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#i feel like if they did s3 and explored it it would be that he didnt really know him and therefore didnt mourn him
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if i had to stop at only one headcanon about casey jr and future raph ever its that middle ground where casey did know him just when he was younger so the vibe is 
someone asks about future raph at some point and with ALL the same reverence of talking about greatest ninjas greatest inventors mystic masters amazing commanders and their big heroic battles etc etc casey is just like “he called me little snapper bc when i first met him i was like 3 and i tried to bite him. when i was 7 he looped a rope around his arm and stood there with it held out for hours so i could play on a swing. he was my best friend.”
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electraslight · 2 months
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What did you think of the mutation Kevin arc in season three of alien force?
I liked a lot of aspects of it. I think it was a good decision to remind people that Kevin has issues beyond being a con man, because season one and two of alien force, while I love them, very much erased kevins long history of mental illness, addiction, and violence, as well as honestly not giving him much of an arc. Plus I think the mutation was a really good way to explore how kevin actually feels about being mutated when not being corrupted. It was a great concept! I just feel like a lot of things around it were flawed. First, I don't like the decision to make a 16 year old boy wear that little clothing for a whole series. Yes, I know he's supposed to look like metamorpho man, but then you think about charmcaster grooming him and that really strange bit in trade off where they tried to imply that the energy transfer was a rape allegory- not a good time to have him almost naked. Second, gwen and ben were AWFUL to him. Gwevin fans idk how you can just gloss over how many times she outright states he's hideous when, let's be real, he's a pretty, muscular boy who's only abnormality is that he's carved out of materials. Ben sucks in general and everyone knows that but no one talks about how much gwen sucked too. I think the resolution was pretty dumb too. Why did destroying the omnitrix affect anything about Kevin's mutation? It wasn't attached to him or constantly feeding him energy, so realistically he would have dropped the transformation within a few days. Dumb shit. You can really notice the change in quality from s1 and 2 and s3. But kevins my waifu and I'll never complain about getting more of him,so I digress. Here's a dumb screenshot redraw, thanks for listening to my rant.
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0daylighthours0 · 2 months
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(part 2) A Deep Dive into Milkvan and Byler's Development: If Milkvan's Destined Endgame, Why's it Written Like This???
The decision to confirm Will to be in love with MIKE is wild, and I'll tell you why.
When you add a third party to a t.v show relationship, if the first relationship isn't perfect, people gunna start rooting for the third party. Take Stancy for instance.
Throughout s2, we got the vibes that Jonathan held feelings for Nancy. This was clear. But Nancy was still with Steve. This means, in order for us not to sympathize more for Jonathan, Nancy and Steve gotta be ✧ tight ✧. I mean, their issues must be kept at a low, and at the end of the day it's gotta be clearer to us that Nancy does in fact love Steve. Welp, that wasn’t the case. Stancy's relationship ✧ struggled ✧, justifying intimate moments between Nancy and Jonathan - making us feel as if he'd be better for her after all. A smart writing choice, as Duffers intended Jancy as season 2's endgame pairing.
Now, I'd like to point out the foreshadowing of this development.
Come the wrapping up of s1, and it seemed Nancy had retreated back to Steve.
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They'd clearly reconciled and - to an outsider - all would appear to be going smoothly. But us as the audience know that not to be the case.
One reason? Well, she'd just shared a suggesting moment with Jonathan.
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So our minds weren't on Steve and this show of his with Nancy. Rather, we read into Nancy's slight discomfort, and wondered if perhaps she'd prefer being with Jonathan instead.
This was of course intentional. I'd like to briefly bring to attention the similarities in these moments to ones at the end of s3 - between Mike and Will, and then Mike and El.
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Here a conclusion to milkvan's seasonal drama is made, them seemingly staying together, parting on good terms. Hm. And milkvan's moment is.. kinda like stancy's. They got back together because, well, El said she loves Mike. And Steve loves Nancy. And Mike loves El right? The way Nancy loved Steve- But just, coincidentally, we have byler's reconciliation too.
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This came before the guy's makeup with El, because, why? This was quite the interesting decision mates. It means that whilst he spends that moment with his girlfriend, our minds are fresh off of Will. People might read into the way he's acting in contrast, just maybe, the way they did during stancy. And people did. That's a bit of a fumble on the writers' part, if you ask me. I know you're trying to let us know that Mike's now on good terms with both members, and his and El's goodbye needs to be the dramatic finishing of the season, but, man, did byler even have to make up at all here you guys? I mean this miscommunication of theirs lasts through to s4 (just like janc-). Why not sort their good terms out later or earlier on, so that we have more mindspace here to focus solely on milkvan, our main main? Or at least, why not just have Mike apologize to Will and be done with it? He could even apologize alongside Lucas, making the moment less personal. And Will could simply forgive him, give a dudely pat it out, and that's it. We wash our hands.
But nah. There's this electricity in the air. The swelling music, the prolonged looks, this doesn't.. seem like a simple make up. It's startlingly short, making us feel as if there have been things left unsaid. And that line,
".. Not possible."
It's so... implying. What do you mean? Why are you looking at eachother like that? What am I meant to get from this scene?
And it isn't a closing reconciliation either, they haven't properly ended their season's drama. I mean no one even apologized for the argument, we're just sort of left with this. Left with the hint of a story that might be further explored - their moment coming off more as anticipation for what's to come than a conclusion. Maybe just a bit like Jonathan and Nancy s1.
But so what? That does not have to mean anything romantic between them is to be told. After all, El just expressed to Mike that she loves him. This means that these sweethearts are practically fortold as endgame, right?
Alright I'll stop stalling.
Season 4.
So. Will is in love with Mike now. Huh. Well, I don't recommend this. As I said, you risk people rooting for Will beyond their hopes for Mike and El as a couple. If this is a plotline you desire, it has to be navigated with precision. So this means that milkvan must be on their A game. Struggle between them has got to be handled delicately. As we see in stancy, and as we saw in s3, just making up at the end of it all isn't good enough. You can risk this mistake once, but we must like these guys together throughout season 4, more than we sorrow for Will. Infact, Will's feelings must not be made too big of a deal. Mike and El are going to stay together, so we should feel a bit sorry for him, but not gather any hope that things will actually work out to his favour.
Like Dustin in s2. He sprouted small feelings for Max, and so did Lucas. Lumax were the endgame, so Dustin's feelings were craftly navigated and not made more important than Max and Lucas' bond. We don't really feel that Dustin is in love with Max, moreso that he likes her and has some moments of jealousy aimed at Lucas. Noone really wanted him with her more than they rooted for Lumax, though we did sympathize for him and feel bad for him regardless.
So yeah, this can easily be written out for Will too. If his story's purpose is meant for the exploration of a gay kid navigating a still homoph#bic time, then there's a lot that can be done without even having to spare much screen time between him and Mike. Focus on his fear of judgement from Jonathan moreso maybe, or have Argyle say something - it can be whatever, mention something homoph#bic, mention something not homoph#bic and give Will hope, whatever - which sets off a thought or idea for Will that prepares his arc for the season.
Back to Mike and El - so we want a 'scared to say "I love you"' subplot. That's good, that good. Fleshes out Mike, plays into El's fears. Shouldn't be too hard.
There's already a mild problem though. This plot is playing out twice at once. We have our boy Will hosting this same fear of rejection by Mike - at least that's how things have been shot. His dread is portrayed through his restraint and timidity in revealing his painting to Mike. Will's painting is basically his version of a confession - the guy too selfless, shy and afraid to express his love outright.
So playing out this storyline at the double is.. a choice. I mean, Mike telling El he loves her is a big deal for the milkvans, shouldn't this romance dominate as much screen time as possible in order to be fully pumped up without any sidetracks to other insignificant in comparison feelings? S3 was already quite clumsy, why not have Mike and El's activities soak in all viewers' engrossment without any departures? Maybe spend a bit of time demonstrating how likeable and wholesome they actually are together. Now that we have Will's affection ontop it all, what's important is that Mike and El's camera time spent matters. They can be angsty, they can withhold some misunderstandings, but they still have to be a good. couple.
Oh yeah, also, Mike should blatantly display feelings for El and El only - duh.
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huh ?
huh ? ? ?
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moki-dokie · 1 year
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reasons i will never forgive the showrunners if they don't at least acknowledge jjpope by the end of s3
featuring: ✨✨✨queerbaiting✨✨✨
wearing each other's clothes:
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jj taking every opportunity ever to touch pope (god there are SO many more examples too):
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jj getting sexual with, to, or about pope and ONLY pope, ever:
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INTRICATE RITUALS:
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(with coincidentally well timed lyrics right as it cuts to this scene sorry not sorry editing choices like that are done for a reason)
jj very often gazing at his lips instead of his eyes while talking to him:
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(seconds before going in for the kiss)
jj constantly putting himself between pope and danger or being protective of him:
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KISSING:
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INTIMATE NECK KISSING IN A HOT TUB FOR WHICH THERE IS NO HETEROSEXUAL REASON FOR????:
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I RAN OUT OF ROOM FOR IMAGES BUT LETS NOT FORGET ALSO
how jj has quite a few pet names for pope but no one else, how pope and jj are almost always paired off together, how jj has explicitly said 'i love you' to pope TWICE, how jj calms pope down when he starts spiraling, how jj and pope have more physical contact and affection than the two romantic leads, how jj is supposed to be a manho from how he's introduced and yet the opening shot is the one and only time we've seen him with someone in a romantic or sexual manner. how about the multiple accounts of people sharing gifs of them to people who have never seen the show with 0 context provided and damn near every time the consensus is 'they are not straight/they are hitting on each other'. I've covered most of this before. the list goes on.
we could even get into film editing choices from the perspective of my bestie who has a degree in that very field and how SO many of their scenes are shot, lit, scored, and all around edited with romantic intent,.
but then wait, there's more! how about how multiple members of the cast (including rudy!!) have stated they support the ship and think it's cute? or how multiple netflix socials heavily suggested jjpope was going to be canon? how so many of the key jjpope moments were improv that could have been cut and redone (like the fucking hot tub scene) if they didn't want it going in a possible homo direction??? or how jjpope was the first major ship to come out of obx BECAUSE of such heavy handed subtext?? and then the showrunners have the audacity to pivot to jiara at the last second because of a handful of fucking rabid stans that harassed the cast so severely it drove most of them off of socials??? with the paper thin excuse of 'oh we never expected that lets explore it'???????????
and whats the definition of queerbaiting again? "Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not depict, same-sex romance or other LGBTQ+ representation. The purpose is to attract ("bait") a LGBTQ+ or straight ally audience with the suggestion or possibility of relationships or characters that appeal to them."
right.
i still have a sliver of hope that their 'exploration' of jiara is just like, 2 episodes of them giving it a shot and realizing they actually suck together. i still have hope they aren't gonna do us so blatantly dirty and might give us something even if it's just crumbs. most of the cast are loud and proud queer allies, the showrunners have so far been pretty fucking cool and extremely supportive of the queer community, even refusing to film in north Carolina because of transphobic bathroom laws. it would feel especially dirty if they really did bait us because of that. but man. MANNN. it just ain't looking good. i'd hate to give up on the show. i love it and love the actors even more but if they do it, i might just have to.
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yourhighness6 · 3 months
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NATLA Episode 1 Debrief (by yours truly)
Hello my lovlies! There are so many opinions swirling around right now in the fandom and I wanted to give my own opinions a quick (this is not going to be quick but whatever) post of their own. I'm probably going to do this with all of the episodes, just an fyi
First of all, Sozin can fuck all the way off. I don't think I really have to explain that one but goddammit they really made me hate him (and I love to hate the villain)
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I LOVE the detail of seeing the flames reflected in his eyes whenever he kills someone, as a symbol of fire's natural brutality consuming him from within. Kudos to whoever added that detail because it is absolutely perfect. I look forward to seeing more of this monster in future flashbacks.
The firebending itself was absolutely brutal. Watching the cartoon, you don't really think about how painful and horrific being burned alive is, and the live action explored that element in a way the previous show could not.
I know this is controversial, but actually really like how they devoted a good ten minutes to establishing some background with the Air Nomads before we dove in. In my opinion, it gave more depth to the Air Nomads besides just what we see through Aang's eyes, which I think helps the viewer connect with him more and sympathize in ways the cartoon didn't. One detail from this part that was absolutely heartbreaking was the Comet Festival.
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Something about the way a time of joy was turned into a time of pain and misery was absolutely awful (this was the first time I cried [I cried three times]). The fact that all of the Air Nomads were in one place kind of filled in why there was no evidence of the FN ever having been to the Western Air Temple in s3 of the cartoon. It also adds another layer of awfulness to the whole thing. I can't really put into words why I feel that way, it's just a sort of vibe.
I also liked the way they established Aang's character flaws right off the bat:
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The episode was named after him, so it only makes sense to show all aspects of his character almost immediately. This also gives me hope that they might address these flaws later a little more than the cartoon did.
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Super glad they included a female Airbender on the counsel (or whatever that was). She was also fighting later and she looked super badass.
Now, onto the Water Tribe.
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I can't express how glad I am that they included both boys and girls in Sokka's little warrior pack. People have talked about this before, but the gender roles in the SWT didn't make a lot of sense. Perfect little detail to fill a plot hole.
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I am also over the moon that they decided to expand on the differences between the Water Tribe sibling's outlooks on the world. Katara was raised as both a beacon of hope and a liability, whereas Sokka was raised as a warrior and a protector. It gives insight into their characters and also symbolizes the way the war shaped them. The pressure within a society to adapt to the times even as traditional values are abandoned and culture is devastated is something that the original show laid the groundwork for, so I really hope we see the live action build on it further. There's also this:
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Gives the perfect insight into the ways their parents leaving affected them both differently and expands on their different mindsets. 10/10 for the sibling dynamic.
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I'm not sure if I liked the changes to this scene. Katara was characterized pretty well, in my opinion, and it does make sense with the "toning down" of Sokka's sexism that she didn't explode on him, but it's still an iconic moment I would have liked to see translated to the live action. I also found the fact that Appa wasn't included at all just plain weird. He should have been there, and even if he was established differently later, again, I'm not sure I liked the way Aang was introduced to the siblings. (At least they didn't include any romantic Kat@ang moments. Platonic besties for the win)
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Zuko's introduction was just kind of... there, in my opinion, but I did love the detail of the icons on the shelf glowing. There were several homages made to Zuko's search for the avatar that I really appreciated, from the early establishment of his antagonism towards Lieutenant Jee to his pages of research, which I really appreciated. There were also several moments that implied that Zuko had a more spiritual journey throughout his banishment to find the avatar, which was partially a little bit of worldbuilding and partially a play into the idea that he will legitimately try everything possible to find the avatar that was another nice detail. Sadly, Dallas didn't really make a huge impression on me. This might be because of lack of screentime or the fact that this is THE Zuko, but I was kind of expecting more. Still, I don't think it was an irredeemable portrayal by any means, and I look forward to seeing more.
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This is sort of random, but I just need to say that I'm glad they included more evidence of Katara's PTSD. It was already pretty established in the cartoon that she did have PTSD, but the live action allows exploration of that in a more mature way, which I appreciate. It made the kat@ang conversation hit that much harder, and gives more depth to Katara's character.
The fight at the gates was also just perfect. Zuko acting on impulse out of a need to prove himself:
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Katara's speech and Sokka's change of heart:
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And this line:
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Sokka kind of fell flat to me a bit in this episode, and I feel like Katara was the MVP in all of their interactions, but I loved this line. I just have a feeling he really needed to hear this.
There's also this moment that I thought was really significant where it looked like Zuko was actually going to kill Sokka:
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My heart legit stopped at this part. Like, I knew it made no logical sense for it to happen, but I still got scared for a moment. I know it was just another one of those moments to show how Zuko's anger gets the best of him, ect, ect. but this was overkill. I don't think they took it too far by any means, but it was still just so unexpected.
I also noticed they removed the zukka parallel of the two of them getting ready for battle at the same time, which I really disliked. It plays more into the warrior mindset for the both of them, and even though we had that established in other ways, I would have still liked to see it.
Aang's sacrifice is the same, but I appreciated his little conversation with Iroh. When Iroh showed up, I half expected him to just let Aang go, but I guess that wouldn't really be in character for season 1 Iroh. Either way, that was some good stuff.
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The framing also sort of reminds me of the season 3 conversation between Zuko and Iroh when Iroh is in prison back in the FN. Both shots give the impression that it is not actually the one behind bars who is in prison. This makes me think that they might give Iroh more of an arc in season 1, which I would kind of like to see, but at the same time, I'm not sure about. I think it was important in the cartoon that Iroh had already completed his journey and was doing his best to guide Zuko through a similar one.
I am disappointed that they removed the fight scene between Zuko and Aang inside the ship, but there was another huge moment this allowed for that I REALLY LOVED:
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I LOVE that they let Katara have her hero moment I LOVE that they let her discover her bending a bit more in this episode I LOVE that Aang helped her I LOVE IT ALL. Katara gaining more confidence in her abilities is the season 1 Katara arc I want to see and they legit made me fangirl over this moment so much I squealed. There's also something about her blocking a fire blast from Zuko after being powerless to stop him from killing/seriously hurting her brother in the earlier fight that's just... chefs kiss. (also maybe establishing that ZK yin and yang concept early... I'm reading way too much into this but the way Katara's arms are positioned kind of looks like the yin symbol a little bit...)
And finally, we have the air temple scene. The whole thing was so incredibly sad, and I actually didn't mind that it was part of the first episode. It makes everything go full circle, in my opinion.
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I also thought that Gyatso's voice instead of Katara's being the one to calm Aang down was a really good choice. Aang coming to terms with his death should be about his memories with his past mentor, not about Katara comforting him. I loved the hug though. Perfectly devastating:
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Also, the last parallel at the end was just SO perfect:
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Something about how tradgedies in their lives forced them both to become dedicated and adapt to a new world beyond their control. Aang and Zuko parallels always wonderful.
Overall, I really enjoyed it! I would give this episode an 8.5/10. Not perfect, but definitely not bad. It surpassed my expectations and I'm so excited to see more!
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heyitspersephone · 7 months
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Thinking about stranger things again now that the strikes are over and how, narratively, it would be way, WAY cooler to have Mike get Vecna’d instead of Will in s5
It’s just something about the way Mike’s trauma is never addressed or handled in any way?? Like, he hugs his mom twice and then when he was depressed in season 2 and 4 nobody did anything (his parents scolded him for his behavior in s2 ig but that’s not support). His best friend went missing leaving from his house, he watched his body get pulled from the quarry, watched El (in his eyes) kill herself stopping the demogorgon, watched Will be possessed, saw Bob die, was in Star Court when everything went down, saw Billy die, had his best friend move away, was SHOT AT (and really too few people talk about the shooting in Cali bc omg??), buried a body, and watched the apocalypse start. And that’s just off the top of my head.
(And yes I’m aware that the other characters (especially Will) are traumatized too but I will get to my point in a second just hold on)
The plot is geared towards this idea that Will and Henry have to have some big face off (and they should, in my opinion, but I don’t think it should be in a possession, or at least not the the Vecna kind of possession, yk?) but that makes it all the better, writing wise, to have mike be the one in danger. Will was helpless and hiding in s1, I think Will should get his big strong moments in s5 where he gets to be the hero of the story.
It would just be a lot more fun to work with Mike being Vecna’d than Will, because what are we going to bring up with Will’s visions? His dad? His sexuality? The events of s1 from his perspective? It would be cool to see, for sure, but we already know most of that. Mike, on the other hand, has a number of untapped things, like jumping off the quarry, why he’s so hesitant to tell El he loves her, how someone who was smart and kind enough to take El in in s1 and come up with the spy and sauna plans in s2 and s3 could turn into the oblivious asshole that he was in s3 and s4 (he needs therapy, ik, I still love his character but I want to explore the reasons he went from his s2 characterization to his s3 one)
It would be a very interesting parallel, I think, to explore Mike’s thought processes in this way, especially with all of Mike’s repression business (bc whether you ship byler or milkvan he is repressing his feelings HARD. Like, beyond his inability to say I love you there’s the fact that he doesn’t bring up the apparent many times he called pre-s4 during the Rink O Mania fight?? That literally would’ve absolved him of guilt in that argument since he WAS reaching out to Will the whole time? Hellooooo????).
Anyways, this all brings me to my main point: Vecna targets isolation as much as he targets trauma and guilt. The whole party was traumatized by the events in s1, s2, and s3, but Max was the one targeted. Plus, Henry went for Fred, Chrissy, and Patrick (I think his name was Patrick) instead of going for the perceivably easy targets that the mcs would make (ik narratively that would’ve made it more boring but shhh), so why Max and those three specifically? They were isolated. Lucas and Erica have each other, Dustin goes to Steve and Robin, Will and El have each other and Jonathan and Joyce, Nancy probably goes to Jonathan, and who does Mike go to?
No one. And don’t say Nancy because if those two have heart to hearts then I’m the next coming of Christ. Max separated herself from the Party in the aftermath of her grief and guilt over Billy, and it feels quite obvious that Mike was doing the same (like I said, he has repression issues). So Mike is traumatized, alone, and guilty (be it Will getting taken from Mike’s house, losing El in front of him multiple times, the many deaths he has witnessed, or the internalized homophobia angle), which makes him more of a target than Will, in my opinion (or at least an easier one, especially given his tendency to put himself on the line during fights (quarry, most of s2, s3 mindflayer fight), which would set him up on the suicidal ideation path)
Furthermore, as I’ve seen a few other people point out (and I can’t find the posts but one of them had eight screenshots of the various moments), Mike is always the one getting in the way, so it would be a strategic move for Henry to target him to get him out of the picture. Mike was the one that found El and got her involved in saving Will s1, he was the one who came up with the spy plan and called out the ambush in s2, he was the one to monologue Will out of his possession s2, he was the one with the sauna plan for Billy in s3, he was the one trying to help El get the strength to fight s4 (even if the monologue sucked ass it’s the intention that counts). As much as people like to hate on Mike, he is in the leader position most of the time when the party is grouped up (barring his mental health struggles slowing that down beginning of s3 and throughout s4, but he’s still capable of it). He’s the idea man, and he’s the one whose character’s foundations were built on the desire to keep his friends safe, so it would be a very fun plot line to watch him be the one targeted in s5. Like Will said, as lovestruck and cheesy as he was, Mike is the heart of the party when he’s on his A-game, so Henry should 100% be trying to keep him in the issues he’s been struggling with.
Obviously, Will and El are the Targets with a capital T for Henry since they’re the ones that got away or whatever, but I think Mike is a weakness of Will’s (and El’s tbh but also I think they need to have separate character arcs and I don’t exactly ship milkvan) that should be exploited.
TL;DR: Mike should get Vecna’d instead of Will in s5 because it would make sense in lore and be a very cool way to resolve his character arc
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Mike Wheeler fell in love with Will Byers first
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The fandom consensus is that Will realized he was in love with Mike first, perhaps even before the series started, but based on the text of Stranger Things I would say Mike is more likely to have realized his romantic feelings first.
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This line is the kicker for me. It's confirmed that when Will was afraid of losing Mike because of his feelings for him, he acted mean to him and pushed him away. Where have we seen this kind of behavior before? From Mike after season 2.
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We see Mike pushing Will away starting in season 3, while Will is still very much trying to stay with Mike. It seems like something is on Mike's mind that is making him more scared of losing Will, specifically making him run towards the different, more "normal" romantic interest, El.
Season 2 was all about Mike exploring his feelings for Will: taking care of him on Halloween, "crazy together", holding his hand, then eventually pouring his heart out in the shed, it's all him progressing from platonic gestures to romantic gestures. The pivot in his behavior from s2 to s3 makes sense when you consider Mike and Will's last interaction of season 2, the Snow Ball.
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Mike culminates the season by realizing that he has romantic feelings for Will, but believing that Will can never like him back, because he's happy to be dancing with a girl. This presents a conundrum for Mike, because if Will won't like him back, then revealing his feelings could drive him away. So the perfect response is to run to the open arms of El, to basically push away Will to make his feelings go back to normal. He's given up on the idea of playing games in his basement with Will for the rest of our lives, so he's ripping off the band-aid by prioritizing El, his "normal" romantic option.
That's why he claims the last year has been weird, when he and Will have only been apart for 6 months:
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The last year has been weird because he's realized his feelings over a year ago, and that’s what changed their relationship.
But what, you ask, is going on with him at the end of season 3?
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What is Mike's big realization? Well it would be the realization that his plan didn't work. Pushing Will away and spending time with El didn't make his feelings go away. He's been trying to turn back the clock, stop the change, like Hopper says in his letter, but it doesn't work. From the start of season 3, he's still noticing anytime Will is scared, he can't handle the idea of Will being mad at him, and he's overjoyed at the idea of Will not replacing him when he leaves. He doesn't feel for El what he feels for Will, despite his best efforts. This marks the end of his "push him away" era as in btwn seasons, he does make an effort to reach out to Will, but Will is now the one pushing him away. That's why the letter says "like you're pulling away from me" over Will literally driving away from Mike.
This means Will realizes his feelings in s3, and the perfect scene for him to realize it is here:
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Before this point in the season, Will hasn't shown any romantic concerns over Mike, at least not consciously: his anger is over Mike "ruining the party" to spend time with his girlfriend, specifically mentioning the party not playing d&d anymore and not knowing where dustin is, both of which are about the group and not Will's feelings for Mike specifically. But then Mike pulls out the "It's not my fault you don't like girls," which is the turning point of the scene. Will's not angry now; he's heartbroken bc Mike has brought the subconscious feelings to the spotlight, Will's homosexuality. "I guess I did. I really did" is phrased like he himself has only just realized that he wants to spend the rest of his life with Mike. This is what culminates in the Castle Byers scene, in which he rips the Ghostbusters picture between him and Mike and destroys the castle with a baseball bat (the symbol of Lonnie's homophobic abuse). It's Will hitting a low point as he realizes that not only is he gay, he is in love with his best friend, who he thinks can never love him back. It's just like what happens to Mike at the Snow Ball, except without a girl to run to, Will turns to violence and anger.
And this is followed up by repression. Will never once brings up this argument again for the rest of the season, and tells Lucas to forget about it. This is definitely a part of the queer experience, forcing yourself to suppress any thoughts about your queerness as a way of avoiding it.
Then it was Mike's turn to feel abandoned and left behind, as Will pulled away from him despite his attempts to reach out, just as Mike did to him at the start of s3 when he was struggling with his newfound romantic feelings.
TL;DR Byler for the last two seasons has been each of them dealing with realizing they're in love with their best friend by pushing him away because they're afraid of their feelings. Mike pushed Will away first in season 3, so he realized his feelings first.
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rebornrosess · 1 year
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going to be terrifyingly sincere about greg for a moment here sorry but the dynamics between greg, logan & ewan are so fascinating to me and even if they can’t explicitly explore it anymore due to obvious reasons, this one short sequence from the funeral is soo catered to me specifically. even in death, logan overshadows ewan in greg’s eyes. and yet greg didn’t need to tell ewan that he gave a good speech. he could’ve given him the cold shoulder after he cost him his deal with roman. but he doesn’t. and either greg is in too deep that he doesn’t realize what ewan said about logan closing men’s hearts and feeding the dark, hard, mean, hard-relenting flame in them (that melts their wax wings in the end) was most likely pointedly directed at him (thus proving his point)—or maybe greg did a little bit. he still goes to mencken at the wake but he still tells his grandpa he did a good job. it was a good hard take that he gave.
i think of this a lot but something that truly sets him apart from everyone else is that HE’S at the intersection of the brothers’ decade old feud over family, betrayal, ambition, integrity, and greed—central themes of the show but also, crucially, to his arc over the last few seasons. he has that dual connection to the past that the others don’t. a past that has stayed nebulous for so long until ewan’s eulogy. in previous seasons, we’ve gotten some really interesting scenes with him in which ewan sees the danger of power and ambition for greg because he’s seen it in logan, but it would have been so interesting to explore it more between greg and logan too (like in 2x08 when greg tells logan ewan is cutting him out of the will. i like you greg). i do think that ewan’s point about logan and masculinity and meagerness in his eulogy is particularly relevant though. maybe ewan was saying “men” in the way old history books use “man” as the default, but the performance of masculinity at ATN is one best embodied by tom, which trickles down to greg, but is evidently shown in roman too. and he fed a certain kind of meagerness in men. perhaps he had to. because he had a meagerness about him. (and maybe i do about me too. i don’t know. i try. i try.) i selfishly wish greg and logan could have had more than just one scene together this season (even though logan attempting to emasculate greg by pointing out his lack of a traditionally masculine father figure as a final interaction is very funny). i don’t think my threshold for second-hand embarrassment could have survived an on-camera take of greg trying to explain the whole rummaging situation from ep.1 to logan but logan being oddly chill about it is. interesting???????? what greg wants, greg must have.
but before s4 at least, logan’s awareness of greg’s connection to ewan, his estranged brother, has informed their interactions and it’s always fascinated me because logan doesn’t quite treat greg like his own kid but he’s still a kid that he’s trying to win over by being “uncle fun” rather than “grandpa grumps.” logan last saw his mother at age 4 and greg has been on his own for some time now too. marianne made her first appearance since the PILOT in the before last episode of the fourth season. i’ve found his interactions with ewan reaaally interesting because the brothers didn’t come from wealth and, when compared to the siblings, greg didn’t either. the hirsch’s financial situation is never fully delved into but i’ve always found it a bit peculiar given greg’s inheritance is like. 250 mil he’s sleeping in a youth hostel and a chapel in s1 and tells his mom while on his flip phone that shiv took his last $20. at the beginning of s3 he’s helping his mom get a new credit card because she maxed out the last one. i feel like ewan did the celebrity parents thing where they don’t spoil their kids so they learn real world skills or something, which iirc is something logan regrets not doing. yet ewan also seems to regret his use of his wealth, which he voices in his eulogy when he states maybe he has a meagerness about himself too, but he tries, and is disappointed in men who do not try harder (and the camera pans to the siblings. ouch.) i sometimes wonder if ewan hadn’t withheld his wealth, would his daughter and grandson have become so desperate that they turned to his brother? or would they have turned out like the siblings too if they had enjoyed wealth since birth? are the throes of capitalism inevitable? marianne is the sibs’ first cousin but they never really acknowledge that. if anyone has thoughts on her absence and/or exclusion from the family tree, i’d love to hear them.
anyways. i could 100% be overanalyzing this but i do love how much information succession packs into each of their shots. greg will forever be seeking approval from both sides of a broken brotherhood and will never receive it from either. you beautiful ichabod crane fuck you. what greg wants, greg must have. i don’t want to see you hurt. one big happy family. “greg?” he’s an addendum of miscellaneous matters in pencil with a question mark.
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findafight · 1 year
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ty for pointing out that steve graduated on time despite a severe concussion and likely limited or non-existent support (esp considering how his dad reacted to the college thing). it's also worth noting that steve had no issues passing his classes throughout high school while playing and captaining at least 2 sports (3 if you count baseball [on top of other clubs and extracurriculars] from that yearbook thing they released post s1 i think). that's not easy to do. it also irritates me sm when they harp on steve confusing the names of things as proof that he's incredibly dumb or illiterate. esp the gumby thing when it's a fucking children's cartoon. even the german vs nazi thing makes sense in the context of him having a grandfather that fought in ww2, told him stories, and probably called the nazis germans. also v hypocritical when it's not commonly pointed out that the soviets are near exclusively called the russians. yet they always conveniently forget that steve is the only reason they figured out the russian code was coming from the mall (and, going by dialogue in the scene, was specifically the person that put together that the message was coming from the mall on top of recognizing the music and being the only person to pay attention to it - i always see the realization that the message is from hawkins misattributed to dustin) and the only reason they got out of the elevator in the same season where's he supposedly illiterate and incredibly stupid bc he confused the names of things. i stg ppl that do this so they can hype eddie up make eddie feel like my enemy.
Do I think Steve was getting A's? No. Do I think for the back half of his senior year he was working his ass off to scratch C's? Yes. VERY frustrating and honestly kind of hurtful when people keep calling him stupid about it! I interpret a lot of Steve's spacier moments to post concussive syndrome, and it's actually so impressive he's doing as well as he is especially in S3, just over seven months since billy, and is finished hs. Buddy bounced back! People love giving Steve migraines as a lasting symptom of his head trauma but don't acknowledge that focus and what I call "thinking speed" are also affected. Like yeah it'll take him a minute to process what is happening and formulate a response/plan, his brain was goop a few months ago! And S4 happens less than six months after S3 so like yeah. Clearly he's not at 100% we should all be so proud of him.
S1 sort of indicates he cruises through school when helping Nancy study. He's not a model student, and while one could argue teachers were more lenient because he was on sports teams and they wanted to win, that wouldn't have applied after billy beat him because he'd have had to take a leave from the teams, and it's the eighties so some teachers would potentially have thought "serves him right for fighting".
Steve is consistently making connections to things that others aren't! With the "realizing Russians in the mall" thing he is definitely leading Dustin to the conclusion. He goes "Indiana flyer? No way" or something to indicate that it's unlikely the message was from elsewhere, and he has already realized that the transmission is from Starcourt, and wants Dustin and Robin to as well. Just because Dustin said it doesn't mean he figured it out.
(I find people also attribute a lot of what Robin does and figures out to Nancy? Robin gets the newspaper that talks about Victor Creel being possessed by demons, Robin gets them into the hospital, Robin makes the connection to music as key to saving a victim. Stobin contributions so underappreciated smh)
Steve's quick on his feet and makes sure they're able to get out of the elevator with an Indiana Jones move! Without getting caught! I once saw someone saying it's Steve's fault they were trapped at all because he was older and should have put a stop to it, but. Did they think Dustin would drop it? And not explore by himself?? Also Steve's 18. Notorious dumbass decision age. (They also don't know the Soviets are in the mall, and then don't know it's an elevator) yeah it's a bad call, but where is this attitude for Nancy and Jon trying to expose the lab in s2 that absolutely would have known who snuck in and recorded Owens (why weren't they searched?) And then disappeared them. Like if you want to do that with Steve do it with everyone who has made a decision that potentially put people in danger. Hell, Hopper's the reason the lab agents go to the school in S1! He sells El out!
The German/Nazi thing is weird like. Everybody knew who he meant. What OTHER Germans would be a connection there. Yeah it's not "correct" but also. It's not wrong either. Especially when you're right! Russian/Soviet is used pretty interchangeably in the series I think even though many other countries were considered Soviets. Gumby/gumbo is such...a dumb thing to use as proof Steve is illiterate or whatever. Only one is a real word, and it's not Gumby!! Mixing up and confusing words is a normal thing, and these are one letter off and sound similar. Shit happens.
Him connecting Henry Creel to being a clockmaker? Logical conclusion to make given the emphasis the clock had gotten. He's also the one to find the pet siders and it doesn't mean anything even those were Henry's schtick. Literally they included that to make Steve look stupid for making a connection and then getting scared by spiders in his hair and I was just sitting there nodding along like wow same king you're so smart.
Idk I don't like comparing him and Eddie this way because it's not a competition? Frustrating when people try to make it seem that way. You don't need to drag Steve to make Eddie look good? Eddie wants to graduate, and I think it's probably a combo of him skipping and also not being good at/liking formal schooling and possibly some teacher bigotry that prevents him from getting a bit of slack that keeps him in hs. Eddie's good at what he likes and cares about (he's a brilliant guitar player!) And likely doesn't focus on things that don't interest him. That's fine!! But just because he's a rabble rouser and a weird guy and poor, doesn't mean teachers, for three rounds of grade twelve, held him back for no reason.
Idk it's like. Teachers can have biases and that can influence their teaching and interactions and expectations of students, but for it to happen twice to the point that Eddie didn't pass, seems very unlikely, because most teachers do want their students, even the ones that annoy them and they don't like, to graduate. It's sort of insulting to insinuate they would get away with it for three years without any other teacher complaining? Or calling them out? There are bad teachers out there but there are so many good ones too. Saying that the only reason he didn't is because of everyone but him and then turning around calling Steve stupid when he did a near impossible task? Seems weird. Don't agree. Bad take. Acknowledge people have different intelligences and can be better/worse at formal schooling than others and move on.
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quitealotofsodapop · 3 months
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So Mk gets surprise eggo because of paint and confined space and lack of food? Imagine that he has no idea what’s wrong with him, he goes to Lao Tzu, and when Lao Tzu goes “congrats on the baby” Everyone just kinda stops.
And Mk bursts into tears so loudly that all of heaven can hear. He’s all “I can’t have a baby, it’s too dangerous!” And “I’m not ready!” Pigsy and Wukong are trying to comfort him, and the poor boys is just a sobbing mess.
And Lao Tzu is just standing there like “?????”
Sorry MK XD You're getting Egged
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Bonus Anon asks:
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Referencing this post where someone pointed out that MK could theoretically create a Stone Egg + the sequel that pointed out that he'd most likely do it on accident.
I could see this most likely happening in the Canon! verse since I bet the other au MK's would be more wary of Stone Egg mishaps. But I could 100% see it happening in the SlowBoiled au since that causes more drama.
And as much as I love the idea of MK becoming *ahem* egg'd as the result of a bad guy's plans or a huge catarosphe, I think it would fit more if MK did it completely on accident.
So the idea:
Post S3 MK decides that he needs some "Me time" and takes a break from work and training after the whole "Saving the world from a bone demon"-thing. He just needs some time to shut off completely from his responsibilities in the city. His friends understand and wish him well, even though they're worried since MK won't tell him *Where* he's taking a break to.
"Where" turns out to be a cool cave-let MK found while exploring FFM during S2 with no Monkey King to hover over him. Its quiet, it's secluded, its completely off-grid... But MK just can't relax. His brain is all busy, and everytime he sleeps he sees Her.
So he starts painting. And drawing. And using charcoal. Maybe a little rough pottery with the muddy clay-like stuff in the water? And soon enough he's looking like his Artist Clone with how caked in material he is.
In liu of going to sleep and risking terrible bone demon nightmares, MK meditates like how he saw the Monkey King do. In these moments his thoughts wander into deep, dark teritory. Real "call of the void"-type of thoughts.... hey should he eat something? It's been... oh gosh Pigsy's gonna killl him if he doesn't at least text to tell him how his sabbatical is going.
After his inpromtu vacation is up, MK feels... really gross? Maybe thats cus he hasn't really washed or slept or ate, or spoken to anyone in all that time. Weird.
Pigsy asks him how long it's been since MK last ate a full meal, and huffs with disappointment at his nervous laugh before pouring his son a bowl of noodles.
Bouts of nausea and dizziness follow MK everywhere afterwards. He had no idea why - paint fumes maybe? Did some toxic chemical seep into his skin? Did he get sick somehow from isolating himself in that cave? Is that Jin and Yin trying to take over the city?
At somepoint in the utter chaos of S4 likely as the rest of the gang are recieving training from Subodhi; a certain alchemist meets MK to whisper a few questions into his ear.
Lao Tzu: "I was told that you've been experiencing extreme power fluctuations for the last few weeks. May I run a few test to rule out any abnormalities?"
MK: "Oh cool, no probs! Just don't put me in that furnace thing-y."
(*a few tests later*)
Lao Tzu: "Ok great news, it's not a curse or medical problem."
MK: "Phew! Then why is my body feels like its "glitching" all the time?"
Lao Tzu: "Thats a decaying glamour spell. Its likely that you had one affixed to you shortly before you were given up by your creators."
MK: "Glamour spell...? Wait, then what about my powers wigging out?"
Lao Tzu: "Oh thats easy. You're just pregnant."
MK (has not Done the Do): "What!?"
Mere seconds after Lao Tzu gives the diagnosis - MK just starts bawling.
He doesn't want this! Not now! He does want to have kid while all This is going on! The world might be ending for Buddha's sake!
MK is having a million panic attacks rn. He wants to have kids, so many, but only in the *Future*! When he's like semi-retired and has a protege of his own to take over the monkey business- HEY WAIT, HOW DID THIS HAPPEN?!?!
Subodhi has to drop the big lore that MK is a Stone Monkey - capable of reproducing asexually under extreme circumstances, in order to clear up the whole immaculate conception part.
Then Lao Tzu has to tell MK that the Stone Egg he carries will likely Kill him since he's (mostly) mortal.
MK starts crying before deciding to tackle the issue Later.
Ofc MK simply doesn't want his family to worry about him what with all this Brotherhood stuff going on... so he just keeps quiet for now.
His family are going to find out soon though. And by Guanyin, Pigsy is gonna freak.
Macaque (and later Wukong), just need to sniff MK once after they reunite to notice whats up.
Wukong offers to grab some No-Baby Spring Water immediately if MK doesnt want to keep the Egg. Macaque briefly panics thinking that the kid got knocked up the old-fashioned way... only to panic harder when he and Wukong determine it to be a Solo-Made Stone Egg(!!!). Cue two panicking fellow Stone Monkeys making MK feel even worse about his conflicted feelings on the matter.
Pls add on what you think so far! :3
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another-lost-mc · 1 month
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you are so real with being disappointed on nightbringer cause i feel the same way
Oh, I have complicated feelings about Nightbringer.
(I’ll use a Read More link here because of vague OG S4 discussion.)
I didn’t whale in OG but I was much more willing to spend extra money chasing cards I wanted. I was really motivated to catch up on all the story content too since I didn’t start playing until the later part of the pandemic. I know S3 and S4 aren’t the greatest bits of story-telling ever written but I had hopes for more Celestial Realm content (a visit and maybe Michael appearance) in S5 based on where Simeon’s storyline was heading.
(I usually picture MC traveling to the CR to see Michael in S5, and maybe another visit of new angels to the Devildom in S6 once tensions are resolved.)
Overall I really liked getting involved with the fandom and I started posting fanfics here. I was so happy with my curated little card collection of favs — Lucifer was my original favourite, followed by Simeon, Barbatos, Solomon and Asmo — and exploring the game with my writing.
And then Nightbringer was announced.
After I spent probably too much money collecting all the HDD cards I wanted not long before that.
And the cards weren’t going to be transferable to the new game! ISN’T THAT FUN?! (Solmare logic, probably.)
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I mean, I get it. It’s the nature of gacha games and the motivation is to grow the player base and revenue potential.
Sure, whatever.
And some parts of Nightbringer are fine, while other parts leave me desperately wanting more. Detailed lore that ties into the OG game and characters I care about, more in-depth characterization. Another slow burn love interest would be nice too since NB completely changed the direction of Barb’s development compared to OG S4 (side-eyes Mephisto and Raphael as new potentials). Also, as time goes on, I find myself not really caring who Nightbringer is. Does it even matter anymore? Like…whatever, you do you, buddy. lol
My face if they reveal it’s Barbatos/Solomon/Michael all along:
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Oh, and more ROMANCE? Hello??? The babysitter role and goofy family dynamics are satisfying to a point but then it gets stale. Some of the Devilgrams are boring too, and don’t get me started on the EVENTS. I enjoyed the vampire one last year that sparked a random writing frenzy of vampire AU fics, but so many of the events fall flat for me. Anyone else just use S or A Rank skips to breeze past the story bits because 90% of it is boring as hell? Yeah, same.
It sounds like a lot of complaints, but there’s still more about the game I love or I wouldn’t be here: my favs, most of the artwork, the music! The new Dateables song is so goofy - what are those lyrics? - but they didn’t autotune Simeon to death and he sounds so much better than he did in Question Love (the only song whose remix I like better than the original).
I love the people I’ve met in this fandom and being able to share story ideas and headcanons. It’s so exciting when new lessons and cards are announced because the player base gets invigorated again (even if things fall a little flat upon arrival). I’ve splurged on some merch (official and fan-made) and I love being self-indulgent and commissioning artwork of my favs and MC together.
Oh, and I love my OCs. 😚 @ them all.
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eriexplosion · 1 month
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I never let myself really believe they'd bring Tech back (because Occam's razor, or whatever). And I'm so used to weird/bad writing choices from other works that I'm mostly able to shrug my shoulders and go "aw rats, disappointment again :\" about TBB's ending.
... But I still feel kinda hollowed-out, post-finale. I'm not autistic (I think), but my sibling is, so it meant something to my old withered heart that a Star Wars show about family would have a confirmedly-ND character among their cast (though, somewhat tangentially, I agree with your post about all of the Bad Batch being arguably ND-coded). I was delighted that he was well-written, and that he'd eclipsed the stock "smart guy" trope he'd started out as in TCW.
And, I dunno. I feel like a sucker, having hoped for a brief moment that the writers wouldn't throw all that away. And for what? People on reddit were saying for months on end that "his sacrifice is meaningful and shouldn't be wasted", but I can't agree. I think it would've been more meaningful had he lived.
I feel disappointed with the trajectory the back half of S3 took, and I don't think that's unreasonable. Even beyond the disappointment of "dang, they really did that?", S3 after the first handful of eps (imo) felt kind of... rushed? Underexplored? Like there should've been a season 4 (for pacing/development's sake) and various changes to the plot, but there weren't.
Told myself several years ago that I'd reserve judgment for the writing until the series was over and done with. And now that it's all just wrapped up, I suppose I'm stewing with my thoughts, a little. The character arcs all feel like they fell short of their potential payoff, to me -- and maybe I'll change my mind in a few months, but right now? Eh.
Crosshair's got PTSD/trauma that makes his hand shake? Cut off the hand. Omega's got potential force sensitivity/a decision to make concerning what to do going forward? Who cares about that. Tech's getting a decent (and suspicious, in hindsight) amount of character development? Better kill him off so the audience really feels the sting. Cid, Phee, CX-2, Echo, Scorch? Who cares about them; they can show up when their skills are needed and fuck off without halfway-decent closure when they aren't. The familial/sibling themes that were open to being explored? Eh; let's focus predominantly on this one father-child bond. Omega doesn't even need to say goodbye to Crosshair and Wrecker, lol. Foreshadowing and setup? What foreshadowing and setup.
... I'm realizing that I'm actually Quite disappointed lmao. In a lackluster "I don't know what I expected" kind of way. Time to read so many fix-its
There's just a lot that was set up that never came to fruition and it's frustrating when the show has been so good up until that point. And the thing is that Tech being CX-2 would have resolved at least some of it! The CX-2 plot obviously but also, Crosshair's guilt and trauma being helped by being able to fix at least one of his mistakes? Omega's guilt over putting her family in danger being relieved because she finally has them all back?
It didn't even need to be fleshed out, I wouldn't have cared. The only thing I wanted this whole show was the family to be together and complete. And not only did we not get Tech back but yeah Echo was basically just not counted as part of that and Phee was ignored in the end.
This season feels like it needed another editing pass to work as a whole, even though I'd liked everything up to the finale it didn't really end up coming together for me. I'd even have accepted Tech being gone if they had put actual mourning in the first half, instead of stringing it along with little mentions and the CX-2 stuff. I'd be frustrated and mad, but at least it would have felt like they respected him as a character.
Really the only good things I have to say is I think Nala Se blowing up the databanks was a fantastic end to her character that didn't really redeem everything she's done but did bring her to an interesting stopping point. And I am glad everyone else made it out alive. I'm glad that Crosshair especially did after everything he's been through, he's still my boy after all this time even if the Tech stuff has overshadowed a lot of his growth in my head.
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waddingham · 9 months
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was looking at some very old posts of mine and i just. when i finished s2 of ted lasso i was certain that a) ted would be going back to kansas and that b) ted and rebecca would not end up together on our screens. and i didn't have a problem with either of those things bc i was certain they'd be done with the same thoughtfulness that was present in s1 and most of s2. and i ended up being right about both things but so totally wrong about the execution of both??? yeah okay i hear you there was a three season arc, there was a plan, but wrt s3 you cannot convince me that plan consisted of anything that happened outside of "ted goes home". and even that decision felt shoved to the wayside.
i was dead certain that teds decision to go back was going to be informed by a deep exploration of ted and his past and his trauma and how the loss of his dad affects his own sense of fatherhood, that it was going to be ted's season entirely and would be as heart wrenching and uplifting as the rest of his story — so much so that by the time he decided he needed to go back, that we'd all be so on board. we'd all feel "oh of course he has to go back, look how much henry needs him and how much ted needs henry, how deep his fear of not being there for his son goes". why didn't we get that why did ted feel like a supporting character in his own show in his own SEASON why didn't the deeply traumatic event that informs almost all of ted as a character ever come up when it's so relevant to all of this why!!!! i need a 30 page essay from each of the ted lasso writers and a week long conference with js to explain it to me like im 5!!!!! am I stupid!!!
right anyway
when it comes to ted and rebecca i have less gripes but still am so baffled at the number of parallels drawn and connections made and support given to say "yes they're kind of intrinsically tied" for ZERO acknowledgement of it? which brings me back to the first point because that journey for ted could've leant itself so nicely to rebecca returning the kind of support to ted that he gave her? which in turn could've added a lovely extra layer to rebecca's story by seeing her find additional comfort and confidence in her own ability to support someone else and give love? it all could've woven together so neatly?? like??? am i stupid????? whether they ever hit the romance threshold or not (setting aside the fact of just how many and how often they tried to invoke rom coms but went "oh ew romance? no" when given a perfect opportunity to say something timeless but refreshing about second chance loves) continuing to see them grow together the way they had already accentuated through the whole rest of the show would've been more than enough for me personally. even if there was a heartbreaking parting it would've felt......earned? it would've felt right? just as fair to the viewer after absorbing all these things as it was to the story?
anyway......i feel like I'm missing something every time I think about it
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chefkids · 12 days
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I have a question, what do you think Ayo’s opinion is on sydcarmy? im wondering cause im worried it won’t happen, if she has influence over their development and exerts that influence to keep them platonic. Cause she originally never thought of them as romantic, but given her chemistry with jaw and all the moments between sydcarmy, how obviously important sydcarmy are to each other and the framing and editing of the show, I wonder if her as a writer saw the potential of them and was more willing to explore it for this upcoming season hopefully. I guess we’ll find out in s3 and/or s4. I hope they have a lot of press this time and we can get more in depth interviews on them and their characters and their relationship with each other. Mainly if sydcarmy actually happens, their thoughts on the relationship, its development and their involvement in that, like jaws heart eye acting. That would be fire!
Well first of all actors, writers, directors, and producers lie all the time about what their plan and intentions are. The original script has Sydney as a 30 something year old woman and Carmy as a 25 year old. Sydney was directly inspired by Chris' sister Courtney and her experience in the culinary world and Carmy feels kind of a bit self inserty for Chris given his whole personal life story with his mom. So technically I do think the original script probably wasn't romantically inclined but a lot changed, Tina was originally a man. I think the reworked version was always meant to be a slow burn from day 1 and I'm sure Ayo knew that too and was on board with it. Season 3 is already finished and I really doubt they will back track on any of their sydcarmy storyline. I still think Ayo is on board with sydcarmy, she did say her favorite scene was the table scene. Can't get anymore straightforward than that. Ultimate it's Chris' story and he's going to play it out like he intended, unless the fx disney overlords somehow force him to change it. I think everyone's questions about them will be answered once the show/ their arc is complete, but right now they can't really say much without giving things away so I get why they don't do that much press especially together.
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aroacedindjarin · 1 year
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I know so many people have said this already and in much more coherent ways than I can but the way luke was depicted in tbobf (and im not just talking about the uncanny valley cgi… why did they not just recast him orz) makes me so frustrated even now. Especially now. Maybe i’m just a delusional dinluker but i really really believe that luke skywalker needed to be in the mandalorian season3.
I cannot believe luke skywalker would make grogu choose between his dad and becoming a jedi. It is just so explicitly ooc for him. I’m reading the destiny path comic right now and there are so many pages that show luke struggling with the worry that he can’t be a Jedi because he can’t let go of his attachments to his friends. and i know this is a core theme of luke as a character, it’s not new, but the comic is just so explicit about it and goes into depth in a way that it doesn’t have time to explore on screen
It explores luke’s worry about disappointing yoda when he left dagobah to go help leia and han in cloud city, and how he feels about ben and yoda refusing to talk to him anymore or help him through the force because he didn’t make his jedi training a priority above everything and everyone else, like a Selfless Jedi should. and grogu goes through the literal exact same thing. and luke reacts in the exact same way yoda and ben did to him?
In the comic, the radio silence from his teachers eats at him so badly and adds to the struggle he’s going through after finding out Vader is his father and losing his hand. He feels abandoned and afraid and, even though these feelings lead him to realise he can make his own way as a jedi, I just don’t think he’d inflict the same thing on grogu. Even if i were to look at it from a perspective of luke being forced to make his own way without his teachers made him a stronger jedi - so maybe he’s doing the same for grogu?
After all, I know grogu is such a young child so I also understand the series tries to come at it from the angle of respecting a child’s wants and needs, not forcing him to commit to training if he doesn’t want to. But I just don’t understand why luke couldn’t join grogu every now and then. Teach him some jedi stuff on the weekends. They make it seem like luke has nothing better to do anyways, he’s got droids building his school for him and seems to spend his days entirely with grogu anyway. If he went back to tatooine with grogu at the end of tbobf, i just think there would have been so much to explore between luke and literally any of the characters. din and boba specifically of course but if that led to luke in mando s3 there could’ve been so much potential.
Perhaps they just needed a reason for a big emotional scene for grogu to choose his path and his destiny. Perhaps they couldn’t put luke skywalker in the show too much for fear of throwing off the sequels. There’s the argument that luke already had his screen time and, trust me, I also hate the re-usual of existing characters to the point where they’re wringed out of any substance and have been so fleshed-out and developed it’s almost grotesque to force them to stay in the show any longer. but star wars doesnt have a problem with that for so many other characters anyway.
I just wanted to see grogu growing up to be both a Mandalorian and a Jedi. It would’ve been so perfect with the Mand’alor Din storyline too. Grogu, the son of the Ruler of Mandalore and the student of the strongest Jedi in the galaxy, the start of a new generation and so much foundation to explore between Mandalorians and Jedi!!!!!!!
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tangerinecherrygal · 13 days
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Thoughts on Bridgerton S3 so far.
Under the cut for the sake of my poor moots and for spoilers. And first and foremost, I am a hater, so I will have some complaints but most are positive.
Positives:
Developing Cressida’s character. I’ve wanted this since I started watching with season 2. I love that she isn’t a cardboard cutout mean girl bc she gets shat on (deservedly sometimes) a lot by the main characters. Also I’m not sure which way they want to go with her character but I don’t think she needs any kind of redemption, maybe just a softening of her character.
Disabled visibility. It’s very clunky, but it is a step in the right direction.Period pieces tend to be worse than other types of shows and movies at erasing disabled people. It’s easy to forget that disabled people did exist and were apart of society. I can’t speak much to how they were treated, but this is bridgerton so it is very possible to portray them in ways that are realistic to the more modern experience of, say, being in a wheelchair.
Portia Featherington. Send tweet.
Benedict being a fun little guy.
Sibling dynamics of the bridgertons are really sweet to see and always make me smile.
Penelope serving cunt, intellect and agency.
Thr Mondrich family being on screen more. I’d love a side show on them like Queen Charlotte. Their relationship is so sweet and I am observing 👀 with upmost respect.
I do like Colin’s new look buuut… we will come back to this.
Francesca’s new actress is so talented. The shy girl rep that I need. She looks a lot like Phoebe and fits in perfectly.
The other stuff (and how i would change it)
Penelope’s makeover seemed rushed. I think her transformation should’ve been gradual as she gains confidence. Almost like Kate’s last season. She starts to reflect her confidence e gains throughout the season and i’m thinking that a fanfic may be brewing oh no.
Colin’s makeover is needed bc they had to downplay the actors beauty in earlier seasons. But I don’t see him as a devilishly handsome rake all of a sudden. Luke Newton has a kind and approachable (kind of baby) face and I think that they should play on that. A pretty kind of handsome instead of trying to immitate the more masculine look that they used for anthony. I know it’s because he is putting on a performance but I think they could have gona another way. His look in season 2 is great in my opinion, maybe if his clothing was more relaxed but he kept the same hair then it would be perfect.
They’re trying to convince us that he’s suave and smooth with the ladies but it’s not consistent with his character
The threesome scenes? Not a hundred percent sure who that was for. Sapphics let me know if you appreciated those scenes because I know they weren’t doing that for their famously large straight male audience. I also saw someone say it reduces the sex workers to props but in context that kind of works into the story so idk.
Colin went from being lost at the end of last season to gaining a sense of identity that isn’t implied to be an act.
Lots of side stories make it seem messy and wastes time that can go into understanding Francesca, Penelope, and Colin. Instead of focusing on stories like Lady Bridgerton’s romantic story they really should make a QS 2 where they can explore the older cast of characters.
Paaaaacinnng. Everything is happening so fast and the side stories mean that Polin doesn’t even make much sense to me. I don’t feel any chemistry. I’m not going to count how long they’ve been on screen together this season, but it’s not enough for me to believe that Colin finally sees Pen in a romantic way. The helping Pen find a husband quest lasted for a second and immediately he realises his feelings. I just don’t buy it. I almost want to cut away to horny ass Kanthony to see actual chemistry.
if anybody reads this and has their own takes pls comment. I love talking about the show and hearing what other people thought.
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