more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)
Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.
It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.
(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)
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In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.
(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)
Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.
He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.
Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.
(“Oh, and if you find him, kick his ass for me.”)
Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.
(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)
(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)
(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)
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Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.
(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)
Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.
Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)
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Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.
I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.
(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)
In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.
And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.
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I do wanna say re: Silver Backstory and my rec list and my tendency to poke and prod and explore where he may have come from--
That's not me saying that the way his character is presented in the canon *needs* that, at ALL.
First off, the speech on the cliffs, the Solomon Little stories, the complete inability to share?
It's perfect for the character, as well as an absolutely jaw-dropping ballsy as hell decision to make a prequel/adaptation about the most famous pirate figure in Western media and simply... refuse to define him in those terms the way we've seen the other main characters. It's such a ballsy and brilliant move that sometimes I stare at the wall thinking about what they have done and just, god I hope one day I can write something that great. I could go on about that but it's not my main point.
Second off, many ppl have said that the point is that the story of Black Sails itself *becomes* his origin, and in many ways that is absolutely true and I agree.
However, I also wanna point out that the acting and the writing reflect all the information we would ever need to know about John Silver even if he cannot bear to speak it in specifics.
in 4.9, Silver says:
“I have no story to tell. It all might seem as though I’m trying to conceal something from you, but… truth is, there is no story to tell.
...
Not unremarkable, just…without relevance. A long time ago, I absolved myself from the obligation of finding any. No need to account for all my life’s events in the context of a story that somehow…defines me. Events, some of which, no one could divine any meaning from…other than that the world is a place of unending horrors.
I’ve come to peace with the knowledge…that there is no storyteller imposing any coherence, nor sense, nor grace upon those events. Therefore, there’s no duty on my part to search for it.
You know of me all I can bear to be known. All that is relevant to be known."
"Other Than That The World Is A Place Of Unending Horrors."
Now, coming at this as someone with my own fucked up trauma, that one sentence coupled with the performance from Luke really tells us everything we need to know.
So yeah, in a way it both does and doesn't matter that we don't get his history wrapped up in a pretty package, both bc it's NEVER THAT SIMPLE, and bc his REACTIONS to events/ppl are... so VERY clearly the reactions of someone who has been deeply traumatized. We don't NEED to know for the story and character to work EXACTLY as intended.
We can see him, we the audience. If you pay attention, he is not some mystery at all. We may not know exactly what happened to him, but also, we do... don't we?
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Lightning, water, and fire! Like forever before the plot starts. By the time the plot starts, the lightning and fire deities have been subjected to punishment by the two gods that picked them.
Oh (the fire deity) is first to be punished. They basically decide that since they're going to live for a long time, gotta set some long time goals! And they opt to be the wrath of the gods since most of the other deities are too 'soft' in their opinion. So Oh just. Smites humans. This isn't really a /good/ thing and in their defense mentally, they do it to help Ymber since he's the softest of them all. So their punishment by the gods is to be split in two, effectively halving the power of one into two. (Now they are in a male and a female body and use both male and female pronouns apart since they together make they but apart it feels weird to be they. But prior to the split they use they/them. Also the split bodies go by the names Ohiwe and Ohime.)
Fulj is the second to be punished. She falls in love with a mortal woman and that is a crime according to the gods. Mortals and immortals are not to be together and it will only bring suffering to both sides. So her punishment is her memories of the woman are stripped and her body basically broken to the point she can't remain physical all the time.
Ymber, unfortunately, is the one who blames himself for the discoveries and punishments. If he had only tried to restrain Oh more then maybe they would have chilled out and stopped before being punished. If he had only tried to persuade Fulj to not continue seeing the mortal woman so often perhaps she wouldn't have been punished. So he's just increasing the guilt on his shoulders every day that he remains unpunished since the elder gods have both laid down to rest. They can't enforce their laws anymore and none of the deities are keen on harming one another at this point. They just want to continue existing in peace.
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what I thought traumatized me: Violence, Threats, living in a state of constant anxiety and terror, thread of insults and everyone agreeing I’m worthless and deserve to be punished and also asking for it
what also traumatized me but I didn’t know it did: Neglect, emotional abandonment, lack of attachment to any of my caretakers, lack of a safe caretaker to be able to attach to, lack of acceptance, lack of community, lack of positive touch, lack of acknowledgement, encouragement and attention, people around me being treated differently without an obvious reason, social isolation, lack of clarity, withheld knowledge, inflicted guilt and shame for not knowing, blame for the abuse, being denied my own vulnerability and helplessness, being held responsible for the abuser’s feelings and actions, gaslighting, lack of love, being completely ignored while in great amounts of pain, lack of continuity, lack of clear and easily followed rules, lack of resources, being alone in developing traumatic disorders, lack of protection, being forced to feel unlovable and disgusting from how my environment was treating me, lack of parental love, lack of family, lack of justice, lack of conversation, emotional pulls on my compassion and care, lack of anything I could count on, nobody being on my side, being forced to see myself only thru the abuser’s perspective, not having access to knowledge of human rights or any kind of protection I was entitled to, being exposed to toxic culture of victim-blaming and abuser-defending, emotional manipulation that planted catastrophizing as sabotage in my head, being smear campaigned, society turning their back on me and letting me figure it out all on my own.
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