I really cannot express how much this piece of work means to me! As corny as it sounds I really found this story at the perfect point in my life, I initially started reading the impulse 1995 comics when I was 14 and I ended up falling upon this story when I was 17 I just immediately fell in love! The concept was so creative and fit into the pre-existing plot line perfectly! All the new characters are so enjoyable to read, Nathaniel and Jude have such a wonderful and also sad dynamic, as a twin my self every scene with them just really hit me in the heart! Six especially in the first several chapters was so comically annoying and clearly insecure, in a way that I think a lot of us can relate to, one way or another especially when we got to here is internal monologue, I’ve always been a sucker for the asshole character with an air of insouciance and superiority, who by the end of the story, just ends up being a pretty all right guy! And Five oh my god five! I love this guy so much! he’s just so genuine and someone who clearly cares deeply, and him being technically the physically oldest in the room, but also being the one with the least amount of experience is a very literal take on an experience I think a lot of people have felt, myself included, And I think we all know I’m a Three apologist, his whole story is just so devastating and haunting, part of me is always rooting for him, whilst also being terrified for what he might do to the other characters, there is so much complexity with his relationships with the other characters, such as five and four, every time theirs a seen with three and four the writing always makes me feel so on edge and is really able to puts me in three’s shoes! And god! The way three and five interact is so sweet and sad there relationship is just too much! The last chapter absolutely destroyed me!! And Bart and Thad are so perfectly characterized it truly just feels like a natural progression of their characters, the way they both are just really struggling to deal with the inevitability of change hit me so hard, like I said I started reading the impulse comics when I was 14 so these characters have such a place in my heart, so now being able to read about them going through these struggles, when I was also experiencing a lot of change, is such a comfort to me, it was like in a way these characters got older with me, and you know it’s always nice to see some of your childhood characters going through the same stuff as you, currently being a slightly terrified 18 year old, it was great to be able to read about two other slightly terrified 18 year olds, anyways I wanted to post some of my sketches from the past few weeks, and don’t worry there are definitely more to come cause I don’t think I’ll ever be able to stop drawing these guys!
@cryptocism you really sent me on a journey, thank you for that!💖💖
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i think the reaction to characters being unfair to jon is a good example of how fandom often lacks nuance and has a lot of black and white thinking. while it absolutely is ridiculous and unfair to say characters are evil and terrible people for being mean to jon, it’s just as absurd to say how they treated him was justified and there was nothing wrong with it. i think people have split into two extremes on this issue, which misses the point that the entire podcast is about how people react and interact and change when dealing with fear and extreme situations like this, not about who’s right and who’s wrong. jon was consistently treated with less empathy than the other characters treated each other, and held to a different standard. the other archives staff are much more willing to give each other the benefit of the doubt, and while they’ll criticize each other at the end of the day there is much more tolerance for each other’s issues than there is for jon’s. that is undeniable. they see each other as humans who make mistakes, and jon as a rabid monster who cannot be trusted. from their perspective, jon is someone standoffish and unfriendly who always pushes too far and asks too much and has growing powers that directly come from the entities responsible for their torment. he is both their superior in terms of his job, and he is essentially the favored child of their jailer. basically like elias, but significantly more present and vulnerable and less of a distant untouchable threat. he has enough power over them (or at least association with those who have power over them) to make them resent him, but not enough to stop the torment or prevent them from lashing out. when you and everyone else you know are humans who are trapped together and suffering, and your boss is locked away feeding on fear and turning into a dangerous monster like the ones who keep hurting you, you’re probably not going to be feeling particularly empathetic towards him. you’re not going to stop and think about how he’s a victim in all this too, because you’re not in a stable enough space to do that and you don’t know his perspective on any of this. that makes sense. it doesn’t excuse the way they treat him like a violent animal, but it does explain why they would have that us versus them mentality. also, all the info on the other archive staff’s emotional state from season 3 and onward, the stuff that explains why they acted the way they did, all of that is from occasional lines and overheard interactions. small pieces. jon is the main character, and we hear the details of his experiences and struggles and trauma and breakdowns and suffering. he is the protagonist and his is the perspective the listener lives in. therefore, he is going to be much easier to be sympathetic towards. if melanie was the protagonist, or even another avatar like annabelle or mike crew, people would be much more understanding of them, because it is easier to be sympathetic when you know every reason why a character acts the way they do. if we listened to melanie for hundreds of hours, her lashing out and getting violent towards characters that didn’t deserve it would be much more understandable. we hear what jon is going through, so we know his life is hell and he is a genuinely good person faced with impossible choices and absolutely terrible situations out of his control. the other characters do not have that perspective and understanding. i just think it’s possible to acknowledge that some characters did treat jon terribly, he didn’t deserve it, and it doesn’t make them irredeemable monsters.
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Hello Discord User Vellichorom AKA Twinkie AKA Velli AKA individual who’s character I love so much who has consumed my literal every day for the last year plus that I have not stopped thinking about (literally, over three hundred and sixty five days have gone buy and every single one of them I’ve had this man in my head, Vellichorom, do you know what you’ve done Vellichorom, you did this to me.)
NOW I MAY BE UNHINGED ABOUT THIS MAN but how about I take a step back for a moment to just, talk about it? To discuss the absolute mastery I feel has been carefully and lovingly crafted into him?
I’m really picky about the characters I like.
Yeah I am fond of characters, I’ll like them and talk about them and whatever, but NOT ONCE has a character CONSUMED MY LITERAL BRAIN CELLS like Thierry has. Of course he has an amazing base to go off of, he IS THE NARRATOR, and I will admit that I absolutely ADORE TSP and all of the lore that has been crafted into him... but that alone was not enough for me to be purely interested in him for a long period of time (cough: see me not doing much tsp stuff aside from Thierry cough)
The way that you have woven in every aspect of TSP and its canon into him, and then MADE IT EVEN BETTER AND MENTAL-ILLNESS-INDUCING has got me gripping the edge of my seat like a feral goblin every time you post literally ANYTHING about him ever. You blended TSP/TSPCC/adjacent lore together in a way that makes Thierry his own thing and also the perfect embodiment of the Narrator.
I have hyper fixations that wane and grow over time, things that I have enjoyed for long stints, but NEVER, EVER, Has there been ONE CHARACTER that has captured my attention so wholly.
Looking at just him as a character, I adore the way you actually embrace and show off his flaws in a way that feels so human and also just like the weird fucking creature that The Narrator obviously is. You paid SO MUCH attention to detail and THAT SHOWS! IT DOES!! The Narrator is EGOTISTICAL, he is AN ASSHOLE, HE IS NOT PERFECT! EVER!I won’t shit on other people for wanting that for their own interpretations, but by god if you aren’t one of the like, two other people I’ve seen PERFECTLY capture that in his actions and behavior. You interpret the scenes in TSP/UD with such a nuanced and in depth eye with Thierry that I actually ENVY YOU FOR IT because I WANT TO DO THAT TOO. The expression of his ego balanced with his simultaneous self-loathing is just a perfect coat of icing on the proverbial cake. You miraculously made this man exactly as loveable and hateable as the straight up copy-pasted canon. I want him to suffer, and I love him so much, and I feel awful for him, and I think he’s an asshole.
His relationship with Rosemary? Do I even HAVE to say anything? No, I don’t, but IM GOING TO.
I seriously have never understood how you and Tomie so amazingly captured that Stanley/Narrator relationship through Gore/Guts in such an AWE INSPIRING, BEAUTIFUL, AND HORRIFIC way. Like, I genuinely do not know how to put into words the way that I absolutely ADORE this interpretation of it. The never ending spiral of desperation, need and reliance that the Narrator has on Stanley (and vice versa) is FLAWLESSLY executed and showcased with Rosemary/Thierry. I know I don’t really talk about Gogu as much as I talk about Thierry, but I have said it before and I will say it again, they are AMAZING, THEY ARE BEAUTIFUL, AND I CANNOT THINK OF ANY LITERALLY ANY NARRATOR X RELATIONSHIP THAT PERFECTLY EXEMPLIFIES THE WAY THAT THE NARRATOR WOULD BE WITH SOMEONE, AND THE HORRORS THAT COME WITH IT. EVER.
And the most amazing part is that you, YOU, a fucking EXCELLENT, BEAUTIFUL, TALENTED ARTIST, have made THE design ever. THE. DESIGN. EVER. No exceptions. OBVIOUSLY the enjoyment of a design of a character of such a nature is mostly up to personal taste, but for one second can we stand back and think about who the fuck we’re talking about?
We can go based off of a few things:
His VA, Kevan Brighting: Mr. Brighting is a fat, old man. He has JOWLS, he has WRINKLES, he has WEIGHT not only to himself, but his voice. OBVIOUSLY not all VAs match their characters, but when you consider someone’s voice and the voice you assign TO a character, you usually want it to mimic that, and The voice that Mr. Brighting does for the Narrator is literally just that. And old, crotchety, fat british man.
Specifically based on his Voice: Again, to piggy back off of what I was just saying, a character is meant to match the voice, you can hear the way he slightly slurs/mushes his words together, (which, by the way, if people didn’t know, slight lisps can be caused by more weight/fat being in the face! :D) You can hear him creaking around in his chair!
Based on context clues/general ideas of what the character is doing/does: The Narrator, as described in the game, is old (context clues people, context clues), codes/can create things using code, is not human (‘various human sensibilities’ gives that RIGHT away) and sits in a chair coding/reading shit most of the time. If anyone looks me in the eyes and tells me that a person who does that would not at least be heavy set, I will wack them with a stick.
ALL OF THAT BEING SAID: this means that YOU MADE HIM! Look at him! Look at that man! It’s FUCKING HIM, ITS THE NARRATOR REAL! HE’S REALLL!!! I don’t give a flying fuck what my bias says, if I think of the Narrator I am going to think of someone that looks either like Kevan Brighting, or Thierry Ellis-Baker. There is no other thing for me. I can kinda smush other designs into it, and see it that way via The Square Hole /ref - but it will ALWAYS AND FOREVER be that. He’s an omnipresent voice that doesn’t show himself, when he’s not, he is NOT WEARING A SUIT. But he is FASHIONABLE, WHO is looking at him, seeing the fact that he wears a fucking fancy, flowing, stylish cardigan WITH A GOLD CHAIN, and saying NO He LOokS lIke A sLOb??? Because you are literally wrong, I would AND HAVE worn things that are LESS FANCY than that in professional settings. He’s wearing a turtleneck sweater, dress pants, and some comfy BUT PRESENTABLE shoes. If someone thinks he looks slobby they’re delusional. Like what do they think? That that old man should be wearing a suit for whatever fucking reason??? In his Office??? In his chair while sitting on his fat ass? (NOT TO SAY THAT HE CAN’T, AND I KNOW THIERRY HAS, AND CAN, AND WOULD IF HE NEEDED TO, BUT WHO ON GOD’S GREEN EARTH, ESPECIALLY WHEN CODING AND SHIT, WANTS TO WEAR A SUIT 24/7)
Also, tacking this on here at the end, you have helped SO much with my comfort with acknowledging my own body weight, accepting it, and liking myself more than literally anyone could ever have, and Thierry is a HUGE part of that for SO many reasons.
I love everything about him, Vellichorom, and it is of my humble opinion that everyone who does not and looks at him like he is anything less than what The Narrator is at his most basic, are dirty little liars who are jealous
TL;DR: Anyone who is disrespectful and disregards the expert care, craft, and love that has gone into Thierry lore and design wise can go and suck the fattest, dirtiest rock they find outside in a river, and report back to me in fourteen business days with their illnesses so I can laugh at them :)
Thank you for coming to my two+ page essay/TED Talk
Uh... oh yeah this is an ask box... uh... what's your favorite fun fact about Thierry/Romary? :)
ujm jm, umm um that they love you
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I was talking with my dad recently & we got on the topic of People Thinking They Can't Do Things, and like, he is at his core a well-intentioned person who genuinely wants the best for others, but he has definitely internalized some harmful ideas a la "anyone can do anything, the only thing stopping them is their own attitude". so I was like. I see where you're coming from, but let me tell you a story.
last year, I worked with 10 year olds- many of whom had never really spent time outdoors- in an outdoor education program where they came to spend a whole week doing shit outside in nature. the top two scariest experiences for these kids were 1) very tall metal tower, and 2) walking outside at night in the dark with no flashlights.
I tried a lot of different things to persuade them all to join me for each experience: I presented it with enthusiasm and passion, I did physical demonstrations and scientific explanations to help them understands how safe it was, I voiced my absolute commitment to their safety, I invited them to brainstorm ways to help each other and themselves feel safe, etc.
generally I always had at least 2-3 kids out of about 10 who opted out, or if they did join me, would spend the entire experience crying and freaking out. when it was over, they would conclude that even though they did not die- or even get hurt- it was so scary that it wasn't worth it and they never wanted to do it again.
then I changed the question I asked. instead of asking them to tell me whether they could do it or couldn't do it, I asked them to raise their hand for one of three options:
You can definitely do this.
It will be hard or scary or uncomfortable, but you can try to do this.
It will definitely be too hard, scary, or uncomfortable, and you cannot or should not try to do this.
suddenly, almost nobody was opting out of these experiences.
they would try, even if they were scared, because they know that being scared didn't necessarily mean that they couldn't do it at all. and more importantly, they knew that if they needed to stop, that was an option; they weren't trapped in their decision to try.
and the real takeaway here, for me, is in the nuance: people need to be able to challenge themselves and to be uncomfortable in order to grow, and people need to be able to opt out in order for opting in to be a safe option.
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⋆。゚☁︎。⋆。 ゚☾ ゚。⋆
Alastor's antlers are embarrassingly, pathetically, unbearably sensitive.
He can't for the life of him figure out why—it's not like any of the other transfigured creatures wandering around the underworld were made this way. Most other animal-like sinners don't seem to care about or even acknowledge their characteristics.
Yet here he is, purposefully hiding them away just so that no one will discover his terrible weakness. Oh, what he would give to be like the others if only to ignore their incessantly uncomfortable presence on his head.
Perhaps it was a curse from heaven that made him this way, or karma that he was repaying from his life. Either way, he can't stand being touched.
At least, that's what he thought.
There's no malicious intent behind your hands, no glint in your eye that makes the primal instincts in his head scream at him to melt into the shadows. You're as gentle as can be, fingers running delicately along the intricacies of his antlers and stopping just at the ends of them.
"They're beautiful," you whisper with your eyes blown wide. Your shoulders rise and fall with each rapid breath, probably from the adrenaline of standing so close to an Overlord like this. And Alastor, no less.
Your reliable hotelier. Your first real friend in the hotel. The one whose smile cannot be trusted.
But for some reason, you can't shake the feeling that he's looking at you with pure, genuine appreciation even if his smile is a little wonky.
"Why, thank you, darling!"
He jerks away from you quick as the wind, standing tall once again and towering over you. His expression has morphed into something more strained—you can tell by the way his face creases up as his eyes narrow.
He was the one who decided to invade your personal space while the two of you were arguing. He just didn't think that you would be so bold as to get distracted by his antlers and have the gall to reach out to touch them.
The worst part? The absolute worst part of it all is that no one in all the time he's been in Hell has been gentle with him like that.
Add that to the list of things he despises. Or likes. You're confusing him now.
⋆。゚☁︎。⋆。 ゚☾ ゚。⋆
You have some nerve, he thinks.
Your hands have found a new home resting atop his head, with your fingers combing through his hair and tracing up and down the curve of his antlers.
It becomes a nightly routine—him on the barstool or sitting in front of the piano and you standing behind him with your fingers tangled in his hair and your chin on his head, perched right between the horns. Others in the hotel have started to raise a brow, but you don't seem to care.
So when you finally decide to break routine, sitting on the opposite end of the couch from him, his eye twitches.
There isn't even an audience tonight, everyone else already tucked into bed save for Husk behind the bar who's too busy with a bottle to care. The silence between you is heavy as lead.
"Is something the matter?" Alastor finally abruptly asks, eyes narrowed at you from the side. You shift uncomfortably.
"Why would something be the matter?"
He's not in the mood for games right now. "This is the first time you've sat away from me in months," he observes.
You look at him, surprised by his hostility over this. "Well, Lucifer told me that you don't like—"
"Lucifer," he interrupts, head now whipping to the side so he can fully glare at you. "Knows nothing."
You blink at him, stunned. With the way he's acting, he almost seems... annoyed that you've decided to stop being so handsy?
Silence overcomes you again as you just stare at each other, completely at a loss of words. Alastor finally realizes his snappiness and composes himself once more, exhaling through his teeth.
His smile softens at you, missing its usual edge. You know him like this the best—head in your lap and antlers exposed. It's familiar to you in a way that it could never be to anyone else. At least, you hope that's true.
"He knows nothing," the radio demon says one more time for good measure, eyes drifting shut under the weight of your hands.
Alastor has never liked to be touched before. But maybe there is a first time for everything, and maybe the safety of your touch brings him enough ease that you're the first he admits he can tolerate.
His smile says it all. He's content like this, even if he would deny it with his chest if you ever told anyone else.
"Okay," you breathe. "I believe you."
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