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see-arcane · 2 years
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OJ and JJ: Why Jean Jacket Let the Haywoods—Especially OJ—Get Away with More Than Anyone Else in “Nope”
I’ve seen Nope twice now. While everyone I saw it with enjoyed it, I heard a few cries of foul when it came to OJ and the others’ improbable good luck with all their near misses interacting with our favorite terrifying gulch-haunting UFO. I call foul back and say plot armor had nothing to do with it. Some luck, yeah, otherwise we’d have no protagonists. But that was hardly all.
Spoilers for Nope below
To be clear, I am absolutely not painting this as the same delusional ‘friendship’ Jupe assumed he had with Jean Jacket. Neither he, nor OJ, nor anyone else is a miraculously endowed animal/alien tamer with an automatic ~*~special bond~*~. It’s one of many points Nope goes out of its way to illustrate. You can only train (or disrespect) an animal so far before they lash out, especially predators, and especially island-sized UFOs with the munchies. But, insomuch as there is any ‘safe’ way to coexist in close proximity with something like Jean Jacket, OJ Haywood is shown to have pulled it off with flying colors. And he did so almost entirely unaware to begin with by dint of his character traits.
That and a combination of Jean Jacket’s own instincts are what likely put him and the people around him in the tiiiny pocket of special allowance JJ deigned to give them over the course of the movie.
Let’s roll back to the first scene with the Haywood Ranch and the death of Otis Sr. A death by falling nickel that happened six months before the present-day events of the film. Just before this, father and son were curious about the screaming in the clouds—a fresh snack of hikers about to be squelched—followed by the rain of inedible bits. We can assume this was Jean Jacket’s first time flying in the gulch, and he chose the Haywood Ranch as The Spot for Purging; just like the hills next to the ranch were chosen for his ‘nest’/hiding place/resting spot.
While Jupe was methodically feeding JJ fresh horses and imagining the big guy trusted him, Jean Jacket kept going home to his actual favorite spot right next to OJ and his horses—a man and his big juicy animals out training in broad daylight, day after day, without ever pestering them. No missing horses. No missing OJ. Despite JJ clearly having opportunity and a taste for both species by that point. Why?
The obvious answer is that OJ kept his head down. Literally. Eyes always on his work, under the shade of his hat bill, maybe glancing at the clouds now and then…but always too far away to agitate. For all that time, he was unconsciously respecting Jean Jacket’s rules. Plus, he was in JJ’s purging/nesting territory first; yes, Jean Jacket was calling dibs on the whole gulch, but if the locals already there aren’t bothering him, fine, sure, they can stay.
The place’s importance to Jean Jacket, OJ’s head-down habits, and the amount of time spent coexisting with each other sans trouble all combined to put OJ and the alien into as close to a neighborly setup as could ever be expected. Don’t fuck with me, I don’t fuck with you.
Then things start picking up. Too much activity, too many new skyward glances from OJ, too many hackles raised with the Star Lasso Experience. And yeah, JJ did almost vacuum OJ up—he infringed on their ‘arrangement’ and looked! The nerve! And after JJ let him get away with hiding under a roof the night he stared up at the dust devil that took the fake horse! How ungrateful!
…A move that, in hindsight, plays almost like a Strike 1 offense, paid back by slurping up the actual horse. OJ’s staring at the Star Lasso arena was likely Strike 2. After snapping at OJ and causing the accidental knockout against the ceiling, JJ flies off without him or Lucky.
Off JJ flies to the Haywood Ranch again, full of screaming people and detritus and huffy extraterrestrial chest-pounding. And what does JJ do? He drops a big bloody purge waterfall directly onto the Haywoods’ house—OJ’s territory-within-JJ’s territory—like the giant alien version of an animal hiking its leg and marking all over a lower-tier animal’s spot.
This is a warning. This is my place. I rule here.
Then, as if holding onto the statue for last (hell, that may have been the real Strike 1), he moves his big flying Roomba self over to OJ’s truck—which I’d bet JJ definitely recognizes after six months—and just hovers. Hovers. Hovers.
Making sure OJ is paying attention. Then he hacks the statue out like a bad loogie right into the windshield. Assuming it didn’t kill his ‘neighbor,’ it would be a fine lesson:
You are on thin ice. Do not cross me again.
Come morning, what do we find out? Not only is Jean Jacket smart enough to know the humans will react when he moves enough to let the electricity fizzle back on, he immediately moves back overhead to stare down at OJ. My guess? It was a test.
You know better, neighbor. What do you do when I am here? What very smart thing have you done in all our quiet time side by side?
And thank God, it does dawn on OJ in time. Do Not Look. No Eyes On JJ.
So he ducks his head. And, even though he caught a very obvious peripheral glimpse, Jean Jacket still lets that slide. Jean Jacket lets OJ, his sister, and Angel—probably his family/pack in JJ’s POV—scurry away in their silly rolling box. We can’t even say it was because Jean Jacket was still full; the big guy looks like he has whole miles of gut to chow down with.
No, he lets OJ and company off with a few warnings, because the arrangement renewed. And off he goes to settle in his cloud again.
Cut to the run.
I sincerely believe that if it had been any other person on the horse, any other person goading Jean Jacket along the run, they would not have lasted a minute. No, not even with their head down. We’ve seen by now just how fast JJ can move, how quick he can flip from zero to I-Will-Knock-You-Back-Like-a-Shrieking-Tic-Tac. And nobody can say they didn’t clench up when they, like OJ, realized Jean Jacket was hovering right behind him like the world’s most ominous frisbee. Ditto the part where JJ slurped up the TMZ jerk barely a yard away from him and Lucky.
Thiiis close to sucking him up. But no. The dust devil got Mr. TMZ with the precision of a straw.
Then we get to the run—OJ on horseback, JJ being JJ, going fast…but almost at his version of a canter. A brisk walking pace.
That much might be owed to the fact that, unlike all his other prey, the people/horses have gotten a good look at Jean Jacket, then turned to run. With OJ’s staring hoodie, he’s retreating while still looking at/challenging JJ. That’s new! That implies Jean Jacket’s neighbor has his hackles up even as he moves away!
So Jean Jacket gives a comparatively leisurely chase. Then, just when he gets fed up and goes for the vacuum maneuver—surprise! Flags everywhere! Jean Jacket freaks out as expected, twisting away rather than risk gulping up another bad meal. What the hell, OJ, why didn’t you warn JJ you were a statue this whole time?
And, finally, the climax.
OJ looks at Jean Jacket dead on, still sitting on the flag-strung Lucky. This is when Jean Jacket has completely unfolded into what looks like a full intimidation display. These tiny two-legged things have turned into a big flag-covered, barbed wired headache for Jean Jacket. Perhaps even a threat. It’s down to a fight for the territory in JJ’s perspective. Someone has to go. And OJ, the one he ‘knows’ best, the one that had respected and been respected by Jean Jacket most, like two sullen predators in the same cage mutually agreeing not to bother the other, is the one metaphorically baring his teeth first.
Even as he flexes all his freaky jellyfish anatomy, Jean Jacket hesitates.  
Does he think this is OJ warning him away? Or is he really instigating a fight to the finish? …Is there a chance OJ could win?
Even when, finally, OJ does begin drawing him along, away from Em’s bike, we never see JJ strike out with his appendages or make another dust devil. He’ll match OJ’s staring contest, he’ll creep closer, but he does not lash out.
It’s only when Em revs up and takes off for Jupiter’s Claim that Jean Jacket gambles on pursuing what he (mis)takes for the less worrisome Haywood. Simply because she looked at him and fled? Because JJ wants another warning to spit up for OJ later? No way to know.
All we see is that OJ, by a mix of hair-thin good fortune and animal training experience, managed to live with, counter, and psych out Jean Jacket enough to earn the man-eating megafauna’s tolerance and enough respect that it edged near worry.
tl;dr: No, OJ was not a magical horse/alien whisperer. But he did gain enough of Jean Jacket’s esteem to give him the best odds of survival, cohabitation and manipulation, simply by being himself, being respectful of the ‘rules’ once he knew them, and being cool as hell while everyone else fell apart or got slurped.
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batbabydamian · 4 months
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Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!
Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).
Maya is incredible. I loved her.
I haven't finished all the issues yet, but do you have any other recommendations?
WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;
i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.
Main Books
Batman and Robin (2009)
Dick as Batman with Damian as his Robin!
#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series
*Batman and Robin (2011)
Bruce and Damian figuring out their relationship as both Batman & Robin and father & son
imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd
Batman Incorporated (2012) #1-10
events leading to Damian's death - affects Batman and Robin (2011) from issue #18
kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."
Robin (2021)
another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)
Batman and Robin (2023)
currently ongoing! after a number of events, Bruce and Damian are back as a duo
Damian Dynamics!
Batman: Streets of Gotham (2009) #7, 10-12
arc where Damian meets one of his first Gotham friends, Colin Wilkes
Batgirl (2009) #5-7, #17
Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo
Red Robin (2009) #13-14
early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL
Teen Titans (2003) #89-92
Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)
Batman: Gates of Gotham (2011)
Damian meets Cass and has a brief team up
Gotham Academy (2015) #7
Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!
Robin War Event (2015)
Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2
Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins
Nightwing (2016) #16-20, #42, #43
#16-20 Nightwing and Robin arc!
#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon
#43 Dick, Roy, and Damian team-up
New Talent Showcase 2018 "Catwoman: Pedigree"
Selina, Damian, and Alfred the cat
Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)
Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)
Monkey Prince (2022) #1-4
Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event
Superman (2016) #10 - 11
the beginning of the Super Sons! featuring Maya!
Super Sons (2017)
solitary arcs but there’s a few event tie-in issues later
Adventures of the Super Sons (2018)
literally more Super Sons adventures lol galactic shenanigans yeehaw
Challenge of the Super Sons (2020) 
Super Sons time shenanigans feat. the Justice League
Robin 80th Anniversary (2020)
"Boy Wonders" - brief Damian feature as Tim considers his next step in life
"My Best Friend" - Jon's thoughts on Damian and their dynamic
"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin
Extra Comics!
Superman/Batman (2003) #77
Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol
DCU Halloween Special '09 "Cavity Search"
Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!
DCU Halloween Special 2010 "Robin the Vampire Slayer"
a Dick!Batman and Robin story featuring the vampire Andrew Bennett
Cursed Comics Cavalcade (2018) "The Devil You Know"
Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy
DC's Terrors Through Time (2022)
"Trick or Treat" a Super Sons Halloween story
"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release
Batman: Li'l Gotham (2013)
lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly
Secret Origins (2014) #4 "A Boy's Life"
a retelling of Damian's origin story
Detective Comics (2016) #1001-1005
Batman and Robin vs the Arkham Knight (unrelated to the game)
Truth & Justice (2021) #6/#16 - 18 Digital First version
cute story of Damian’s birthday! Juni Ba’s art is so fun!!
DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”
short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"
DC VS Vampires (2021)
Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!
Batman: Black and White (2021) #5
“Father & Son Outing” short story written and drawn by Jorge Jimenez!
Batman: Urban Legends (2021) #20-23
#20 “My Son” Talia and Bruce focus
#20 - 23 “The Murder Club” 4 Parts
Tiny Titans (2008) #33, #39, #45, #47
a few appearances but SO CUTE, LOOK AT HIM
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*Batman and Robin (2011) reading guide
i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so
#0 Someday Never Comes
Talia and baby Damian before he grows up to meet Bruce
#1-8 Born to Kill
just an incredibly solid arc for Bruce and Damian!
#9 Court of Owls Tie-In Issue
Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11
#10-12 Terminus
Damian challenges the previous Robins sans Steph
Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that
#13-14 Eclipsed/Devoured
mostly solitary arc! end of it leads into the Death of the Family event
#15-16 Death of the Family Tie-In Issues
Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17
#17 Life is but a Dream - Death of the Family Epilogue
a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events
#18 Undone "Requiem"
Bruce dealing with Damian's death from Batman Incorporated #8
other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18
#19-23 Denial, Rage, The Bargain, Despair, Acceptance
Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.
Batman (2011) #19-20 also addresses Bruce's loss
#23.1-23.4
these could be skipped - villain stories, also related to Forever Evil event.
#24-28 The Big Burn
optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!
Damian's resurrection and return
#29-32 The Hunt for Robin
Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.
-> Robin Rises: Omega
continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.
#33-37 Robin Rises
Bruce hellbent on retrieving Damian from Apokolips and reviving him
-> Robin Rises: Alpha
necessary to read and continues events from #37! Damian's back with a bang lol
#38-40 Superpower
Damian adjusting to having superpowers and being alive again
Annual #1 2013 Batman Impossible
sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit
Annual #2 2014 Batman and Robin: Week One
one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.
Annual #3 2015 Moonshot
one-shot Batman and Robin adventure on the moon!
...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!
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In my opinion
There is no denying that House loves Cuddy. It's obvious, everybody knows it, there's no debate. Cuddy also loves House, again, obvious, no debate. But the way that Cuddy loves House is not the same as the way that Wilson does.
Cuddy acknowledges Houses issues, and she loves him in spite of them. She sees the worst parts of him, the "undesirable" parts of House, and she chooses to look beyond them. She sees the man that he is aside from those things, and she makes the conscious choice to coexist with those parts of him in exchange for being together with the parts that she loves. An example would be House's jealousy. She acknowledges that he can be extremely jealous, and she agrees to look past it because he's also very loving and protective. That's why when House continues to make mistakes, she becomes more and more disappointed. Because she sees a man who she believes could do better, falling back into his "old ways." She will try to convince herself that it's not a surprise when he does "bad" things, and she tries to convince herself that she doesn't need him to change, but the truth is that she does. Cuddy is a mother. She is a very mature, professional woman, and she wants to settle down. House, as he exists in the show, would not be able to live up to par with those expectations. I'm not saying he couldn't be a great dad to Rachel, or that he wouldn't love Cuddy, but he would realistically would not be able to act the way she needs and deserves for the rest of their lives. And when he does inevitably do something destructive, she will struggle to deal with it. Because she sees House as someone split down two sides, the "good" side, and the "bad" side, and she will expect him to focus on the "good" side, so when House does something wrong, it will feel like a personal attack, because she will see it as him not fighting hard enough to not give in to his "bad" side for her. And that's not to say anything bad about Cuddy, because the fact that she needs somebody who is the type of person that House just can not realistically be is neither of their faults. But I believe that House fully understands all of this. He is crumbling under the pressure of living up to Cuddy's expectations. He is constantly trying to fight his "bad" side so that he can be what she needs. But in reality, he is not two separate parts. There is no "good" and "bad" House. They are one in the same. With her, he has to fight to be what she needs. He has to fight to change. So when stressful things happen, his fight or flight response kicks in, and he runs. Because he's scared. He's scared that he is going to do something that will disappoint her. He is scared he won't live up to her expectations. With Cuddy, he has to sacrifice parts of himself to attempt to be who she needs. And it's just not sustainable. You can't live like that forever. All the good becomes overshadowed by constant anxiety and stress. It leads to House's mental health plummeting because he starts to hate himself for not being able to get rid of that "bad side." And so when Cuddy needs him during stressful times, he can't bring himself to be there for her fully, because he is so focused on the "good" side of him coming out, that he starts to lose himself.
With Wilson, however, it is basically the exact opposite. Wilson doesn't see two different sides of House. He sees one person who is incredibly multifaceted. He recognizes those "undesirable" parts of House, and he loves them just the same as he loves the "good" parts. Because he sees no divide. When House does things that are hurtful, he still calls him out, but he doesn't see it as a personal failure. He sees it as just a part of House. Like yeah, he'll insult your fatal illness, but he'll shoot some random guy with a spud gun for insulting you. Where as Cuddy would see those as two separate, distinct sides, Wilson sees those as a conjoined whole. He doesn't love House in spite of his issues. He loves House because of his issues. Because House's struggles are a part of what makes House who he is. So Wilson can fight with him and be mad at him and hurt him, but he doesn't expect House to throw away or "overcome" parts of himself. He would love for House to give up drugs, but he doesn't expect House to give up his addictive tendencies. There's a balance, and it's all an equal part of House. And so because of this, when House and Wilson are put in stressful situations, House doesn't feel like he has to run. He feels safe. Because he knows even if he says something wrong, and even if he upsets Wilson, Wilson is not going to leave him. Wilson does not have these high expectations for him that he feels like he is being forced to fill. And so he can focus on genuinely being in the moment and being there for Wilson because he is not fighting with himself, and he is not scared. He has trust in Wilson and enough trust in their relationship to know that they will work things out. I think the fact that they have very similar issues also helps a lot. He can be mean to Wilson and lash out, and Wilson will recognize that House is doing that because he is scared and because he loves him. In return, Wilson can also insult House and make fun of him because he's just as destructive. They meet each other on the same level because they are equals. House does not feel like Cuddy's equal. He feels like she is better than him, and he can't be himself with her. Him and Wilson know each other as well as they know themselves, and they're not constantly making the other feel like there are high expectations they have to fight to reach in order to love each other or be "worthy" of each other. They're just House and Wilson.
But I have no idea what I'm talking about, so take this with a grain of salt.
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capn-twitchery · 6 months
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good evening fallen londoners!
this is a new blog for my FL ocs & ramblings & whatnots! meet twitch, who is just here for a laugh, and grace, who hasn't had a single laugh since he got here
(feel free to drop me an ask or a message, i look forward to wiggling my way into the FL community and meeting you all!! :D)
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maliciousalice · 20 days
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@thresholdbb omg tumblr ate your ask but thankyou for asking!!!!
👕Character whose fashion you like.
Phoar! Startrek really isn't a show I associate with being fashionable. It's very camp isn't it? In theory a lot of the wardrobe is really cool and they wanted to gain that retro-future aesthetic. Did it work? I'm not sure. However it does make a statement. The Startrek aesthetic is really recognizable and that's important! I think that's where modern trek kind of looses the plot. It's not as careful about the unique visual design as a whole anymore and as a result it doesn't settle in our minds. Is it bad artistry? No but it's not as stringent. What I mean by that is older trek cared about nuance. For example every haircut was done the same way on men, or suits were tailored in a way to look sleek but practical (they weren't). Gaudy patterns were important to denote things like status. It looks ugly on the outside but when you're watching the show it envelops you and makes you feel welcomed into the universe.
I digress.
To answer this, the most fashionable character, hands down, is Quark! That mfer always looks good, and has the finest drip in the galaxy. Love that.
🥲 ST moment that makes you cry.
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There are two moments that make me particularly sad. Kate's acting in the climax of Resistance is incredible. I read somewhere she had a special-wink-wink- relationship with the Director in the early seasons and she was being tested by this episode in some regard. I think it paid off. I treasure any time her captain-hood is removed, and the extreme vulnerability of Janeway is on display-MWAH MWAH poignant. This episode is beautifully intimate, particularly this scene. It's overall gorgeous and unique in how she whispers to him, as if there is nothing more important than to secure his peace of mind as he dies, and it's heart rending when it ends with her just crouching there, emotionally alone. I love how Janeway is forced into the father-daughter dynamic between her and Caylem, one that she would ordinarily resist (heh themes) because I think it inherently weakens her status. The back and forth throughout the episode of them taking care of each other's welfare is so it's terribly sad when it's torn down and we discover the truth behind Caylem's family. If you've dug around her character you know that her Admiral-Father has had impact on her life. She's haunted by him in both a figurative way by being a Captain, and literal sense later on in Coda. Much like Caylem, she looses her father in a violent manner that she has to carry around while she forges ahead. It also reflects well on Kate's relationship with her actual father, she recently revealed that she was never able to get him on her page, but in spite that she adore him with all her might. So a scene like this is really revealing-I believe she was able to draw upon those feelings and that's kinda neat to be so raw as an actor. SIGH.
This one just straight up made me cry fr because Prodigy s1 is a really mature, well done piece of (Startrek) media. Holo Janeway has an irony about it where in the end she is program designed to be a teacher, and she didn't expect to develop a strong bond with the crew. Her final moments are of displaying a huge amount of selflessness and courage to help the kids get out of trouble, similarly to how Janeway would approach dire circumstances. The music swelling and the ship activating is just OOOOF!!! I love how it parallels Dal's initiation of the first Protojump in a Moral Star. By that means It suggests how proud she is to get to do this for them. As a character she is really interesting to think about, in a way I can't entirely articulate. A lot of her moments are quite sad in general, she has to keep an active role so she isn't ignored, and help where help is needed, but at the same time she has constraints, one being that she manipulated by the antagonists. And In contrast to that, the kids do their best to help her feel like she is important and more than a command program to be used insincerely. She grew to love the Protostar crew, that's evident in her body language in this scene. She has a lot of depth overall. Equal to the real Janeway she deeply feels love, guilt and pain, but importantly she is transformed by the her time on the Protostar and while active, learns and grows with Dal, Rok-tak, Zero, Jankom and Gwyn. It's REALLY sweet that they care all care about each other.
I love her and I love JANEWAY!!!!
🥹 Favourite behind the scenes picture.
Ooooh I love all behind the scenes stuff. My brother in Christ It's super difficult to just name one thing and I'm very greedy!! I wish we had more BTS content for Voyager but sadly, it's a matter of grab what you can, however you can. Anyway, I have an inherent interest in seeing the cogs behind the wheel. I chose these samples because I think they're charming.
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The continuity polaroid's are so fun and a lost technique, I like to think about assistants having to pull the actors aside and asking them to take those. How daunting! Kate's grin in the one where she is offset is SO cute. So she must have been in a good mood, super Cheeky!
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Following that is a screenshot from a video of her having her makeup done. A rare catch. I like this because she often sooks about how much time hair and makeup was spent on her to become Captain Janeway. I get it's a huge time-sink, but love or hate it, the full irony is that her early season appearance is really iconic and in it's own right adds to Captain Janeway's sensibility. Silly goose Kate! Besides that, she looks hot checking herself out, haha.
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Moreover, I love on-set editorial photos of actors in costume. While we did have heaps of them in the Starfleet uniform, I wish we had a larger collection with clearer releases, it would have given an opportunity to see in things of interest better detail. Particularly the lower half of unique costumes. For whatever reason special outfits weren't often established or framed for us to see the legs in the show, so a nice big photograph would have solved that. Also I love that these style of pictures capture an impression of an episode without giving it away.
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Similarly, fly on the wall on-set photos are cool. They're way more intimate and candid than anything else and it makes me feel as though I am spying on the actors, but they're also a good way to document how things might have been on set.
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The Timeless one is interesting too because it's of a deleted scene, we never see Chakotay look at a dead Janeway (how deliciously macabre!), but at some point in time it was in the script and they filmed it.
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Hmm this bts picture of Janeway in the Cardigan is adorable! I believe it was worn by Kate for a Charity but look how cute she looks? Makes me wish we saw her mess around with things like that more because 7 Years is a long ass time to be in uniform everyday ( coming from someone who went to school in a Uniform and enjoyed it for the most part). Casual Fridays anyone?
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I love this gif. It's from the first shoots of Caretaker and Kate looks so radiant! Her smile is is breathtaking! Whenever I see this gif I get a sense of delight. Poor thing had no idea what she was getting herself into, haha. Really though, check out the original Caretaker photos, they're super-cool. The history behind it is fascinating; I'd love to see more footage from that version of the pilot episode. Unfortunately, it's probably not preserved well, much like lots of Paramount's historical material.
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On a similar trend, it's fun to see this set of pictures too. It's for the First Contact film / maybe the Universal studios ride, when she reprised her role as Vice AdmiralJaneway. Kate was genuinely delighted to do this cameo and it shows. As per her operandum she put her whole self into this small segment and that's so darling. It makes me wish we had more of this Janeway at that point in time. I love post Endgame chubby-Janeway. In a fictional sense it denotes that she is comfortable or stressed to be an Admiral (sadly it's the latter in real life) or whatever and I love that for her.
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These kind of pictures are fun because it's been said that at times it was the most playful set to be on. There are tales that the cast were not that serious all the time. You get that impression here, and it's probably why the majority of them are still good friends to this day. They're like a family bros!!! Having worked in media I know that wrapping up after working on something for a long time is really rewarding and I bet they had a good time at parties.
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Apropos previous, the opposite can be said. While they had fun, the hours were long and the scripts intensive. Kate was around for all of the episodes of Voyager in one way or another, and still managed to bring her A-game each time. She is truly admirable! Seeing her so exhausted is charming. She had a lot of weight to carry for the franchise and did an exemplary job performing her way through 7 years of weird and wonderful material. I wonder how often they fell asleep on set? I know I would. Get some rest queen!
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Finally, I've been following Prodigy bts as best I can, and because of my career in animation I get pretty interested in Production art. I love seeing the fast metamorphosis of a visual style. It's really impressive how much attention they applied to the designs, maintaining the older stuff, while adapting a new frontier. One of the lead artists made some pretty neat observations to get Kate's appearance right. It's so cool that they documented that journey, because from my dabbling I know she has a very beautiful, distinct face that isn't easy to capture.
ANYWAY Thankyou for reading my fat thesis fellas. tl;dr i love this stinky Startrek Voyager and by extension the franchise.
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go-see-a-starwar · 8 months
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The way this was supposed to be Hayden Christensen's week, the true arrival of the Haydenaissance. We should be hearing the crowd go nuts at every talk show he appears on, we should be seeing him doing dumb skits on Colbert and Kimmel, we should be watching his Buzzfeed puppy interview twelve times in a row, we should memeing his appearance on Hot Ones, we should be going wild from whatever modern Vader fit he wore to the Ahsoka Ep 5 red carpet. May the orcas find Bob Iger's yacht with Bob on it.
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sergle · 9 months
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what was the leash training thing❔
Omg so a houseline isn't leash training Per Se, but the basic idea is that you keep a line on your pup at ALL times, for the early part of their training. For Hugo (and most dogs) that'd be a leash that you cut the handle off of, so it can't get caught on anything. For smaller breed dogs, I've seen people use very lightweight stuff, like macrame rope lol. It might sound like it's a strict thing, but dogs don't really give that much of a shit abt it, and you can correct behavior much much more easily. Puppy careens toward a pill dropped on the ground, you don't have to actually catch them, you can stomp on the line! You need them to come to you, you don't have to play a game of chase, you just reel them in. Someone opens the front door unexpectedly- stomp on the line. Puppy is jumping up on people, you can use the line to encourage them to stay on all four feet. Etc etc etc. Training tool, safety tool, convenience tool. I definitely think it saved me and Hugo from a lot of moments that could've been a lot worse. Another thing about the houseline is that it keeps you from fucking up the process of getting the dog used to being handled and touched. Without the line, there are a lot of situations where you need to GRAB the puppy all of a sudden, and maybe it's scary. A lot of dogs are Hand Weary. So there's no negative association attached to your touch, and you don't run into a situation where the puppy is reactive to being Reached towards. The leash that's always been attached to me forever and ever and is sometimes directed by, idk, god? Not scary. Big hands reaching towards me very suddenly? Scary! Anddd that's why Hugo has a raggedy leash on in every puppy photo!
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starflungwaddledee · 1 month
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What Starstruck Dee theory have people made that is your favourite?
there have been quite a lot, and i genuinely love them all!
early on i think the most popular theory was that she was possessed or had been possessed at some point, most likely by dark matter. she actually debunked this theory personally, but i think people just assumed she was lying! 😂
my favourite part is not any one theory, but watching a shift in thoughts over time as more things are revealed, and seeing people share theories/work together in comments and reblogs. i like the "OOHHH WWWWHAT...!?!" moments a lot; whether they are a reaction to my storytelling or to other folks' detective work!
early theories revolved around how she was weird for a waddle dee, or at least a native of popstar. despite my never explicitly confirming anything to the contrary, theories have now broadly shifted to assuming she is not from popstar at all, and most people do now generally agree she's not really a waddle dee.
i don't recall exactly who first came up with each theory (though some big players are @the-void-is-a-disappointment who did a huge amount of early deetective work and encouraged me to build it as a story for solving, @shibuya-toasted-with-extra-cream, @graycoin and @jojo-schmo) and i'm not sure which of these theories are still held by anyone
but here a few of my favourites, roughly in order that they started appearing...
♻️ she's a total mimic species like kirby or void, copying things around her either by intent or by accident 🗑️ similar to above, but she's an incorrect copy or a "beta" mock-up type of a waddle dee 🧚 that she was just born different, like a fae changeling, and might have been hidden away when young as a result 🕰️ she is something totally inorganic and/or mechanical, created by or like the clockwork stars or stardream, perhaps wish contingent 🥇 sometimes attached to the above, she was created to serve some sort of Greater Purpose. she might have failed at it or been flawed, and was subsequently discarded on popstar 🌠 a dozen and one wildly different things connected to the "falling star that hit her". alien life form on the meteor transferred into her on impact. infection by intergalactic bacteria/dark matter. simply massive concussive trauma that fucked up her signature (back when we thought that was the only thing wrong with her). the star was magic and fused with her. she hatched from it and is literally a star herself. probably missing some here. 🪐 waddle dee from a different place/planet. this one is quite a sensible theory, given that we do see many quite different dees! 🤍 she is a fragmented piece of void/void termina. this one in particular i know is @shibuya-toasted-with-extra-cream 's ongoing theory and she's put in a lot of really cool work towards it! ⚔️ she's somehow connected to the heroes of yore. this theory i think has only started popping up since galacta knight has become a reoccurring visitor in her storyline and we've started asking questions about her familiar looking magic spears, but you can certainly 1hko @moonverc3x with this one 🧿 she's connected to the matters. sometimes soul, because it's sometimes star themed and lacks a token representative. where as a connection to dream might link her to fecto forgo/fecto elfilis in some way (a creature also well known for a catastrophic meteor attack). i've also seen folks confident that she's connected to heart matter as well, probably again due to everyone's favourite grumpy swan showing up
this is all i can think of or locate right now, but there's been a pretty wide range of things. i feel there has been a rather interesting transition over time from "she's a messed up waddle dee" to "she's probably connected to a universal superpower of some kind" which i am genuinely really really thrilled about?! 😂 what a glow up for a pathetic little wawa!!!
i'm also personally really fond of seeing how people's existing biases influence what they can find and draw connections in. for instance: i know @jojo-schmo loves the forgotten land and elfilis, and digs into those connections and draws out some really cool stuff because her knowledge is already so specialised! i think this is the true highlight of working on this story for me, people theorising and engaging in the lore, and laser pin-pointing things that tie into our personal faves-- the way we tend to do with kirby lore as a whole-- is such uninhibited delight
i sincerely hope people will enjoy where starstruck's story does go, in the end!!
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skrunksthatwunk · 5 months
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aurghhh ok still rewatching '97 and the way guts and casca only have the room to breathe and really come to understand and care for each other in griffith's absence because he has such a strong hold over them both.... and the way their mutual dedication to him is what causes them to bicker for years (casca thinks he's not serving him well enough, guts thinks she doesn't get that he cares/how much he cares, casca's jealousy over griffith's feelings for guts, how he won his heart without even trying or being aware of it or doing anything with it) and is also a big part of what brings them together (earlier when guts deviates from the plan to save griffith and she commends him, in the cave casca opening up about griffith and her's past, showing that vulnerability, while it's mostly confrontational, leads to guts kinda getting her better, and his efforts to save and protect her (falling off the cliff with her, taking on the 100 men so she can escape, encouraging her to return to griffith so she can help him because it's what she feels she's meant to do (her dream, the direction in life guts shares and yet is questioning because of griffith's speech at the fountain, whether or not it's enough to serve him if it means he'll never be a true friend in griffith's eyes because he's not an equal), supporting the idea of her being with griffith/being his most important person like he won't because he doesn't view it as a competition like she has been since day one) leading to her realizing that he's kind of not that bad a guy and they have a lot more in common that she thought. and how the bonfire of dreams conversation is guts opening up to her in kind, the answer to her talking about how griffith saved her, how she feels. how neither of them ever call it love but it's something they know they both have for griffith. how it's something they're beginning to have for each other, different in ways they couldn't put a word to. because they're equals this time. the way griffith kind of becomes less and less important as they find other reasons to live and fight, as they become less singularly obsessed with him. how griffith is unable to stand it, guts' personhood, that agency and peer-to-peer equality he claimed to want (and perhaps truly did) that disappeared guts from his life, his plans, his side. how it barely even matters to griffith how casca changes because he never wanted her like she wanted him. god i can't fucking stand their shakespearean nonsense drama (<- hopelessly in love with their interpersonal dynamics)
#god they're the only healthy part of this unholy mind-palace love triangle/throuple aren't they#they could have been the worst qpr/throuple in your social circle. like just insufferable when they're not getting along#if griffith hadn't [oh god oh fuck oh jesus christ] all over everything even remotely good in his life anyway#poor casca's in love with a gay man and then falls for his not-quite-boyfriend and when not-quite-boyfriend reciprocates said gay man fucki#g. Does The Eclipse Stuff. at least partially to get back at you two. oh my godd#i'm sorry i'm so not normal about them. it's starting to leak out into the blog bc i'm finally having a Berserk Moment since starting tumbl#but whewwwww. gotta get this outta my system#hope this wall of text makes sense oops <3#berserk#berserk 1997#how do i even tag their thang. their disastrous just horrible agonizing 3 guy dynamic. hm.#gutsca#griffguts#don't even know if anyone tags for griffith and casca. fair because 1) he raped her. yikes 2) he just straight up isn't into her#and i don't know if there's a tag for the three of them but trial and error led to nothing#but i wanna talk about their dynamic. their. (gestures wildly) whatever. it's not about thinking griffith should kiss anyone it's about lik#the agony. the pining and the torment and whatever miura so beautifully crafted for me specifically. sheesh#hope it's clear that i Don't Want Them To Be An Uwu Little Polycule Bc Casca Should Not Be In A Cutesy Throuple With Her Rapist#it's more that i think they kind of are or almost are part of this (gestures wildly again). Thing. with each other and i wanna talk about i#same with griffguts like oh man they should NOT be in a relationship. but i have this deep intense Need to study them and frankly they're#kind of crazy about each other for a while. like they care about each other so so much it's crucial to all three of their characters.#so it's kind of unavoidable. and i wanna talk about it. and have this read by people who also want to talk about it. yeah? yeah.#(and yeah i think griffith raping casca was about her and guts. like 'fuck you for making him okay with leaving me' type of vibe. even#though it wasn't her fault he's just. god. but it sure as hell isn't Mostly about casca because griffith's making eye contact like the Whol#time with guts. he makes him watch. it's just. shooooooooooo aughhhhghhghh fucking. jesus christ. that or it's the fear that his two most#important pawns are going to leave him Together and he just. can't deal with that. especially after the torture internment thing.#he's so weak and he was so close to his dream and now it's falling apart and they're leaving him and he can't even move. it's about making#damn sure they can't escape him or forget him ever again.#or maybe it's even a 'you can't have her she's mine' to guts but it's still largely like. spiteful/about possessing her as a soldier/human#because i don't think you could convince me it's about having her as a lover or about controlling/hurting/possessing her body.)
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lilybug-02 · 10 months
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Since apparently none of the classes in "the chara timeline" teach a lot about humans, does that mean that some of the students have harmless assumptions about humans?
Like, do some of them think all humans have red eyes, since the only two humans that have been to town have red eyes?
Yes, I do think Monsters have their own beliefs and assumptions of Humans. (And vice versa). This goes for my theories on the game and my AU.
Education regarding humans is EXTREMELY MINIMAL in Hometown. (Presumably for all of monster kind?)
Examples:
Window Child implies to have next to no human knowledge, while also implying Monsters do not contain blood:
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The Human Book in the library was constantly used by Toriel. Suggesting she had little to no information on humans before hand. Seemingly, there are few books to carry information on humans:
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The only other book mentioning Humans is The History of Humans and Monsters written by Historian/Teacher Gerson. This book is in Kris’ house, presumably to further educate the house about Humans:
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Even Ralsei is perplexed by the actions of Kris the Human:
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(Could this imply that Humans are just seen as that NonMagical? Weird dialogue…)
Overall the blatant disregard and lack of human information is VERY STRANGE, but INTENTIONAL. Monsters obviously fear Humans to some extent, as Noelle mentions.
———
Now regarding my Chara Timeline AU…
The biggest reasons for Humans and Monsters to isolate themselves from one another, is war and cultural suspicion.
Cities in my AU are better integrated and Colleges now allow Species co-op. But there is still A LOT of cultural unrest between the two races.
So yes, many of the Monsters in Hometown assume humans have red eyes and wear striped shirts… and possibly have a knack for being creepy. It’s all they really know…
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see-arcane · 24 days
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"a century and a half of him being a cowardly weakling who sometimes cheats" - about Jonathan Harker in one of previous asks I'm sorry, but that's not even true. Jonathan wasn't always some cowardly weakling in media. He wasn't a cowardly weakling in 1970 Count Dracula adaptation or in 1977 BBC adaptation or in that Czechoslovakian 1971  adaptation or in 1953 Turkish one - he was brave and badass in those. And even if you don't like 1992 version, Jonathan was not weakling there either - he was brave, he was badass chasing Dracula across snowy Transylvania with others and even cut his throat, mortally wounding him. It's an exaggeration to claim Jonathan has always been a cowardly weaking in media.
I don't know what specific ask you're referring to and I don't like my odds of sifting through the pile to find the exact quote, but it's a sentiment that's appeared in a few of my rambles before, so I'll take your word that it's floating around somewhere.
First, thank you for bringing up four whole Dracula adaptations where Jonathan Harker is done some justice that have never crossed my radar. The 1970 version has Christopher Lee himself as the Count, so it seems like a promising watch on principle, and I think I vaguely recall the 1977 BBC being mentioned as a hidden gem adaptation that actually brushed closer to the book's canon. The Czechoslovakian and Turkish versions I will trust you on, as my media saturation is drowning in 'murrican schlock. I will even give the 1992 Jonathan credit for letting Keanu have a fraction of Jonathan's character in Coppola's laughably named 1992 fanfiction.
But the thing is, those are five movies. Five whole movies you could point to in a very very very long list of Dracula media. Five where Jonathan is allowed to possess one sliver of his canonical self's character, courage, strength, and ability. I will say the line you picked is one to be rightfully upset about, if only because it isn't right to be angry over 'a century and a half of him being a cowardly weakling.' Fear is part of Jonathan's character.
Jonathan Harker was terrified for his entire stay with the Count. That is in canon. Then he escapes, goes through his magical girl transformation in reaction to Mina being attacked, and winds up beheading the Count. Him starting out afraid is key to his character arc and the catharsis of the climax.
An arc that is--and I will bet money on this--almost entirely gutted even in the four adaptations I wasn't aware of. I know it for a fact in the 1992 film. Keanu was given the same acting directions and script in the movie as you'd give a slice of dry toast or a broom.
Because, as has been the case in far more movies, shows and books with Dracula as a starring role, Jonathan Harker may not necessarily become a coward, but he is always, always gutted. Dracula becomes the dark seducer, now with Coppola's rendition becoming the norm ala 'blaspheming for love,' courtesy of stealing Jonathan's driving passion in the third act. Van Helsing becomes Dracula's badass personal nemesis, courtesy of robbing Jonathan and Mina of that co-owned role.
Yes, Jonathan is sometimes remembered, but it's a coin toss as to whether he gets to A) Participate in the narrative beyond filling screen space, B) Be interesting, C) Be faithful (and not a cookie cutter Victorian Man (c) cliche to poor Mina who needs a REAL VAMPIRE MAN, D) Have any of his importance as one half of the protagonist team with Mina acknowledged without handing everything to Van Helsing. You can only ever have one. If you're lucky.
When people think of the Dracula media of today, or last decade, or the decade before that, and before that, who besides people who have actually read the book would think Jonathan Harker matters as a character? As the guy who opens and closes the story? As the guy who spent two months in captivity with Dracula, as the only person to have actual dialogue with him beyond a single villain rant? As the guy who did not just scratch Dracula's throat, but actively sent him running for his unlife in Piccadilly and ultimately chopped his head off?
The most he's gotten in recent years are the scraps that Moffat tossed him in his latest self insert OCified take on Dracula in his 2020 series, if we ignore the massive middle finger of a send off he gets in the first episode. Or we could look at the 2013 series' lovely depiction of Jonathan (now a jealous prick) and Lucy (an unfulfilled lesbian) having angry-cheating sex about Mina not being into them. Or 2022's The Invitation, featuring Count Ken Doll and his helpers, the elderly Harkers who are also his minions who attack and offer up an innocent girl to his Bride-cult. Or the 1999-2007 comic series of The League of Extraordinary Gentlemen by Alan 'lol Jonathan Harker is a milksop' Moore, who wrote Mina has his own personal SA fetish stand-in while Jonathan is mercifully off-screen, having ditched Mina because he thought her vampire bite scars were ugly. Or we could give Anno Dracula a read and see Kim Newman's special warm welcome and farewell to the Harkers within the first few pages.
Or we could go back to the beginning. All the way to Tod Browning and F.W. Murnau.
Browning's Dracula of 1931 is, like Coppola's 1992 flick, one of, if not the most immediately recognized version of Dracula there is in cinema. Its climax features Jonathan Harker prancing around a crypt looking for Mina while Van Helsing stakes the Count. (I am being literal. The man is practically skipping. I know, I know, film acting wasn't at its peak back then, but come on.)
Murnau and the very definitely for sure not Dracula with its serial numbers filed off 1922 film, Nosferatu, has Orlok being appropriately menacing and weird at the Jonathan Harker stand-in of 'Thomas Hutter,' who is theatrically terrified--but at least one half of an earnestly loving couple with Mina Ellen Hutter!--and then gets sent away by Ellen on a ruse so she can die tricking Orlok into his death by sunrise.
Jonathan Harker mincing uselessly around while Van Helsing gets the work done.
Jonathan Harker quailing and afraid, contributing nothing to the Count's (or doppelganger thereof) destruction.
Jonathan Harker, however effete or earnest or able, loses the girl to the dark dramatic seducer.
This was the foundation people were given for this character well before anyone bothered to pick up the book. And much of that audience didn't bother. Same for the generations to follow. There's a reason the Dracula Daily wave has surprised, enthralled, and enraged so many new readers who thought that 126+ years of multiple mediums had to be working from some bedrock of comparison in the book, only to find how much had been erased or warped out of recognition.
I would be here all day if I threw myself into all the comic book adaptations. All the spinoff novels. The entire filmography and its neighboring heap of TV series. Even I'm not dedicated enough to comb through every single page and scene just to be reminded of how routinely snubbed or bastardized this character--and, honestly, the whole cast--is as time marches on and the writers and directors behind new Dracula media become increasingly detached from the actual content of the novel, relying only on pop culture osmosis and Wiki pages for Coppola's movie.
Anyway. I suppose it isn't perfectly fair to say Jonathan Harker has been portrayed as a coward through the century and a quarter of Dracula film, TV, and print in every single depiction.
But there is enough saturation in the trends of contemporary media that any crumbs the 20th century offered to him are drowned out to the point that we need a microscope to find them. And even if we're not talking contemporary?
I think it's telling that the examples you gave, bar what I can't not read as a hell of a stretch with 90's Keanu, form a list of four examples out of 126 years' worth of media.
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yuriyuruandyuraart · 1 month
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HAPPY BDAY @bluepallilworld 🎂
Do I really need to cite all the reasons why I think you're an absolute sunshine and how much I admire and appreciate your presence and support? Because I'd drill it into your skull if I could with how much your happiness matters to me you sweet ol bean<333 have the best birthday ever and don't you dare forget how amazing you are >:'D ♥️
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arthur-r · 15 days
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hello new self portrait just dropped which means this is officially what i look like now
#i have glasses now!!!! i’m not very good at drawing them but i sure have them on my face at all times shdhdf#and i recently started growing out my hair!!!! my distinctive bowl cut had a good run but i’m officially moving forward#i’ve also started exaggerating my big droopy sad eyelashes a LOT in pictures lately it’s part of my core identity now or something#(that’s not true shdhdf but i think my face knew about my puppydog destiny long ago and gave me puppydog eyes)#anyway i just haven’t drew anything in forever like i think i’ve drew four things that weren’t JUST notebook doodling. all this school year#(and one of those was vent art on paper and the other one was coloring with my little sister. so i’ve drew two things on ibispaint at all)#anyway i think my glasses suit me really good and i’m also really excited i can see the world really good now#i still have some vision problems from POTS that aren’t fixed but like. i can see detail in brick walls now and i’m obsessed#house fucker behavior i’m so sorry shdhdhdff (THIS IS A JOKE AND LIE. I DONT FUCK HOUSES)#(and i’m apparently a house m.d. kinnie so i wouldn’t fuck him EITHER cause we’re the same person i could never)#ANYWAYS i can see well finally and that’s good. and in conclusion i’m real tired and should go to bed#i took my meds at 9:30 then started drawing at 10 finished at 11:30#and now it’s midnight and i’m long overdue to be asleep already. so goodnight world!!!!#i have a sleepover tomorrow night which is very exciting. and also work and homework as usual shdhdf#but in the meantime i get to sleep. for up to 12 hours!!!! here’s hoping#ok anyway!!!! goodnight!!!!#P.S. text or call if you need anything!!#me. my post. mine.#delete later (probably)
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solcarow · 3 months
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orv adaption announcements …………..
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#good goddddddd im gonna be Such a hater about them i can feel it in my bones o(~<#i could handle a shitty live action bc im sure thats what han sooyoung would have wanted but . a Shitty Animated Show ?#i dont think my heart could take it …..#but i really really hope that wont b the case bc they can do some great stuff with it#IVE SAID THIS BEFORE BUT !!!! IMAGINE THE SOUNDTRACK ………. YOU COULD GO CRAZY WITH LEITMOTIFS… ..#imo orv isnt a story that needs visuals but it could work so well with audio ……….#translating the image of bleeding stories into whispers oughhghhgh#i wonder how adaptions could approach the ambiguity between lines spoken by kim dokja and the 4th wall ……….#it’s something that’s pretty hard to convey with audio so maybe they’ll keep it silent in the audiovisual adaptions#maybe with keyboard sounds …….. oooh thatd be so cool#but i feel like the voice the reader gives the 4th wall adds another layer to it does that make sense#pretty tricky to figure out how to translate the 4th wall outside of a medium with just text#solar-talks#god i hope they do something interesting with the starstream filter on dokja bc ill b honest i didnt like how when the webtoon got to#jihye’s scene in dark castle they just smacked sparkles on him and left it at that#ok i reread it in case i got it wrong but unfortunately . yeah . those arent eyebags you gotta make him look NORMALLER fuck offff !!!!!!!!!#i know they would never do this but it would be so fucking sick if they just moved around the features of kdj’s face ever so slightly to#give him some uncanny valley vibes#i want it so bad for the live action but i know they dont see my vision orz#they dont have to end up being Exactly how i’d imagine them im just begging the adaptions to make the best use of a different medium#put some Thought into it even ..
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babycatlix · 2 years
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Gifsets of Lee Felix ↳ felix texting STAY for @yonglixx 💖 | DO NOT REPOST
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swordheld · 2 years
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do you have any recommendations for orchestral tracks ?
do i, oh, and what a lovely gift it is to be able to wax poetic about them!
toothless found (john powell, how to train your dragon 2)  –  there is so other way to begin for me other than starting w/ the httyd series bc i am incredibly biased and enthralled by the way powell weaves story and emotion near-seamlessly into sound, into melody. there are other gems of his within the httyd soundtracks (test drive, romantic flight, etc.) but this one is one that continually cracks something open inside of me. there is emotion, here, palpable.
the dramatic but slow, cautious beginning of it, the chorus mixing in with the strings, the build? the way it crashes like tides, bursts into being? it’s everything, and feels like it too. the way the melody of test drive comes in so seamlessly in at the end, the way music holds emotional tethers throughout not only the film but the series, how music can be so powerful it holds allegorical weight! powell has this fascinating way of stringing melodies from other tracks into others so everything feels connected, everything pieces of a singular whole  –  and it is so rewarding to listen and be able to pick out the familiarities.
my favourite (aka gives me the utmost serotonin to hear) is this little quad-tone of horns that’s littered through the soundtracks, and it’s around the first quarter mark here, when the horns come in to accompany the strings, and you can feel the change in the story like it is a palpable thing; the glory of it bursts forward like light, unescapable, the layers of it. i think ab these soundtracks and how they hold the story close like it can bear the weight of its every emotion and i go insane. 
the battle room (steve jablonsky, ender’s game)  –  music has a way of being a language for emotions that are not translatable otherwise. and here  –  you have a story about children drafted for a war and tragedy surrounding everything  –  and yet there is so much beauty here. there is wonder. the violin melody takes this place meant for battle and says: you can see the stars from here. you can see home, and there is still room for friendship, still room for humanity, even here, in all this empty space.
once there was a hushpuppy (dan romer & benh zeitlin, beasts of the southern wild)  –  the building of it, the horns and strings and the way it feels like dawn. i saw this move for the very first time in a dimly lit classroom for a movie club so many years ago and i still recall it as one of the first times i heard a score that awoke something so close to starlight inside of me. the way it surrounds you, slow and easy, the light and joy, the glory of it? how everything feels like it’s swaying together in the same wind, how everything comes home together, and the journey of it. it feels like coming home. and those trumpets!!
14.3 billion years (andrew prahlow, outer wilds)  –  outer wilds was both my game of the year and album of the year back in 2019, and with it an awe that is not dimming anytime soon. to be able to hold the universe in melody, to speak of time and weight unimaginable and put it into song? into something we can so nearly comprehend, full of awe and wonder?
this story, this soundtrack, it feels like something you could have known, once, in a time so different than this. it feels like myth and home and discovery all at once, comforting and incredible. it’s like laying beneath a bright sky full of stars, and knowing that they are all burning with a light bigger and brighter than anything we could ever even dream  –  and there, beside that wonder, do you hear it, the way the universe calls, here? the way it says hello, old friend. i was waiting for you.
nascence (austin wintory, journey)  –   there is something within this game that is so specific and so breathtaking i have not been the same since first experiencing it. there’s no active dialogue through the entirety of the time spent playing  –  only music, only small melodic tones of communication, and there is something to the way this score feels like the story itself, how it is both narrative and heart and motion, all at once. it feels like a story told over firelight, told in flashes of dreams, in the ruins of a city older than any story we have. the oldest joys, are here, in this. the same with sorrow. they hold onto time like they hold onto the story  –  endlessly.
scarlemagne’s waltz  /  we will find them  (daniel rojas, kipo and the age of wonderbeasts)  –  rojas is in a similar boat as to daniel pemberton for me, both being a major part within the music industry that sees beyond traditional instruments within orchestral score. they dream big, and oh does it deliver.
the creativity within both of their works is insane: melodies made mixed with non-musical noise (see the elephant noise in the prowler’s theme within spiderverse) all the way to mashing up orchestral with other genres: hip-hop, rap, rock, opera, etc. (daft punk was also a big piece of this back in 2010 with the tron: legacy score, which still holds up to this day) in it feels like a whole new world opens up, like the electric heart of scores is reaching out further, into new horizons.
i’m including two tracks from the first season because both of them show such a wide range of rojas’ talent  –  and the last quarter of we will find them haunts me to this day it is so good. the emotional weight of it is inescapable? you reach the end of it and so easily go...  one more time?
across the violet sky  /  never coming back  (evan call, violet evergarden)  –  truly the entirely of call’s work for the evergarden series is an emotional wonderland. there is a favoring for strings and piano, and the way you can feel the light gentleness of wonder and heart in each track is so lovely. there is light in these melodies, embodied, and listening to them makes me feel like some of the weight is taken off my shoulders. they make the light brighter, the wind warmer, everything feels softer in retrospect. they feel like warm wind on a cool night, something that makes you feel just a little bit less alone.
the legend of ashitaka  (joe hisaishi, 1996 princess mononoke image album)  –  the synth in this. the synth. it holds my entire heart. hisaishi is well-known and well-loved for his talent with scoring orchestra, but the way the electronic synth is scored to burst into being before and beneath the strings like something new and incredible is awe-inspiring. it feels like a reimagining of a melody i could hum by heart. 
i hope you enjoy them! please let me know if you’d like to hear ab any more. 💕
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