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#is like if nemo was the swamp monster
minecraftbookshelf · 6 months
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Codfather Jimmy Solidarity of The Swamp, Post-eeveelution
art comissioned from @iliveonmylaptop
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Pre-eeveelution
Lizzie
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jadefyre · 2 days
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Silly Game Time: Who are some of your favorite piscine characters, be they fully fish, partially fish (mermaids and such), fish-like (such as a fishy race like Mon Calamari in Star Wars), or something else? And what do like about them?
OOH ooh okay so. i really love fish creatures, fish humanoids, etc!! this ask is right up my alley!
a few off the top of my head:
the creature from the shape of water
that one swamp creature villain from kim possible. gill? yeah, gill
i mean obviously ariel she's just classic
i have never seen hellboy but I really like abe sapien's character design
prince sidon from legend of zelda. actually just the zora in general. i love them all and their funky lil designs!
bruce from finding nemo
link from monsters vs. aliens was my favourite character in that movie lol. have not seen that since it came out tho
davy jones in the pirates of the caribbean movies & his crew. some very neat designs in there too
mirelurk kings from the fallout games. again. the designs!! i just love piscine designs a lot ok
that random encounter creature in stardew valley. you can't interact with it but I think it's neat :)
there are almost certainly more but that's all i got for now. i did have to dig into tvtropes a little because my memory is bad xP but only a little. thanks for the ask!
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alewar · 1 year
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The Top 10 Works of Alan Moore That Changed the Comic Book Industry
Alan Moore is a British writer who has made a significant impact on the comic book industry. His unique writing style and character development skills have earned him worldwide recognition. Here are ten of his most noteworthy works that have contributed to the evolution of the comic book medium.
Watchmen (1986-1987): This groundbreaking graphic novel tells the story of a group of superheroes in a dystopian world. Moore's meticulous writing and Dave Gibbons' stunning artwork combine to create a masterpiece that redefined the comic book genre.
V for Vendetta (1982-1985): Set in a totalitarian future where the government reigns supreme, V for Vendetta is a political thriller that explores themes of freedom and rebellion. Moore's captivating storytelling and David Lloyd's striking visuals make this a must-read for anyone interested in political philosophy.
Swamp Thing (1984-1987): Moore's run on Swamp Thing transformed the character from a B-list monster into a sophisticated, philosophical work of art. His writing and Stephen Bissette's haunting artwork created a gothic masterpiece that set new standards for horror comics.
From Hell (1989-1996): From Hell is a graphic novel that delves deep into the psyche of one of history's most infamous killers: Jack the Ripper. Moore's extensive research and Eddie Campbell's evocative illustrations make this a chilling and unforgettable read.
The League of Extraordinary Gentlemen (1999-2019): This series features famous characters from classic literature, such as Dracula, Sherlock Holmes, and Captain Nemo. Moore's ingenuity and Kevin O'Neill's detailed illustrations create a unique, entertaining, and thought-provoking work.
Miracleman (1982-1989): Moore's groundbreaking run on Miracleman deconstructed the superhero genre and redefined it for a new era. His writing, alongside artists such as Alan Davis and John Totleben, created a modern masterpiece that explored complex themes like mortality, power, and the human condition.
Promethea (1999-2005): Promethea is a fantastical journey that explores the intersection of magic, imagination, and creativity. Moore's philosophical insights and J.H. Williams III's stunning artwork create a unique, innovative work that is a feast for the eyes and mind.
Supreme (1992-1996): Alan Moore's run on Supreme revitalized the character and paid homage to the golden age of superhero comics. His writing, alongside artists like Rick Veitch and Joe Bennett, created a clever, self-aware work that celebrated the medium's history while pushing it forward.
Tom Strong (1999-2006): Tom Strong is a love letter to pulp fiction and classic science fiction, with a twist. Moore's writing, alongside artists like Chris Sprouse and Alan Weiss, creates a charming and delightful world that evokes the spirit of old-fashioned adventure stories.
Top 10 (1999-2001): Top 10 is a police procedural set in a city where almost everyone has superpowers. Moore's writing, alongside artist Gene Ha, creates a world filled with vivid characters and a rich history. The series explores complex themes such as power dynamics, social inequality, and morality, all while maintaining a sense of humor and fun. It's a unique and entertaining read that stands out in the superhero genre.
 Alan Moore's works have had a lasting impact on the comic book medium, and his contributions will be remembered for years to come. His ability to tell complex stories that explore deep themes while creating compelling characters and innovative worlds has earned him a place among the greatest comic book writers of all time. His works are a must-read for anyone interested in the possibilities of the comic book medium.
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logansdome · 1 year
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Alan Moore is widely regarded as one of the greatest comic book writers of all time, and his contributions to the medium have been immense. From his groundbreaking work on characters like Swamp Thing, Batman, and Superman, to his groundbreaking graphic novels like Watchmen and V for Vendetta, Moore has had a huge impact on the world of comics. Here are ten of his most acclaimed graphic novels that every comic book fan should check out:
1. Watchmen by Alan Moore and Dave Gibbons: This is arguably Moore's most famous work and is considered a classic in the comic book industry. The story takes place in an alternate history where superheroes exist, and it explores the consequences of their actions and the psychological toll it takes on them.
2. V for Vendetta by Alan Moore and David Lloyd: This graphic novel is set in a dystopian future where a masked vigilante known as V fights against a fascist government. The story is a powerful commentary on fascism, totalitarianism, and the importance of individuality and freedom.
3. The League of Extraordinary Gentlemen by Alan Moore and Kevin O'Neill: This graphic novel is an epic adventure that brings together some of the greatest characters from Victorian-era literature, including Allan Quatermain, Captain Nemo, and the Invisible Man. The story is a thrilling blend of action, mystery, and history.
4. From Hell by Alan Moore and Eddie Campbell: This is a meticulous and haunting investigation of the Jack the Ripper murders, weaving a web of conspiracy and intrigue that stretches from the slums of Whitechapel to the highest levels of power in Victorian England.
5. Swamp Thing by Alan Moore and Steve Bissette: Moore's run on Swamp Thing is considered one of the greatest in the character's history. He transformed the character from a traditional monster comic into a sophisticated meditation on the nature of life, death, and the environment.
6. Promethea by Alan Moore and J.H. Williams III: This is a magical and mystical journey through the Imaginal realms of the mind and the soul, following the adventures of a young woman named Sophie Bangs who becomes the latest incarnation of the mythic warrior Promethea.
7. Batman: The Killing Joke by Alan Moore and Brian Bolland: This graphic novel is a dark and psychological examination of the relationship between Batman and the Joker, exploring the nature of their conflict and the madness that drives the Joker's actions.
8. The Miracles of God by Alan Moore and Mitch Jenkins: This is a series of short stories that explores the supernatural, the miraculous, and the mysterious, touching on themes of faith, wonder, and the unknown.
9. Neonomicon by Alan Moore and Jacen Burrows: This is a horror story that explores the limits of the human mind and the dangers of knowledge and obsession. The story is a continuation of the themes and characters first introduced in Moore's acclaimed series, The League of Extraordinary Gentlemen.
10. The Courtyard by Alan Moore and Jacen Burrows: This is a noir-style horror story that explores the horrors of addiction and the dark places to which it can lead. The story is a vivid and unsettling look at the dark side of human nature.
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cultivatedmemes · 3 years
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The Adventure Zone Balance from Arc 2 Murder on the rockport limited. feel free to change gender specific words, pronouns,  whatever you like to make it fit your muse better!
❝ Again, you’re not in prison, I don’t know why I said that. ❞
❝ Ayy, caught you eyeing my gel balls. That’s what makes it extra crunchy. ❞
❝ What… are you wearing? What is—? I’m wearing my full business regalia, and you look like Little Nemo. ❞
❝ When would a murder come at an opportune time? ❞
❝ We absolutely are going to fire you out of a cannon. ❞
❝ You kinda sound like, uh, some kind of wolf-man. ❞
❝ Please put your head flush with the back of the chair so you don’t break— any of your neck bones! ❞
❝ A swamp is not a beverage. I’m just going to go ahead and cut— cut you off at the pass there. Swamps aren’t drinkable. ❞
❝ Aw, no, you got swamp jizz in your eyes! ❞
❝ Let the man smell your hand! ❞
❝ I’m just saying I’m feeling— I’m feeling you. As a buddy. As a friend. ❞
❝ This is my, my flair. We all get to wear one piece of flair on Tuesdays. ❞
❝ You won’t need a full night’s sleep. But if you’re feeling nappy, this is a place where, historically, people sleep. ❞
❝ We actually need extra pillows. I sleep with a pillow between my knees and between my elbows and behind my  head and under my feet, if I could get— ❞
❝ I’m eating hardtack. Life’s hard on the road. ❞
❝ Yes. I— a witch kissed me and cursed me so that anytime anybody yells a secret word, I have to attend to their every need, and that word is my fucking name, [speaker’s Name]. ❞
❝ Strangers aren’t strangers anymore once you’ve talked to them and learned their names. ❞
❝ The memory of my grandpa’s name died long before I was born. ❞
❝ Oh, that’s not that weird to have a train name. A name that you use only on trains. ❞
❝ I feel like this conversation is starting to take a turn for the worse, so I’m gonna head out. ❞
❝ This is a real garden I tend to myself to help me exorcise my demons. ❞
❝ I did detective good enough to see through your horseshit, so I can’t be too bad. ❞
❝ I wanna tell you a story about the time that there were three ogres, right? And then one of them punched me so hard I almost died. ❞
❝ I’m chilling, I’m almost dead! I’m gonna chill here. ❞
❝ You are impossible to talk to, and this is the worst conversation I’ve ever done. ❞
❝ I’ve found that not killing is pretty easy. I go long periods of time without killing anybody. ❞
❝ Bad news compadres, this place is magic as hell. ❞
❝ I mean, that’s a— that one’s pretty obvious but if you’re having trouble, a thing can’t live without a head. ❞
❝ I’m going to kill everyone here, and then I’m going to bring you all back to life again, and then I’m going to kill you again. ❞
❝ Meat monsters don’t go to heaven. ❞
❝ Wait a minute! I got it I got it, I got it. I got it. Okay. Listen: This is stupid. Are you ready to do something really stupid? ❞
❝ I was gonna eat ‘em as a traintime snack, but I forgot to eat ‘em in the train times. ❞
❝ Listen, kid, I’m not a magic worker, okay? Well, technically speaking, I am in fact a magic worker, but… I’m busy. ❞
❝ I can’t believe you’ve done it again. I can’t believe you’ve done this. ❞
❝ Anything your heart desires I can put it in your mouth. ❞
❝ Say no to bad dick! ❞
❝ Yeah, I’m already two-monitoring this shit, this is getting out of control, I guess I can loop my television— anyway, okay. ❞
❝ Join me in the spa! ❞
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rubykgrant · 4 years
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I made a slightly condensed version of my Spooky Ref list; it still has a heck ton of movies and books, but now I combined certain categories, eliminated a few, and removed some of the titles that don’t quite fit. If you are looking for things to watch or read so you can get into the Halloween mood (or of you just like some creepy content), here you go!
Movies and Books for October
These range from children’s media to adult content, so be sure to check the ratings/reviews, this way you’ll find ones that are suitable for the right viewers. The dates of movies and names of authors for books are included to make searches easier
(a * symbol is for when a title is in both sections, a book that got made into a movie, ect)
Halloween and Ghosts
Movies- Hocus Pocus (1993), *the Halloween Tree (1993), the Nightmare before Christmas (1993), Trick r Treat (2007), Monster House (2006), Halloweentown (1998), the Legend of Sleepy Hollow (1949), Scary Godmother Halloween Spooktacular (2003), Poltergeist (1982), the Haunting (1999), Casper (1995), Ghostbusters (1984), the Haunted Mansion (2003), Thirteen Ghosts (2001), the Others (2001)
Books- How to Drive Your Family Crazy on Halloween by Dean Marney,*the Halloween Tree by Ray Bradbury, the Haunted Mask (Goosebumps) by RL Stine, Dark Harvest by Norman Partridge, Stonewords a Ghost Story by Pam Conrad, Deep and Dark and Dangerous by Mary Downing Hahn, Ghost Beach (Goosebumps) by RL Stine, All the Lovely Bad Ones by Mary Downing Hahn, the Crossroads by Chris Grabenstein, Wait Till Helen Comes by Mary Downing Hahn
 Witch/ESP/Mental Powers
Movies- *Practical Magic (1998), *the Wizard of Oz (1939), *the Witches (1990), Kiki’s Delivery Service (1989), Scooby-Doo and the Witch’s Ghost (1999) *Harry Potter and the Sorcerer’s Stone (2001), the Craft (1996), the Witches of Eastwick (1987), *Carrie (1976), *Firstarter (1984), *Matilda (1996), the Last Mimzy (2007)
Books- *Practical Magic by Alice Hoffman, *the Witches by Roald Dahl, Charmed Life by Diana Wynne Jones, *Harry Potter and the Sorcerer’s Stone by JK Rowling, *the Wizard of Oz by L Frank Baum, T*Witches by HB Gilmour and Randi Reisfeld, the Worst Witch by Jill Murphy, *Carrie by Stephen King, *Firestarter by Stephen King, *Matilda by Roald Dahl, Scorpion Shards (Star Shards Chronicles) by Neal Shusterman, the Witch’s Boy by Michael Gruber
 Vampire and Werewolf
Movies- Blade (1998), the Little Vampire (2000), Hellboy Blood and Iron (2007), *Hotel Transylvania (2012), Fright Night (2011), What We Do in the Shadows (2014), Alvin and the Chipmunks meet The Wolfman (2000), Ginger Snaps (2000), Van Helsing (2004) Wolf Children (2012), the Wolfman (1941)
Books- Bunnicula by James and Deborah Howe, Dracula by Bram Stoker, ‘Salem’s Lot by Stephen King, Red Rider’s Hood by Neal Shusterman, the Werewolf of Fever Swamp (Goosebumps) by RL Stine, Werewolves Don't Go to Summer Camp (Bailey School Kids) by Debbie Dadey and Marcia Jones, Blood and Chocolate by Annette Curtis Klause, Night of the Werepoodle by Constance Hiser
 Zombies and Slasher/Gore
Movies- Scooby-Doo on Zombie Island (1998), ParaNorman (2012), Night of the Living Dead (1968), *Pet Sematary (1989), Zombieland (2009), Resident Evil (2002), Dawn of the Dead (2004) Scream (1996), a Nightmare on Elm Street (1984), *I Know What You Did Last Summer (1997), Kill Bill (2003), Happy Death Day (2017), the Hills Have Eyes (2006), US (2019), Friday the 13th (1980), the Thing (1982), *the Girl with all the Gifts (2016)
Books- *Pet Sematary by Stephen King, the Haunting of Derek Stone by Tony Abott, Welcome to Dead House (Goosebumps) by RL Stine, *I know What You Did Last Summer by Lois Duncan, the Dark Half by Stephen King, The Dead Girlfriend (Point Horror) by RL Stine, Another by Yukito Ayatsuji, the Prom Queen (Fear Street) by RL Stine, *the Girl with all the Gifts by MR Carey
 Demons/Possession/Afterlife
Movies- the Omen (1976), Insidious (2010), the Exorcist (1973), *Christine (1983), City of Angels (1998), All Dogs go to Heaven (1989), Fallen (1998), *Rosemary’s Baby (1968), Bedazzled (2000), What Dreams May Come (1998), the Book of Life (2014), Flatliners (2017), *the Lovely Bones (2009), Coco (2017), Jennifer’s Body (2009), the Mummy (1999)
Books- *Christine by Stephen King, Needful Things by Stephen King, HECK where the bad kids go by Dale E Bayse,* Rosemary’s Baby by Ira Levin, Good Omens by Neil Gaiman and Terry Pratchett, Paradise Lost by John Milton, Inferno by Dante Alighieri, *the Lovely Bones by Alice Sebold
 Monsters/Mythology/Dangerous Animals
Movies- Monsters Inc (2001), Godzilla (1998), *a Monster Calls (2016), *Jurassic Park (1993), King Kong (1933), Doug’s 1st Movie (1999), Darkness Falls (2003), Atlantis the lost empire (2001), Sinbad Legend of the Seven Seas (2003), *the Last Unicorn (1982), Urban Legend (1998), *How to Train Your Dragon (2010), the Flight of Dragons (1982), Shrek (2001), *the Hobbit (1977), Quest for Camelot (1998), Ferngully the last rainforest (1992), Lake Placid (1999), Jaws (1975), *Cujo (1983), Deep Blue Sea (1999), Anaconda (1997)
Books- *a Monster Calls by Patrick Ness, Frankenstein by Mary Shelley, *Jurassic Park by Michael Crichton, Sasquatch by Roland Smith, *the Last Unicorn by Peter S Beagle, the Moorchild by Eloise Jarvis McGraw, the Lightning Thief (Percy Jackson and the Olympians) by Rick Riordan, the Boggart by Susan Cooper, *How to Train Your Dragon by Cressida Cowell, Jeremy Thatcher Dragon Hatcher by Bruce Coville, *the Hobbit by JRR Tolkien, *Cujo by Stephen King, Cat in the Crypt (Animal Ark Hauntings) by Ben M Baglio, Congo by Michael Crichton, Watership Down by Richard Adams, the Dark Pond by Joseph Bruchac
 Dolls and Toys, Circus/Carnival/Clowns, Comedy Horror
Movies- *Coraline (2009), the Adventures of Pinocchio (1996), Child’s Play (1988), Toy Story (1995), 9 (2009), We’re Back a dinosaur’s story (1993), the Care Bears Movie (1985), Little Nemo adventures in Slumberland (1989), *Something Wicked This Way Comes (1983), *Big Top Scooby-Doo (2012), Killer Klowns from Outer Space, *IT (2017), *Beetlejuice (1988), Army of Darkness (1992), Gremlins (1984), Arachnophobia (1990), Jawbreaker (1999), Tremors (1990), the Frighteners (1996), Twilight Zone the Movie (1983), Little Shop of Horrors (1986), Eight Legged Freaks (2002), the Goonies (1985)
Books- Frozen Charlotte by Alex Bell, *Coraline by Neil Gaiman, No Flying in the House by Betty Brock, Doll Bones by Holly Black, Joyland by Stephen King, *Something Wicked This Way Comes by Ray Bradbury, the Night Circus by Erin Morgenstern, *IT by Stephen King, the Cuckoo Clock of Doom (Goosebumps) by RL Stine, a Dirty Job by Christopher Moore jr, Skulduggery Pleasant by Derek Landy, Scary Stories to Tell in the Dark (Treasury) by Alvin Schwartz and illustrated by Stephen Gammell, JTHM (Director’s Cut) by Jhonen Vasquez
 Gothic/Dark Fantasy, Curse/Transformation
Movies- *the Addams Family (1991), Rebecca (1940), Edward Scissorhands (1990), Mama (2013), the Phantom of the Opera (2004), Crimson Peak (2010), Legend (1985), the Dark Crystal (1982), Labyrinth (1986), *the Neverending Story (1984), *the Secret of NIMH (1982), Anastasia (1997), Howl’s Moving Castle (2004), Pan’s Labyrinth (2006), Willow (1988), *the Last Unicorn (1982), the Princess Bride (1987), *Legend of the Guardians the Owls of Ga'Hoole, Beauty and the Beast (1991), the Princess and the Frog (2009), the Swan Princess (1994), the Thing (1982), the Mask (1994), Freaky Friday (2003), Song of the Sea (2014), Pirates of the Caribbean the Curse of the Black Pearl (2003)
Books- the Raven by Edgar Allen Poe, the Shining by Stephen King, Remember Me by Mary Higgins Clark, a Series of Unfortunate Events by Lemony Snicket, Well Witched (Verdigris Deep) by Frances Hardinge, Poison by Chris Wooding, *the Neverending Story by Michael Ende, *Mrs Frisby and the Rats of NIMH by Robert C O'Brien, a Tale Dark and Grimm by Adam Gidwitz, the Dark Portal by Robin Jarvis, Zel by Donna Jo Napoli, *the Last Unicorn by Peter S Beagle, *Guardians of Ga’Hoole by Kathryn Lasky, Owl in Love by Patrice Kindl
 Mystery/Thriller/Psychological/Suspense
Movies- Clue (1985), *Holes (2003), Get Out (2017), Hot Fuzz (2007), Minority Report (2002), Kidnap (2017), Saw (2004), Wind River (2017), Who Framed Roger Rabbit (1988), the Great Mouse Detective (1986), Eve’s Bayou (1997), Breaking In (2018), Cube (1997), *Secret Window (2004), Silent Hill (2006), the Sixth Sense (1999), the Good Son (1993), Psycho (1960), Donnie Darko (2001), Fargo (1996), the Game (1997), the Invisible Man (2020), Breaking In (2018)
Books- *Holes by Louis Sachar, the Lost (the Outer Limits) by John Peel, We’ll Meet Again by Mary Higgins Clark, When the Bough Breaks by Jonathan Kellerman, *Secret Window Secret Garden (Four Past Midnight) by Stephen King, House of Stairs by William Sleator, Speak by Laurie Halse Anderson, Dolores Claiborne by Stephen King, Tangerine by Edward Bloor, Lord of the Flies by William Golding, the Girl who Loved Tom Gordon by Stephen King
 Sci-Fi/Space Aliens, Robots and Technology
Movies- I Robot (2004), the Iron Giant (1999), the Terminator (1984), AI artificial intelligence (2001), the Stepford Wives (2004), Wall-E (2008), *Screamers (1995), *Sphere (1998), *Blade Runner (1982), *2001 a Space Odyssey (1968), MIB (1997), Mission to Mars (2000), Galaxy Quest (1999), Alien (1979), ET the extra terrestrial (1982), Independence Day (1996), Spaced Invaders (1990), Buzz Lightyear of Star Command the Adventure Begins (2000), Chicken Little (2005), *War of the Worlds (1953), *Contact (1997), Signs (2002), Treasure Planet (2002), Frequency (2000), Back to the Future (1985), the Time Machine (1960), Planet of the Apes (1968), Lost in Space (1998)
Books- the Terminal Man by Michael Crichton, Feed by Matthew Tobin Anderson, *Second Variety (Screamers) by Phillip K Dick, *I Robot by Isaac Asimov, Cell by Stephen King, *Sphere by Michael Crichton, *Do Androids Dream of Electric Sheep (Blade Runner) by Philip K Dick , *2001 a Space Odyssey by  Arthur C Clarke, a Wrinkle in Time by Madeleine L'Engle, Ender’s Game by Orson Scott Card, the Dark Side of Nowhere by Neal Shusterman, *War of the Worlds by HG Wells, *Contact by Carl Sagan, Childhood’s End by Arthur C Clarke, Aliens Don’t Wear Braces (the Baily School Kids) by Debbie Dadey and Marcia Jones, the Invasion (Animorphs) by KA Applegate
 Dystopia/Disaster, Other Worlds
Movies- Waterworld (1995), the Matrix (1999), Escape from New York (1981), *Demolition Man (1993), the Day After Tomorrow (2004), Volcano (1997), the Fifth Element (1997), Titan AE (2000), Armageddon (1998), Twister (1996), the Birds (1963), the Book of Eli, (2010) Spirited Away (2001), *Alice in Wonderland (1951), Pleasantville (1998), *the Phantom Tollbooth (1970), *the Lion the Witch and the Wardrobe (2005), *Hook (1991), the Pagemaster (1994), *James and the Giant Peach (1996)
Books- Among the Hidden by Margaret Peterson Haddix, Uglies by Scott Westerfeld, the Road by Cormac McCarthy, the House of the Scorpion by Nancy Farmer, 1984 by George Orwell, Armageddon Summer by Bruce Coville and Jane Yolen, the Giver by Lois Lowry, the City of Ember by Jeanne DuPrau, *Brave New World (Demolition Man) by Aldous Huxley, Malice by Chris Wooding, * the Phantom Tollbooth by Norton Juster, *Alice’s Adventures in Wonderland by Lewis Carroll, the Golden Compass (His Dark Materials) by Philip Pullman, *The Lion the Witch and the Wardrobe (the Chronicles of Narnia) by CS Lewis, *James and the Giant Peach by Roald Dahl
 Anime/Manga and J-Horror
Movies- Akira (1988), Perfect Blue (1997), Ring (1998), Dark Water (2002), Ghost in the Shell (1995), Tokyo Godfathers (2003), Cat Soup (2001), *Cowboy Bebop the Movie (2001), Blood the Last Vampire (2000), Pokemon the First Movie (1998), Sailor Moon R Promise of the Rose (1993), DBZ the World’s Strongest (1990), Digimon the Movie (2000), Ju-On (2000)
Manga- Claymore by Norihiro Yagi, Death Note by Tsugumi Ohba and illustrated by Takeshi Obata, *Yu Yu Hakusho by Yoshihiro Togashi, *Fullmetal Alchemist by Hiromu Arakawa, *Blue Exorcist by Kazue Katō, *Soul Eater by Atsushi Ōkubo, *Inuyasha by Rumiko Takahashi,
Anime- *Yu Yu Hakusho, *Fullmetal Alchemist Brotherhood, *Soul Eater, *Blue Exorcist, *Inuyasha, *Cowboy Bebop, Mob Psycho 100, .hack//SIGN , the Promised Neverland, Paranoia Agent, Tokyo Ghoul, Hellsing Ultimate
 Super Hero
Movies- Hellboy (2004), Ghost Rider (2007), the Incredibles (2004), Batman Beyond return of the Joker (2000), TMNT (2007), Logan (2017), Black Panther (2018), Sky High (2005), Spider-Man into the Spider-Verse (2018), Justice League Crisis on Two Earths (2010), Batman Under the Red Hood (2010)
Comics- Animal Man (New 52, 2011) DC Comics, Swamp Thing (New 52, 2011) DC Comics, BPRD Dark Waters (2012) Dark Horse Comics, Nextwave (Agents of HATE, 2006) Marvel Comics
Animated Series- Batman the Animated Series, X-Men Evolution, Teenage Mutant Ninja Turtles (2003), Darkwing Duck, the Powerpuff Girls, Teen Titans (2005), Static Shock, Green Lantern the Animated Series
 Cartoons and TV shows
Over the Garden Wall, The Simpsons (Treehouse of Horrors), Regular Show (Terror Tales of the Park), Adventure Time (Stakes), Scooby-Doo Where Are You/What’s New Scooby-Doo,  El Tigre the Adventures of Manny Rivera, Phineas and Ferb (Night of the Living Pharmacists), Gravity Falls, Good Omens, Miracle Workers, Grimm, Buffy the Vampire Slayer, What We Do In the Shadows, Hotel Transylvania the series, Wolf’s Rain, Danny Phantom, Aaahh Real Monsters, the Munsters, So Weird, Tutenstein, Gargoyles, Xena Warrior Princess, Are You Afraid of the Dark, Tales from the Crypt, Goosebumps, Samurai Jack, Metalocalypse, Super Jail, My Life as a Teenage Robot, Futurama, the Grim Adventures of Billy and Mandy, *Beetlejuice (animated series), Sabrina the Animated Series, the Owl House, Bewitched, Growing Up Creepy, the Addams Family (animated series), a Series of Unfortunate Events, Courage the Cowardly Dog, Star VS the Forces of Evil, Amphibia, Infinity Train, Penn Zero Part-Time Hero, Murder She Wrote, the Venture Bros, Avatar the Last Airbender, Invader ZIM, People of Earth, Star Trek Next Gen, Rick and Morty, Buzz Lightyear of Star Command
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courtorderedcake · 5 years
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Hallow : ch V - CSSNS 2019
“The Goblin King was prepared to host the Darkness, stealing Fae women away to their corrupted lands underneath the ground as concubines. The Darkness chose another in his stead, but not before this selected vessel enacted a devastating attack in its vengeance, revealing its hatred & rage. The battle was a lesson the old kings had forgotten; never underestimate an opponent.
Many more lives were lost as they razed over any who dared defy The Goblin King’s will. Only the pure love of our rulers united in matrimony, breaking the Vorpal Dagger, sealed the darkness and the Goblin menace away. The light flourished under their fair rule, and the queen bore a child as pure as moon beams, swan feathers, and starlight. They lived happily ever after, and shall be written in history as Heroes for All Time.”
This is the history Princess Emma memorizes from the day she is born, paraded about and presented only with the highest protection. The palace is a cage she wishes to escape, desperately. Not careful what wishes she made, Emma discovers history is written by the victors - The Dark One has an entirely different version of the events that took place.
Read on AO3 here.
Rated E for explicit themes, Mature situations, and Fae fuckery.
Written for @cssns
Ch 5 / ?? - In which shit goes to hell
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Emma did not see Killian again for over a week, which was almost a blessing in its own right. It allowed her to fully gain Elsa’s friendship and respect, a fact which delighted both Ingrid and Anna in turn. At first. 
They soon discovered that Emma and El sa were a pair to be reckoned with, though, which ended with Anna shrieking and throwing pillows at them when Elsa discovered a poem from Anna’s long term boyfriend.
“An Ode to Anna, Princess of Reindeer,” she read, as Emma laughed and Anna tried to snatch the piece of colored, smooth parchment back. “‘While one has antlers and in the forest hides, I only wish I could lay a crown as lovely, before you were my bride.’ Oh Anna, how romantic, Kristoff has outdone himself. I especially love the part about how he wants to ride you as well -" 
Anna went scarlet from forehead to fingers, the blush making her eyes blaze as they wrestled. Emma knew she was missing the butt of some joke, but it still took a few passes for them to explain - and by them, of course, she meant Elsa only, as Anna was too scandalized to contribute. 
"We’ve been together for decades, it’s cold here, and we aren’t getting any younger!” Anna protested. “Plus, he’s dreamy in his coat, his nose is always warm, and his pockets fit both of our hands with a sandwich to boot. Perfect man." 
Emma was rapidly discovering that courting was very different than even the most modern standards at home. Here, relationships were loud, heady, and were what Anna called 'the most progressive in modern history’. Elsa only rolled her eyes, and muttered about it being about time that women could wear pants. At Emma’s pressing, they showed her another glossy photo book similar to the one that Ingrid had given her, this one a 'Fashion Magazine’. 
Pale women graced the pages, sporting large teeth - some gapped, much to Emma’s fascination - stick-like long eyelashes, and long pin-straight hair falling to improper lengths. They wore the same long dresses in floral patterns that were similar to those in Emma’s wardrobe back home, only with no bodice, petticoat, or undergarment. Elsa flipped the pages to show Emma a woman with a bright pink bubble in her mouth, her eyelashes long and rimmed with kohl and a shockingly bright cobalt liner, her hair piled high on her head behind a thick white band like a cone. 
"A beehive. They’re all the rage. I guess that even Twiggy, Jackie O, and Mia Farrow have been spotted with them.” Elsa flipped a page to a skinny woman in a scarf, shiny white boots, and a scandalous dress. Emma sucked in a breath, feeling like a child being caught with illicit materials. The other women didn’t bat an eye, Anna flipping until the page displayed a darker, olive skinned woman with freckles and cloud-like curly brown hair wearing a shirt and breeches made of denim material. Emma’s mouth fell open in surprise; pants apparently were breeches, and not made of supple leather or soft calico, but of cotton denim. 
“It’s soft, I have a pair. They wash them so they aren’t scratchy like cattle sacks,” Elsa supplied. 
“I prefer skirts myself, still. I like to model myself after Audrey Hepburn or Grace Kelly. The classics, you know,” Anna said, and Emma tried to nod in agreement though she was terribly confused. 
The week dragged on like this, no one too worried about Killian missing. 
“He’ll show up when he decides he can forgive himself, so we can forgive him in turn. Or when he wants to be fed,” Ingrid said on the fourth night, as they settled in to watch a horror film playing on what they called a 'television’. Her voice fell to a teasing bitter tone, and she gave Emma a wry smile. “It’s why we don’t go and get a cat; it would have competition. He wasn’t always this intense, but even before that parasitic leech he needed space to realize what an idiot he is.”
They ate popcorn and drank hot chocolate, Emma convincing them to try it with cinnamon. It was a hit with everyone, especially when the movie became terrifying and they huddled behind pillows. Emma had never seen any Fae that terrified her, but this was a monster and not a Fae at all, and a swamp monster at that. Its dead, cold eyes as it tried to catch its young victim made Emma feel ill. They reminded her of Nil. 
Emma’s sleep that night was difficult and filled with shadows, shapes she couldn’t discern or make out, and hallways with no end. Waking with a start, she was relieved when she found all of them asleep under a blanket, together on the couch. 
Life dragged on and the comfort of a routine helped some as Emma tried to make sense of everything new all at once. Killian was still nowhere to be found, an absence Emma sorely needed to collect her thoughts. She needed time to plan her next moves. Ingrid, Elsa, and Anna were ready to help with anything they could, armed with advice and suggestions. 
Chewing on a piece of chocolate cake, Anna addressed Emma over the books she was reading. Nemo had a large study full of books on the old lands and their culture, along with detailed notes. Taking advantage of this Emma spread them over the table and studied them for anything that might be of use. “So, when he comes back, don’t let him treat you any less than what you are. You need to treat him like the asshat he is. Build up some walls and armaments, you know?" 
Emma sighed, resting fingers on the bridge of her nose. "I have walls, Anna. I have armaments. I don’t like that I have to trust or rely on him any more than I like being away from my home.”
“Do you think he knows that? Challenge him. Challenge us!” Ingrid said, smirking. “Take no shit, Emma. You’re a princess, and your own general now. Your own commander. That demands confidence and respect.”
Elsa pulled the piece of cake from Anna, earning her a playful slap, as she joined the conversation. “Be like your mother. Assertive and dangerously graceful, ice and fire.”
Emma thought of her mom, how quickly and quietly she could dominate a conversation to turn it in her favor. How hard her gaze could be, how her brows furrowed as she asked a question that ensnared her prey. Her face of triumph when she was using a bow during target practice or on a hunt, or using her tongue to land centering marks in a debate. Feared and adored, respected and admired. 
When she tried to imagine that on herself, it felt wrong. How could she ever compare? 
*✧・゚: *✧・゚:*✧・゚: *✧・゚:*✧・゚: *✧・゚
Killian let himself stay away longer than normal, an eerie feeling of being followed something he couldn’t shake off. It had started in a dark cave somewhere in Africa, as he lurked in an antechamber waiting until he could move somewhere less damp. 
It persisted through his next changes in locale, before he finally sat down in a dusty bar in the rolling plains of what was now called America. Nothing about the name America made any sense; however, after some light reading and chats with the Arren women, he had come to conclude nothing about America made much sense at all - least of all, why it was not called what the Indigenous or Northmen had named it. The bar was named even more nonsensically; a squat shack that was more rust than anything else in this neverending dustbin of nothingness was not exactly a 'Tree House’.
Killian ordered two glasses of rum, sliding one over slightly, the person who had followed him sitting down without hesitation. Her skin was tan, but her eyes were tired under her cropped blonde haircut. 
“Tink,” Killian grunted slightly, her dagger’s point pressing hard into his groin. “To what do I owe thi-" 
"Listen. I’d like to make this quick and easy enough for both of us. I know you have the princess within your grasp. I have a friend who wants to ally with her. It’s complicated, but I trust you. I will be here, on these nights. Come see me. Dress nice.” She drank her rum in a flash, leaving a hearty tip and a business card, then disappeared as if she’d never even been there at all. 
He drank his own glass before picking up the business card. In ivy green ink, the front stated boldly 'Tink Rebel - Siren - DJ’; on the back were a few sporadic dates and an address. There was no way to trust her, but it was better than any other lead he’d gotten. 
It’s the only lead you’ve gotten. Magic is all but forgotten or mere banished remnants here; it should be easy to get the shard.  
“And it should be just as easy finding someone else to watch over the princess as well? Do you think we can find some ponce to pawn her off on, so we can be free of this?” Killian asked wryly, slipping the card into his pocket before stepping into the night’s shadows. 
That too. The further away she is from us the better. See if Tink can recommend a short cliff with a long fall. 
“Aye.” He disappeared again, leaving a long trail behind before returning to the nearest point he could that would get him to Ingrid’s. The walk was long, but not unwelcome. 
When he arrived it was dusk, a note on the door explaining the stillness of the house: Ingrid and Elsa were delivering a wedding cake, Anna was with her paramour, and Emma was 'practicing’. Elsa had even scribbled a little note for the princess, telling her that there was salve in the cupboard. Practicing? What could she possibly have to practice? Elsa and Emma were now on a first name basis? What all had he missed? 
Killian found Emma on the patio, the night air cooling as her she focused intently on repetitive strikes with a sword. She did not seem to notice his arrival at all, continuing to practice blocking an enemy, then parrying. 
Clearing his throat she turned with surprise, her body immediately in a well practiced defensive stance. Interesting. The princess was not a novice in swordplay. 
“Care to duel?” he teased, raising an eyebrow. 
She lowered the weapon, shaking her head. “You’re not worth it." 
His blood lit, temper flaring. "Oh? Well, don’t you sound confident. Haughtiness doesn’t suit your temperament; aren’t you supposed to be good at needle point? Swordplay is quite a bit out of the wheelhouse of the 'demure’ princess act." 
"My father is the best swordsman in the realms. He wanted me to be better, and I…” She got a far off look in her eyes for a moment, then shook it off. “I just wanted to spend time with him. I like to think that I am very good at it." 
"Thinking that you are,” he smirked, letting the Darkness ripple through his skin and muscles, picking up a discarded cutlass from the pile Ingrid must have provided, “does little to prove that you are. Shall we test your mettle, Your Highness?” Killian raised the cutlass in an attacking stance. 
To his great surprise she did not flinch or seem prostrated by this bravado, only shrugging and changing her stance to defend against his chosen style. 
“I don’t go easy on anyone, especially if they underestimate me. Are you sure you want to spar?” The calmness in her words set his teeth on edge, and he answered by throwing himself forward. She didn’t even act surprised, moving in a subtle side step that left her in his previous position, her footing incomparable. 
Killian laughed, more surprised than anything. 
“This might actually be fun, especially since there’s no welcoming party for me tonight.” He circled her, and she mirrored his steps in their defensive opposite. “I thought all of you might have missed me a bit more. My ego is wounded.”
“You left without much more than a word,” she huffed and dodged a low arc, parrying away as he dodged to strike her side. She moved quickly, adjusting to try to attack his flank. “They were worried about you. You should apologize. Your ego deserves a good, sound beating anyway." 
"They should worry less. I see that you and Elsa are thick as thieves now, though. There’s that.” Emma fluidly rolled to move in close to him, throwing him off balance and forcing him to fall back in retreat as he regained his footing. Her furious volley made him feel young again, green in the ears. Liam had given no quarter when they practiced either. 
“Elsa is great. She might forgive you if you genuinely apologize,” Emma said quietly, sword against sword, pushing with her weight as he slid the metal blade down towards her neck. He wasn’t a lad practicing with Liam anymore, and the Darkness sang in his veins reminding him of that fact. His blood boiled hot as her advice was drowned out by the buzz in his head. 
You are so weak, so beyond help, that even this castle coddled, custard fed, soft boiled, princess has you on the ropes. She’s the reason Elsa was mad, she’s the reason why all of this is happening, and what would Liam say - 
“Shut up!” Killian swung up in an arc and went after her like a madman, his attacks relentless as she played defense against them, the metal clanging sharply, enough to make his jaw smart. He spun into an attack, kicking out her leg, barely hearing her shout of disapproval. “Shut up, shut up, shut up -" 
With his back turned towards her while he was fighting with the voice in his head, Emma pushed up slightly, kicked hard, and took his legs out from under him, resulting in Killian landing on his back. Emma used her sword to smack his fingers, making him release his sword as he cursed. Killian growled at her as she took both swords and held them crossed in front of his neck. Her face was cool, expression entirely detached from the task in front of her. She had trounced him as if he was half asleep. 
That would not do. 
An outward kick of his boot aligned to connect with her knee, sending Emma falling back a step, while she was knocked out of her concentration by his crooked move. With a well practiced turn he let her sword slide against his shoulder, ripping the cloth of his shirt and digging deep into the flesh, listening with a delighted sense of malice to the horrified sound that came from her mouth. 
She doesn’t know what you are capable of. What the world is capable of.  
Emma was frozen, her breathing unsteady, her hand shaking as he yanked the other blade free of her grip. It fell with a clatter to the tile, and with another kick it slid into a flower bush while Emma looked on helplessly. 
"Do you know,” Killian circled her, her hand jerked free from the pommel as he shrugged the sword from his shoulder and kicked it away, “what people will do to you? Any of the Mortals or Fae that think that you could be a stepping stone, what they’re thinking of? They’re not going to play fair, or think about bad form . Do you think they will stop hunting you, just because of a wound? You’re going to have to fight to the death, Princess." 
Emma made a noise of rebuttal, but it was lost as he pushed her forward against one of the patio’s stone walls. Pinning her there to look in her fearful eyes made the strength the Darkness gave him pulse in his veins, its steady beat a call for more. How could he merely whet his appetite and not feast? 
Make her pay, you cowardly poltroon. Make her hurt. Make her suffer! 
Her hands fumbled, pushing him away as if she could, her movements no stronger than the touch of a butterfly. He caught one of her wrists in his hand with an iron grip, marveling at how dainty it was; it would be so easy to break, the voice in his head loud, so many voices that they were a whine covering any plea she might give.
Emma shifted slightly, eyes changed and no longer panicked as they stared up in fury. Her other hand twisted to reach the chain around her neck, taking the dagger shard that hung there and made a long slash down the hand that trapped her own. 
Killian’s brain registered two things at almost a second apart. The first was that he did not feel the slash of the dagger piece immediately. In his experience, that could mean it was such a precise and quick blade that he had not felt it, or that the pain from the newly made wound was so great, his body could not process it all at once. The second was a brutal confirmation of his thoughts, the answer arriving in an abrupt, agonizing pain that wrapped around the end of his left arm like a venomous snake. 
He threw himself away from Emma, all but shrieking as she approached with concern. 
Emma looked furious, but also terrified, her voice shaking. "I - you can’t do that, how dare you do that! Why would you do that, what is wrong with you! And I - I didn’t cut you that deep -” Her hands reached toward his forearm even as he tried to flinch away. The cut was slight to the point of barely bleeding. She was right; she had barely nicked him in the trail she made down his hand to his wrist, and then a bit longer. 
It felt as though she dipped his hand in fire, while someone rubbed jagged glass up and down his nerves. Killian saw white, the world taken from him in bright flashes that made the Darkness screech. His hand was burning, the world was burning. 
As soon as it had come, it was gone. The same delicate wrist twisted to let slender fingers on her cool hand slide across the scrape, all pain gone, disappearing to next to nothingness. Light poured into him, light that was so vast, so intangible, so heavy in ways that were not bound by any laws Killian knew. The Darkness fled, hid away from what it knew was something ancient that followed no arcane limitations. His shoulder wound closed up as she laid a hand over it, the knitted flesh without an ache or scar that the Darkness would have left. 
The moment she was done, Emma scrambled backward and so did he, the distance as they both caught their breath warranted. 
Killian examined her, watching her shoulders shake and her hair fall in a curtain around her face. There was a dull ache in his hand briefly, but the Darkness was only a far off murmur. It was far too weak to protest when he moved closer, muttering an apology in her direction. 
“I don’t - M'sorry.”
For her part, Emma nodded as she shrank away, before she stood to stare down at him. “You always have so many apologies, Killian. So many times when you could have just been…” Emma trailed off, biting her lip and fighting back emotions. She collected herself with another breath. “You could just try to forego apologies, to try and get it right without having to break someone first. What did you - what did it want you to do to me? What would you have had to apologize for if I hadn’t…”
He could not think of a reply, and if he had, he would not have given it. Emma was right. Watching her walk away, his hand throbbed. Looking down at the long mark, Killian noticed it was reopening, the dull ache starting at the top of his palm making his fingers stiffen and bend. With the princess’s departure, the Darkness crept back in slow increments, and he waited for their own dark magic to do its healing work on his crooked fingers. 
The Darkness pushed at the scrape, its powerful magic attempting to imitate the light that had healed Killian’s shoulder. When nothing happened, the Darkness howled, strange emotions running through it and its vessel. Among the heaviest of them was the Darkness’ terror, and Killian’s feeling of a deep, burning regret, laced with shame. 
*✧・゚: *✧・゚:*✧・゚: *✧・゚:*✧・゚: *✧・゚
Emma managed to avoid him in ways that grew more cunning with each day that passed. The date was set for their meeting with Tink and entry into the club, preparations being made by everyone in the house as they focused on Emma. He hadn’t even told her about this potential meeting, she had to learn of the development through Elsa, the coward. It was easier for him to disappear that way, his own form of avoidance from the way Ingrid’s ever-knowing eyes immediately narrowed in on the way Emma and he pretended that the other didn’t exist 
Elsa dug out a dagger to match the sword they found for Emma, which Anna helped her practice with. Anna was a surprisingly talented blade fighter, and he could see Emma’s tension ease when Anna volunteered to help her train. He had also seen the quick look of panic at the thought of having to partner with him again. 
She’s scared of you, this goes in our favor. The look of fear there is -  
“Enough.”
You weren’t going to hurt her, just instill a bit of real world fear. We only listed some suggestions of things to tell her, not things to do. Those were ideas, just that. You didn’t act on them, even if you could have. You could have, but you weren’t strong enough. You frightened her and look at how well it worked! 
Killian snorted, scrubbing up his face before giving up and resting his head in his hands. Weak enough? He was plenty weak enough, and the Darkness knew it too, had whispered into his ear things no one should experience, justifications wrapped around each act. ’ She deserves it ’, 'Make her suffer’ , ’ She’s your greatest foe ’, ’ She can’t stop you ’, all hissed over and over, every word made to sound so enticing. The urge to retch came over him, the old pew creaking against his weight as he stood to pace, his bad hand throbbing from its use in his hurry. 
His bad hand. That was the only thing the Darkness seemed concerned about besides the ever-present need for the shard, its few words on the subject curt and bitterly sharp. It had never seen a wound like this. The dagger was meant to control the Darkness, to bind it to a vessel full of vengeance. It could kill the vessel, transferring ownership to another as had been done in ancient times, but that required ceremony. His hand had gone from a dull uncomfortable twinge to throbbing sharp shooting spasms that caused his fingers to stiffen into a  claw like form. He kept his palm wrapped in gauze, alarmed to find the scrape, now a cut, leaving bloody stains. 
Arguing with the Darkness over this was no use. It was its own pain, its own form of torture on top of his penance for attacking Emma. That and the constant echo of Emma’s voice rang in his head like a church bell, sometimes louder than the cacophony that was the Darkness, other times only a gentle tone. If this was his punishment, it was his to suffer alone. The small abbey somewhere in the mountains was far enough to cover their tracks, changing locations to make it harder to use a location spell. It seemed fitting, too, to search for penance in this quiet, snow filled hall, the stained glass and belfry crumbled onto the rough floor. 
You can’t have your freedom without her absolute compliance. She’s not ready for a battle, not ready for the world. If you’re not willing to train her properly, the Goblin will - 
“Please, enough.” Thoughts of the Goblin Prince and what he might do, how close Killian had come to acting like the creatures who had taken Milah, swirled in another deep pull of his gut even as he paced in the cold cathedral. 
She was safe, and you should make sure she learns this lesson. We need her not completely broken, but close, so close, to gain our freedom. And shouldn’t the sheep know that the wolf is -  
“I said enough! Enough.”
Silence finally came, except for the gentle cadence of Emma’s words.
“You could just try to forego apologies, to try and get it right without having to break someone first." 
"What would you have had to apologize for if I hadn't…" 
Killian promised himself that he would never find out. Disappearing with a puff of smoke, he appeared miles outside of town, and began the long walk down the mountain to the shop. Even as the Darkness squirmed under his skin like electric eels, he focused on crafting an apology to Emma to vow that regardless of their dislike for each other, he would never violate her, couldn’t even lay a finger on her without permission due to the dagger’s magic. 
Every word seemed wrong, and by the time he arrived at the shop front to quietly slip back onto the patio, he realized that he was in a deep bloody mess of it. 
*✧・゚: *✧・゚:*✧・゚: *✧・゚:*✧・゚: *✧・゚
Emma was well accustomed to avoidance. It was an important part of palace survival when everyone wanted you nearby for their vanity, prestige, or to mite out a point in a quarrel, or your least favorite tutor was trying to teach you your least favorite lessons. To think she’d give a king’s ransom just to see Regina’s cross face with her eyebrows almost pinched into one straight line again, to go back to when translation of ancient runes was her greatest worry…  
Someone avoiding her while she avoided them, though, that was new. This was new. Emma found it refreshing as she tried to spin the positives of working with a sociopath. He knew what he’d done, what he’d broken, almost as much punishment as the nightmares he introduced with his actions, or the thought of Nil’s threats made good creeping up on her without warning. Sleep no longer came between worries for those who she left behind to Nil and the Goblins’ wrath and those who she cared for here, further haunted by thoughts about who might be lurking nearby. Elsa or Anna found her asleep in strange places at strange times, Ingrid picking up on the tension immediately like some hunting hound, and all three of them tried to chase down the creature Emma feared. 
How could Emma ever tell them it was Killian? That her fear was how he might lose control because of the demon voice in his head; how he had looked at her and their struggle before he retreated, how he made her feel in the few seconds that he took away her own limited control? 
Elsa and Ingrid continued to push, and Anna watched quietly, observing until she asked Emma up to her room. It was almost dark, dusky colors painting the glimpse of the sea into a rainbow when Emma took Anna’s hand and helped both of them out of her window and onto the roof. Anna had brought a basket full of blankets, a thermos of hot chocolate, and chocolate covered orange peel for both of them, making Emma squint in suspicion. 
"Emma, my family… Well. It’s hard to be the less exceptional one in some ways. Ingrid, Elsa, my mother, and Olaf were all gifted with incredible talent, ice magic passed down through generations. My father had normal or average talent, and I followed after him,” Anna began, handing Emma the thermos cup, laden full of the steaming beverage. She held up a finger to indicate just a moment, sprinkling a small container of cinnamon over the drink. Emma smiled. 
“The thing about being ordinary, or I suppose I should say not extraordinary, is the difference in the sets of problems my sister and I faced, and as such, the way we see the world. Elsa is brave, she’s daring, and she’s far beyond outspoken. Ingrid is the same; they don’t see the purpose in not beating down doors to find what’s behind,” Anna said, nibbling on the orange peel. “For me, it was never that easy. I learned instead to watch, to wait, to listen and learn before rushing ahead to leap. I know that sometimes force is not the way to help." 
Emma tried to interject, but Anna shook her head, laying an arm around Emma’s shoulders. 
"Emma, anyone can see you’re trying to be strong, but I can see you’re hurting.” Emma flinched in her hold, and Anna gave her shoulder a gentle squeeze. “It’s okay. You don’t have to tell me anything. You don’t have to say anything, or talk about specifics - you can vent, you can talk, I can talk, or you can ask for advice. I just don’t want you to feel alone, and I want you to feel free to tell me if something happened with no worry of anyone else knowing. I’ll listen, even if it’s just to silence.”
“Anna, I -” Emma began but couldn’t finish, instead crying onto her shoulder in a sudden onslaught of tears. Her hiccuping gasps left Emma feeling like her lungs didn’t work, but Anna was patient, only stroking her hair and soothing her, giving her soft paper handkerchiefs from a box in her basket. 
Emma heard a noise, both of them turning to see Killian pacing the patio, talking to himself as was usual in the evening hours. 
“Emma, I’m not going to pry, but I know that he did something awful to you. I know that he can be truly a terrible person, and that we sometimes protect him too much.” Anna looked from Killian to Emma, her lips a straight line in concern. “I will be damned, though, if he touched you, if he acted in any way less than a gentleman; I will gut him myself -" 
"He didn’t. Not really. We were sparring and he was suddenly so angry. It was like a switch went off, he just lost control. He scared me. He terrified me, because I thought he might do something, I thought he’d be like Nil. He stopped -”
“I’ll kill him myself if you like; he’s bound to never hurt any of us, that disgusting -" 
"No,” Emma started, reaching for Anna. “That’s just it. He stopped, and he looked just as terrified as me. I don’t think… I think he’s losing a battle too; I think that thing is grinding him down. I could almost hear it, and it’s a constant scream. It’s torture, Anna. I - I don’t think - I think whatever safeguard he has for you, Elsa, and Ingrid, is holding what’s in his head on a tether. I don’t think he was going to hurt me, but I think that thing inside of him wanted me to be afraid. It wants him to doubt himself, to keep him scared too.”
“It’s still not OK, Emma, he still -" 
"It’s not right, and I know that. However, nothing happened and I… This situation we’re in, he’s been alone with that thing in his head for a long time. It’s not the first time I’ve seen him struggle for control and win. I don’t think he would ever do anything to betray the last vestiges of humanity in himself.”
Anna mulled over Emma’s words, weighing them. “Elsa says there’s still good in him if you look for it, but I admit this only to you - that thing is definitely getting louder. I’ll think of something to keep you two away from each other for now.”
“Thanks, Anna,” Emma whispered, resting her head on her knees. 
They went to bed soon after, after Emma accepted Anna’s offer to train with her in the morning instead of Killian with great relief. With her mind focused elsewhere, Emma almost forgot about his existence as they spent the morning and afternoon practicing stances and blows, until Ingrid asked them to go drop off a package at the harbor. 
“No,” Killian said flatly, without looking at Emma. 
As Anna raised her palm and started to speak, Ingrid gave her a withering look that Anna returned with her own glare. “I’ll go, it’s not a big deal -" 
"You have chores to attend to, and are minding the shop. The princess has not seen our harbor, and needs a chaperone. Specifically, her chaperone, and the one that is charged with protecting her while she is in our care. Unless he has decided to forego protecting her, in which case I will personally make sure that he cannot step foot in this home again.”
“It’s fine,” Emma shrugged. “It’s not a big deal. To the harbor and back, maybe an hour or so. Let’s not make a fuss.”
Emma walked away to fetch her shoes before anyone could start up again. Waiting outside, she found herself entirely unconcerned with who would be joining her; regarding the sea up close and personal was an experience she needed to count as a win. The sea was a primordial part of what created magic, an element of nature that had long been fought over by many different species. Peace had been hard won for those in the ocean’s depths, and here it was again in danger. If this might be her last chance to see it before either the beginning of a war or her abominable marriage, she would not let anything stand in her way. 
Killian stalked out a few minutes later with nothing more than an affirmative nod at her. She followed in silence, his exasperated body language becoming more and more noticeable. He cleared his throat a few times as if he had something to say, only to end up more tense than before while furiously picking at his ear. Emma had finally had enough with the entire debacle after he practically ran into another woman while mulling his thoughts. The drop off itself was quick, but when she did not turn in the direction of home immediately, he began to press her. 
“We’re done here, aren’t we?”
“I have other things I’d like to do,” she replied firmly, with a slight shrug of dismissal. “Go back, or do something else if you like. It doesn’t matter." 
"No. If I show up without you, Ingrid will throw me out on the bloody streets! Do whatever it is on your own fucking time, princess, I’m not -” Killian’s voice grew louder, but Emma interrupted with a sigh. 
“Killian, I’d appreciate it if you could just…” Emma trailed off, her voice tired. “Just try and be a good person, a gentleman, just until I get to see the ocean, finally. I’ve already forgiven you, and I can’t have you ruin this for me too.”
Killian sputtered, his face turning from calm to angry in a flash, then almost just as quickly becoming impassive once more. It would have been amusing, if she had been willing to tolerate his behavior. He stayed quiet, unsettling so, as she took in the sea. The silence itself was surprisingly companionable, both of them sitting on the pier’s edge, the port bustling with brightly colored fishing boats. The sun dipped lower, finally settling into the sea and spreading out blankets of pinks on the horizon. 
“Thank you,” Emma whispered, and Killian grunted. Emma refused to turn to look at him, but let her words spill over into the darkening water. “We don’t have to like each other, but that - when we were sparring - that can’t happen again Killian. I need to trust you enough to know that you would never -" 
Killian made to start speaking and Emma waved her hand in an attempt to make him stop. 
"No. Listen. I am not saying that - I know that wasn’t your intention when this happened. You caught yourself, you didn’t - You didn’t let it push you into becoming someone you aren’t, even under all of… you didn’t let yourself. I just need the promise that you won’t let that thing take over you, that you won’t let it master you when you have control. That thing wants me destroyed.”
Killian swallowed hard, and took a moment before answering. “I don’t know if I can promise you that.”
“You need to. If we are going to be allies, you need to.” Emma sighed. 
“I found a potential ally for you. I can promise for now that I want to be free, and I will not find freedom within the Darkness.”
Beautiful lies. Let’s see how perceptive the princess is, hmm?  
“For now, that will have to do.” Emma sighed, and stood up, finally ready to return. 
*✧・゚: *✧・゚:*✧・゚: *✧・゚:*✧・゚: *✧・゚
Being around humans was grating enough when Killian was not in a hurry, but being around humans while under a time crunch, especially ones that tried to flirt or were too nervous - it was hell. 
The styles of human fashion had changed markedly in the time that Ingrid had resettled with her nieces, allowing Emma several wardrobes to choose from in both past and present clothing. Ingrid was taller, but with a quick hem all of her clothing fit the princess well enough, and Elsa or Anna’s outfits fit her perfectly. 
Killian could find nothing that fit in what was left of Liam’s or Nemo’s clothing, and even if he could, breeches and a tufted tunic did not seem to be 'en vogue’. With a little research and a brilliantly orchestrated bribe of the women getting to dress Emma, he’d found a shop in the city that carried the newest trends in what this ruddy century considered clothes. They called it post-modernist, or mod - the contrast of black, white, and primary colors or prints more of a headache to Killian than cohesive. 
The saleswoman had been tinted red from the second she came to help him with his measurements, pulling out an animal print suit that he immediately refused, then another in an itchy fabric she called corduroy. After many attempts, he settled on a few garments, and hoped that Emma didn’t have nearly as much trouble with whatever Anna or Elsa cooked up. 
Killian heard her protests behind the door as he adjusted the neck of the damned clothing that this world had made popular. Anything called a 'turtleneck’ shouldn’t be a mainstream garment, but here he was wearing one in black, tucked into charcoal and blue checkered linen trousers with a matching 'sport’ coat. Plaid, was the word for it, the saleswoman had informed him of its pattern name, completely flustered by him when he walked out from the dressing room with it on in the shop; his hope that this would be inconspicuous was already in question.
Emma protested loudly again, and he heard Elsa and Anna laugh brightly while Ingrid made clucking sounds with her tongue. 
Stepping closer, Killian tried to separate their voices. 
“There’s nothing -” Emma stammered, her voice high and wavering. 
Elsa soothed back, voice dangerously sugary, her preferred way of convincing a customer to try a new dessert. “That’s the style. It’s Modernist, all the rage in the cities.”
“My legs! - and arms! No, no way Elsa, and these tall slippers are -" 
"Heels, Emma, they’re heels ,” Anna supplied. “You look amazing, and I mean it. In this realm, this is a deal maker and what the women wear out -" 
"There is nothing to this! I can’t possibly convince someone to ally with me wearing -" 
"Oh, you’d be surprised. I almost put you in my go-go boots before deciding on the heels. And it will get you inside, which is what matters. If you have to, you can find more clothing. Plus, Ingrid did some light enchantment work on your bag. Your sword is in there should you need it, and I put in some hair pins and lipstick,” Elsa said matter of factly. “Now then. Come on, let’s get one last look at you -" 
There was movement behind the door again, along with more protests, before the door swung wide open in front of Killian - much to his surprise and Emma’s shock to see him waiting. 
Emma stood at his height, or maybe just below, dark kohl lining her eyes and making them look like cut emeralds in their sharpness, contrasted with a soft pink color on her cheeks and lips. Her hair was pinned up loosely and messily gathered in the back, strands pulled loose over her shoulders and by her temples, the ends falling on the simply cut blue of the dress she wore. Strange slipper sandals with impractical straps climbed just above her ankles, the heel far too high for any sort of work, and she wobbled dangerously in unsteady excitement. A sharp 'V’ in the fabric neck of the blue dress let her collarbones brazenly peek out with the top of her breasts, no corset or undergarment evident, with a dropped waist that slightly flared out to end abruptly at her thighs, showing off long legs that seemed to never end. Her shoulders were bare as well, sun-kissed skin everywhere on display as she tried to pull the fabric down with one nervous hand. 
Focus! What is wrong with you?
The Darkness was ignored and unheard. Killian found himself unable to speak for a long moment as Emma’s cheeks reddened deeply, the flush spreading down her chest so quickly he could follow its path, making his mouth dry. 
"I can’t leave in this if he is going to make faces and mock me the whole time -” Emma began, growing even more flustered when the other three women burst into peals of laughter. “Please, there has to be a longer gown than this -" 
Killian cleared his throat, unsure if he would be able to speak without his voice cracking, leveling a glare at Elsa. "I agree. This - this won’t work. She needs to be able to move, to not stand out -" 
Mumbling something, a flash of magic caught Emma’s shoes with a silvery hue. "There. Stability charm.” Ingrid nodded. “High boots were all the rage in the Court for some time. This charm saved my neck before. You should be just fine now.”
“As for moving and standing out,” Elsa purred, holding Emma’s shoulders and giving Killian a salacious look of amusement, “the charm and her bag should be just fine for any trouble you may run into. She’d stand out if she didn’t wear something trendy, especially with it being such a warm spring. Or are you implying that Emma stands out for another reason?" 
The air crackled between them, the bait in Elsa’s questioning apparent to everyone but Emma, who looked perplexed.
"Killian, I don’t like it either. I can find something in their closet that is -” Emma began, reaching her hand towards him. He flinched away, Elsa giggling once more before Anna gave her a sharp pinch. Even the Darkness stayed quietly observant, as unsteady and unaware as Emma in this regard. 
Killian scrubbed a hand over his face furiously, giving them all a thin smile. “No, no, Elsa knows best about these things. Come on then, shall we? I don’t want her getting any more bright ideas .” Emma stepped around him, looking back confused as she stepped down the stairs to head outside, all of them giving her encouraging looks. When she was out of reach, Ingrid simply shrugged and excused herself, while Elsa grinned widely. Shaking her head, Anna watched bemusedly as Killian mouthed he was going to kill them, and Elsa mouthed back Good luck . 
Emma waited for him on the terrace, glowing softly in the star light, bag clutched tightly in hand. She bit her lip, anxiety written across her face. 
“We don’t have to do this, love. If you aren’t ready, that is. We can train longer, work our way up to this, or have them meet under other circumstances.” His whispered attempt at reassurance fell flat to his own ears, so it was no surprise when she shook her head. 
“I’m done waiting. I can’t wait any longer; every day that passes means it’s more likely that…” Emma looked down, taking a deep breath. “Let us be done with this.”
“Aye.” Offering his hand, she slipped her own palm against his and curled her fingers to rest interwoven with his. They took a step together and were gone. 
*✧・゚: *✧・゚:*✧・゚: *✧・゚:*✧・゚: *✧・゚
Emma was unprepared for the combined smell of too many people, urine, and acrid smoke when they landed on the strange hard ground that made her teeth rattle at the impact. She gripped Killian tightly, resting her head against his chest as his jacket fluttered against her cheek in the wind and he let his arms hover inches away from her before lowering them to his side. 
“Princess?” he asked gruffly and she sighed, pulling away to steady herself on her own. 
Emma pressed a finger to her temple; there was another beat that came through the ground, far more unsteady as it rose up. The thumping noise made her feel off kilter. “Sorry,” she murmured, looking around. 
Across the street, lights swung back and forth, lighting in different colors and patterns to what Emma was now realizing was a beat. She stepped towards it and saw a line of people waiting near a single entrance, strange words swimming across a black panel of lights. People jostled her as she tried to get closer to read what the lights said, but it looked like they were in a different language. She looked for Killian to ask, but he was nowhere in sight. 
A blaring noise came from her left, two large lights approaching quickly, too fast for her to stop. What was this beast - 
Hands pulled her roughly back onto the crowded walkway, a pair of blue eyes under wildly curled blonde hair incredulously staring at her. 
“Are you trying to get killed, lady?” the other woman hissed. Emma blinked, staring at her. “Watch where you walk, okay? You’re going to get flattened by these asshole drivers if you don’t. Your boyfriend there should have warned you." 
Killian came into view, staring at both of them with annoyance. 
"Bloody hell, Emma, I looked up for two seconds and you were gone -" 
"And in the middle of the street, looking up,” the stranger pointed out. 
“And in the middle of the street looking up, at gods know what -" 
"Where I saved her from a car hitting her,” the stranger added again. 
“Where she saved you from - Bloody brilliant, you almost got hit by a motorized contraption. Taking you to the city was an awful idea, I should have - ugh. Because that’s just a bloody brilliant way of making mates -" 
"So this isn’t your boyfriend then. This is your father?” the strange woman questioned, and Emma felt her cheeks flush deeply, Killian looking at both of them in disgust. 
Emma tried to stammer out a few nos, but not before Killian supplied something suspiciously sounding like 'bugger all’. 
“If he’s some sort of sugar daddy, that’s fine too, no judgements. It’s the 60s babe, free love and love free, ya know? Just making sure he’s with you, should be watching a pretty lady like you -" 
"She’s nothing to me,” Killian stated harshly. Emma sucked in a breath, but the stranger only shrugged unperturbed. 
“Right then. I’m Alice. Since I saved your, er, nothing person here, if you happen to be heading into the Never, do you think I can get in with you? You both look very posh I must say.” Alice said, giving Emma a little spin. “M'own not 'nothing person’, we call them a girlfriend, is in there somewhere. I haven’t seen her in weeks, and she hasn’t been home or to the usual or unusual places. You catch my drift?" 
"Yes, we’ll get you in!” Emma replied, laughing lightly. 
At the same time, Killian issued a firm, “No." 
Alice sighed deeply. "I hate to beg, but I will. Please. Her stage name is Cheshire, but her real name is Robyn. I’m desperate." 
Emma looked at Killian, her eyes pleading. He shook his head, crossing his arms. "Absolutely not. You’ve already almost died out here; we’re getting in and out of here as quickly as possible without any more of your nonsense. Now come on.”
Pulling Emma’s arm roughly and walking across the street as the cars stopped one by one, Alice scrambled to follow. The line parted around them, leading to two large guards at the door with name tags on their bulky, overly large black suits: T. Dee one stated, the other T. Dum . Emma wondered how two different people could look so entirely like each other, and be so vastly but unnameably different. 
“We’re on the list,” Killian gritted through his teeth, the noise and heavy beats of the music making it difficult to hear. “KJ and E.”
Alice tugged on Emma’s bag gently, pointing out the marquee above, the black banner with its blinking lights. “It says in Greek, 'Θαύμα Ποτέ Νησί’. Never Worry Land. Never Wonder Land.”
Despite the heat of the evening, a chill ran up Emma’s spine. 
“Yep. Yer right here,” one of the men said, pulling aside a red velvet rope while the other opened a door for them. 
Squaring her shoulders, Emma spoke as firmly and loudly as she could. “She’s with us too,” nodding at Alice. The woman’s eyes went wide, and the guards at the door narrowed their squinting glares. Killian’s nails bit into her flesh until the two guards looked at each other and shrugged, letting them all enter. 
Past the entrance, Alice launched herself at Emma, laughing and crying at the same time. “Thank you, thank you, thank you, you beautiful woman. I - we, me and Bynni, we owe you.” She turned to Killian and stared at him, almost like she could see right through him. “We owe you too, so consider this: be nicer to her. Μπορεί ακόμα να σας σώσει." 
Killian bristled, letting go of Emma in contempt. The inside of the club was dark, but the bars and dance floor shone with bright and strange combinations of lights, sound, and color. Women writhed in cages that moved around the large dance floor, the size of which was comparable to a small ballroom. 
Elsa had been right about her attire. If anything, Emma was modestly dressed compared to the strips of fabric some of the women were wearing, hips and buttocks on complete display as they undulated. Killian motioned for her to listen, and she peeled her eyes away to regard his face. 
"No more bullshit, Emma. You have to listen now.” She nodded, and Killian seemed to relax more, staring at their surroundings. “I have to find our contact, Tink. She said she would be at the far end of the dance floor, so stay here. I’ll be back shortly.”
“Yes sir. No more disobedience.” Emma gave a mock salute and he bristled even more. 
“Just stay here, look pretty, and act nice. You know,” Killian smirked and let his anger volley in a faux sympathetic tone. “What you’re good at.” Emma looked as if she’d been struck, and he smiled a pitying grin, her glare following him. 
He made it a few steps away before returning, remembering his dire warning. “This is the most important thing, I almost forgot.” His voice was deadly serious in contrast to the smug sarcasm he had just displayed. “Do not drink or eat anything they give you. Not a morsel. Do you understand?" 
Emma nodded, and Killian raced off towards the dance floor. 
  The music of the club was overwhelming, thrumming through her body. She watched Killian disappear into the mass of people, heading towards a raised platform with large speakers on either side. A woman stood, raising her hand with a strange ear warming device on her head, a short green dress that was covered in glitter fitted to her like a second skin. 
Killian had instructed her to stay where she was, so she leaned against a tall chrome stool watching everything with interest. A man with a saccharine smile grinned at her from behind the counter, the walls behind him filled with various colored bottles of spirits. He seemed too young to be there, a child-like mischief behind his smile, but one marked with a strangely malicious intent. Emma shivered. She didn’t like the way the man’s eyes gleamed as he looked at her with that same look that pricked at a familiar uneasiness.
“Can I get you a drink, Miss?” he said, and his voice was like sweet cream. “On the house.” She didn’t see him make any movement, but a drink suddenly appeared in front of her. It smelled of vanilla, strawberries, honey, and sugared plums. Killian’s warning played over in her head.
Do not drink or eat anything they give you. 
A tag was on the bottom of the drink. Had that been there before? She pulled it between her fingers, almost upsetting the martini glass. A picture of two rabbits sitting on a flower bed while toasting drinks was etched on the yellowing paper, inky ornate cursive flowing along the bottom. Drink Me . Strangely, if she put the tag down, the image from afar looked like something else entirely but her brain could not place what. 
Emma put it down and went to move away when a gaggle of women pulled her to the dance floor. Emma was spun, twirled, and swallowed by the dancing crowd. The music had changed, moving through her body like a delicious current. Her dress suddenly made sense - everything was hot and slick, the scrap of a dress almost too much fabric on her skin now. In front of her, a pair of brown eyes met hers, and a woman ground against her, gyrating her hips into Emma’s to the beat of the music. Hands behind Emma grasped her hips, and another woman, a redhead with dull gray eyes stroked up and down her sides. Emma felt overcome, the movements overwhelming. Swaying slightly, she tried to press through the crowd and back to the bar, but could not move through the group that seemed to only knit tighter around her. 
The world twisted again, and a muscular, lean, dark skinned man grabbed her in a dip, hands low on her thigh as he brought her leg up in the air. Pulling her close again, they spun in an elaborate tango before he twirled her into a tanned blonde man that made a cat-like purring noise, the dancers around Emma moving closer and making movements that left her breathless. Martinis were being passed again, tags being thrown in the air and raining down on sweaty skin. A waiter with the same gleaming eyes as the man behind the counter smiled that same saccharine smile that belied something dark just below the surface.
“Try a drink, Miss.” He had the exact same voice as the other man, and she backed away. “Just a sip, they’re delicious.” 
Emma refused again, now pushing against the flow of the throng of writhing bodies. Another group of women pulled her into a grind, the pressure intense, their hands roaming free on her body. Everything felt deliciously good, and she forgot why she was so frightened before as soft, gloss covered lips kissed a trail down her neck. Behind her, two women touched trails down her sides with rough finger pads, one gently tugging her hair, the other alternating small nibbles on her ear lobe while running nails down her exposed shoulder. They were all whispering at once, and Emma’s mouth was so dry.
“Have a drink, try a sip. Drink it, it tastes amazing!” 
Emma’s knees went weak as it felt like thousands of hands were on her, stroking her in exquisite torture. Scratchy moans turned to whispers and breathless gasps of the same words.
“Have a drink.”
Pleasure coursed through her body as Emma rolled her body and spun to the music. Her head was blessedly empty, she had no worries, and what would one drink do? It couldn’t hurt; Killian wasn’t exactly the most trustworthy, so it very well could be she should drink it. 
Something in her mind wriggled, and she realized that her eyes were closed. She opened them to see Killian struggling to get to her, Alice with him looking horrified as he tried reaching out his hand and shouting words that she couldn’t hear over the music. 
The dagger around her neck glinted, reflecting the bright lights that littered the ceiling. Light hit a dancer, the redhead with the dull eyes, and to her growing terror, Emma saw that the woman was falling apart. A skeleton with dripping remnants of flesh jumped with the crowd and ground her hips with a decaying man. Bodies pushed hard against her as she tried to reach for Killian. She saw more of the waiters giving out drinks, the liquid sloshing in their glasses. The redhead threw back a martini after clinking it against the decaying man’s glass, and suddenly they were young again. Emma screamed but could not be heard over the din. 
Killian tried to grasp her outstretched hand, fingers barely touching her own, but several of the suited waiters were surrounding her. The man behind the counter held out a drink, and with the illusion broken, she could see the viscous, bile yellow drink in the glass, noting the sour smell it permeated the air with. Emma couldn’t hear anything but the music and the chanting of the men with their gleaming eyes, the same four words somehow superimposed over the music.
“Have a drink, Miss.” One of the waiters tilted her head back, another held her arms, a set anchored each leg, and one secured her jaw open. Killian tried to fight to reach her, but the crowd clawed at him from every angle. 
“Lost Boys! Leave her!”
The man behind the counter smiled as recognition dawned on Emma, her panicked noises swallowed by the song.
The yellow liquid poured down her throat, and as soon as the glass was empty she could hear the moans and screams of agony in the music’s shrill tones. Her body felt tired, leaden, and the room spun as she felt what could only be described as a thread being cut in her solar plexus. A force pushed her deep into her mind, swimming through darkness towards a small window of sight, watching her entire body move under someone else’s control. 
A low, oily, familiar, voice spoke from the depths of the darkness. “Emma? How amusing, it feels like ages since you and I last spoke!” It laughed, and through the window of what should have been her eyes, she watched erratic movement that must be dancing. She could now see the truth of what this place was, the glamour lost as some strange magic controlled her. “Well Emma, you’re mine now. A Lost Girl, one of Pann’s very own menagerie.”
A memory swam through her mind.
Granny had told her grandchild legends to scare her into bed at night. Granny would never deign to tell such tales in front of Emma, but Ruby on the other hand was happy to oblige. When they snuck out at night and drank honeyed wine on a secluded balcony, Ruby would try to scare her with the stories of the olden times. 
“So then Granny said,” Ruby hiccuped softly, “that the Fae that got banished, they used to make these circles.” She swayed, making a circle in the air with her finger. Emma was warm and felt herself swaying in the warm winds, looking out over the orchard below. “They made ‘em out of mushrooms, and if a human walked through one, BAM!” She clapped her hands together, and Emma jumped with a giggle. “Part of their collection. The magic would catch the human, and they’d dance forever - you’d see these Fae with humans following falling apart, cursed to dance until they were dust.” She wiggled her fingers for added emphasis, and Emma laughed along with her, imagining a skeleton trying to dance. 
Here in this otherworldly place, humans, creatures, and Fae came to dance under the lights, surrounded by walls painted in strange runes; they came like flies to a glittering spider’s web, eager to be trapped. Dancing without end in pure pleasure, extending their lives as their bodies rotted then renewed again. Forever lost, Lost Boys and Girls for eternity. 
Emma could still feel sensation, but as if through layers of thick wool. Something sticky and wet touched her as she spun, and she felt bony fingers grab her wrist. As if commanded, she looked out to see a skeletal figure gripping her, both of them swaying to the beat. It downed a passed martini glass, becoming a heart faced brunette with glazed eyes, her fingers once again soft on Emma’s wrist. She mumbled quietly, and Emma strained to hear what her own voice repeated back. 
"Have a drink. Have a drink. Just one. Have a drink.”
Pann’s laughter was all around, almost overpowering the sensation of Killian’s arms dragging her away and fighting to free her from the throng. Nails were sharp, blows against them both coming from all sides as Killian pulled her to a door, her purse tight against her, spilling hair pins that he picked up and bent with his mouth. Jamming the pin inside the door’s lock, it took a few wiggles before the door knob turned, the crowd pressing the door closed as Killian held her in the darkened stairwell that lay behind it. 
Emma willed her body to move, only to feel sharp zaps of electric fire race through her, making her shake from the exertion. The only thing she wanted was to go back to the crowd, to drink and dance, her mind fuzzy and warm like a favorite blanket. She couldn’t hear Killian’s frustrated yelling, or feel how he had to grip her shoulders; she only saw his eyes staring at hers in sharp focus as if she had woken from the deepest sleep. 
His hair was askew and his suit was ripped on the shoulder, the sleeve dangling slightly, but Emma could only fixate on the blood that dribbled from his lip. Another long rivulet trailed from his forehead and fell between his eyes. It was closer to the right side as he faced her, one of her trembling hands twitching up to smooth the lines of worry away - 
Emma fell back, her body convulsing violently with the same electrical shocks of pain she had felt before, closing her eyes in an attempt to keep the voice out of her head. 
“Now now, don’t make a fuss, Princess. You are such a prize, I’m so happy you could join my collection instead of someone else’s. The whole United Realms is looking for you! It seems that the Goblin prince is quite taken by your beauty.”
It was like nails on a chalkboard, someone screaming and clawing at her face while Pann laughed. Behind it, Emma felt her weight being pulled, a voice she begrudgingly trusted whispering not to panic.
“Let go. Let go, I’ve got you. Don’t fight it, just rest,” Killian repeated, dragging her body upwards.
Pann’s laugh quieted while Emma faded away, her eyes open and glassy, the world going golden for a brief moment, then dark. 
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pencil-free · 4 years
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have something stupid for mermay. savill is a big eel boy who lives in a lake and raya accidentally got him addicted to gummy worms so unless she wants a swamp monster in her bathtub (again) she has to regularly give him candy
The stars were pretty. Savill stared up at them from where he floated on his back across the lake, his long tail wound loosely through the tangle of weeds that grew thick along the shoreline to keep him still. The waves from the day’s visitors and their boats still rocked the surface and he bobbed along with them. Raya couldn’t see him in the dark. 
Which, of course, was the point. 
Too many humans flocked to the waters edge this time of the year. The air was hot and sticky and the water was cool and refreshing. It wasn’t anything like the colder months, when his lake would freeze over and he was trapped beneath the surface of ice. It was always too quite, too still, too...lonely. But the summers would busy. And loud. Soon he’d feel a different kind of loneliness, when Raya stopped coming to the lake altogether to ensure his safety. 
But for now....
A brighter star caught his attention, and it moved faster than any of the lights that blinked across the sky above. Savill ducked his head underwater just in case and drew his tail in close. The reeds swayed as his eel like shape twisted and coiled and he sunk into the mud until he heard her call for him. 
“They didn’t have any gummy worms but they did have the octopus ones. I hope you like them sour, though,” Raya said, softly, but the night air carried her voice across the water as if she’d shouted. 
It sounded more like singing to his ears after so many hours of hand splashing and foot kicking and propeller spinning. He shoved himself off the bottom and pulled himself ashore, hands scrabbling at rocks and then grass and then the bag Raya had put down by her feet. 
“A hello would be nice, you know,” she laughed as he dug through it.
“It’s always nice to see you,” he said, eyes on the bag of candy. He turned his attention to her with a smile, and it grew when he saw her pout in the shadows of the light she held in her hands. 
“Rude. I even brought a new movie for us to watch.”
“Is it-”
“It has absolutely nothing to do with Finding Nemo.”
He frowned.
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ciathyzareposts · 5 years
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Game 340: Fantasyland 2041 (1981)
          Fantasyland 2041
United States
Crystalware (developer and original publisher); Epyx (later publisher)
Released in 1981 for Apple II and Atari 800
Date Started: 9 October 2019
               I had already passed through the 1980s at least twice before someone recorded Crystalware’s catalogue on MobyGames. The company was so prolific that it’s hard to believe that its absence on my blog went unremarked for so long. Between 1980 and 1982, the company–founded by John and Patty Bell–produced at least seven games with enough RPG elements to make my list, including the already-covered House of Usher (1980) and Beneath the Pyramids (1980). They may have produced the first Japanese RPG, with Dragon Lair (1982) appearing the same year as the better-known The Dragon & Princess.
Fantasyland 2041 (the manual tags the title with an A.D. but the title screen does not) is clearly meant to be the apogee of John Bell’s contributions to the genre as an author if not as a publisher. He even writes in the manual that, “This will probably be the last great Fantasy that I write.” The game combines themes from several mythologies and shipped on seven disks, which must have been some kind of record for 1981. It’s too bad that Bell wasn’t writing in a technological era that could better accommodate his ambitions.            
The game had epic ambitions, but these were not epic platforms.
       Thematically, Fantasyland combines elements from Disney World, the film Westworld (1973), and the television series Fantasy Island (1977-1984). It takes place in a giant live-action-role-playing theme park, presented as the natural future of Crystal Computing, although one which the owners (“John B.” and his “pretty young Swedish wife, Patty”) have been forced by “religious zealots” to set up in the Australian Outback. The entrance fee is $3 million.
The park consists of seven sections, each contained on its own diskette: the introductory Hall of Heroes, Congoland, Arabian Adventure, King Arthur, Olympus, Captain Nemo, and Dante’s Inferno. The ostensible goal is to rescue Guinevere (if you’re a male) or Lancelot (if you’re female), but beneath everything is a Great Mystery, and Crystalware offered $1,000 to the first people to solve it, with separate awards going to Apple and Atari victors.
The game begins with your little character standing at the entrance to the Hall of Heroes, although it tries to have things both ways by presenting what looks like a first-person view but then having the character walk “up” past the doorway, past the roof, and past the screen text to enter the opening that goes to the “real” hall. The background continuously scrolls rather than presenting as discrete screens.          
The game often suggests a first-person perspective even though the character walks around the screen from a top-down perspective.
          The rooms beyond the entrance are full of objects and companions that you can buy for various amounts of money. (You start with 5,000 gold pieces.) In the first room alone, I was offered a diving suit, a diver, a horse, a Zulu warrior, a zombie, rations, a submarine called the Tari, fuel, a blowgun, a samurai, a cabin boy, an archer, a knight, a crossbow, and a tunic.          
Maybe later.
          The items and positions are randomized for each new game. After a few false starts, I learned that you want to purchase as many resources as you can, and as many companions as you need to carry them, in the Hall of Heroes. You continue to find treasure and to get opportunities to spend it later in the game. You have to make sure you buy plenty of rations, or you and your companions will immediately starve to death.          
Some of my inventory after initial purchases.
          I had expected the other lands to branch off the Hall of Heroes like spokes, but instead you explore them in a linear order, starting with Congoland. The area consists of around 12 screens of various terrain features, offered in the manual as “jungles,” “mountains,” and “swamps.” As you explore, you can find treasure chests with gold or valuables (e.g., bone necklaces, emeralds, diamonds) that you can later sell. Mountainous areas feature crevices in which you can lose your equipment and companions, and swamps feature sinkholes that perform the same function. Occasionally, you have to have a particular item to progress; for instance, a plank or boat to cross a river or a lantern to see in a cavern.         
Losing a gem in the mountains of Congoland.
          Controls are even more basic than the previous Crystalware games. The joystick moves the party, and the only keyboard commands that you use often (at least in the starting area) are A)ttack and F)lee when encountered by enemy parties, P)ick up, D)rop, U)se, and T)rade.
You get attacked a lot as you explore, by area-appropriate enemies like tigers, gorillas, headhunters, and Zulu warriors. The character doesn’t really fight in these battles, instead trusting in his army of companions. (If they all die, the character dies soon afterwards.) Their numbers plus their weapons and armor make up the army’s combined strength, pitted each round against the enemies’, with round-by-round losses on both sides fairly formulaic depending on the variances in strength. Victories don’t really confer any benefit to the party except the opportunity to loot enemy equipment, so I think it’s a good idea to flee from most battles. Overall, the combat system is rather underdeveloped. Coupled with the inventory system and the way certain items are needed in certain places, the game feels not unlike Robert Clardy’s Wilderness Campaign (1979).             
My party squares off against some natives on the other side of a river.
          One repeated encounter is with a “witch doctor,” who will join you if you defeat him in the first round of battle. He comes with a shrunken head and earth magic, which you can use like an item of equipment. He can die in combat, but if he does, eventually another will approach you.
Eventually, you cross a river in the northeast (you may have to fight a pack of piranhas) and make your way to Kabunga Village. There, you can stop at the various huts to sell valuables and buy adventuring equipment and companions, including most of what you need in Congoland specifically. North of Kabunga Village is a “banana grove” where every tree offers some rations.           
Trading in Kabunga Village.
        In the far northeast corner is the entrance to King Solomon’s mines, a maze for which you need a lantern or else you lose an item every few steps.            
In case we catch malaria.
          It took me several abandoned characters and hours before I understood the game enough to make it to the mines. The manual recommends that you “conquer the sorcerer of Congoland” before you enter the mines. I wasted a lot of time looking for him before I realized that’s simply a fancy name for the witch doctor that you encounter repeatedly.
The mines contain the same sorts of treasure and encounters as the wilderness area. At the center, I found King Solomon’s Temple with the spirit of Solomon blocking a door and the number “666” on the floor. Using the witch doctor’s earth magic made the ghost disappear, allowing me to enter the chamber beyond and transition to Cathay, the opening village of Arabian Adventure.            
The final screen of Congoland.
         Before I continue, let’s talk about the manual and the so-called Great Mystery. I think I explored Congoland comprehensively, and I didn’t find anything with any text except for the “666,” although there might have been more to find in Solomon’s Mine. I suspect that solving the Great Mystery is going to have something to do with the manual and the stories it relates about six sample adventurers and their initial explorations of each land. The first section relates the story of “Tisha: Queen of the Jungle,” who gets this riddle as she enters Congoland:                
The treasures of Solomon, his Gods, his worth 10,000 wives and concubines to make a temple fair A young lad who he deeply loved with long and flowing hair Bagies burnt on hilltop fires, a nation plunges down A thousand temples to Pagan Gods the King has lost the crown A magic ring the demons shrink and on that ring a sign The eater of heads a mystery is hidden in the rhyme One two three four five six seven — 666 or 777 22 clues from here to there–from the bottom neath the squid To the Dragon’s Lair
            Other than the 666, which I found on the floor of Solomon’s Temple, none of the imagery in the poem seems to correspond to the features in Congoland. There’s a similar poem to go with “Thomas of Arabia’s” adventures in the game’s version of the middle east.
Arabian Adventure switches background and text color but otherwise plays much like Congoland. You can purchase goods and companions in Cathay and in the city of Baghdad to the far northwest. In between are treasure chests, sandstorms that make you lose inventory, oases where you can gather food, and a curiously large group of locked doors that you can unlock with keys found in the chests. Monsters include scorpions and “Turks.”          
Reaching Baghdad ends this level.
           A couple of chests refer you to the manual to look up, for instance, “Treasure #5.” This turns out to be a giant golden Buddha that I can’t even begin to carry. The use of treasure numbers with manual descriptions was earliest seen in the Dunjonquest series, and it’s possible that the Crystalware titles owe more to Dunjonquest than I have previously speculated.          
Six giant golden Buddhas on the outskirts of Cathay.
          You escape the Arabian Adventure via a door in Baghdad. It’s blocked by a genie who only moves when you use the air magic of your own genie. The door leads the player to King Arthur’s realm and the third adventure and game disk.           
I suspect the “sorcerer” will end up playing the same role as the witch doctor and the genie.
          I have a feeling it’s not going to be too hard to simply whisk through all the levels, find Guinevere, and “win” the game, but without figuring out the Great Mystery. So I’m going to slow down and repeat the first two levels and see if I can pick up any more clues.
Fantasyland isn’t really an RPG by my definitions. There’s no character development and no “personal” inventory. Nonetheless, it’s an intriguing quasi-RPG from the days before RPG standards, and I’m impressed by its ambitions even as I’m frustrated by its limitations.
Time so far: 3 hours
source http://reposts.ciathyza.com/game-340-fantasyland-2041-1981/
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