#fumiko mifune | Explore Tumblr Posts and Blogs

jaylee-is-here · 8 months

Text

all eyes.

( god the books are so rough im sorry 😨 )

2K notes · View notes

jaruis · 1 month

Text

A requiem from thou to thee

To herd two birds with one Chainsaw Man.

#chainsaw man #nayuta #barem #fumiko mifune #asa mitaka #fami #yoru #chainsaw man 154 #csm 154 #chainsaw man 158 #csm 158 #guillotine devil #haruka #miri sugo

622 notes · View notes

morgenstern16 · 9 months

Text

part two girls

#csm #chainsaw man #asa mitaka #fumiko mifune

2K notes · View notes

strawberryblondie-locks · 7 months

Text

#CSMTOBER DAY FIVE: KARAOKE

#chainsaw man #denji chainsaw man #fumiko mifune #yoshida hirofumi #csm #zuzu art

1K notes · View notes

thespacehatter · 8 months

Text

Weird flex but okay 🙄

#chainsaw man #asa mitaka #denji #csm denji #ana arts #art tag #csm #fumiko mifune #I don't think this would count as asaden #but they certainly as standing next to eachother sooooo #asaden

940 notes · View notes

iridescentscarecrow · 28 days

Text

volume 17 extra pages. what is fujimoto doing.

#chainsaw man #yoshida hirofumi #fumiko mifune #why is yoshida in a speedo.#csm #actual thoughts in rbs #these MIGHT be fake theres speculation fyi

230 notes · View notes

sugar-grigri · 8 months

Text

Fans are Denji's source of unhappiness

First observation: Fumiko is worse than Barem

I don't like making meaningless comparisons, especially in a work like Chainsaw Man where when the characters aren't nuts, they remain at least morally gray. But this comparison makes sense in the sense that the construction of the chapter refers to it. As usual, let's analyze this by following the chapter's chronology.

This one takes place in a funfair, which is not an insignificant location, but we'll come back to that later. These few lines of dialogue already evoke a very simple idea: Denji isn't so stupid that he wouldn't know he was being manipulated. He knows full well that Fumiko was placed in Yoshida's care not to protect him, but to keep a close eye on him, to prevent him from turning and joining the church.

But she tries to disprove all this, evoking the ecstasy one might feel if one were Chainsaw Man. Being Chainsaw Man is also a source of unhappiness for Denji, who corrects her, and Fumiko adapts to his speech, looking for the first negative point that comes to mind. I think it was a real mistake for Fumiko to mention this point, but once again, she adapts to Denji's reaction. He's completely horrified at having been observed in the bathroom, so she shares his negative view of the situation.

She knows that Denji's main objective is sex-related, so she builds on that by downplaying what she's doing. This is fan behavior; fans are sexually obsessed with Denji in the hope that it will delight him. But Fumiko knows no bounds, either ignoring his consent or stalking him, which logically engages Denji's rejection reaction again.

Once again, he perceives the means of manipulation with the word "fan", and rejects it. So far, these experiences have only been negative and intrusive, and even when they have been positive, whether with Asa romantically or Power platonically, the demon of control, another female figure, has put an end to them.

But instead of stopping the manipulation, Fumiko goes on to confirm Denji's words even as they express pure disgust and rejection. For a character who knows absolutely no limits, she may also override stopping this conservation, but she continues with her family history. If public demon hunters know anything about Denji apart from his natural distrust and need for affection, whether sentimental or physical, it's his sensitivity.

I can't say that the story Fumiko tells is a complete lie, just as I can't say that she's telling the truth. She's a hunter, and anything she mentions could well have ended up in a report, especially given the national authorities' interest in the gun demon. But even if her story is true, the tragic aspect, not for her but for Denji, is even stronger.

Fumiko says she lost her parents because of the gun demon, that CSM didn't hear her cries for help. I'd like to remind you that chapter 79, the chapter in which she refers to Aki's death, is dedicated to the trauma of what it means to be Chainsaw Man.

For the demon from the future, Aki died in the worst possible way, not for him, but for Denji. It's clear that the little boy is forcing himself to continue this snowball fight he no longer wants to play.

At first, he tries to reason with Aki, forcing him to wake up, but when he himself is shot trying to spare one of his only loved ones, people won't let him lose. Chainsaw Man is a weapon of vengeance into which everyone projects their frustrations, the deaths of their loved ones. Denji was forced to be resurrected, to kill Aki not for himself, but for the community. Chainsaw Man never acts for himself. If Aki died in the worst way for Denji, it's because his fans, this community, forced him back to life to remove one of his sources of love.

Denji was traumatized by having to win.

Let's be clear: it wasn't Denji who ignored their calls for help, it was they who ignored his.

Isn't it tragic to criticize Chainsaw Man for not hearing Fumiko's cries for help, or the cries of all those people, when he was instead so compelled by them, like a machine that would be reset to kill a loved one ? Chainsaw Man, on the other hand, hears all the pain in the world. This doesn't mean that Denji is altruistic - he isn't. He's closer to amorality than compassion, but like a permanently dehumanized machine, he must serve others. It has no morals, so how can it live for itself ?

That's why what Fumiko says is so paradoxical: saving Denji means finally allowing him to live for himself, granting him the right not to hear all those voices.

She doesn't mean what she says when she says she's never thought of him as a god, but simply as a child in need of protection. She's only setting up a dissident discourse to that of the church, which idealizes him by banking on the part of identity that is Denji, while the church banks on Chainsaw Man. How can someone who is constantly sexually abusing Denji be competent to protect a boy?

This chapter is about setting limits for children. To have access to the merry-go-round, you have to be over 1m10 tall. These clear limits were never set for Denji, either when he was forced to kill Aki or even when he explores his sexuality.

Having killed his father, been martyred by the mafia and then manipulated by a demon, Denji is now at the heart of other vicious circles. He's condemned to being too young an adult, watching over Nayuta like a parent while children play behind him, not enjoying the funfair with friends, a girlfriend, being cloistered on that bench. The bench represents the stagnation in Denji's life, his questioning, placed on the bench of his own life, his name unknown to his fans, his nature instrumentalized, his age ignored.

Denji needs and must be considered with the age he is, a 17-year-old teenager. Yet even this characteristic, even the fact that he's still a child, is ignored by Fumiko, hence her insistence on the word "senpai".

The treatment of Fumiko is good, I find her to be the very embodiment of Denji's sexual trauma in the sense that she constantly manipulates him to play on his interests, and constantly ignores his own desires, his limits.

Fumiko manipulates, hence the emphasis on her outraged expression when Barem interrupts. If Barem's manipulation is more grotesque, it's not to manipulate Denji but to mock Fumiko's strategy. Although it's incredibly more insidious, the weapon has a clear idea of what she's up to.

And yet, in just a few sentences, it's right on target. It's much closer to Denji's reality than to Fumiko's human perspective. Weapons are seen as weapons, machines at the service of humans, whose immortality is a pain, as it leads them to the trauma of always winning.

Barem uses a cigarette, obviously reminiscent of those smoked by Aki, who had given in to Himeko's advances and needed an outlet for his stress. Aki's misfortune is to have spent his life on revenge, living to avenge the dead, not living for himself. The cigarette was his flaw, the proof of his humanity, the one he threw at Denji to spare him the pain of getting involved in the horrible business of hunting demons.

Whether or not it was there to manipulate Denji by reminding him of his older brother, whether or not it was there by chance, it conveyed the same message: proof of the humanity of a man who lived for others. A man who was executed once again for that same community.

This community, Denji's fan club, is the cause of his deepest misfortune. Chainsaw Man has never been so popular, yet Denji has never been alone. Because he's not allowed to have loved ones. Nayuta, too, is proof of this: she wants her brother for herself, and convinces him that he's loved by others by acting under the cover of Chainsaw Man.

That's why Denji's intervention to stop the attack in progress is much less certain. All these fans, this humanity waiting for Chainsaw Man, are the source of his misfortune. Of course the fan club will call Chainsaw Man. What's less obvious...

Will Denji listen to their cries for help?

#csm spoilers #csm 142 #chainsaw man chapter 142 #chapter 142 #csm #csm part 2 #chainsaw man spoilers #chainsaw man #denji #fumiko #fumiko mifune #barem #nayuta #makima #aki #himeno #my thoughts #analysis

858 notes · View notes

chilled-ice-cubes · 8 months

Text

fujimoto is sooo good at making layered characters who are despicable and sympathetic and so so human.

see. is she lying? is she telling the truth? she's an indentured paramilitary government worker, she fucks with the traumatised teenager she's assigned to watching over for shits and giggles, she's mean and manipulative and hilarious.

now. fumiko is obviously paralleling asa's "i want to save red-chainsaw man" moment with this "i want to save denji" moment, but notice how neither of them really ask denji if he wants to be saved, or what his definition of "being saved" would really be (like. in no universe will denji accept pochita being killed before him!)

this ties in nicely with how the chainsaw man church and public safety both objectify denji too: public safety wants him to be stagnant and passive, to do as he's told; the church wants him to basically keep self-harming, martyring himself for the world (pochita-denji jesus christ metaphors meta is looming dangerously in my future...)

...look at denji's face here. he's not flattered, he looks a little disgusted (i mean. that could just be because a man is telling him all this.) denji is utterly caught between a rock and a hard place this chapter, and it's heavily implied that the weapon devils are gonna go full suicide bomber on the food court to force him to finally make a decision (but is it really a decision if you've been cornered and leashed like a dog to make it...?)

#csm spoilers #chainsaw man #fumiko mifune #csm: mine #csm 142 #anya.txt

436 notes · View notes

te001e · 3 months

Text