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#i'll never be done
just-a-mod · 10 months
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no thoughts, just Zalla in a great fairy outfit
once again proving this meme accurate
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starwarjotta · 4 months
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looking for someone on Tatooine
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Think about Harrow's AU Bubbles
Thinking about Harrow's AU bubbles, not as fanfic references, but as expressions of her subconscious fears and desires, is so fascinating.
The Harrow Nova one is pretty obvious. Harrow's parents were obsessed with her being a necromancer, were willing to kill for it. It's only natural she'd wonder, "What if I hadn't been?"
And the answer Harrow gives herself is: Your parents and everyone would reject you (except, wildly, for Crux). Also they'd be alive cuz you'd never opened the tomb, and you'd be an unpopular orphan they'd abuse (Just Like Gideon). And you'd still be just as devoted to serving the Ninth with a blade. There's a lot there. But the other really telling bit is her relationship with Gideon. Harrow Nova professes to hate the reverend daughter even as she seeks to (re) create the necro-cav bond with her. But that hatred doesn't seem to be mutual. And the bit about the daughter intervening when Harrow was whipped…
That's Harrow's subconscious saying if their roles had been reversed, "Gideon would have treated me better than I treated her. Gideon would have protected me."
The Ball AU also seems like a reasonable extension of Gideon's childhood query: "What if my other parent is the most important guy in the universe?" Answer: Emperor Dad would throw a big party.
But also… it's a bride-finding ball! That's so very telling. It could have been anything, but Harrow invents another scenario where she's fighting, competing to get to Gideon, to be awarded the role of her sworn partner (first cav, now bride), while outwardly claiming not to want it.
Now The BARI Star AU often gets described as a "coffee shop" one, but it's actually set in a cohort cafeteria. And normally I wouldn't split hairs over that, but I think the cohort setting is actually really significant. The Cohort was Gideon's dream, and also Harrow's rival for Gideon's attention. It's what she kept trying to leave Harrow for.
So now Harrow dreams that she's left Drearburh to join the cohort and will meet Gideon there. Not fight or compete for a role where they're bound to each other, but just meet her there. That feels like yielding. Like compromise. It makes me think Harrow's subconscious has matured past trying to keep Gideon with her always and is instead looking for ways that SHE can be with Gideon. Meet Gideon where she is.
(Also this may be a stretch, but I always find it low-key funny that Harrow imagines Gideon in the cafeteria… I like to think her brain is skimming lists of hypothetical military jobs like... what sees the least action... ah, coffee-adept, she'll be perfectly safe there...)
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a2zillustration · 2 months
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Gale and I had the exact same reaction when we opened that door.
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ew-selfish-art · 8 months
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Dp x DC AU: Danny didn't want to rely on his rogues, but Tucker's computer skills only got them so far and if the media black out continues... Danny knows it's not going to be pretty for them. Nightmares begin to plague the Justice League.
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Danny gets back from a shitty conversation with Clockwork and in his frustration, accidentally sets off one of the new GIW sensors that his parents allowed to be installed in the lab. Their collaboration seemed to be going no where but when Danny had new holes blasted through him... it must be going somewhere. Damn it.
The commotion is loud enough that Jazz hears it from her room above the lab (he knows she listens to more than just the lab... it's cause she cares, even if it is a bit invasive.) and rushes in to play the distraction while Danny gets away. This time it works- the Drs. Fenton might have the worst aim in the city but they demand all shots cease if a civilian is nearby- Next time his mom might be aiming her gun at him and not the ground. Danny decides he'll buy Jazz a coffee on his way home.
But first, new holes. Yikes. That like, needs medical attention- He heads to Tucker's place and he's pretty sure Sam is already there.
"Danny! What the fuck, did Clockwork-" She starts, her meticulous cat eyeliner making her glare all the deeper.
"Nah, it's the stupid GIW sensor, the stupid one I told you guys about that has a spring lose in the back?"
"I thought we decided those weren't a concern?" Tucker looks him over, face covered in undisguised and very blatant concern.
"Yeah well, Clocky pissed me off so I forgot about them when I came back in through the lab portal-"
"you were supposed to be practicing making your own." Sam interrupts.
"-And when I did, the thing got knocked and I was swatted like immediately. Jazz launched herself into the lab so Mom made them stop shooting and it gave me enough time to get out." Danny continued to explain, ignoring his friend's 'i told you so' faces.
"Dude. We're pushing it close this week. Sam already had a confrontation with the lab guys and I already got blacklisted on my new persona accounts. We're like seriously threading the needle for getting caught." Tucker, pulls his glasses down to pinch the bridge of his nose and Danny and Sam both get what he's really saying. They need to lie low.
"What did CW say to piss you off?" Sam asks after a silent moment.
"He said nothing really, just like he always does, but insinuated I should try getting a rogue to help." Danny sighs.
"What, Like getting Ember to announce the GIW invasion on her tour? We already agreed that-" Sam is getting angry as she speaks so Tuck cuts her off- "It's a bad Idea. She is- They are all just as likely to get captured and hurt as you are if you go out of town." He comes to the same conclusion they've agreed on for weeks. No rogue involvement.
"Maybe we just need to sleep on it... Hey... wait." Danny sighs, but then his gears start to turn.
"Nocturn. We need Nocturn to help us. He can get the message out through dreams." Danny comes to the new conclusion and his friends look hesitant but at least like they're considering it.
"Isn't he an ancient? He's not going to help us for free." Tucker, ever the Egyptian god in these moments.
"Most people don't take their dreams literally." Sam, ever the skeptic in these moments.
"Yeah but, if they dream it enough times, and they're the right people to do something... they can look it up and then at least see that there is a problem?" Danny sounds hopeful and its the first time he's sounded that way in months.
"What, you're gunna give Batman nightmares?" Tucker snickers but Sam looks inspired.
"That's exactly what he's going to do. We need to haunt the Justice League. They'll see past the fake facade the GIW put up online and they'll be able to get the right legislation passed." Sam is practically buzzing.
"Okay, so lets get scheming- What do you get the primordial beast of the unconscious? Should I google 'what to get someone who has everything'? " Danny laughs.
_____
Bruce and his children rarely do feelings when they have breakfast in the morning after a night of separate patrols, but it seems as though the room is plagued with unease. Tim looks about as tired as ever, so his unease is probably attributable to WE board meetings, but its unlike the rest of his children to be so... disturbed. For some reason, after Alfred has excused them all from eating more than a few nibbles, they make it to the cave. Bruce is glad for the noise his children bring.
The nightmare's he's been having are following a dark plot. A town, a boy who looks like he was kin, and so, so much death. Bruce has had vivid dreams before in life, but this nightmare is... unreal. He tries to remind himself that it's just a nightmare.
When his JL emergency communicator goes off at the computer desk, he's not expecting it to be Dinah Lance. She and her Birds are typically wary of him in Gotham, even if they work well together in the League. He answers it like he would any Batman call, with silence.
"Bats, we have a problem. Any chance you've been having weird dreams about a kid getting experimented on or a town being burned down? Ghosts? Lazarus portals?" Dinah sounds exhausted, but Bruce snaps to her voice with rapt attention. As do all of his children.
"I-" Bruce takes a look around the room, everyone's heads except for Tim's nodding up and down with distress," We all have."
"Something tells me that they whole JL is. Everyone I've talked to this week has had a variation of the same dream. We either have a telepath trying to tell us something, or something even worse than that."
"I'll call emergency meeting, we need to collect details and try to determine the complete message."
"I'll send you what I've noted down so far, sans personal details of course, it's definitely in a town called Amity Park though. My client this morning saw the sign."
Batman grunts and the call ends. It's time to get to work.
----
When the Justice League finally arrives, the town is glowing, and everything feels like... sleep. smothering. snoring. smoking. smoldering.
And then, despite the exhaustion that echos within them, the trudge onwards. The noise of laser guns certainly wakes them up a bit.
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demaparbat-hp · 13 days
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Almost
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almond-gallery · 3 months
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an enjolras because i miss him
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ksturf · 8 months
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a tribute to the one and only david keith mccallum [19.09.1933-25.09.2023 ∞]
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crabsnpersimmons · 4 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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andy-clutterbuck · 2 months
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The Ones Who Live | 1x05
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nabongz · 2 months
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TWICE ✗ One Spark at Music Core (240302)
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ruporas · 11 months
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post-trimax vash meets stampede wolfwood
[ID: Black and white comic of Vash and Wolfwood of their Stampede versions. The comic starts with Wolfwood continuing off a conversation, saying “I didn’t mean t’say anythin’ bad to her. She just took it the wrong way. But anyway...” Wolfwood speaks with a hand gestured flippantly while Vash, who’s seated next to him, just listens. Vash thinks to himself, “Talks more about himself... Honest expressions... Immature, though he was pretty immature too.” He smiles and continues to think, “And yet...”
A panel of Vash’s eye directed now to the sky. He thinks, “Some things are bound to be the same with us...” He thinks of a memory, the version from Maximum of him and Wolfwood, back shown as they chatted underneath two moons, one moon with a hole through it. Vash continues, “Isn’t that right, W-“ His thoughts are interrupted by Wolfwood coming into a view, a close up his deadpan expression. Vash utters out “-olfwood..?” with a nervous expression. He starts to explain, “Um. Sorry if it seemed like I wasn’t listening, I was! So, let’s keep talking?”
Vash smiles and puts his hands together as he says, “okay?” Wolfwood glares at him with gritted teeth and Vash immediately remembers, “Right, he’s more short-tempered...” He continues to think, “Maybe Plan B works with him—“ before he’s grabbed by his coat collar aggressively and changes thoughts, “OK, never mind, brace for impact..!” But he’s surprised when he’s tugged instead, him and Wolfwood flops against the ground. Wolfwood puts an arm over Vash and says, “I don’t need to be entertained, blondie. If yer tired, we can go to sleep.”
Two close up panels of Wolfwood and Vash’s eyes looking at each other, Wolfwood taking off Vash’s glasses as he says, “Am I wrong?” Vash thinks to himself, “Actually... I was being genuine when I said I wanted to keep talking. I don’t feel tired at all. But, I think you know this body more than I do.”
Vash’s thoughts continue, “I can’t deny the me you’re fond of from being taken care of. And I could never deny your kindness. Even though...” Vash finally smiles and says, “You’re not wrong...” Wolfwood smiles back before tugging Vash closer and says, “Then, let’s sleep.” Vash asks, “Should we get a blanket?” Wolfwood asks, “Why?” before kissing Vash on the cheek, “I’ll keep you warm.” Vash puts his face into both his hands and flushes. Wolfwood smiles cheekily and asks, “What?” Vash responds, “I was caught off guard..” Wolfwood says, “You’ve said worse though.” Vash responds, “Did I...” The panel phases out and the dialogue returns to Vash’s thoughts. He thinks, “I want to stay a bit longer. Talk a bit longer.
You’re tired here too. The future is always going to be unfair to you. I want to protect you from it. I want to hold you close so you won’t go far.” The thoughts overlap the scene of Wolfwood now sleeping peacefully against Vash with an arm over him, Vash’s jacket draped against him as a blanket. Vash looks at him and a small thought bubble thinks, “He can fall asleep first...” His previous thoughts continue, “I know I can’t. I already had that chance.” A close up of Vash putting his hand over Wolfwood’s. He continues, “I wasn’t capable once, I can’t be sure I’d be capable a second time. And in a way...”
Vash’s thoughts continue with the back drop of the sky, Stampede’s sky of two moons without holes, “Some things are bound to be the same. But I know you’ll be loved again and again in a way I’d never know.” A split panel, one half contains the sleeping face of Wolfwood from Stampede, the other of Wolfwood from Trimax. In turn, the Vash lying down looking fondly at Wolfwood shifts to the post Trimax Vash while the other versions, Stampede and earlier Trimax, are faintly drawn next to him doing the same. Vash closes his eyes and finally drifts to sleep as the final text reads, “Goodnight, Wolfwood.”
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how do people still call c//a a tragic shakespearean romance when s5 entrapdak exists?
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cranberrysoupie · 2 years
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Also i lowkey love reading my own work over because I’ll go “hmm this part woul be better if it was like this” and then BOOM IT’S LIKE THAT
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kathonyy · 7 months
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BRIDGERTON 2x05 An Unthinkable Fate
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elmhat · 24 days
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The post-prison arc has some crazy moments, but honestly the craziest part for me is that c!Dream is still like. Functioning. How well he's functioning is debatable, but just think about it—just think about how insane his living conditions had been for an insane amount of time. Think about every single thing he must have survived. How the fuck do you bounce back from that? How are you still able to walk, to hold a conversation, let alone pick up a weapon again? How do you find the strength to shove it all far enough aside to keep going?
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