@raventhekittycat
hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms
There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.
But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!
Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)
But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.
For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.
Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.
There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.
The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.
But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.
So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.
Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.
It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.
Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.
I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it
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thought I should collect my vague fma/mp100 thoughts here to make it easier to have them all in one place !
basic plot/character stuff
ed and al are both talented young psychics who got their powers when they were pretty young. ed got his powers around the time their dad (a CRAZY powerful psychic) left, and al got his shortly after their mom died :(
they thought they could use their powers to bring their mom back as a spirit, but it went. very bad. instead, an evil spirit took advantage of them and started fucking Eating Their Life Forces. al freaked out and astral projected out of panic, but his entire body was consumed so now he's. stuck like that. ed managed to exorcise the spirit, but not until after his arm and leg are devoured too
their motivation is to get rid of evil spirits that take advantage of people and hurt them like this, which is what takes them to roy mustang's door
roy mustang is a fake psychic pretending to have pyrokinesis (he just has a flamethrower behind his desk) because I think that's funny. he's running an exorcism business like spirits and such, except he has a larger crew -- mostly his friends he can call up to do odd jobs for him, like fixing the leaky pipes that make noises that make people think their house is haunted or whatever. he's also the only exorcism business that's willing to hire a teenager, so that's how the elrics end up working for him
in addition to mustang's crew of non-psychics, he also has hughes, who is tragically a ghost. there is definitely some tragic back story here that I'm still working on hashing out, but they've kind of come to terms about it now. he still haunts his family, who know he's there, and he agrees to help out mustang with Actual Spirit Issues when the elrics are unavailable
the elrics' quest to deal with manipulative evil spirits leads them to encounter the sins, who are all very powerful evil spirits. one of the first ones they deal with is greed, who they mostly exorcise, but he manages to just barely survive, dimple style. he's looking for ways to bring himself back up to full power
enter: ling yao, recently awakened psychic who is also looking for ways to become more powerful. he keeps over-exerting his psychic powers and exhausting himself, which is how the elrics come across him mostly unconscious. he's very excited to meet another esper, but he makes the mistake of asking why al doesn't possess ed, since he knows that can enhance someone's psychic powers. the elrics are both Very Sensitive about that kind of topic and tell him to fuck Right Off
bad idea, because then he goes and finds a spirit of his own. both he and greed approach their mutually beneficial consensual possession situation for self-serving reasons. both of them look at each other and think "yeah I can definitely manipulate this guy into making me more powerful" [fast forward a couple months to when they've become Extremely attached to each other] oopsies
lan fan is a telepath. ling did not know this, so he tried to act soooo normal about being possessed around her. that didn't work for long, jackass! she got so fucking angry with him when she heard a literal devil on his shoulder, and even though ling stopped her from destroying greed, that evil spirit is on THIN ICE.
scar's family was killed in a psychic terrorist incident (think kimblee if he was part of claw). he's one of those really late bloomer espers -- it wasn't until this traumatic event that his psychic powers awoke, and he hates them because of the link to the event. now he's on his vengeance based quest, going after psychics that abuse their powers
things I'm still working out the details for
mustang was involved in some high profile fuck-up. kind of like separation arc reigen except uhhh people Died. hughes was likely one of those people. no one has enough proof to outright prove he did it, but he is definitely linked to the event, especially because he was a pretty public psychic figure at the time. in reality, it was the fault of the sins, but it's harder to find evidence when it was evil spirits doing it
olivier + the rest of briggs are an anti-psychic terrorism government agency (kinda like joseph) and initially scar is one of their targets, but they end up recruiting him bc they have a common goal
eventually scar starts working at spirits and such (olivier's assignment so he can keep an eye on mustang) but he fucking hates it. oh my god I cannot emphasize how much he hates it. imagine reigen serizawa and mob at spirits and such except none of them can stand each other. that's mustang, scar, and ed having to work together.
mei is also a psychic! she kind of latches onto both scar and alphonse (separately) because she needs some help killing someone. they have very different reactions to this.
the someone she's trying to kill is father, a super powerful psychic who's been orchestrating much of the psychic terrorism, as well as directing the sins. he's like if toichiro had a specialty for spirit wrangling like matsuo
miscellaneous au details
ed and al's auras (and al's spirit form) are mostly gold, ed's leaning more coppery and al's more of a green-gold. ed's kind of has the look of fire crackling around him. ling's aura is a blend of red and purple and has a kind of watercolor/bruise look. it's more vibrant and has more purple when greed is possessing him. mei's is mostly pink with some red.
mob psycho spirits range from completely abstract to mostly humanoid and frequently have multiple forms in between. hughes looks mostly humanoid most of the time, but can go simplified and silly when gushing about his family. al has a more powerful form that looks like the full suit of armor but he doesn't like using it very often, so most of the time he's a long blob that's just kind of armor shaped (like when the armor is simplified for silly moments). greed at full power looked like the ultimate shield, after being weakened he looks more like a dimple-like blob that resembles the face in ling's mindscape. when possessing ling and both of them are using their powers, ling gets lines on his face like on the ultimate shield (like dimple's cheek spots!)
other spirits: pride looks how you'd expect. horrible shadow spirit. envy bodysnatches a lot. wrath has been possessing a politician for Literal Decades. it's no good. I'm not sure about the other sins
people's feelings on possession range from the elrics (Fuck No), to hughes and mustang (if necessary to get a job done), to greedling (they like it like this actually)
the rockbells aren't psychics but they live kinda adjacent to the psychic world bc theyre family friends with the elrics + hohenheim, so they know more than most about psychic powers
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Tagged by @proserpine-in-phases on a technicality that I'm actually in the mood to do a tag thing for once and this is a short one
Last song I listened to: Sex With a Ghost by Teddy Hyde. I've had it on loop for let's not talk about how long, nor do I know why my brain said Yes This One Let's Loop It Today. It's a jam but not like, a great one? The previous song brain said Loop It Harder about was If It Doesn't Hurt by Nothing More (flashing lights warning on this vid, but it's a proper banger)
Currently reading: Third Time's the Charm, a Toph/Zuko Avatar AU fic on desktop and It's Not That Funny, a Tim Drake & Jason Todd get along AU on my phone (it is wild to me how many Batman fics play with Batman Beyond canon but only the Joker Junior bit, fuck Terry I guess).
Currently watching: jacksepticeye's playthroughs of Resident Evil: Village and My Friendly Neighborhood (this one for like, the 4th time, brain decided This is Comfort Food apparently).
Currently obsessed with: The Your Head Will Lie in Dust AU I will never actually write because it's very stupid but it, like all the other very stupid Time Travel AUs of my AUs I've mostly never written in the first place, are my comfort distractions when migraine hell says Fuck You, Go Cry in the Dark. Can you guess how my week's going?
Not tagging anybody but go nuts, @ me if you want me to see
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