i absolutely LOVE that ruby has been pushing off finding and using crescent rose ALL volume but once she finally accepts that she is enough, she fully embraces her weapon and uses it to its greatest. because weapons are an extension of yourself!!!! and she loves who she is, flaws and mistakes and all!!!!
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like i'm so fucking ill about it. the (shipped) gold standard was the last song they needed to play to have performed every single song off of folie à deux live at least once. the record that has caused them the most pain. the one that they avoided like the plague for over a decade after its release, save for i don't care and the occasional instances of disloyal order, what a catch, or 20 dollar nose bleed when they toured with panic! that one time. the one that patrick wouldn't even talk about, for the longest time. it got them booed visciously, it got them dissected by critics, it got them pelted with garbage and glowsticks at shows, it got them stressed and strained to the point of needing to pause all efforts as a band to make sure they could still stay FRIENDS in the wake of it, and now it is the only fall out boy record that they have played 100% of, INCLUDING lullabye and fucking pavlove. and the last song left was (shipped).
you can only blame your problems on the world for so long. i want to scream "i love you" from the top of my lungs, but i'm afraid that someone else will hear me.
(or, they used to be afraid. evidently, not anymore.)
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what gets me about the shadow/maria dynamic is that it takes the trope of "weak helpless girl dies for a tragic plot device" and subverts it
Maria wasn't helpless in her fate. She did have a choice. Shadow would have been strong enough to protect them both (Where else could they even go? Would he need to hurt someone?) but instead she made a choice to protect Shadow.
Shadow's story isn't tragic because he failed to protect Maria and now spends the rest of his life tormented over it. Shadow's story is tragic because he is the strongest creature alive, but raw power isn't always enough, and his loving friend made a sacrifice to let him go hoping she was giving him a chance to learn compassion because she was strong!
Maria's purpose isn't that she's a weak little girl who dies. Maria's legacy is that she protects the strongest creature alive, and teaches it the strength of love.
Her character gives the moment purpose, not the other way around. Her willingness to die so he can go free, asking him to use his strength to protect the people of Earth, despite everything. It's her proof of love that gives Shadow's burden that kind of extreme weight. Shadow will live forever and with so much limitless power, would life be easy to discard without a second thought? Not Maria's. Not when she asked him to protect it. That weight will remind him, always.
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The most fulfilling thing about art (and why I'm so passionate about it as a concept) is just knowing that this is a piece of you entering this world and being born, and it's as imperfect, messy, and human as you are.
Like, this is my first single crochet, and look at it!
It's lumpy and not even whatsoever, but that came out of my hands. It is, essentially, not unlike a toddler who has just learned to walk with uneasy legs. Would you punish a toddler for toddling, for being unsteady and unrefined? Then why is it that we must punish ourselves for being in what is essentially that same state? Create, even if you cannot run with it. You can still walk with it. You can still crawl with it. But, create
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Hi, hello, I’m new to your blog. I’ve made myself at home. Lovely carpet.
Can I please know more about your spider Robbie pie? Can’t seem to find the silverware.
but of course, kind anon
Spider Robbie is an au in which Robbie Robertson takes up the spider mantle after the death of the one before him. He is the third, following Ben Urich and, most notably, Peter Parker.
This au is very much canon divergence from Eyes Without a Face, where Peter makes it in time to save Robbie from his original fate but dies in the process. Peter is shot while rushing Robbie and the others out. In his panic and elation at finding Robbie physically unharmed, Peter outs himself as the Spider Man to his best friend. Robbie stays with him as he bleeds out and resolves to continue to hide Peter's identity.
Peter is buried and remains that way for... an undetermined amount of time.
Robbie is left with a mask, a jacket, and the question of just who was this other half of his friend. As he learns more of who this... Spider Man was, he gets more and more involved in the spider's cases and conflicts. Robbie gets more sure of his own abilities and makes a bit of a name for the Spider Man within his own community, though the people of Harlem are largely unaware that the appearances of a masked vigilante match the interests of one Robbie Robertson.
It is to be noted that none of these aforementioned abilities are spider-god-induced powers like Peter's. Robbie, especially at the beginning of his spidering career, leans more into Urich's role than Parker's. To me, Robbie has been passionate about the press and journalism in a way that Peter never was. For Pete, his job as a photographer and reporter was a job he took until he could get into college and study science. Robbie has a way with words and communication that Peter frankly lacks. Of course, that isn't to say that Robbie won't be kicking ass, because he will. It will just take him a bit of time to get some of those skills as he's, well, a normal guy. Not everyone can get their biology scrambled like Pete.
And just because Robbie hasn't been scrambled doesn't mean he's completely separate from all things supernatural either!
I think the marvel noir universe is at its best when there's a magical, supernatural undercurrent. This concept isn't super prevalent in the actual comics, but HoplesslyLost on ao3 has done some really cool world building with it.
I think in Robbie's case, where he would be the narrator, "magical realism" would be an interesting avenue to take it. I use this term in particular because I most closely relate it to Toni Morrison in my head, when I first learned about it through her work in high school. For Morrison, the concept was inseparable to blackness and I think for Robbie, where his blackness is so central to his character and his motivations, drawing on that could be more of a service to his character. It feels better to do that than ignore how incredibly racialized his society and story is. It will make his relationship with the spider god, Peter (who I will get to very very shortly), his community, and his own mythos as The Spider Man really interesting and complex.
So it's been established that Robbie doesn't have spider powers. And we all know that Peter did-- or should I say does. One of the spider god's abilities is to bring Peter back to life. She does this in the comics, but not in any of the runs from 2008-2010 (the runs that make up this au). When Peter dies on Ellis Island, he does not think he is coming back from that. Waking up again is a surprise.
Here's where I think the au really takes a left turn. Do I think the Spider God is purely evil and spiteful and has it out for Pete? No, not really. Will I be ramping said traits up to 11 for the au? Yeah, I guess I might. This is because I love a little bit of horror and the came back wrong trope. I will hopefully be fleshing the spider god out in the near future, but I really haven't given her the many hours of thought I have the other characters. For that I'm sorry spider god </3
Peter digs himself out of his grave, more spider than he ever has been. For much of his new, waking life he is more animalistic than not. There is clearly something wrong with him; his joints are too flexible and loose, he's got some eye-shine going on, his skin is pale and his veins are starkly dark beneath it. He's possessed. Someone is puppeteering him, someone who knows a lot-- almost everything about him, but it's clear that the someone isn't him.
And Peter--- the body, it can't be Peter. At least, that's what Robbie thinks when the figure catches his eye the first time. Because Peter is dead and buried, and he has been dead and buried for weeks.
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