it was dark, and he didn’t have any prior experience with using guns. but he still somehow did it in 1 shot. I honestly feel like that bit was so that he can’t be excluded from the later celebration and so that him being left behind had a purpose.
2.) ASHLYN WOULDVE SURVIVED WHETHER OR NOT HE MADE THE SHOT!!!!! if anything we’d probably learn a lot more about the phantoms if Logan had never shot his gun.
3.) I feel like Logan making the shot was suppose to distract us from the important lore aspect we see during the scene. we already know red loves throwing in foreshadowing and small hints for us. Especially when these hints get covered by other scenes so that we only notice them after we get the new information and we re-read old chapters. We can see an example of this in the same episode when Taylor offers to go see why Aiden was screaming and Tyler quickly takes action instead and sends her upstairs. it’s obvious that going back outside was the more dangerous option which is why Tyler told her she shouldn’t do it. But at the time many people brushed this off as Tyler caring about his sister as much as any brother would, and a part of his ‘jock/I’m bigger and better than everyone’ attuide seeping through. then later on in chapter 49, we learn about Tyler’s promise to always take care of Taylor and their mom, and we see how their safety is always his priority even if it’s to much for him. Taylor’s frown makes a lot more sense after we get this context.
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Anyways what I’m trying to say is that I think Logan saving ash was suppose to draw away our attention to the whole reason he was even able to get the shot in the first place.
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Ashlyn is convinced she’s gonna die here and this is her last effort to live. So very strong emotion. But pay attention to her voice box thing. It’s black and has the red streaks around it.
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The phantom immediately pauses, as if it understands her. Also, it’s aggression vanished as soon as she spoke. This being LITERALLY TRYING TO KILL HER pauses and starts to question her!! In some twisted way Ashlyn can communicate with phantoms, or at the very least they can tell there is also a connection between her and them. This is literally so important and it’s not talking about enough. Even though no one has ever tried speaking directly to the phantoms before this, I do think this trait only belongs to ashlyn. For starters we already know that she has the strongest connection to the phantom world, and she’s the only one who can actually hear them. Her parents also said that they saw the phantoms after ashlyn was born. This is important for later on.
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The only other time we ever see the black text bubble is here when Logan is mad (chapter 42) his shadow has also changed to his phantom world-self. Notice that even though his actions are connected to the phantom there is no red streaks next to his text box?
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The fight obviously shows again that they affect the real world because their emotions and phantom and blah blah. This is all stuff we know. But hear me out! View their actions as if they are part phantom.
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Ashlyn’s commanding them to do something while feeling strong emotions. Her text box is black with the red streaks again. Just like it was during the scene that ‘Logan saves her’.
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And just like the phantom, all of them freeze and their violent behavior disappears. The fact that it’s all in sync and they all stop immediately shows that they didn’t just stop because their friend told them to. They stopped because Ashlyn’s commands have some strength to them. And remember earlier when I said think of them as part phantom? It makes sense why her commands would work, because it’s frozen a phantom before.
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AND LOOK!!!! THEY SOUND JUST LIKE THE PHANTOMS! The fact that this guy doesn’t react to that statement means that his organization already knows this. They already know that the kids are partly related to the phantoms. Ashlyn’s especially.
I guess this can split into two ideas:
1.) Ashlyn’s becoming part phantom the fastest. And I don’t mean that she’ll eventually become a full phantom but idk how else to phrase it. Her words can already be understood by phantoms and they have enough impact to confuse and stop phantoms in place. The phantom tilting their head at Ashlyn was kinda like ‘how did you do that?’ .
2.) Ashlyn’s connection gives her semi-control over phantoms. This could be a skill she has to develop over time but the fact that her words were able to break that main cast out of their anger and brought them back into reality shows that they CAN listen to her commands. Either she’s not strong enough yet to control real phantoms or she can only stun them, ash was still able to communicate with the phantom.
That scene is such an important building block that people just brush over. I just don’t see a lot of people talking about the fact that Ashlyn can talk/control phantoms in a way. Or maybe she can’t and all of this means smth else but it’s still so important.
Also before ppl jump on me for saying Ash would’ve lived w/ or w/o logan:
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Aiden was literally two seconds away from getting to ash. Plus the phantom was stunned. We don’t know if this hesitation would’ve lasted long or not, but it would’ve been enough time for Aiden to crawl to the top of the roof or for Ashlyn to kick it away. Ashyln was also in shock though so I’m not sure she would’ve been able to do much. But if Aiden saw the phantom on her he would’ve went crazy bro. Do not touch his girl ❌🙅‍♀️❌ All jokes aside though, we definitely would’ve learn more about the connection between Ashlyn and phantoms if Logan didn’t shoot. Not blaming him or anything but I’m just saying.
ANYWAYS THATS ALL THANKS FOR READING!!
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dazeddoodles · 17 days
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Have you seen the owl house pilot leaks?
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Yeah I saw it.
Personally I think it was better than the actual show's pilot. I've mentioned before that when I watched the first episode I thought it was kinda meh.
A big part of that was that the whole theme revolved around being rejected for being weird but the examples they gave where just kind of typical media "quirky". But as the show went on it became more obvious that "weirdos" was meant to to represent neurodivergent, disabled, and gay people.
With the pilot, I think Luz was more obviously coded neurodivergent right away. That whole scene of Luz giving Amity a drawing of them (oh yeah Amity and Lilith are in the pilot) because she thought they were friends now, and didn't pick up that Amity was just weirded out and annoyed with her. Gives off major neurodivergent trying to befriend a neurotypical vibes.
Ngl I was more devastated at the scene where Amity crumbled up Luz's drawing and was laughing at Luz thinking they were friends, than anything in the actual first episode.
And was so touched when near the end when Eda found the drawing and not knowing it was Luz's said "This beautiful. Why would anyone throw this away?". Really sold that weirdos stick together.
But it make sense that the original pilot was better since if you're pitching a show you're gonna want to put all the best ideas into the pilot. While with the actual show they probably wanted to space out those ideas and characters.
However, I like the actual show concept we got in the end better (I did NOT like the twist at the end that Eda was working for Belos)
Also it felt strange to hear Lilith have Warden Warden Wrath's lines but I noticed the slight change of line that reflects the character. In the actual first episode, Eda says she's hiding from guards and ex boyfriends. Foreshadowing Wrath. In the pilot Eda instead says "No guards or family to bother me". Foreshadowing Lilith.
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bonefall · 5 months
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If Brambleclaw was written like that in PO3 as an example of a "good" father, was kind of light was Squirrelflight shown in as the three's mother?
It shifts over the course of the arc. In the first two books, she's FIRMLY strict and distant. I have mostly negative feelings about it. In The Sight and Dark River, they are trying to "foreshadow" the big reveal by showing Squilf as if she's less of a mom to her kids than the "nurturing" women who birthed their own.
While she has a pretty equal mix of moments where she's being supportive or harsh when you tally them, a LOT of emphasis is put on how she doesn't seem to like being in the nursery, how her job "keeps her away" from her children, and how she's short with them when they're just being kids in public.
Even crashes this one moment where Brambleclaw is just... playing with them before a Gathering. Leafpool is also compared to Squilf often, notably more fretful or concerned for the Three. It's frustrating-- they're trying to contrast her to them.
It's Outcast that starts to really tip the scales, though. She gets about 2 harsher moments with her kids on average in Outcast and Eclipse, outweighed by LOTS of times they're having emotional scenes. The way I LIKE to read this is that Squilf is a better parent to older kids and that it just took her some time to hit that stride.
I feel like that makes a lot of sense for her as a character. She's not a nurturer, she's a negotiator. Physically active and excitable, guiding a teenager through their adolescence just comes more naturally to her.
(though it stays frustrating that they wrote such horseshit like Squilf constantly snapping at... kittens playing, mostly so Brambleclaw can look so special and perfect in comparison.)
The more cynical side of me, though? I think it struck them that The Fire Scene wouldn't be as emotionally impactful if she meant what she said to Ashfur; "Go ahead, kill them, they're not my biokids so I don't care." She has to LOVE them to feel pain at their fury. So as the books progressed they wrote waaaay less "Nasty Squilf Moments" like in Books 1 and 2. We don't even GET one in Long Shadows, until the Fire Scene itself.
And also, I think they realized that having that Fire Scene sentiment NOT be a lie, when she raised them from birth, would be super fucked up. In a bad way. I don't think even the Erins are THAT shortsighted. I'm glad they didn't.
She spends all of Sunrise wracked by guilt though, even before the Gathering Reveal. The climax of the arc is really fixated on how miserable her and Leafpool feel, and that's kinda the point. The story was building to this moment where the family crumbles apart.
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civilotterneer · 3 months
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"Well, gotta refuel before I make my way to Prescott Valley. I didn't see this town on my map, but gas is gas." He doesn't realize he's about to enter just as the hysteria hits.
Decided to make a fun little art piece about Echo, my current reading material. However, I kinda have a lot of thoughts about it so far.
I'll keep my dialogue here spoiler-light, and will avoid giving anything important away.
Echo is one of those stories that, as much as I typically detest horror, has completely enthralled me. Not to get to philosophical, but its use of foreshadowing reminds me of a few strong mystery and sci-fi points:
The overall foreshadowing reminds me of solid Arthur Conan Doyle-style. ACD was known for his novels having given you everything you need to solve the mystery long before the characters can. While the mystery isn't solved in each ending, there is a heavy amount of this foreshadowing that is just like ACD. Things mentioned early on that feel like minor statements become important later. For example, swimming is heavily mentioned by Chase early on in TJ's route, and to those who have done the route, they realize why. With Leo, its the trainyard. These are the only routes I've completed so far, but I will be watching for these now when I do the rest.
Another neat note is how each story gives a bit of foreshadowing to each other. In Flynn's route, its mentioned that the railing by Lake Emma wouldn't stop a car from going in. Though I haven't finished Flynn's route yet to see if this is direct foreshadowing, I do remember the car doing exactly this in Leo's route, and it's never mentioned there.
Second is the push for "Man is the Monster", akin to Frankenstein. So far, TJ's route was heavily this (Chase you heathen), and Leo's was from Leo. The use of the monster physically in Leo's is almost unnecessary, as the monster's been with them the whole time. It's a great dive into man is the monster that reminds me of the common scifi tropes that aim to point that out instead of just putting a monster in the way (See Alien and how though the monster is a very real threat, the true monster is the company that keeps sacrificing people to study the alien).
This story is so well written and uses a lot of very-strong scifi writing traits, and I'm excited to continue and analyze these more. Props to The Echo Project for really having some great writers so far!
It feels really weird (and even moreso enthralling!) because I don't live that far from the approximate location Echo should be, not to far away from Prescott. I've even located Lake Alamo, which has a lot of similarities to Lake Emma, though there isn't a nearby settlement that matches Echo's description. I'm tempted to do a quick study of the area, take a weekend and hike around after doing like a week of local research to see what I could find that matches the descriptions of Echo. Maybe make some kind of literary analysis out of the photos and the story itself once I complete all the routes.
Note: I noticed a render error and re-uploaded the fixed version.
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demadogs · 1 year
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as a filmmaker and a photographer i cannot stress this enough, we are ALWAYS thinking about whats in the background of the image. if theres something in the background that is kinda questionable or isnt visually appealing, theyre either an amateur with cameras or theyre trying to tell you something else. and if the image in question is on a platform like netflix its 1000% the latter.
im currently filming my thesis and im constantly changing my angles to include things in the background that would be more meaningful and give more context to the story. i also have ALWAYS done this in my photography. im always thinking about every aspect of the image and how i can show multiple different perspectives by taking advantage of the background as well as the foreground. its one of my favorite things to do when im taking photos.
THAT BEING SAID!!!!!!!! all of these camera framing and angles are so extremely intentional and i lose braincells every time someone tries to say that theyre accidental and dont mean anything. cinematography accidents do not happen at this level of professionalism.
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framing mike perfectly in a closet (WILLS CLOSET)
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the lights
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one way sign pointing mike to closet that literally takes up the entire frame
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dont even need to say anything here
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will being so clearly in the shot when he tells el he loves her
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again, dont even need to elaborate
———
and heres some of my favorite non-byler examples of super cool things theyve done with the background that foreshadow future events
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freddie kruegers vecna-esc hand right behind max
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henry in the upside down rainbow and el in the right side up rainbow
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and i do believe that this is foreshadowing mike being vecna’d in s5
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yu-night-raven · 9 months
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Twisted Wonderland Malleus Theory
So I was looking at the Twisted Wonderland anniversary trailers. And I noticed how there was always a semi-big scene with Malleus and/or Grim at the end.
First Anniversary
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Second Anniversary
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Third Anniversary
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Since Yuu/Player doesn’t have an actual appearance, my theory is Grim kinda represents us here. For example, in the First Anniversary it ends with Grim waking up faced with Treins cat. We can see a little bit of what I’m guessing is our arm on the right. It’s possible that both Grim and Yuu/Player fell asleep and Trein woke them up. But because showing Trein would require showing us they instead use Trein’s cat and Grim. Since Grim represents us this would mean we were dreaming about an encounter we had with Malleus. This could also be a foreshadow for book 7.
But why is Malleus always showing up and in a significant way. Always interacting with Grim, looking at us or playing with Grim affectionately. And we are even dreaming about him. What this means not sure. But it definitely seems like there is something big going on between Malleus and the player.
So I have been seeing some posts about how Malleus interacts with us and other things, and theories about it. So because of this I thought I might share something that came to me. Please leave your thoughts below.
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dnalt-d2 · 5 months
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So is anyone else just not fully believing the whole thing about BBH dying anymore?
Like yeah, with the radiation poisoning and the coughing and the "foreboding words" he keeps speaking, it sure seems like he's gonna keel over any day now
But that's kinda the problem
Anyone else remember when he was SUPER hinting that he ate Ron? With like, full-on crunching sound effects? When he acted at one point like he was gonna actually kidnap someone??
And then Ron turned up fine
And he ASKED Pac to go visit him, instead of actually doing a kidnapping
(I know there's other stuff too, but I can't think of them at the moment, unfortunately. If you have any examples leaning either way, feel free to let me know, I'd love to hear it)
He's been making a bit of a habit of doing all this seemingly obvious foreshadowing, just to turn around and be like "Lol, gotcha!! I gave Ron a house and fluffy bunny slippers!! Why were you even worrying, you silly muffins???"
It just feels to me like he's laying it on kinda thick, is all. Even just tonight, he was telling Pomme that "Everyone has to die sometime" and really heavily implying that he might do so himself soon
Now obviously, this could just be the one case where he delivers on the thing we're expecting 100% and I'll eat my words once again
The only reason I'm not entirely UNconvinced is because there really would be a lot of angst if he died and forgot everything, and I think we all know that Bad RELISHES in that sort of thing. He'd even roleplay it out really well, if the return from Purgatory streams are any indication
Not to mention the potential developments that would come from that. Like him reading his memory book, seeing that he wrote "Cucurucho is maybe a friend" and then suddenly we'd have a Fed-Allied BBH, and THAT would be super interesting
I dunno, I could see this going either way, but Bad has a really good way of surprising us
So while I can't be sure what it will be, I'm positive of what it won't be
What we expect
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cerastes · 3 months
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I've seen people before saying that, in terms of presentation, NIKKE delivers it better than Arknights in telling what they want to tell. And I still see this occasionally whenever people start comparing stories in gacha games. Looking at your post, seems like that wasn't a lie at all.
Right, this is an interesting topic for me, so let me give my two cents on this.
I would say that statement is generally true. Nikke's main strengths are its presentation and knowing how to leverage its strengths in general, but let's focus on presentation: It's story is nothing to write home to (note that I am up to Chapter 18), neither are its events (on this regard, take me lightly, I've only read three), but what Nikke wants to say, you will very clearly understand. It's good at telling its story. Sometimes the localization will have Localization Moments (Chatterbox is described as female in the first cutscene he is mentioned, male every time afterwards; there's a lot of clearly literally translated little expressions that make no sense in the flow of the conversations), but overall, even though you're looking at a story that in a lot of ways you've seen a lot of times, its particularities stand out because Nikke tells them properly, concisely, and clearly. Characterization is consistent, and there's a good amount of care clearly put into both consistency and overarching important parts of the narrative; a favorite example of mine is how, in the tutorial, if you pay close attention, you can actually see Marian's eyes glow red during her reload animation, foreshadowing something pretty important that happens with her later.
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So even if the story beats are not particularly good or intriguing -- and sometimes, outright terrible, like in Chapter 18 oh god I hate Chapter 18 -- you at least can tell with clarity what's going on and why it's going on.
Arknights has the yang to the yin here, somewhat: The stories on Arknights tend to range from okay to great, and AK events have a habit of going pretty damn hard, either as a whole or at least parts of them. Sometimes, however, they have a weakness, and this weakness is that the actual story telling can be dense. Density is often attributed to good writing, but the truth is, sometimes, the text isn't advanced, it's simply clumsy, and the prose in Arknights is decidedly clumsy. But when you actually untangle the spaghetti of clumsy prose, you find some strong story telling, strong characterization, and topics you don't often find discussed in video games, less so in gacha. You kinda have to work for it, basically.
Something Nikke does good is also that it keeps its relevant cast at any given story beat low, giving it more cohesion, or rather, making it easy to stay cohesive, because Arknights can handle larger casts pretty well sometimes, but I'll be frank, the current main story has so many literal whos to keep track of that I'm supposed to be invested in that I don't really bother. I'm sorry, but I can't really feel a damn thing about Outcast when she showed up for a few scenes and then got nuked off by a contrivance while fighting some faceless nobodies we are told we should fear.
But on the other hand, Nikke narrative, again, despite its strong delivery, is still built on a feeble base for the most part. I only think of a few characters I care about in Nikke, because a lot of the cast is just fluff and Obligatory Archetypes (bunny girls, school girls, maids, etc), whereas in Arknights, I care about a whole damn lot of them, even those without events, because their files and modules paint a very integral and intriguing picture of them. Even smaller scenes in Arknights sometimes can have a big emotional impact, due to its extensive and well crafted worldbuilding and its clever use of its elements in every event, something Nikke cannot claim, because worldbuilding in Nikke is almost non existent.
They both have their strengths, basically, and it's fascinating to me, a writer, to take a deeper look at them.
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