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#i know I've made these posts before or ones similar
mothdruid · 16 hours
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Within the past 72 hours the TGM fandom got a fire put under it's ass, for lack of a better term/phrase. Even though I'm not as active in the fandom anymore, it did make me want to talk about a few things. This isn't the first time that I've had to make a post similar to this, usually speaking about reblogs and keeping your fanfic writers feeling wanted within the fandom spaces, but today I'm going to talk more about fandom etiquette and my experiences in fandom spaces. So, if you want to hear my opinion on fandom etiquette, how I learned fandom etiquette, and my thoughts about the doxing situation that has happened, keep on reading.
My Fandom Experience.
The first fandom that I was ever a part of was The Hunger Games fandom in the 8th grade (if you don't include my anime fandoms). I was 12-13 at the time. This was when I was first introduced to Tumblr and being involved within a fandom online. At the time I was super young, barely even knew who I was as a person, let alone in a fandom space. All I did was reblog little gifsets and fawn over Josh Hutcherson. I remember getting my first hate anon, even though I didn't do anything that would generate that to even happen. Even when I was 12-13, I couldn't understand why anyone would send a hate anon. That was when I found out a friend of mine found my Tumblr and actually secretly hated me, so she sent me hate anons. Still, before I knew it was her I didn't understand.
Fandoms were a formative part of my childhood. I think that main one that helped form me though was the Supernatural (yeah, I know, eye roll), Naruto, and The Hobbit fandoms. I had made friends on Tumblr and Instagram through these fandoms. During these times was when I had first started consuming fanfiction. Specifically, destiel and thilbo fanfiction. This is how I started to find the things in fanfiction that I loved, and the things that I hated. Instead of sending hate to the writers for their thoughts and stories that I didn't agree with, I would back out of the story or just scroll past. Not only that, I also started to use the filters on AO3 constantly, ensuring that I was only reading the fics that I knew I'd enjoy. Also, I was careful to read warnings and tags prior to reading the fic. Never once did I blame the writer for something that I knew I didn't like and accidentally read or read for see what it was about.
After high school was when I started getting into fanfiction writing. I've written for a lot of fandoms during this time. The IT movies, Total Drama, Haikyuu, Attack on Titan, Marvel, Bridgerton, Top Gun: Maverick, and currently ASOIAF. As a writer I've never gotten hate, thankfully, but I have had a lot of friends that have. It's sad to see so many people who take the time to write, whether it's enjoyable or not, receive hate. As writers we are simply expressing our creativity for the things that we love. Since posting fanfiction on tumblr, I have experienced a lot of people pestering for new updates and when the next fic is, and so have a lot of other writers on here. Even though people only know us as a little icon and username, fanfiction writers are people. We have lives outside of writing fanfiction. Everyone also isn't the same type writer. One person may easily write multiple fics every week, some of us take longer, and some of us are even just passion writers (me lol).
The TGM fandom has been one of the most negative fandom experiences I've ever seen/had. It is full of some of the meanest people/anons I've ever seen. From writers being attacked for fic ideas, people being sent hate for something that the anon has full control over, and people constantly expecting new stories to read on the daily. Yes, I do know that other fandoms have these issues, but it seems to be almost a weekly, hell, even daily thing within this fandom. A lot of the issues that I see happen in this fandom are from people who don't understand fandom etiquette.
Fandom Etiquette.
If you had noticed there was a few things I put in bold above. These are key things that I learned during my time that attribute to fandom etiquette. So without further a do, I'll list out some fandom etiquette rules that I follow all the time.
Don't send hate anons to people
Block/unfollow people you don't like
If you don't like an idea or fic, don't read it
Read through all warnings and tags that the writer provided
Use AO3 filters
Don't blame the writer/creator for reading things they created that you actively know you don't like
Writers/Creators aren't "content farms"
There are people behind these blogs/usernames, treat them like someone you'd see on the street
Writers/Creators are expressing love/passion for something, don't hate them for doing that
If you see something fandom related that you don't like, scroll past it or ignore it
YOU CURATE YOUR OWN EXPERIENCE (ESPECIALLY ON TUMBLR)
The Doxing Situation.
For those who are unaware but decided to read this anyways, recently there was a writer (Mama Mayhem) on here who got doxed from another writer in the fandom. Mayhem has since lost her job due to the doxing. This was apparently from her breaking HIPAA by posting a picture into a private groupchat/discord. This picture was posted almost a half year ago. Meaning that the person who reported/doxed Mayhem had known about this picture for months and only recently decided to do something about it.
I'll start by saying that I also work in healthcare, and know many other people here who do. I understand that a HIPAA violation is 100% an offense that gets you fired. I'm not excusing the HIPAA violation if one did occur.
Some people have brought up the idea that maybe the person that reported the picture, and doxed Mayhem, was doing it out of the goodness of their heart. Due to the timeline of it all, that doesn't seem likely. I had a previous coworker get fired for HIPAA violations and it took a total of a week from the initial report for her to be gone.
The biggest thing I want to convey is that TWO WRONGS CAN HAPPEN AT THE SAME TIME. Yes, if Mayhem violated HIPAA, it is wrong. But at the same time, the person held onto this information for months only to use it out of spite, pettiness, and cruelty, is wrong.
My Thoughts.
Due to Mayhem being doxed, a lot of people have decided to leave this platform, take indefinite hiatuses, stop writing, or move to AO3 exclusively., and I don't blame them. I'll be honest, I'm thinking about moving to AO3 exclusively now. AO3 feels a lot more rewarding in my experience. I already only post my fics for ships to AO3, so why not just post everything on AO3 (which I usually do).
I think a lot of people have forgot what it feels like to feel shame in something they say or do. When I say this, it's directed towards people who send hate or do other malicious things in fandom spaces. Fandoms were never this clique-ish and mean. I think it has to do with the pandemic, meaning that a lot of people who would have never joined a fandom did because they weren't allowed to do anything outside of their house. So, those mean girls that made fun of fandom girlies (g/n) previously, joined the fandoms and decided started bullying the people within them.
This situation is super shitty and people are now scared. It makes complete sense, especially after seeing someone, that many of you were close to, be doxed. A lot of people are scared of it happening to them now. I don't think this fandom will be the same after this situation, but who knows, maybe everyone will just forget and move on. Either way, I think I'll be taking a step back from the TGM fandom. I'll still be here, but until further notice, I won't be posting any TGM fanfiction. Maybe a gifset/picture here and there, but I don't think this is a fandom I feel comfortable writing for anymore.
If you've read all of this, thank you.
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raydays-swap-au · 1 day
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Rayday's Swap AU ~ Velvette
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I actually really like how this turned out tbh so hope people on here like it too :3
More information about the design + "sprites" under the cut
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Why there's a change in dress design - While I could've made her have a similar dress to canon!Rosie, I decided instead to base swap!Velvette's dress on pictures of black women from the victorian era ( considering Velette is black coded, if I'm not misremembering. ) I found a few articles, including this one, which had a small gallery of black women from the Victorian era I loosely used for reference. I'd say the article is a interesting read too for those who are interested.
Blacked-out eyes - I've mentioned this before in previous posts, but just to make sure everyone knows I'll mention it again. I decided to give swap!Velvette the black eyes to fit in with the other cannibals similar to canon!Rosie, while swap!Rosie get eyes similar to canon!Velvette.
References to Velvette's pilot design - I actually used a few characteristics from her pilot design due to the details just fitting better. Her eyelashes making her eyes more interesting, the white eyemakeup making her blacked-out eyes more readable, the drops on her puff sleeves, and the white band on her dress's torso are the main choices I pulled into the design.
Hat design changes - For her hat I decided to get rid of some of the accessories on the hat itself due to the items being hard to read what they are imo. Instead I gave her the spiderweb-patterened mourning veil not only to make the hat more interesting, but also because she would've been recently widowed.
The triangle and black drop on the lower part of her coat - This is more a reference to canon!Velvette's skirt seen in the reference image I chose for her. I did look at canon!Velvette's other outfits, but that's the main one I used.
Black/white and black/red stripes on her dress and umbrella - This is not only to mimick canon!Rosie's dress, but also reference Velette's arm warmers in her canon design.
Hair hair style - I decided to give her a low bun due to some of the images mentioned in the previous article had some of the featured women wearing similar hairstyles ( as far as I could tell. Idk maybe I'm just blind. ) I also think it just fits the design in general.
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And now for the sprites! ( with and without the hat )
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userlaylivia · 6 months
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you know s2 of the 100 will always be my favorite season, it was brilliant and the writing was absolutely incredible and I don't think any season will ever top it but saying that, S4 does come close!!! it was exciting and the writing was good and the storyline of trying to save everyone was so good and bellarke actually interacted most of the episodes maybe that's partly why I loved it lol also loved s6 though mostly for bellarke but also the storyline was decent! i understand why some didn't like s5 it wasn't my favorite but I never would've wanted the 100 to be cancelled before s6 because some of those bellarke moments in S5&6 were incredible and 6x10 is one of my favorite episodes and if we hadn't had that episode I would've been so sad!! jroth is a petty pos they wrote a scene where bellarke got together in 6x11 then he changed his mind because he sucks and they did a total 180 and rewrote it ugh anyone that watched the show and didn't think bellarke was leading to endgame was in denial truly!! all the foreshadowing, all the parallels and quotes about love and etc they were supposed to be endgame end of the story! whether you hate them or not it was supposed to be them together!! I got off topic I always do because I'm so upset and angry they weren't endgame but yeah!! I'm actually on the S4 finale in my rewatch and I genuinely did love that season for more than just bellarke but yeah!
also s7 doesn't exist bye lol
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a-s-levynn · 5 months
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"Even if the sky cracks in mourning / And the heavens just won't open up for me" A Series of Small Offerings - II/12 - day20
#a series of small offerings#sleep token fanart#elaboration on this piece further down in the tags because this one may confuse people i think#(also please note that i firmly believe that the from the room below version of this song is the superior one)#(so the art was made with that version in mind because that is the version that lives rent free in my brain for reasons)#i've been thinking so much how to approach this one.. i knew pretty much since i've made the challenge that i will go with this line#specifically because i refuse to hear it as the lyrics sites and spotify tells me to hear it (as it appears in the post) but instead#i don't hear the 'the' in any version of the song i'm sorry that is just not there#so i'm convinced it is 'as the sky cracks in mourning'#(sky cracking-lightning;sky mourning-rain)#which is also exactly how the song feels to me#being a sad wet cat of a person standing bare feet in a strom and just crying 'why i was i so blind to my own hubris'#specifically in relation of finally (and far too late) understanding you fucked up a relationship so bad it still hurts years after#if you've ever felt anything remotely similar you know what i'm talking about#and you get why i refuse it being 'in the morning' instead of 'in mourning'#vessel i#vessel#vessel sleep token#vessel fanart#sleep token band#sleeptoken#levynn tries to draw#sleep token#edit: i don't mean to offend those who stand behind the line being 'in the morning' btw i just don't hear it#and i don't think i'm correct. i'm correct for me. not in your stead. half the lyrics can be heard at least two ways#edit2: appearently i'm actually right about something for a change.. a truly unusual turn of events#see comments for referrence pls#also edited this post to the correct lyrics#but leaving the tags for context 'cause thw original version of the post has been rb-d before editing i think
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coquelicoq · 4 months
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reading apollinaire in concentrated doses is so trippy. like. that's how i write poems too dude. did i just hardcore imprint on this guy in 2010 and then almost completely forget about it or what
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stravagatefaster · 8 months
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Lucien would have been a kid when Episode I of Star Wars came out so he probably went to see it with his dad.
He was probably too sick to go see Episode II.
Imagine David going to see Episode III alone and crying all the way through and everyone else being like "wow this guy must really like Star Wars".
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tizeline · 4 months
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Presenting: The AU I accidentally created OOPSIE!! 😬😬😬
And yes, I know, it's another Seperation AU, and yes YES, I KNOW, they're a bit overdone at this point, bUT LISTEN!! That's precisely how I ended up in this situation!!!
So there's a lot of Seperation AUs exploring a lot of different scenarios with the turtles being raised, well, seperately. I've seen quite a few of them at this point, and despite whatever the combination is when it comes to turtle + parental figure, I'm sure I'm not the only one who has noticed a pattern of specifically Donnie often being raised by a villain. Which makes sense, he has a tendency to put on this evil-mad-scientist-act in the show, so of course a lot of us want to see what Donnie would actually be like as a proper antagonist. But that just made me think think of the opposite possibility, of Donnie being the singular good guy while his brothers are all bad guys. Mind you, I'm sure SOMEONE must've thought of this concept before me, but I haven't seen it! So here we are!
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In this AU (which doesn't have a name so don't ask!) Splinter only managed to yoink Donnie during The Incident™, so he ended up an only child, while Raph, Leo and Mikey were raised by Draxum. I also imagine Draxum being at least a decent dad considering the circumstances, so the kids he raised ended up with pretty similar personalities to what they have in canon.
Because of that we get Hero Donnie who acts all villainous cuz he's a total theaterkid, and Villain Raph, Leo and Mikey who act all heroic cuz they honestly believe they're doing the right thing in literally destroying all of humankind and as a result developed an intense case of main character syndrome.
Anyway here's some references-
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I don't know how far I'll explore this AU. I fully intended to just make like one or two posts rambling about the basic concept, but when I was drawing these images my brain went into full Brain Blast mode and I started coming up with a bunch of other ideas so uh... we'll see how this turns out later I guess haha
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maplesyrupsainz · 2 months
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˖⁺。˚⋆˙bows before bros | LN4 ˖⁺。˚⋆˙
pairing: lando norris x actress!reader y/n (she/her)
genre: social media au
warnings: sooo super fluffy!!
summary: in which a trail of bows leads to everyone's new fav grid couple
a/n: feel like i havent written for lando in ages so here we are!!
request!!!: I’d like to request an au for lando where y/n’s an actress who’s getting recognized more and more, she’s really humble and sweet but pretty similar to lando as a goofy and funny girly(idk why but I picture Sabrina carpenter vibes) 🎀 if u could add a little scene of some of the f1 drivers and wags reacting to their relationship/talking to the media how they’ve never seen lando so happy. Just a sappy and goofy couple living life (manifesting✨🕯️)
my masterlist
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instagram ->
yourusername
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liked by reneerapp, sydney_sweeney, and 301,283 others
yourusername sooo where else can i put bows? 🎀
view all 6,918 comments
user1 omg the bunny is so cute im going to do that
user2 i dont wear bows in a coquette way i wear bows in an y/n y/l/n way
liked by yourusername
user3 i love seeing y/n in her movies so srs then going on her ig & it's jus this
reneerapp put them on your hand soap 🥺
yourusername you make jokes but i really will do that
user4 LOL as u should y/n!!!
user5 oh i love her
sydney_sweeney this is so real of you!!
yourusername i knew you'd get it
sydney_sweeney bows before bros ‼️
yourusername louder 🗣️
landonorris
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liked by sydney_sweeney, danielricciardo, and 819,055 others
landonorris you got my heart loud.
view all 11,193 comments
user6 okay simp lando?
user7 HUH????
user8 looking a LOT like a soft launch i cant lie to u
user9 thts what i was thinking.....
user10 the bows...... anyone one else thinking what im thinking?
user11 DONT EVEN SAY IT
user12 VERY y/n y/l/n coded
user13 y/n was here vibes
oscarpiastri simp simp simp
landonorris shutup pastry boy
yourusername posted a story
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liked by sydney_sweeney, daisyedgarjones, and 89,541 others
user14 so cute ily y/n
user15 my spidey senses are tingling
user16 is this a hint that ur dating lando norris.
user17 feels very very targeted miss y/n
user18 our bow queen 🙇‍♀️
twitter ->
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instagram ->
landonorris posted a story
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liked by yourusername, oscarpiastri, and 159,701 others
user22 omg y/n y/l/n is ur gf fr
user23 never thought i'd see the day lando norris pulled
user24 THE BOW AND THE MCLAREN HOODIE AHHH
user25 the most y/n thing i've ever seen
danielricciardo she's made you soft
landonorris she definitely hasnt i'll tell you that much
danielricciardo right. not what i meant but great to know thank you so much
yourusername
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liked by landonorris, oscarpiastri, and 661,328 others
yourusername feeling orange 🍊
view all 16,754 comments
user26 oh my god
user27 is this the hard launch
mclaren your best look yet, y/n!
yourusername 🤭 feel very honoured
user28 next we want orange bows
liked by yourusername
sydney_sweeney sports 🤢 but make it girly 🎀
yourusername me with everything
landonorris it's papaya y/n we've been over this
yourusername there isnt a papaya emoji ✨🎀💕🫶🍊
user29 omg they're first public interaction...?
user30 they're in love i called it.
interviews ->
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twitter ->
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instagram ->
landonorris posted a story
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liked by lilymhe, carlossainz55, and 157,814 others
user36 omg lol
user37 THAT'S Y/N'S CAT
user38 lol at ur response to ur friends saying ur obsessed with a girl is to post her cat on ur story with bows on
sydney_sweeney one of us now
landonorris this feels like a cult
user39 the coquettification of lando norris
user40 the y/nification of lando norris
landonorris
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liked by yourusername, oscarpiastri, and 1,091,727 others
landonorris my response to everyone talking about me recently is you would be the same if you bagged a girl like mine
tagged: yourusername
view all 22,183 comments
user41 A GIRL LIKE MINEEEEE
user42 how did he do it
lilymhe congratulations 🥂
carlossainz55 yippee!!
oscarpiastri we are all beyond proud of you lando
danielricciardo good for you bro
charles_leclerc happy for you
mclaren our fav girl!!
yourusername 🤭🧡
user43 all the celebrations in the comments 💀
user44 they had no faith in him fr
yourusername blushing and giggling at this!!! i love my lil lando!!!!!
landonorris you what?
yourusername i wont be taking questions at this time
landonorris you love me so bad
landonorris i love you so bad
THE END 🧡
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chainsandcherries · 1 year
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we've been putting how it's made on each night to fall asleep to. i've learned nothing & everything
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totheblood · 3 months
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i still hear you. (prologue)
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PAIRING: post tlou2!ellie williams x reader
SUMMARY: ellie stumbles upon your self-run town after her life is destroyed, except there's more to this town then what meets the eye. and it seems like there is more to you too.
WARNINGS: 18+ mentions of death, grief, related subjects; cursing, mentions of drinking/drugs, mentions of s*x
A/N: i've been working on this one for a while... i hope you enjoy! please send asks, reblog, and reply to this post <;3
WORD COUNT: 3k
"i still hear you laughing, but only for a minute"
Spring couldn’t come fast enough for Ellie. 
The cold still nipped at the exposed skin on her hands, ghosting the phantom limbs of the two fingers she was now missing. Everything was cold. The tip of her nose, her ears, and most importantly her heart. As she wandered aimlessly, unsure of where to go, she knew there was one place she couldn’t go: home. 
Jackson was no longer a place for her. Joel was gone, Tommy thought she was weak, and Dina…Well, Dina wanted nothing to do with her. Dina had a lot she could blame Ellie for before Ellie left, but she never did. She stayed. And now, on top of all of that, Ellie had left one of the few people in her life who cared enough about her to stay. Spring could come tomorrow but it would forever be winter inside her. 
She didn’t know where she was going, but she knew she was going west. She couldn’t handle the harsh winters of the East Coast, and Wyoming stopped feeling like home before she left for Seattle. She thought about staying on the farm and living out whatever short life she was going to have there, but staying in that home painted with memories of “what ifs” would drive her crazy. 
So she packed enough supplies to last her a few months if she hunted her food and headed to the West Coast. The first few days were silent, she only encountered a few infected and found shelter in abandoned buildings. She lived off of expired food she found in vending machines in old universities and occasionally sang herself to sleep. 
On her tenth day, she found a car that lasted her about 2 days. Once it broke down, she just kept walking. Over abandoned highways and thick forests, she just kept walking. On day 17, she reached California and stumbled upon an eerily similar set of walls. It looked just like the gates at Jackson, except these were concrete and better built. They were much higher, and the gates almost looked… automatic. 
Ellie was hesitant. She didn’t know what she was looking for, but she definitely wasn’t looking for another hometown to destroy. She approached the large walls cautiously, with her hands up and slowly. As she walked closer she was screaming, “I come in peace,” over and over again. She was almost 50 feet near the gate when she heard a girl's voice shout, “Don’t come any closer.”
She stopped in her tracks as the automatic gates began to open. Ellie expected an army of people with guns blazing, just how it was when she first arrived at Jackson, but when the gates opened there just stood you, grounded in all your glory, and a gun aimed right at her face. She wanted to laugh, but that just seemed sexist. 
Instead, you pressed forward, unwavering, with your gun aimed right at her. She didn’t step backward, or even breathe, she just stood there until you were close enough to her to make out all the freckles on her face and the slit in her eyebrow. 
“Who are you?” you spat at her.
“Ellie,” she breathed out, her hands faltering a bit. 
With your hand firmly wrapped around the cold metal of the gun, you inched forward again, pulling back the slide, a metallic click echoing in the silence. The gun was loaded, and you were letting Ellie know that you weren’t afraid to shoot. Her hands stiffened again. 
“What are you doing here?” Your tone was tough and the look on your face was enough to send Ellie running for the hills, but it also made her want to crack a smile. Your nose scrunched up as you spoke, and your lips were somehow not chapped in this weather. But Ellie didn’t smile, she was sure if she did you would put one right between her eyes. That much she was sure of.
“I-” Ellie hadn’t thought this far. What was she doing here? “I’m just looking for a place to stay.” 
Your eyebrows creased as you gave her a once over, looking for any sign she was trouble. It was in your nature to search for danger, but she wasn’t raising any red flags. Except the fact that she made it here alone and unscathed, and was missing two fingers. 
“What happened to your hand?” you asked, tipping the gun slightly to her hand. A pained expression crossed her face, it was almost like she forgot that two of her fingers were quite literally bitten off, but that fight was somewhere shoved deep inside her mind. It wasn’t something she wanted to remember.
“Lost them in a fight,” she replied simply, there was no point in telling the full story. It’s not like you had the time. 
“You can’t stay here if you’re going to be trouble,” finally you put the gun down, resting your hands on your hips, giving her a firm look. Ellie would hand it to you, you were absolutely scary. In her mind, she knew she could take you, but she also wasn’t so sure of that.  
“I’m,” she sighed, lowering her hands slowly, “I’m done with that. I won’t be trouble,” and for the first time in Ellie’s life, she meant that. She was ready to start over. She knew the fighter in her would always be there, itching to come out but she had been fighting her whole life. It was time to give up. She had already lost everything. Or so she thought. 
Your face softened slightly before firming up again, your empathy peeking through like it always did. You looked her over again, sighing, as you signaled for someone at the gate to come. A man with short blonde hair trotted over, a leash in his hand. He looked kind as he offered a smile to Ellie.
“Old girl here is just gonna check to make sure you’re not infected,” he smiled, dropping the leash. Ellie’s heart rate picked up again as she watched the German Shepherd approach her slowly, sniffing around her as it circled her. You stood behind the blonde guy with your arms crossed across your chest. The dog found nothing and returned to the man, sitting down next to him, “Looks like you’re all clear!”
“Welcome to Mono City,” you deadpanned, rolling your eyes as you turned back towards the gate, walking in that direction. You were halfway there when you realized Ellie wasn’t moving. Turning on your heel again you stared at her, hand on your hip again. You had an attitude, Ellie thought, cute. “You coming or what?”
The small town sat on a large lake, glistening as the sun's rays bounced off the surface. Buildings were built close together, trees without leaves scattered on the walkway, and about a hundred people out on the street as she trailed behind you, earning dirty looks from half of them. Ellie scowled back. Ellie smiled when you introduced yourself to her, telling her your name and a few key details about yourself. She learned you served as some sort of mayor here, keeping everything in order, and that you were the person that people came to. She would be lying if she said that didn’t intimidate her. But all Ellie did was give you her name again and tell you that she was from Jackson, anything else she said would fall short. 
“How are you with your hands?” you asked, voice flat and simple. Ellie choked on her words, stuttering a response. 
“I’m, well,” she coughed, “I’m just okay with them now, since,” she shrugged gesturing to what she now called her ‘bad hand’, “you know.”
A wave of guilt crossed your face as you composed yourself, somehow already forgetting your previous interaction. You shook your head solemnly, cursing quietly under your breath as you stopped. 
“Shit,” you turned to her, eyes squeezed shut, “sorry, I’m so used to asking the same questions, I didn’t even think.”
“It’s fine don’t worry about it,” she gave a tight-lipped smile. Now, with the illumination of the buildings, she could see your whole face. You were pretty, that she was sure of, but it was a more down-to-earth pretty. A type of pretty that you had to take in. You had scars around your face, and a pretty big scar down the side of your neck. It almost looked like the one Ellie had on her arm. But still, scars and all, you were just nice to look at. 
“Well, just for that reason we probably won’t have you be on guard duty,” you stated, eyes flicking around her face, “do you have any other strengths?”
“Uhm,” Ellie had to think for a minute. She had never really been asked anything like this before. What were her strengths? Did she have any at all? She used to be good at guitar, but now she couldn’t play, and that probably wouldn’t be useful at all to anyone here. She was good at art still, something she couldn’t take for granted anymore. It was all she had. The scratched-out drawings of Dina, JJ, Jesse, and Joel were stuffed deep into her bag.
“I’m good at art,” she shrugged, “and writing, maybe.”
“Okay,” you smiled, showing off your teeth, making her warm a bit, “that we can work with. Maybe you can teach at the school.”
“You have a school here?” Ellie gawked. Jackson had a school but it was small and had maybe two or three teachers. 
“Yeah,” you turned to keep walking, making Ellie stumble behind you to keep up, “we have three. An elementary, middle, and high school.”
“Wow,” Ellie was in awe, “It’s not like a military school or anything?” 
“No,” you answered quickly, your voice tight, “It’s not like any of that shit. We don’t fuck with FEDRA here.”
Ellie would be lying if she said that wasn’t music to her ears.
“It’s just like a normal school except we teach a lot more practical things. Things we can use like, cooking, science, and English. Like reading or writing. Since you’re new you will probably start with the elementary school. We also have little extracurriculars and we’ve wanted to introduce art but haven’t been able to find anyone yet.”
“Oh, cool,” was all Ellie said as you both stumbled on what looked like a residential street. There were rows of houses, all that looked the same. There was a road, with cars parked on them and driveways with gates. Most of the houses looked about two stories tall, some had toys lying in the front yards and a few animals were roaming about, small cats and dogs. The porches had furniture on them, little couches and chairs, and as she walked she noticed some people outside with mugs in their hands as if they were drinking their morning coffee. The town looked like something she saw out of a movie, only something she could dream about. Her eyes were wide in awe as you rambled on about something but Ellie was honestly too entranced in everything. Here, in the middle of nowhere was a whole town of people living their lives, as if nothing had ever happened to them. 
“Ellie?” you stopped in your tracks, crossing your arms over your chest. There was your attitude again, “are you even listening?”
“Y-yeah, I am. It’s just-”
“A lot, I know,” you sighed, “but you gotta listen, there are a lot of rules here. Rules that make this place function and if you don’t follow them, you could easily be kicked out.”
“I’m sorry,” she apologized, genuinely meaning it, “I’m listening, promise.”
“It’s fine,” you gave her a fake smile, turning to push open a gate to a nice house, “This will be your place.”
“Uhm,” Ellie stopped, not entering the front yard, “what do you mean ‘my place’? This is far too big for me.”
“This is the only size our houses come in,” you replied matter-of-factly, “you can just say thank you.”
Ellie blinked as she looked up at the blue house, that looked like it was built yesterday. It had a wrap-around porch and two white columns right by the entrance. The door was a giant white door with a gold handle. This was nicer than any house she’s ever been in, and way too big for one girl.  
“Thank you,” Ellie replied, still awe-struck, “this is just so nice.”
“You’re welcome,” you smiled, fishing around in your bag for something. You pulled out a pair of keys, and handed them to her, “Here’s your house keys. You don’t get a car quite yet, that’s something you have to work your way up to, but there is a bike in the garage. Spring is around the corner so it will get warmer and you should have your car by next winter so don’t worry too much. My house is right across the block, but I’m usually in the City Center if you need me.”
She wrapped her right hand around the keys, tightening them in her palm. She watched as you searched through your bag again and pulled out a little device. 
“This is your walkie,” you took a deep breath, “Try to find me before using it. It’s usually only used for emergencies so just be mindful of that. I’ll be by tomorrow to take you to work, so you have time to get settled in today. Okay?”
“Okay,” Ellie smiled, her voice sounding a little bit breathless.
That night Ellie settled into her new home. Well, she tried to settle into her new home but kept shifting around in every seat and couch, like she couldn’t find something to get comfortable on. She examined every part of the house, picking the smallest room for herself and shoving her backpack in the closet. She took a bath for the first time in months, washing all the dirt and grime off of her. Left in the shower was a bar of soap that looked like it had been handmade and unused. It smelled so good she almost took a bite, but instead chose to use it how it was meant to be used.
As the sun began to set she stepped outside, watching the activity on the block and smiling to herself. Everything just seemed so normal, but with the state of this world this town was certainly abnormal. From her window she could see you in your front yard, feeding a pack of cats that slipped through your white picket fence. She smiled to herself as she watched one rub against your leg, and your gentle hand coming down to pet it. She continued to watch as kids passed your house, waving to you and running back to their homes. 
The next few days were uneventful. Ellie found herself getting used to teaching young kids, always laughing when they asked about her missing fingers. It was out of her comfort zone, but she was around JJ enough to know what kids liked. Her voice always got so high-pitched when she spoke to them, and they liked being chased around the room. On her fifth day of working, a kid ran in screaming, “Miss Ellie! Miss Ellie!” with a chicken scratch drawing of his family. He was so proud that all Ellie could say was “Good job, bud!” and ruffle his hair. He left with the biggest smile on his face.
But now, Ellie found herself at the city’s most popular bar, with the other teachers who wanted to congratulate her on her first week. Della, who invited Ellie out in the first place, made a toast to her, clinking her glass with Ellie’s and taking a long swig of her drink. Ellie took a sip of hers too and fuck, this shit was strong. 
She felt human again, laughing with people her age in a bar and old music playing. She was almost having a good time until a song came on that reminded her of Joel. It was like her whole demeanor changed and everyone could tell. She excused herself from the group finding a small corner to sit on and finish the rest of her drink, hoping maybe it would make her forget everything. But then, the bell at the front door rang making Ellie look up to see who had entered. 
There you were in all your glory, tight shirt on and hair completely loose. It almost looked as if you were wearing makeup. Ellie must’ve been staring too long because she blinked and you were standing in front of her. 
“See you got yourself a drink,” you laughed, voice making Ellie’s cheeks turn pink. She was… really drunk.
“Yeah, I could get you one too,” she slurred a bit, goofy smile spread across her face. She watched as something odd crossed your face and now she was worried she said something wrong, “I just mean, like.. you know… I mean like as a thank you.”
“Right,” you sighed.
“For my mansion, you know,” she shrugged and you giggled. You giggled and it went straight to her head. What was she doing?
“You haven’t been paid yet,” you smiled back at her, now moving to sit down, “and it’s okay, I don’t drink unless it’s a special occasion.”
“What? Meeting me is not special enough,” she teased, knocking her shoulder with yours. Her eyes scanned your face, your smile reaching your eyes as you giggled again. Her stomach sank again. She wasn’t so sure if this was just the alcohol anymore, she felt like she was 12 and crushing on Riley again. 
“No, it’s special,” you reassured, “Maybe, I’ll drink when you decide to stay.”
“Who said I’m not staying?” she questioned sitting up.
“Some people don’t,” you shrugged, smile fading. Ellie’s brain wanted to make it better, make you laugh again, or shit do anything to put the smile back on your face. 
“Well, I’m gonna,” she said gently, so only you could hear her, “I need to get my paycheck.”
You laughed and Ellie breathed a sigh of relief, laughing with you. 
“I’ll get that to you,” you smiled, “and we don’t use paychecks.”
“What’re you gonna pay me with?” she smirked, “I know some other ways you can pay me.” Then the same look from earlier crossed your face and she cursed quietly to herself, muttering an apology. 
“No, no,” you said, like you were about to let her down gently, “I just try not to get… involved with anyone since…” your voice trailed off.
“Since?” Ellie questioned, but as you opened your mouth to speak the group from earlier made their way over, noticing your arrival and screaming your name. She watched as you got up, hugged everyone and started chatting with them, leaving her with her drink and too many questions. 
There was one thing that scared her though. She knew you needed someone who could stay, and the only thing she was good at was leaving.
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neroushalvaus · 5 months
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Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.
Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.
So, the tropes in James Somerton's content that I consider red flags:
Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.
Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.
Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.
Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:
It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.
It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.
The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.
Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.
These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!
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generalsmemories · 7 months
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Jing Yuan the... Lion
✧ jing yuan x gn!reader
✧ based on the ask: how would the characters react when jing yuan somehow magically transforms into a lion (like mimi) for a day? x reader is ok!! - requested by @/ephemeralyae
✧ contents: humor, established relationship, fluff, mentions of other characters
✧ a/n: i've noticed a certain pattern with my writing sideblogs, and that is the fact that i'll always get this sort of request HAHA. And in line with similar patterns, this will be the first post written in a headcanon format! i went the x reader route with just a hint on how characters would react (not that big of a reaction, moreso what they have to do in this situation) so i hope it was okay!
not beta-read again lmfao.
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✧ He is as confused as everyone else with this situation. One moment he's sitting idly by his office, writing on his desk and the next moment he's left staring dumbfoundedly at a gigantic paw quite similar to the paws he squishes quite frequently back at home.
✧ Is the quick rundown you're given when you arrive at the Seat of Divine Foresight along with Fu Xuan and Yukong - having been frequently spammed with incoherent messages from Qingzu in the span of a few minutes.
✧ And although this very much is a serious situation - nevermind the mystery that the Divine Foresight is always absent from his usual seat, if he actually stays in this lion form for more than a day everything onboard the luofu will be behind schedule and he will for real be absent from the Seat of Divine Foresight because he's going to be taken in by the alchemy comission to figure out how to turn him back.
✧ And yet, as everyone is scrambling around trying to figure out a solution to turn him back and a reason to why he specifically was turned only - you're just left staring straight back at the lion with soft white hair and golden eyes who seem all to relaxed when staring back at you.
✧ Heck the tail is even comfortably swaying back and forth - even though he's well aware of the chaos he's caused.
✧ "... You know everyone in this room is in a disarray because of you, right?" a small roar that oddly sounded like his usual laugh, "... Yukong have to be able to discreetly send a message to the other flagships without even alerting anyone else in the Palace of Astrum, you are aware of that, correct?" you swear you saw the lion nodding his head.
✧ "... Master diviner Fu Xuan is going to have a lot more on her plate with this added problem, you agree to that right?" you ask once more, the lion only gave you a closed eyed smile.
✧ "Yanqing will be disappointed when you're not going to spar with him today, you've already avoided it for the past 2 weeks and you promised him today," the lion merely turns his head around, promptly ignoring you with a side glance of mischief.
✧ How can he be a scoundrel even when turned into a lion.
✧ "... Mimi would probably attack you the moment she spots you," you settle on saying. And somehow that information alone was enough for the once relaxed state of the lion to be in distress. Jing Yuan's once laid down form springing back into all fours - the sudden action making Qingzu who were still sorting out documents yelp.
✧ "... You know you could've tried saying you would leave him to see if he would react," Fu Xuan comments as the lion before the two of you makes his way over, "I think he would die on the spot if I said that, now how do we get him to-" you're unable to finish your answer back to the master diviner when you're suddenly pounced on by Jing Yuan.
✧ And as anyone would've expected, the much heavier weight makes you topple down to the floor with a loud bang.
✧ "... Did he already gain some feline traits?"
✧ You're unable to answer the question, desperately slamming your fist down on the lions mane before you're able to wriggle your head away from the amount of fur in your face, "Jing Yuan-" you wheeze, "I'm barely able to carry you while you're human, what made you think I can carry you when you weigh close to 200 kilograms?!"
✧ The lion seemed to not care, merely nuzzling his nose against your hair while making no move to actually get off of you.
✧ "... You know what, let's just call the healers down here and leave him here for the day. I have other business to attend to and Yanqing is already blowing up my phone asking where this idiot is," you say, tapping the lion on top of you on the nose before letting your hands tousle the mane, blinking in surprise at how oddly soft it was.
✧ "... On second thought I'll stay here until the healers come," you rephrase, continuing to run your hands through the mane, Jing Yuan seeming to purr in content at the excessive rubbing.
✧ So this is why Mimi is so content whenever you would excessively rub her everywhere.
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og request here!
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konigsblog · 22 days
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SCOTTISH WORDS AND PHRASES TO USE WHEN WRITING FOR SOAP MACTAVISH ☀️
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i know i've made a couple of these posts before, but i'm going to go for less obvious ones. this is coming from a scottish person, if you're interested. :3 🏴󠁧󠁢󠁳󠁣󠁴󠁿
i saw a tiktok talking about this and i was surprised that some people don't use these words... (⁠╥⁠﹏⁠╥⁠) these are just some that come to the top of my head, although i might update it later. 💌
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bolk/boke — can be used if something is so disgusting that it makes you feel sick, or gag. “that gives me the bolk.”
minging — i love using this word... minging is disgusting, it's something that is gross. “oh, that's minging.” if someone has done something is gross. you could use it if something smells bad or unpleasant.
belther — a blether is a chat. if you're having a blether, you're having a conversation.
chinwag — i'm not sure if other countries use this, but similar to a ‘blether’, a chinwag means to chat.
scran — i don't think this is just scottish, but if you're having a scran, you're eating.
mockit — mockit means dirty. for example, if someone's shoes are mockit then they're very dirty.
piece — a piece is a sandwich. a bacon piece, a chip piece, etc.
eejit — if someone is an eejit, they're an idiot.
greeting — most people would think greeting means to greet someone, but ‘greeting’ in scottish slang is crying. if a wain is greeting, they're sobbing.
wain — a wain means a child.
dreich — dreich is gloomy, dull, depressing. “a wet, dreich morning.”
tattie — a potato is a tattie. for example, mince and tatties would be mince and potatoes.
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keerysfreckles · 18 days
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angel eyes — OP81 (smau)
pairing: oscar piastri x fem!reader
summary: oscar falls in love on a trip to greece
warnings: like one sexual innuendo if you squint
a/n: this is just fueling my mamma mia obsession
masterlist !
⋆ ˚ 。 ⋆ ୨୧ ˚
yourusername just posted !
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liked by bffusername, oscarpiastri and 190,026 others
yourusername i never want to leave 🤍🇬🇷 tagged: oscarpiastri
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user1 just casually meets oscar on vacay????
user2 i smell a great friendship forming
bffusername y/n who's that..
yourusername oscar 😅😅
bffusername and oscar is.......?
yourusername my new best friend
bffusername WHAT?!?!
oscarpiastri sorry not sorry
user3 THE MAMMA MIA VIBES YES!!!
oscarpiastri sadly we have to leave tomorrow
yourusername osc don't remind me 😞
imessage between y/n and bffname !
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oscarpiastri just posted !
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liked by landonorris, yourusername and 651,028 others
oscarpiastri she made greece even better:) tagged: yourusername
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user1 oh to go to greece with oscar 😖
user2 THEYRE SO CUTE 🥹🥹
landonorris IS THIS THE GIRL YOU WERE TALKING ABOUT?????
user3 PLS NOT LANDO EXPOSING OSCAR 😭😭
oscarpiastri thanks for bringing that up idiot
user4 oscar you need to watch mamma mia IM BEGGING
user5 greece vlog when
yourusername can we adopt that cat pls 🥺
oscarpiastri how would you get it on the plane
yourusername uhhh with my charm?
alex_albon so the trip was only fun when y/n was around?? i see how it is piastri
oscarpiastri 🤷‍♂️
imessage between y/n and oscar !
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oscarpiastri just posted !
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liked by yourusername, georgerussell and 447,193 others
oscarpiastri movie marathon before the craziness begins tagged: yourusername, landonorris, alex_albon, georgerussell63
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user1 Y/N WITH THE 2019 ROOKIES PLS
user2 i need all the boys opinions on little women omg
oscarpiastri amy was the only right choice for laurie
alex_albon i miss beth :(
georgerussell63 i fell asleep halfway through
landonorris JOLAURIE ALL THE WAY
user3 Y/N GOT YOU TO WATCH MAMMA MIA OMGOMG
yourusername i still can't believe osc was the only one that like mamma mia
landonorris you know i hate musicals
oscarpiastri you won't be saying that when we watch hsm movies next weekend
yourusername just posted !
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liked by oscarpiastri, mclaren and 309,822 others
yourusername can proudly say i've been converted into a mclaren fan after this weekend 🧡🏎 tagged: oscarpiastri, mclaren
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user1 YES SHES A MCLAREN GIRL 🤞🤞
bffusername can't believe i wasn't invited 🙄
yourusername sorry osc just likes me better
mclaren ready to be back next race weekend?
yourusername only if oscar gets on the podium again
user2 oscar looks so done in the third pic 😭
yourusername to be fair he was only awake for 5 minutes before the challenge video started
user3 oscar in his passenger princess era
user4 SHE LOOKED STUNNING IN THE PADDOCK SHE WAS SERVING
oscarpiastri i didn't give you permission to post the second pic
yourusername oh well!!!
yourusername added to their story !
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[another weekend, another time following osc around oscarpiastri]
oscarpiastri just posted !
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liked by yourusername, landonorris and 781,244 others
oscarpiastri thankful to say i got this podium because my good luck charm was here 🧡
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user1 oscar podium looks so good
user2 THANK GOD I WOKE UP IN TIME
user3 HIS GOOD LUCK CHARM????????????
landonorris aw i'm your good luck charm 🤗
oscarpiastri no you're not lando
user4 good luck charm as in.. y/n??
yourusername THAT'S MY OSC!!!!!!!!!!!
yourusername your podium glow is crazy
oscarpiastri crazy how you said something similar last night
yourusername OSCAR.
user5 welcome back LECPIAHAM
mclaren just posted !
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liked by oscarpiastri, yourusername and 955,630 others
mclaren our podium winner from the eyes of his good luck charm tagged: oscarpiastri, yourusername
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user1 NOT THE MCLAREN ACC HARD LAUNCHING Y/NOSC ?????
user2 so we were right abt who his lucky charm is
user3 Y/NOSCARS REAL???? WE AREN'T DREAMING????????
oscarpiastri petition for my good luck charm to come to every race
mclaren we're working on it 🫡
user4 i would pay good money to see more pics like these
user5 pookie is pookie-ing
yourusername i love your podium winner 😁
mclaren our podium winner loves you
oscarpiastri it's true 😁
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jorrāeliarzus (beloved) │ Chapter 1: Affliction
terms of endearment ‘verse: see my Masterlist for the correct series order!
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Chapter 1 │Chapter 2 │Chapter 3  (In Progress!)
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Synopsis: Daemon guides you on a journey of healing and self-discovery as you learn to raise your children and build a family of your own. You struggle.
Hello! Welcome back, all! This instalment is going to be a journey for Reader. A bunch of bad shit has happened in her life. It's about time she begins facing all that, you know? Not all of it will be heavy, but there will be some psychological fuckery and an opportunity to delve into the layers of the relationship I've spent time developing. My intention is to have this function similar to little slut, in that it's a series of one-shots set chronologically. Each will be a self-contained 'highlight' that is set during the six years Daemon is exiled on Dragonstone. This instalment will cover babies, healing, pregnancy, relationship development, funny hijinks, dragons and smut! Always smut.
EDIT: I am dumb-dumb and forgot to thank @ewanmitchellcrumbs for beta-ing and giving this her necessary stamp of approval and being the bestest biffle EVA, as well as @spoolofblack for reassuring me that Daemon is NOT too OOC here and cheering me on through the AO3 tagging journey. Thanks be!
Triggers: incest, age gap, purity culture, detailed depictions of post-partum depression, lite smut, lactation and lactation kink.
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“Thus was Prince Daemon banished from his brother the King’s city, and with him his niece and newborn heirs. Exile had long favoured the rogue, and this latest decree brought a period of quiet to the isle of Dragonstone, the years giving rise to further progeny to strengthen his House’s line. Together with the Princess Rhaenyra, Daemon and his wife presided over the Targaryen stronghold for several years before circumstances would take them once more to King’s Landing.”
- ‘Fire & Blood: Being a History of the Targaryen Kings of Westeros’ by Archmaester Gyldayn
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He is staring again.
You do your best to pay it no mind, though the weight of his eyes upon you is heavy, nonetheless. An onlooker may well assume his focus is on the scene in its entirety—upon the babes propped on pillows before you, their grasping fists skating across dragonscale as they grunt and babble, reptilian rumbles filling the void between sounds—but you know better. Your husband has not been the same since… since that night. You cannot blame him, though it vexes you so.
One of the dragons—the creature with scales of amethyst glittering even in low light—hisses in outrage as Aelys takes hold of his tail, curling around himself with teeth bared as if to warn your daughter of the fate that awaits her. No bite comes. Unbothered, she tries to tug her quarry to her face, and you can only presume the intent is to explore this new surface with gnashing gums.
“Let go, my lovely,” you tell her as your fingers work to free the beast of its skin-and-bone shackles. The babe’s grip is surprisingly firm. “Azorion has done naught to deserve such untoward treatment.”
“Did it not shit in the cradle this morning?” comes Daemon’s idle question from the desk.
When you glance over, you find he has made himself busy once more, appearing for all the world as though he is deep in his papers. You suspect otherwise.
“He is only small,” you say by way of response. Aelys’s face flushes with the threat of tears when her clasp is finally released, so you slip your own digits into hers to placate her. The other dragon, the long-limbed and sun-hued Valnissar, presses its snout against her neck as if to soothe her temper. “He cannot help it.”
Azorion scrabbles back to Rhaenar’s side, huffing indignantly even while burrowing into the boy’s side, leaching his body warmth. Rhaenar’s eyelids begin to droop, the comforting mass of his future mount an unwavering reassurance, while the steadiness of Valnissar’s even breaths along her flesh ease Aelys into a state of calm.
“If it can eat unaided, it can shit in a place that is not where my children sleep.”
The creature seems to rouse at the mention of his earlier mishap; you pat him reassuringly. “He will learn.”
Daemon grunts, summarily ending the conversation.
This is how most of your interactions proceed as of late: a vague, uninterested query, an overly polite response, a terse conclusion, and two evidently discontented persons not quite certain how to bridge the divide that has risen between them. And there is a divide, you are sure of it—why else does the man who is never without a word to spare suddenly bereft of speech in your presence?
The only thing that eases your mind is the knowledge that, for all his recalcitrance, there is no love lost. His hands still linger—on your back, your waist, thoughtless touches that settle hot and heavy and remind you of his solidness. He smiles still, amused by the sing-song lilt of your voice as you coo down at the twins, laughs when they babble back in mimicry of true dialogue. At night, his arms are encompassing, almost too tight, the clutch of one upon that which they fear to lose most. His body speaks the words his lips cannot, laying bare the desperate frustration—the fear, the anger, the worry—that he has carried since the night you had fallen under the spell of old magic, the night you had woken your children’s mounts from their eggshell prisons and called them forth with fire and blood.
Daemon is not the only one who ruminates upon it. You yourself remember it in pieces, flashes of memory that you cannot make whole. The heat of the hearth. A glow, orange, red, yellow. Stinging upon your hands, and the iron tang of blood upon the air. It is as though it occurred to another being—like you had watched rather than been part of it all. There is little wonder that the sight must have made him so uneasy.
You startle when your uncle abruptly stands, rolling his neck to dispel any latent discomfort from remaining in a static position for so long. He falters, appears to decide on something unknown to all but his own mind, then moves toward the rug where you have arranged your babes and their dragons.
Crouching down beside you, his hand reaches forth to cup the round softness of Rhaenar’s head as he murmurs, “I’ll be back later.”
“Before supper?” you ask just as quietly.
He makes a vague noise of assent, smiling absently when Aelys jams her fist in her mouth and babbles to herself, drooling all the while. Valnissar perks up at the sight of his second-favourite person in the world, chittering excitedly as he makes a concerted attempt at climbing up Daemon’s leg. Daemon hisses, extricating the spindly creature’s claws and placing him on his shoulder. Valnissar flaps his wings and promptly tries to weave his way into your uncle’s hair. Your nostrils flare in amusement.
Daemon does not look at you, but you do not mind; you understand the draw of the twins and their young mounts all too well.
“Where are you going?” you ask.
At that, he turns further into you, his gaze finally lifting to find your face. From the corner of your eye, you see the looming shadow that forms whenever he allows his thoughts to consume him. It casts his features into darkness, the heavy set of his brow wrinkling inward as disquietude metamorphoses him. But the tale enacted through his expression is mitigated by the press of his other hand against the small of your back, achingly tender even in its firmness.
“To the Dragonmont.”
You nod. “Ah.”
He will not tell you yet, but you suspect he is looking for answers. The last great repository of Old Valyria is bound to provide at least some insight, though part of you—a large part—is too afraid to seek them yourself. You worry what you will find if you should search through the ancient texts of your people, what they might say of those with the power to hold fire in their hands without fear of burning. It is not something you have ever heard of. If House Targaryen could claim such a feat, it would not be a secret. What does it mean? You know not.
And so, you make no protest when his thumb strokes against Aelys’s cheek in parting, when he unceremoniously drops her dragon to the floor beside her and ignores the protesting squawks to lean in and kiss your cheek, muttering his goodbyes as he rises to leave. You do not turn around, but you know his routine well enough by now.
A clatter by the bed, and Dark Sister is retrieved—scabbard and all—to be fastened at his waist. A scrape, the chair at the desk being pushed back in. A pause. He takes one final look at you all, wife and children and dragons laid about by the hearth in seeming bliss. You feel his stare as it rests on you and you hear the sound of the door opening and closing, footsteps echoing, then fading, fading. The imprint of his lips and his touch remains, an unsettling reminder of all that has been left unspoken.
You dispel such thoughts with a sigh. As worrying as Daemon’s behaviour has become, it is by no means your first priority now that you are a mother.
Looking down at them, you wonder if you will ever get used to the idea, to the fact that these two little beings grew in your belly until they were ready to come into the world, and now they are here and they are yours. ‘Mother’ means the woman through whom your very existence came to be, the name Aemma spoken in hushed whispers and always carrying with it the trace of unending grief. ‘Mother’ means Alicent, the girl-turned-Queen who birthed your brothers and sweet Helaena, who gave you little Daeron to love in place of all you had once been without. ‘Mother’ means Rhaenyra, your staunchly devoted sister who had in part raised you, who even now rears kind, intelligent sons who are more than deserving of the legacy she will one day leave them. You find it entirely strange that a word representing these women—such forces in your life, for good or otherwise—is a word that applies to you.
Motherhood is strange, foreign in a way you do not feel you can overcome by consulting dusty tomes in companionship with Ser Lysan, the manner in which you have familiarised yourself with all foreign things in summers past. This feeling has crept into the crevices of your mind in barely perceptible pulses, slow and unassuming with every new thing you learn about these wonderful, terrifying beings your body created, with every new feat they achieve as they grow and adapt to their environment. At times, when you are alone, you worry you will be no good at it. How can you possibly fare well at such a monumental task without a mother to guide you? What if you make a mistake?
What if your babes—who you know you love more than anything in the world, more than you ever thought anyone could ever feel in their beating hearts, so strong it is almost sickening—come to know of your inadequacy and loathe you for it?
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“What seems to be the issue, Princess?”
Gerardys’s hands are folded together before him, his expression as kind and reassuring as always. You wish you truly were reassured, or the too-hot, roiling sensation of your gut might not be quite so pronounced.
There are many responses you could give. The fact that your husband is ill at ease with you for reasons you cannot risk explaining, lest the entire Realm learn through whispers and tales of Valyrian blood magic and some concealed devilry that ought to be put to the sword. That your doubts about how suitable you are as a mother are rising with every second of every hour that you are left to tend your children, feelings that must be wholly unnatural to a woman or otherwise, would you not have heard of such a thing spoken in your many years among the ladies at court? Or perhaps that the woman whom you would prefer to speak to of this matter is in King’s Landing to fetch fresh supplies at this very moment, leaving you no alternative but to be in the maester’s solar instead.
No. None of the answers to his question that come immediately to mind are appropriate here, and nor are they the true reason for your visit. Thus, you brush them aside and take a deep breath.
“I… I have some—concerns.” At his encouraging nod, you add, “About my… supply. For the babes.”
“Ah.” You are glad he seems to have interpreted your hedging correctly; he clears his throat. “I am a physician,” he reminds you, though his tone is by no means judgemental. For all Daemon’s dislike of him, such gentility is why you believe him to be one of the best practitioners in his field, and certainly preferable to Mellos. “While I—understand the indelicacy of the subject matter, I am afraid you are going to need to elaborate, your Highness.”
“Oh. Of course.” You glance away, discomfited. “I… wish to feed the twins myself. By myself. But I”—you gesture weakly to your chest—“my milk has not come in as much as I had hoped it would… by now…”
Rhaenyra has never had this problem, you think. You cannot help it. It was not so long ago that the merest mention of a babe had been enough to wet the fabrics of her gown, never mind that Joff had had the luxury of choice in his supply. Your sister had in fact bemoaned the stubbornness of her body in refusing to dry up—she never let her sons latch for longer than a moon’s turn after each birth, preferring to, as she said, “keep her tits from turning to suckling udders”, long-teated and all. Jealousy is the sin of the vain and impious, but your beating heart thrums with it even so.
Gerardys frowns. “Forgive me—but I was certain that a wet nurse had been requisitioned for them?”
“Yes. But I would—I would prefer to feed them on my own.”
It is not as though you dislike Freda. While she is certainly loud and bawdy and oft far too inappropriate for company, she cares a great deal for Rhaenar and Aelys. You see it in the readiness of her smiles at them, how she cradles them as if they are the most delicate beings in the universe, the way she praises them so effusively for the most base and vulgar of actions—“I’ve never seen a shit so splendid, your Highness, never did I once! A talented little fellow is our little prince, he is!”—but it is not the same. You are their mother, not she. Freda’s presence is not just expected, but required to ensure both your babes have full bellies. It does little to ease your lack of surety.
Though you can tell that Gerardys is perplexed by your insistence, he stares past you thoughtfully, his eyes squinting in his concentration.
“It is not uncommon,” he says slowly, “for a woman with two nursing babes to produce an insufficient volume to accommodate them both. ‘Tis why wet nurses are so popular!”
“I know. I would just… I want to do it.” You wonder if you sound as exposed as you feel. “I am their mother. I should feed them.”
Your words seem to matter not, for the maester is already muttering to himself and rifling through the cabinet by the door, low tones interspersed with the soft clinking of glass vials being shifted about.
“If you insist, Princess,” he says absently, humming under his breath as he balances on tiptoe to reach his higher shelving. After a moment of silence, a noise of muted triumph. “Ah—here it is.”
What he presses into your hands is not an ampoule of some sort, but a plain pouch of hemp and string. The contents within shift about readily, though it prickles when you squeeze too firmly, like dried herbs.
 “Thistle tea.” Gerardys watches as you inspect his offering. “Steep for half an hour, strain. Consume plain, no milk or honey. One cup a day, no more or less.”
“How long will it take to work?”
“You ought to begin seeing an increase in production within a sennight. If you can encourage the babes to latch more frequently, you’ll have better results.” At your enquiring look, he elaborates. “The more often the breast is drained, the quicker it refills and thus the more milk you will produce.”
You colour at his use of such a word, not entirely accustomed to speaking so plainly of something so long viewed as unseemly with another man. It is scarcely tolerable even with your ladies. “You have my thanks, Maester Gerardys.”
“Of course, Princess. But remember—do not exceed more than a cup a day!”
You take his advice to heart over the next few days, exhorting the serving staff to ensure you are delivered of a cup brewed to the maester’s specifications each morning. It tastes unremarkable, a leafy bitterness so often customary of herbal tinctures and tonics, though you think you might find it more palatable with the addition of such ingredients as the ones expressly forbidden to you. The very worst of the flavour collects at the bottom of the cup, forcing you to steel yourself to stomach the sharp-tasting dregs and cleanse your palate with fresh water. You bear it silently, praying that you will soon see the benefits promised to you.
But, after a sennight passes, there is no change.
At least, you think there is no change. Rhaenar is not one for fuss and fuddle, and the one time Aelys is not so is in the hours following feeding, her belly full and warm and leading to an easy, calm drowse—but after letting them latch for half an hour, neither babe is sufficiently serene to suggest that the tea has done its duty. Rhaenar kicks and grizzles, mouthing vainly at your nipple as though you are concealing some previously stored contents still within your breast, while Aelys progresses to full, drawn-out wails. Freda watches on, wringing her hands as the twins caterwaul. The front of her dress is stained, sympathetic leakage in response to the veracity of their cries.
Perhaps it is this fact that finally breaks you.
All at once, you no longer feel saddened or confused, concerned or unsure. You are angry. Why should she—a woman who had neither carried nor shared blood with them—get to give your boy and your girl the sustenance so essential to them? What does she possess that you do not? Why have the gods forsaken you? If they have built the womanly form to bear and nurse her children, then you ought to be able to carry out your duty as intended. Not Freda. Why are they taunting you with such a poisonous reminder of your own failure?
 “Your Highness—”
“No!” Your rebuke is sharp and swift, punctuated further by what you can only assume is a truly withering glare. “Leave us!”
“But the little pr—”
“I said get out!”
The shrillness of your voice only serves to further upset the babes. They both scream, red-faced and baying, and there is a strange sort of harmony to it that might even sound beautiful were it not so devastating. The noise is such that it sets off the panicked shrieking of Azorion and Valnissar, creating a truly chaotic calamity of sound that makes it terribly hard to think rationally. Or think at all.
You bar the room, refusing to allow Jeyne or Bethany entry. You do not need their aid. It is only morning, your thoughts whirl frenetically. Plenty of time to prove that the wet nurse is not necessary.
All manner of people come to your door as the moments—or maybe minutes, or perhaps hours, you cannot tell—pass, no doubt drawn by the crying and the screeching and your stubborn resistance to letting anyone assist you. Ser Lorent raps on the door, earnest calls of “Your Highness? Is everything well?” readily enough ignored and, when that fails, the kindly queries of the maester beseeching you to let him in “for fear there is something wrong, Princess, please let us help you” also dismissed, or rather more truthfully, not quite heard through the thicket of your growing panic. You do your best to disregard anything outside your chambers, your frantic focus centred wholly on giving Rhaenar and Aelys the care they need from their mother—and their mother alone.
But no matter the hymns you sing or the steadiness of your rocking, no matter how perfect your bouncing walk to soothe them or your murmured exhortations to please, please calm down, they will not be assuaged.
You forget what silence is like. Surely you have never been without the sound of bawling infants? The intensity of it reshapes memory, blocks out any sense of rationality or level-headedness. Your own despair rises the longer the babes sob, their sorrowful scrunched-up faces all but proclaiming aloud that you cannot do this.
Your mind rebels. What was I thinking? They hate me. They hate me. I’ve ruined them. I could not give them milk, and now I cannot even stop their tears. I am a terrible mother. A failure.
Failure.
Failure.
Failure.
The hatchling dragons, emblematic of their future riders’ dispositions as is the norm, only serve to intensify the battle between your spirit and your fear. They feel as Rhaenar and Aelys feel, only they have sharp claws and sharp teeth and the mobility fresh out of the egg to express their feelings in a way the twins cannot. You cannot fend off their snapping jaws and high-pitched snarls and tend to the twins at the same time. The situation quickly becomes untenable, though you have not the presence of mind nor good sense to discern this.
“Daor,” you snap as Valnissar nips at your exposed wrist. No.
At this age, the bite stings only a little, drawing a thin well of blood to the surface of your skin. You push the dragon away, doggedly continuing to try and force Aelys’s mouth to your breast. They feel heavier again, a sure sign that there is milk enough to quell the babes’ despondency. If only they would stop crying.
You sit upright on the bed, the curve of one foot pinning Azorion to the mattress below you. He hisses indignantly but makes no attempt to shift, resigned to being trapped for as long as you deem it necessary. Positioned perfectly against the cushion provided for precisely this purpose are your boy and girl, heads perfectly aligned to take to each breast, reclined so that their tiny bodies extend below each of your arms and your hands are free to cup their heads just right. Exactly how Ūlla taught you. So why—why—are they refusing to latch?
“Please,” you find yourself whimpering, the sound lost beneath the piercing howls. At this point, they have both become as distressed as each other, never looking more identical than they do with the same flushed flesh and misery-streaked cheeks, near to seizing with the force of their sobs. You try to bring their mouths to each nipple again, but all they do is cry and cry and cry, faces turning away. “Please, it’s right here. Mama has your milk right here, please please please…”
Valnissar tries to climb over your arm to sit on Aelys. You shrug the beast off, and he tumbles to the bed in a tangle of wings. He screeches, teeth bared, and you can just tell he is about to strike at you again.
You push him away.
“Leave me be!” you say, louder and steadily more overwhelmed, your attention wavering between creature and child. Pressing the babes to your breasts does nothing to persuade them to take from you, but what else can you do? “Please drink. For me? For Mama?”
More wailing. Their fists clench, their forms shuddering.
Useless. It is useless. I am useless.
“Why won’t you have your milk?” you ask, and you think you are calm and measured but really you are starting to sob yourself, a discordant symphony of despair. “Why won’t you just accept it? Please, please, I promise it’s good enough…”
Still, tears. And the dam breaks.
They hate me. They hate me. They hate me. It is like a metronome pulsing through your veins in time with the wrenching heaves of your chest, your lungs trying and failing to force in air. The babes cry, you cry, the dragons clamour, the room feels too full—of sound, of air, of heat—and you are so terribly close to screaming at everything to shut the fuck up because you cannot do this, you cannot do this, why did you ever think you could do—
The passageway at the opposite end of the chamber bursts open. You hear it, but you cannot see through the film of your own tears.
“What the fuck’s going on here?”
Normally, Daemon’s voice—even panicked as he is currently—is enough to reassure you. But it only makes you weep more. Here is your husband, arrived to see how poor a wife he has chosen, how poor a mama you make. Here is Rhaenar and Aelys’s father, arrived to see how enormous your incompetence is, how completely and utterly you have failed to do even the simplest of things. The shame of it is enough to send you spiralling.
You do not remember what follows very clearly.
Fingers fumbling to lace up the ties loosened on your bodice. Hands laid upon the babes, the span of palm large and rough enough to disturb their vocalisations, to ease them to a slightly duller caterwauling. You clutch them tighter to you, unable to even look up to see the owner of those hands, but you are not strong enough to resist the determined reach of those arms to pluck each infant in turn from you. A part of you is relieved. They are passed off with murmurs, man and woman’s voices exchanging in low tones. You vaguely recognise them through the fog of misery. The person before you stands, another taking their place. The steady touch of someone with skin that carries the scent of medicinal herbs feels your forehead, turns your head from side to side, presses clinically at the fullness of your chest. Then, the mattress rises, the weight dissipating, and you are alone.
It takes several long moments to realise that the noise—the babes and the dragons—has stopped entirely. That they are no longer present, no doubt escorted to safety far, far away from you. It ought to be enough to torment you to madness, the final step in this harrowing reprieve from reason, but your tears have fled too. All that is left is bone deep, heavy exhaustion and a full-bodied dispiritedness that makes you sink into the pillows behind you, slide down enough to turn to your side and ignore whoever is talking, shut your eyes and block everything out.
You let the darkness swallow you whole.
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Of course he is here when you awake.
You do not know if you really expected otherwise. He has dragged a chair from the table by the balcony next to the bed, and he ought to appear more comfortable—slouched carelessly as he is, leg slung over the other in the assured manner that all men who are confident in their right to take up such space are—but his expression suggests otherwise. Not angry, no, but certainly serious; a pensiveness that comes from prolonged periods of introspection. His eyes seem far away. In fact, his entire self seems far from where he sits, as though his body has travelled back to the Keep but his mind is still in the Dragonmont.
Where he has been for days and days, you think bitterly. Reading thousand-year-old texts instead of being here.
His hands are clasped and resting under his chin, his elbows on the armrests. He seems tired. You regret the ire of your thoughts. It is not as though he has gone out of his way to avoid you, truly. He is here when you need him.
You do not realise he has become aware of your return to consciousness until you hear your name softly spoken.
“Rūhossa zaldrīzessē mazumbillā ilzi. Pōnta biktomy kisittaksi,” is the first thing he says. The babes and dragons are in the nursery. They were fed by the wet nurse.
The silence, previously unnoticed, registers at the same time as your relief. They are safe. They are far away from you. It is likely for the best, even though your breasts feel uncomfortably full.
Daemon shifts from the seat to the bed, staring down at you with an unnameable emotion in his gaze. His movements are relaxed, almost calculated, as one who is wary of spooking an injured animal. You think that if he had failed to glean some sort of response from whomever followed him into the room earlier, he would not be quite so calm.
For a moment, you are half-convinced he is about to reprimand you—until he strokes your jaw, brushes a stray tendril of hair from your face. Your heart skips a beat. His touch is kind.
After an indeterminate period of silence, the question eventually comes.
“Skorion massitas?” What happened? His tone is low, measured.
You sit up, making room for yourself by wiggling back against the pillows. Really, you are stalling. How does one go about explaining that they had taken leave of their senses?
“Ūī ūndetā, gōntō daor?” you ultimately choose to say. You saw, did you not? It sounds dull and lifeless even to your ears. “Se avy qubykto massinoti biktys ivestretos.” And the wet nurse must have told you of earlier events.
His responding look is unimpressed. Normally, you would expect him to have yelled by this point. Whatever it is that he has been told—whatever it is that you must have looked like here, near to yelling at your own infant children and sobbing with your breasts bared to the room and two small dragons buzzing about like particularly persistent insects—it is enough to stay his temper for the time being. Still, you do not believe his patience will hold for long.
You sigh, shuddering out an unsteady breath.
Even though the spell of hysteria has broken, it takes a moment or two to gather yourself. Daemon grasps your arms, erring on the cusp of too-tight to be solely encouraging, but it grounds you enough to attempt to explain what it is he stumbled upon before.
Your jumbled thoughts stream out unorganised, and you are only really half-aware of what exactly it is you convey through hiccuped breaths and shaking shoulders. Failure. Disgrace. Cannot even feed my own children. Useless. Bit by bit, it comes forth, juddered and broken, and you cannot even tell what language you are speaking in, or if you are dipping in and out of your native tongue and your learned one without a presence of mind to control it. As you speak, Daemon’s face morphs, knitted brows relaxing and mouth easing from its hard line into the gentlest of frowns. And then, you are silent. You wait for the death knell of judgement.
It never comes.
His hands slide lower, capturing your own and lacing fingers with you. He stares down at this joining, turning your wrist over as though he is marvelling at the disparity in size, in smoothness.
“Why didn’t you tell me?” It is low, strangely hurt.
Your heart thuds uneasily. This is not how you expected him to react at all. “I—I don’t know.”
He swallows, and again you are unsure if he is holding back anger or if he genuinely has none. The calloused pad of his finger strokes a line down the centre of your palm, eliciting an instinctive shiver from you.
“Gerardys said you went to see him. That you were in low spirits. Irritable. Fixed on this idea of nursing the babes by yourself.” He glances up, his lips twitching like he is reluctant to voice his next words. “He says… sometimes there is an—affliction—of the mind. It happens to new mothers.”
“You think I’m mad?” You try to pull your hand away, but he holds on.
Scoffing lightly, he says, “Maegor was mad, you silly girl. You are young. Frightened. A great deal has happened to you since we wed.”
His jaw tenses, no doubt recollecting those memories. The wedding night. The fight. Laena. Driftmark. Larys. Alicent. Father.
He sighs. “And I… I have not helped.”
Your mouth parts in protest. “I am happy with you,” you say stubbornly. “If you had not protected me—”
“And where have I been since the eve you hatched the twins’ dragons?” He turns from you, resting his elbows on his knees to rake his hands through his hair. “Hiding in the fucking Dragonmont. Like a coward.”
“You aren’t a coward. You’re the bravest man I’ve ever met.”
He laughs, short and sharp. It is an ugly sound. “Yes. So brave am I, I ran away and left my young wife alone to care for my children. I’m such a craven”—he lifts his head to look at you once more—“that I found it easier to let this happen instead of admitting how deeply that night unsettled me.”
An understatement, to be sure. You do not think ‘unsettled’ is sufficient enough to capture how either of you feel.
“It isn’t your fault,” you settle on telling him. “I should have just been able to nurse Rhaenar and Aelys without crying like a child—”
“You were overwhelmed. Worried. Thinking that not having enough milk means you’re somehow not fit to be their mother. What utter shit.”
“I cannot even feed them. How am I supposed to raise them?” Your voice is abnormally high and thready. You hear it, though it does not register as abnormal until Daemon’s expression stops you in your tracks. You shake your head, trying to stave off the tremble in your lower lip. “You don’t understand. I want—I need to be—enough for them.”
I don’t remember my mother, you want to say. I only remember ’Nyra and Alicent and Father. None of them were enough. None of them were able to make me feel less alone.
How am I supposed to stop Rhaenar and Aelys from being broken in the same way I was? Who do I turn to? What do I do? How can I protect them when I could not even protect myself?
When Daemon’s touch returns, it is unimaginably delicate, nearly tentative. He cups your cheek, tilts your head so your eyes can meet.
“You are enough,” he says. “How can you think otherwise? To love them is to be enough.”
A part of you wants to heed his words, to allow him to soothe your worries as he is so often able to do. Your thoughts, self-loathing as they are, continue to press against your will and shake the firmness of your resolve. “But—”
“Ah-ah. Remember our vows, sweetling.” His lip quirks, finding fondness in memory. “Did you not promise to obey me in all things?”
You nod tentatively.
He hums. “Obey me now, then. Cast those foolish notions from your mind and listen to your uncle, hm?”
You do not think you can agree so easily as he expects. This is a war in your head that he cannot help you wage through a simple command. But you want to believe that it could be as uncomplicated as he has made it.
“Alright,” you say. “I’ll try.”
His answering embrace feels like a port in the midst of a harrowing storm. When the world around you is careening wildly, uncontrolled and unstable, you know that he will bring you back to safe shores. He would fight those waves off himself if he could. You press your nose to his neck, breathe in the familiar smell of him—smokeleatherspice—and, for a time, everything feels just a little less terrifying.
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“See? They’re fine,” Daemon says. “A night away has done no harm.”
The babes are well-settled in the nursery, placid and rested and bright-eyed. Rhaenar grips onto your thumb in welcome, while Aelys kicks her legs and squeals when she sees you above her. Though you are glad for it—glad that you had not ruined them in your desperate madness—there is a part of you that wishes they had not clearly been so manageable without you.
You eye the sleeping forms of Azorion and Valnissar, coiled faithfully by the sides of each of your children. The Keeper loiters near the window, watching on.
Freda nods hastily. “They have been fed and bathed, Princess, all ready for sleep. Nothing to concern yourself with.”
She clearly thinks this ought to ease your mind. If anything, it only serves to disappoint you. Not only had you missed out—you despise missing anything they do, any part of their life—but now there is no recourse for the ache in your chest. Even thinking of it is enough to make your nipples itch, your breasts throb. You pray that the front of your gown remains dry.
You turn toward the other occupant in the room. “And the dragons?”
The Keeper is here primarily for Tyraxes and Skyfrost, the respective future mounts of little Joff and Corwyn, given that the nurses brought in to care for the babes are not equipped to raise creatures so dangerous as the ones claimed by your House. Today, though, he is responsible for four of them. If the look upon his face and the sweat glistening on his brow is any indication, doubling his responsibilities has caused a great deal of stress, indeed.
“The elder two have been separated from the hatchlings,” he says, stepping forward jerkily. It is as though his limbs are fastened upon strings controlled by some higher being—a human marionette. The effect is startling. “The younger pair have been… spirited, though they are resting for the time being.”
Daemon snorts, shaking his head. “Of course they have. At least they don’t breathe fucking fire yet.”
“Fucky.”
Your husband��s head whips over to the rug by the table, where Corwyn and Joff happily toddle about on unsteady legs. Corwyn is looking straight towards Daemon, smiling and mashing his gums on what seems to be a wooden knight.
Like most of the children in your family, he appears to have developed a liking for the man. Mealtimes now often involve the boy stumbling to Daemon’s side to pass him whatever object he has deemed necessary to be kept in your uncle’s possession, wide amethyst eyes peering expectantly upward until the doll or block or carved figure is taken from his hands. Daemon will roll his eyes, thank him and pat him on his head of dark curls, the act inciting a squeal and babble before the child waddles back to his evening playtime.
At the abrupt cessation of conversation, Corwyn removes the figure from his mouth and speaks once again. “Fucky.”
“Shit,” Daemon murmurs.  You strike his arm reflexively, but it is too late.
Corwyn laughs as he wanders back to Joff. “Shit. Shit. Shit-it-it-it-it-it…”
“Daemon!” you hiss, torn between irritation and a bizarre sort of amusement.
He shrugs. “Oh well. Nothing can be done now. It could be worse, sweetling. He could have walked in on us fu—”
“Rhaenyra will want your head on a pike for this,” you say hastily, in part to avoid scandalised stares from the attending staff and also to prevent Corwyn from repeating what his cousin has accidentally taught him. No doubt your little nephew will learn it from his half-brother, too.
“Perhaps we’d best depart for the evening, then”—Daemon’s hand is insistent on your elbow, a leading force that beckons you to follow—“lest you lose your husband to your sister’s temper.”
“That would be your own fault,” you say absent-mindedly.
You are unable to tear yourself away from Rhaenar and Aelys just yet. They are calm, yes, but this is not where they sleep, where they belong. You do not know if you can bear the sight of the empty cradle in your chambers or the absence of the sounds they make together with their dragons.
“Must they remain here?” you ask, more a whisper than a genuine plea.
“They are safe here.” Daemon reaches forth to let Aelys grasp his finger, an involuntary action since the babe had fallen into a doze during your visit, no doubt lulled by the sound of your voices. She is the more difficult of the pair to settle; you know Rhaenar will follow easily enough. “You ought to take respite from each other, if only for a night.”
His words are gentle, but the expression on his face reminds you of earlier. Obey me now. Cast those foolish notions from your mind. Listen to your uncle. You hear it as though it has been spoken aloud once again. Even so, the pulsing discomfort in your breasts stays your obedience.
“If I could just—”
 “No. We’re leaving. You need to rest.” It is firmer this time, louder and more decisive. He is not persuading you—he is telling you.
With a sigh of defeat, you lean down and kiss each babe farewell, doing your best to quell the unreasonable instinct to cry at the thought of goodbye. Daemon offers his own departing caresses and steers you determinedly out of the room. The walk is silent, though the heat of his arm against your palm is comforting in its own way.
Your chest begins to truly ache, a sensation beyond simple fullness. The dress you wear feels too tight, too restrictive, and you are forced to concentrate on pushing each breath up and out to avoid friction between skin and fabric. The smallest degree of stimulation is enough to bring your milk forth.
The irony, you think in despair. No milk when the babes need it—and now, when they are full and slumbering, my supply is as bountiful as it ever has been. How cruel, the gods are!
When you are finally back in your chambers, you barely notice Jeyne and Bethany’s attempts at greeting, their offers of assistance, their gentle repositioning and the tugging of the laces at your back. All you are focused on as the gown loosens and spills to the ground is how you will relieve yourself of the weight in your breasts without bringing too much attention to yourself. Daemon is fascinated by the prospect, true, but given the strife you have caused… you know not how any complaint of it would be perceived. Perhaps he would finally be angered by your outburst? Perhaps he would be disappointed that you had been so juvenile that you could not even take control over your own body, decide that you did not need the milk and thus ought to have been able to will it away. You have been lucky thus far. It is not likely that fortune will continue to favour you today.
You resolve to dispose of the excess in the privy. It ought to be relatively simple—your uncle is hardly one to accompany you to such a place. ‘Tis certain that the notion of wasting it, especially when your goal is to increase its yield, is disheartening, but what else can you do?
If only Daemon was less observant.
“You’ve been far too quiet,” he says after your ladies exit, tossing his shirt rather carelessly over the desk and the papers covering it. His eyes trail you assessingly, and for a moment you are worried that he can tell. “What’s wrong?”
“Nothing.” You try to avoid glancing down at your chest. It would not do to give anything away. “I just—I need to use the privy.”
“No, you don’t.” He kicks his boots to the side, fingers working at the ties of his breeches. “It’s not shameful enough to explain the look on your face. Try again.”
“I’m not ashamed!” you say hotly, spine straightening in your affront.
It is the wrong move. Your nipples brush against the weave of your shift, the sensitivity amplified near to pain. You wince, shoulders curling inward and cringing away from the clothing you wear. As a warrior trained to spot the smallest of discrepancies, Daemon’s gaze falls down.
And there—he has it. You know he knows.
“Ah.” His nostrils flare, visage contorting slyly. “Uncomfortable, talītsos?”
Your breath hitches. It would be barely perceptible to any other, but not him. His gaze drifts between your line of sight and the curve of your breasts beneath the thin layer that separates your flesh from the cool air of the room, almost as though he cannot resist the temptation to look.
“I—they did not feed,” you say quietly, resisting the desire to squirm uncomfortably at the intensity directed straight toward you. “If I get rid of it before it overflows, I’ll make even more. That’s what Gerardys says. I should—”
“You should take off that shift.” Daemon’s breeches drop to the floor, discarded easily as he kneels upon the mattress and shuffles into his desired position, reclining like a king against the pillows. He bares himself proudly, arrogantly, the rosy flush of his cock not quite pronounced enough for arousal. His hand extends in invitation, mocking little smirk gracing the line of his lips at the hesitation he can so clearly read. “You’ll not be wasting such a bounty on a hole built to shit in.”
You sway, dubiously convinced. “It’s for the babes, though.”
“The babes are sleeping. Your husband is not—and he is ravenous, sweet girl.” A shiver travels up your spine from the gravelled timbre of his voice, the shadowed fire in his stare. His fingers flex in your direction, beckoning. “Come here.”
The pause you take before you heed his directive to tug open the ties at your neck and shrug the shapeless sleepwear off your form is not borne of any insecurity. You are not unhappy with your body. Naturally, there have been changes: wider hips, softer belly, skin etched with silvery webs across your middle, your thighs, the tops of your breasts. Though you cannot see it, you are sure that the opening from which your children were birthed has been altered irrevocably, too. You are proud of these differences. They mark the finality of your girlhood and the beginning of life as a woman. They are reminders of the lives you have brought into the world. And, like the burns that mottle much of your uncle’s upper body, they proclaim to all who see them that you too are a victor of glorious battle, all the more unique in that the war you had waged was one of life, not death.
No. You pause because you know Daemon, know what he is like. His appetites. His perversions. In any other state—at any other time—you would happily indulge his lusts. But not only is your body not ready to accept him, you do not even think you are capable of experiencing desire at present.
Even so, you step forward, bear the manner in which he leers, take his hand, and allow him to do with you as he will. There is comfort in giving yourself up.
He lays you out next to him, propping himself on his side so that he looms over you. The ends of his hair tickle against your cheek, bringing forth an immediate smile. It is matched by his own answering grin as he dips down to kiss you, and this you have missed. What surprises you is that it is not a kiss of need, but one of softness, fragile as the wings of a butterfly. You exchange breaths as you exchange yourselves in the union of lips.
“Let me help you,” he murmurs against you, the words passed forth to collect on the tip of your tongue. “Let me make it better.”
You nod, tipping your chin back as he presses his mouth to your jaw, your neck, your collarbone, sensual in his languorousness. It is like he carries no purpose other than to let you feel your own body again through his touch. The imprints of cooling damp left behind ground you, remind you of how it felt when you had first come alive under him, around him. When he reaches his target, you expect a shift in his demeanour—but he continues just as gently to take your right nipple between his lips and suckle as weakly as any infant might.
One, two, three pulls, and the relief is near instant. Daemon makes a low noise as your milk lets down, melting to your contours as his arms clasp you tightly against him. The sound of him taking sustenance from you is one of the few things you can hear in the relative silence of evening, carrying with it a peace of its own.
He is able to tell when to switch before even you, shifting swiftly and easily to your left to repeat the slow, tender drags that ease the discomfort and loosen the tight, full sensation weighing you down. The only attempt he makes at receiving his own satisfaction is to rut lightly against your thigh, aimless and lethargic, a base urge to self-soothe in moments of calm. You close your eyes, cradling his head to your chest and mindlessly dragging the tangles from his hair.
In seconds, minutes, hours—you know not—his movements come to a gradual halt. His cock remains hard against your skin, though he allows himself to deliver one final, lush glide of tongue along the fount from which he had supped before pillowing his head on the emptied swell of your breast. Together, you indulge in the serenity.
Eventually, you are driven to speak, though you are loath to disturb the mood that has befallen the room.
“Thank you,” you whisper.
His palms are warm pressed to the dip above your rear, tightening there as his ears register your voice. Otherwise, he does not move.
“I should be thanking you, sweetling,” he says, each word spoken with a gravity that conveys more than just the simplicity of the statement itself.
Vulnerability is difficult for your uncle, and you have learned all the ways in which he reveals the parts of himself too damaged by the world to readily expose. It is second nature to understand what he means to tell you, what he means to thank you for. Your children. Your life here. You. It is gratefulness, protection, apology, love all rolled into one.
You smile.
‘Tis true that nothing has been resolved. You have not succeeded in nursing the babes by yourself. You have not banished the sickening feeling that churns in the pit of your stomach, a constant reminder of the doubts that plague you. You have not spoken properly of the fire and blood of Azorion and Valnissar’s hatching.
But you have begun on the necessary paths to each. Every journey, however great or small, must start somewhere, after all. And—perhaps most importantly—there is not a single ailment that cannot be eased, at least for a time, by the strength of Daemon’s devotion to you.
As you crane your neck to proffer a kiss of your own to the top of your husband’s head, you know that whatever future awaits you is one you can face.
I can do this. I can do this. For the first time in days, you believe it.
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xavieryaa · 11 months
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The Reddit Blackout, #196, And Being New to Tumblr
okay i've seen a lot of people in the past ~24 hours or so confused by everything going on with Reddit & Tumblr from both sides - people new to tumblr who don't know how to use it, and tumblr users who don't know what's going on with reddit and why many of its users have joined up here i know this isn't really related to my blog but fun fact about me: i was up until recently a very active reddit user and even mod a subreddit, but I've also been on tumblr for about 3 years now on different accounts, so I think I can see pretty well from both sides of this and explain what's going on this post will be split in 2 sections: what happened with reddit (and what #196 means), and a guide for new users
1. What The Hell Is Going On With Reddit?
The thing that's caused all this ruckus is a major change to Reddit's API, which is what Reddit provides to people so they can pull directly from Reddit to make third-party apps or tools.
The change is that Reddit is changing its previously free API to be paid. Which on its own kinda sucks for developers, but it's not unexpected. They need to make money somehow, right?
The problem is that the API pricing is WAY TOO FUCKING EXPENSIVE. The developer of the most popular 3rd party Reddit app, Apollo, says it will cost him $20 million a year to continue running the app as normal.
Essentially, this pricing forces almost everything third-party to shut down, which causes 3 major problems:
Third-party apps cannot keep running, which sucks for normal users because Reddit's official app is awful. It's slow, its video player is a thing of nightmares, it doesn't have many useful features third-party developers have made.
It sucks even more for visually impaired users because they can't use the official Reddit app at all. Reddit's official app does not work with iOS's native text-to-speech function. Third party apps, on the other hand, often do. So Reddit is forcing blind users away.
Third-party moderator tools cannot keep running, which sucks for moderators because many rely on these tools to properly moderate their subreddits. And moderators are often necessary, because without them subreddits get banned and hate speech and even CSA can often run rampant.
So you see why this change is bad.
Reddit users were PISSED.
So over the past week and a half or so, they have been working on organizing a site-wide blackout. The majority of the most active subreddits have now gone private. Some are only doing it for 48 hours, others (such as r/196) are doing it indefinitely.
That's why you can't access most of Reddit right now, and that's why many users have come here.
You're probably still wondering, though - what is this #196?
Well, as you may guess, it's connected to that subreddit r/196 I just mentioned. r/196 is a subreddit which only has one rule: every time you visit, you must post before you leave.
That's it, that's the subreddit.
The thing about r/196 that set it apart from most other subreddits - and what lends the subreddit's users perfectly to Tumblr - is that it was dominated by queer and leftist users.
So now they've come here and set up shop in #196 and r/196 so they can continue their merry little shitposting.
There's a ton of lore related to r/196, actually, but this is already a long tumblr post and quite frankly I cannot be bothered to write about it at the moment.
2. I'm Here From Reddit, What Now?
Hello there, random new user. As a double-citizen of Reddit and Tumblr, let me show you around this place.
First off, there are some other people who are better at explaining that I am who have made some really helpful things. Watch this Strange Aeons video as a guide to Tumblr culture and functionality and read this post which directly compares Reddit and Tumblr.
Assuming you've done that, here's some additional advice of my own:
Do you miss sorting subreddits by top of all time/the year/the month? Well, you can do something very similar with tags! If you go to a tag at the top of the screen you can select top, and then at the dropdown that says "all time" you can select different time periods! Even 6 months, which Reddit hasn't ever had.
Tumblr has a lot of cool customization features! Even outside your icon/banner/bio, you can change you blog colors and on desktop you can have an html theme (which has its own thriving community here). That customization is part of what sets Tumblr apart from everywhere else - I think you'll enjoy playing with it.
Notes will probably confuse you at first. Unlike the different numbers for upvotes and comments, notes combines the total number of likes, reblogs, and replies into the same number.
Outside of organizing your own blog, when making your own posts tags are what help other people find your post. Use them! But don't abuse them, because then people will just block you.
There are three ways of people finding your post: if someone follows you, if someone follows the tag(s) assigned to your post, and if someone is just scrolling through the tag(s) assigned to your post (and also the secret 4th way no one uses, which is finding it on the trending page, but even if people did use it no one will find your post initially that way)
tumblr is no longer The Discourse Website. And unlike what Reddit wants you to believe for some reason, it is very much alive still. Most of the people seeking fights have moved to Twitter (though some have also moved back here again). You will not get any brownie points for being a dipshit like you do on some subreddits.
So there, welcome to the hellsite (affectionate), you'll pick up on all the in-jokes eventually, for now just try not to be a nuisance and soon enough this'll be your new internet home.
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