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#hannibal 3x11
rocktheholygrail · 14 days
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Hannibal (2013-2015)
2x06 || 3x11
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driedbloodondeadflies · 10 months
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hannibal is so bitter will had a wife and step kid he sends a serial killer after all three and guilt tripping will into thinking it’s his fault
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whatrudoingbree · 5 months
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Down to the final 3 episodes 🥺😫 https://youtu.be/RwjjEOQSkwU?si=zedGICGYtmEK00fY #Hannibal 🍷
youtube
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kiss-my-freckle · 1 year
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louisbxne · 6 months
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HANNIBAL (2013 - 2015)
2x05 - "Mukōzuke" (2014) Dir. Michael Rymer
3x11 - "...And the Beast from the Sea" (2015) Dir. Michael Rymer
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willgrahamscock · 1 year
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HANNIBAL | 3x11 "And the Beast From the Sea"
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cedarxwing · 2 months
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The sequence where Hannibal is taken into custody and processed for evidence in "The Great Red Dragon" (3x08) was originally going to feature the ceiling of the Norman Chapel in Hannibal's memory palace crumbling! This would've been a callback to Hannibal's love of church collapses:
"I collect church collapses. Did you see the recent one in Sicily? The facade fell on sixty-five grandmothers during a special Mass. Was that evil? Was that God? If He's up there, He just loves it." - Shiizakana
Instead of the cheerful choir boy music, the script describes a performance of Vide Cor Meum, which played when Hannibal first visited Will in prison in Savoureux (1x13). It would've been fitting to have it play during Hannibal's imprisonment! It also would've created a sadder, more romantic tone.
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In the collapse of the "foyer of his mind," Hannibal happily sits among the grandmothers gathered for the "special Mass." It's ambiguous if he's accepted that he's about to get crushed too, or if he's immune to being pulverized in his memory palace. Either way, it would've been a powerful symbol of his submission to Will's design. He's having fun, giving up control!
The final sequence that we got communicates all this pretty effectively, but the roof collapse + Vide Cor Meum would've been soooo dramatic and fun.
Another roof collapse got cut from "...And the Beast from the Sea" (3x11) script. This one happens in Dolarhyde's imagination, and would've drawn a parallel between his loss of control and Hannibal's:
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I assume all of this got cut for time, CGI budgetary reasons, or to keep the 3x08 scene more lighthearted. A shame, because I think it would've added another layer of meaning to this shot, later:
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Hannibal is counting down the hours to the murder of Will's family, raising his hand to the moon just like Will did in 3x09. Is he also imagining the collapse of his prison cell ceiling? Maybe he's in the Norman Chapel, enjoying the roof collapse there?
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Okay okay okay, this might sound just a tiny bit unhinged but I am convinced that the LCDP writers have seen and been influenced by Hannibal, owing to the parallels between the Hannibal/Will and Sergio/Raquel relationships (focusing especially on a scene in the show that really mirrors one in Hannibal).
So, let's look at the text. First up, Hannibal, 3x11
Hannibal: The building of a new body and the othering of himself, the splitting of his personality, all seem active and deliberate. He craves change. Will: He didn't murder those families. He changed them. Hannibal: Don't you crave change, Will?
Second, LCDP, 2x8
El Profesor: Yo estoy haciendo una inyección de liquidez. Pero no a la banca. La estoy haciendo aquí, en la economía real, de este grupo de desgraciados, que es lo que somos, Raquel. Para escapar de todo esto. Tu no quieres escapar? ('I'm injecting liquidity. But not to the banks. I'm doing it here, in the real economy, for this group of wretches, Raquel, which is what we are. To escape from all of this. Don't you want to escape?')
And, ok, they're not the only two stories in existence where one character begs the other to see things from their point of view, you might say. You're clutching at straws here, Nay, because Hannibal is your current obsession, and LCDP was the one that came before.
But it's not just the dialogue. And it's not just this one scene.
If we're looking very literally at these two scenes, you'll notice that one half of our pair is imprisoned, but even that's not just surface level. Both imprisoned parties should not, by rights, be there, if they'd behaved in a remotely rational way leading up to that point. Hannibal allowed himself to be imprisoned for Will, even though he should have killed him long ago to protect himself. Raquel, likewise, could and should have handed Sergio over to the police many, many episodes ago, but she didn't, because like Hannibal, she couldn't bring herself to hurt him.
However, the real parallel isn't between Hannibal and Raquel - Sergio/Hannibal and Raquel/Will are the parallel characters leading up to these scenes, and besides looking at who is currently imprisoned, the clearest parallels within the scenes too.
Both of these relationships are deeply manipulative and physically violent, but the person who is initially causing harm gets tripped up by their own feelings, opening a window for their intended victim to exercise power over them instead. And, although in each relationship there is a clear manipulator at first, even in their beginnings, they are equals, and natural enemies (even though they might not realise it at first).
That's not to say the characters are the same - Hannibal's manipulation is driven by curiosity, and Sergio's is driven by ideals. But the outcomes are surprisingly similar nonetheless - they realise their goals, and then they regret them. They both lose the trust of the person they have unwittingly fallen in love with, and as Will and Raquel see Hannibal and Sergio, respectively, for the people they really are, they want (or think they want) to exact revenge on them. Raquel ties Sergio up and interrogates him, threatens him, hurts him, and Will tries to have Hannibal killed, and works to prove that it's Hannibal who's the serial killer, not him. But both Will and Raquel, of course, are not quite able to bring their righteous violence to its logical conclusion. Raquel fails to turn Sergio into the police, despite the fact that she's in charge of catching him, and Will gets tangled in his own line as he tries to reel Hannibal in, finding Hannibal himself far more magnetic than the justice of catching him. Both of them want to hurt their manipulative counterpart, but they've fallen for them too (and for both of them, I think this adds to their fury at Hannibal/Sergio).
And then we reach these two scenes I referenced at the top of the post. In both shows, they appear towards the end (at least, the assumed end at the time - LCDP, of course, got three more seasons later on, and Hannibal was [is?!] supposed to have more too). In both shows, Will and Raquel have experienced a loss of some kind, a really significant loss, tied to their identity, that is the fault of Hannibal/Sergio - Raquel has lost her job and integrity as an inspector; Will's family has nearly been killed and are emotionally lost to him - and yet they are both running towards the cause of that loss. Raquel, of course, is ostensibly trying to catch Sergio by herself, and Will has come to yell at Hannibal. But there's a calm in both scenes that wouldn't be there if all the wronged party felt was anger - after a fight Raquel lets Sergio talk to her without interruption, just as Will allows Hannibal to talk back to him, to ask him questions. And then our two manipulators - both of whom, I might add, have almost thrown everything away for the people who were supposed to be collateral damage - make this final plea in the dialogue above.
They're very different people, Sergio and Hannibal, but the plea is, at it's core, the same. The world, they say, The world doesn't look the way you were taught to see it, and you don't fit into it the way you thought either.
It's a plea for acceptance, because if Will and Raquel can accept the world and themselves the way Hannibal and Sergio see them, then they are, by extension, accepting them. It's a please, god, just say you want to run away with me.
And, in both instances, it works.
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fixedteacup · 1 year
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"You slice the ginger." — "Would you slice the garlic?"
from: hannibal 2x10, breaking bad 3x11
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soccerbf · 2 years
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Hannibal, Naka-Choko (2x10) // Breaking Bad, Abiquiú (3x11)
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rocktheholygrail · 17 days
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Hannibal (2013-2015)
Hannibal and Will + change
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dorian-they-ao3 · 3 years
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Absolutely losing it over this nude Will Graham fan art!! that Hannibal drew from memory while in prison.
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you know when your cat starts scratching the couch or something and it’s like hey! [cats name]! Stop it! HEY! STOP! NO!
well that’s me with Hannibal rn smh kill his family he says bitch I’ll get the spray bottle and come for your ass
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kiss-my-freckle · 11 months
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It isn’t Will’s jealousy that spins him in 3x11. He’s jealous of the Dragon, but not that jealous. Shippers tend to read too much into shit. What Hannibal does to Will, would be like Will handing the Chesapeake Ripper an extremely rude pig. That’s why Will goes nuts. “Well, now he thinks he can do anything. Anything. Anything!" Hannibal pushes Will from the confines of his mind so that he’s to the point he has no problem gutting the Dragon. If the Dragon thinks he can do anything, Will has to think he himself can do anything. Thus, “He is both free and damned to imagine anything.” Will can be as nasty and unloving as the Chesapeake Ripper, but he’s a certain kind of killer. 
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hannigram-trash · 5 years
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So, the end scene of 3x11...
Hannibal sends the Dragon after Will’s so-called family, they survive thanks to Molly’s cleverness but Molly gets shot and they go to a hospital where we find Will FURIOUS. He is so angry at Hannibal because he never thought he could’ve done something like that, especially not caring about a child’s life... It was both revenge, and an attempt to win Will back. It's a sick feeling like Molly said, but when it's Hannibal, it always has to be something extreme, because his feelings are extreme when it is Will.
“How’s 'the’ wife?”  Hannibal sees her only as an object, something that Will is trying to not to see his true self with.
“How’s ‘my’ wife?!” Will knows what Hannibal is implying, and he tries to prove the opposite to him, and to himself but...
“When you look at her now, what do you see?”
“You know what I see.”
Will (thought that he) finally found something good to hold onto, but Hannibal attempted to take it away, and he actually succeed it; now that the Dragon “touched” his family, he started to see them only as the victims of it, and because of his pure empathy, also of his own. Hannibal knew that, and hoped that to happen, and, it happened...
“Is this a competition?” Will thinks that Hannibal is enjoying a race between him and the Dragon, but actually Francis is in a race with himself, and since Will has to catch him now more than ever, and Hannibal is the one who... really fucked up, he tells everything he knows about the Dragon and make Will completely understand.
“The Great Red Dragon is freedom to him, shedding his skin... The sound of his voice, his own reflection.”
This line is so important because it also reflects Will and Hannibal’s relationship. Later on, Will became Hannibal’s voice, he was his agency in the world and he punished Chilton; Will was freedom to Hannibal, he helped him escape the prison. And Hannibal was freedom to Will, he made him realize that his life, his family after Hannibal was artificial, and helped him delight in wickedness as he had in himself already.  
“Don’t you crave change, Will?”
Seeing Will for the first time after years, all Hannibal does and says are to wake him up to who he is, make him realize that this is not the life he actually wants, and it doesn’t take much time for Will to see...
And the editing of the scene is... AMAZING. Their conversation, the way they speak, the way they look at each other, how close they stand... all of these already make it so intense, but also Will and Hannibal’s face is blurred, except for their eyes, and it makes this scene even more intense. All they see (and we see) are their eyes, and with that, we are reminded that they’re losing themselves in each other, and although what Hannibal did, Will still cannot save himself from Hannibal's eyes, and eventually finds the exciting relief in them...
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💚 #hannibal3x11 ~Broadway Girl~
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