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xenodile · 1 day

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"Shuro loves Falin for the same reasons he hates Laios" Completely and utterly wrong, could not be further off base.

I get the impression a lot of people watching Dungeon Meshi as it airs, or are a bit removed from its original manga run, have forgotten that Laios and Falin being monster freaks wasn't actually apparent until the events of the story. The only person that knew Falin loved monsters as much as Laios was Marcille because they were best friends at school.

Once Laios and Falin were in an adventuring party together, they both had public facing personas because they had both learned through their separate upbringings that being super interested in monsters and dungeons wasn't normal. Laios is the blunt but well meaning, outspoken and opinionated guy we all know, but Falin was way more withdrawn and soft-spoken, non-confrontational, easy to get along with. Everyone that interacted with Falin would say she's a sweet, gentle girl that everyone likes. Because she was, frankly, kind of a doormat.

The whole thing with Toshiro's infatuation with Falin is he doesn't actually know her. She is outwardly very polite and reserved, and that appeals to Toshiro because it meshes with his cultural sensibilities and how he was taught people are supposed to behave. Then he sees her marveling at a caterpillar in a private moment and decides on the spot that she's the ideal woman and proposes without actually talking to or getting to know her.

And his lack of understanding of Falin as a person is brought to the forefront in every action he takes after she gets eaten. He leaves the party and makes no attempt to contact the two people that Falin loves the most. Whether it's a matter of him just not knowing how much Falin cares about her brother and Marcille, or actively avoiding Laios to rescue Falin himself, he's demonstrating that he doesn't actually know what's important to her or understand how she feels.

Then when he meets Laios's party on the lower floors and they go over what happened, it's made even more blatant that Toshiro's affection is shallow and half-baked. He came into the dungeon a week too late and neglected his health the whole way down, so he was in no state to actually try and save Falin when he got there. When Laios talks about eating monsters, something Falin was thrilled about, Toshiro is disgusted. He threatens to kill Laios and turn Marcille in, which would never fly with Falin. His anger at the use of black magic is entirely based in his selfish idea of Falin being tainted and blaming Laios and Marcille for "ruining" his attempt to rescue her, as Kabru points out that Toshiro would have done the exact same thing in their shoes and that he's being a hypocrite. To say nothing of how he'd rather kill Falin after she's been transformed and "put her to rest" rather than put any effort into saving her, because that would require further involvement from Laios and Marcille and methods that Toshiro doesn't approve of.

And there's the fight he has with Laios, and Toshiro's subsequent confession that he had hoped to just take Falin home with him. He at no point gives consideration to what Falin feels or what she might want, only what he has decided about her based on the most surface level observation. Just like how his problem with Laios arises from his refusal to just talk to him about his boundaries, he has no actual connection with the woman he claims to love because he just wouldn't actually talk to her.

Like it's not a coincidence that every time his attraction to Falin is brought up, another character goes "yeah he's being weird about it".

#Dungeon Meshi #Toshiro isn't a bad person. He has communication issues and makes very bad decisions based on his own refusal to communicate.

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lovifie · 14 hours

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Simon “I Will Never Be A Father” Riley, and how he ended up with a football team worth of kids.

CW: Like 2k words of fluffy Simon, and then 1k words of filth, massive breeding kink, creampie, disgusting sext talk mess. Enjoy! 🩷

Masterlist - Taglist Form

It's not his fault, it's yours.

He met you really early in both of your careers, before either of you had really any important ranks, nor years of experience.

But a mission together to recollect some intel was enough for the two of you to learn each other's names.

It was back when rage still blinded more of Simon's senses, the loss of her family still recent. But you didn't know, obviously, and he wouldn't tell you.

During that mission, he would constantly snap at you, unnecessary remarks and barks at you whenever you would ask something.

Not that you would back down because of the overgrown chihuahua, usually just shouting back and ignoring him. Letting him to simmer in his guilty feelings.

But the time together helped to learn what buttons to press and when to act as if you hadn’t seen something, and by the time you made it back to base, to your different units; you said goodbye shaking hands and saying: “Nice to meet you, Riley. Don't die.”

He didn't say it back, but he felt it more.

Years went by before he saw you again, and after a while, he simply assumed you did in fact, die.

He was higher in his career, already being respected by most and always addressed as Ghost. The rage of his past was already on a secondary level.

More mature, more knowledgeable, more experienced.

But for some reason, he couldn't forget you. He had come across so many different people who would back down just for him looking at them, yet when he screamed at you, you didn't let him win.

He missed you.

He would never admit it, but he missed the girl he met on that mission those years back. Maybe if he had said it back you would be alive.

Maybe.

“Riley?!” An unmistakable voice asks, radiant with happiness from his back.

He turns around, eyes wide open looking for the source, for the girl he met so long ago, for the girl he thought had died.

But he sees you.

The woman, on the same rank as his, grown, more mature, more knowledgeable and more experienced.

Scars and wounds adorning your body just like his.

“What is that mask, Riley?” You ask, smiling widely. “You turned emo?!”

You laugh loudly as you finally walk up to him, an awkward position of not knowing how to say hi after so long apart.

“Aye, didn't want people falling in love with me like you did.” He says, completely baffling but still hoping it was true.

“Argh.” You say, rolling your eyes as you slap his arm. “Well, excuse me, lover boy. Didn't know you have spent all this time fighting the ladies.”

There hasn't been any ladies. Not after you. He realises it in that moment.

“It's the uniform.” He explains, a stupid smug smirk under the mask. “And you? What have you been up to?”

“The usual, learned German, I knit now, killed a couple of hundred terrorists, and got my flying licence!” You enunciate, slightly jumping with the last.

He doesnt realizes that the mask is not covering his eyes, and that no matter how cold and stoic he tries to act; you can see clearly as day the affection and happiness from seeing you again.

This time, when you say goodbye, you keep each other numbers. A way to stay in contact, to check once a month if you are still alive.

But again, time goes by before meeting in person again.

And when it happens, Ghost is already on the 141; and it's not him the one that sees you first.

“We are having a surprise guest on the next operation.” Price says one morning while they are having breakfast. “She’s from another base, but has an amazing resume. She's a lieutenant too. And with an ugly character, like you” He says, pointing at Ghost.

And he knows it's you.

It gotta be.

And a couple of days later, when you enter the mess hall; walking behind him and slapping the back of his head, he is elated.

“I knew I was smelling trash.” You say, looking down on him. Barely a bit taller than him when he is seated.

He turns his body, resting his arm around your hips. “How long are going to be following me for, ya rat?”

“Hmm, not my fault you can't do your fucking job, useless bitch.” You say with a smile on your face as you rest your arm over his shoulders.

“Well, somebody gotta take out the trash, you cunt.” He says, a smug smile on his face.

“Aww, are you telling me to take you out, lover boy?” You say, resting your hand on your chest. That makes him bark a laugh, patting your side after, before saying. “I'm glad to see you are still in one piece, idiot.”

“The feeling is mutual, dickhead.”

And that was the first time that Simon’s hand was resting on your hips, but definitely not the last.

The first mission together with the 141 was an absolute shit show, everything that could have gone wrong… went wrong. And if it wasn't because of your stubbornness, it would have been Simon’s last mission.

Being trapped under debris, unable to get out of the burning building. Everyone was already out, only him inside, talking on the radio to tell the team to leave him behind.

Except you, who managed to slip through Price's orders and run into the obvious death trap. Able to take the debris keeping Simon trapped with his help, both of you using the extra strength that only comes out in emergencies. Unknowingly, both of you going to the extreme of your resistance to make sure the other didn't die inside the building.

And when he was in the hospital bed, days later, and you came to visit him, and you leaned forward and kissed him. It was the first kiss, but not the last one.

The two of you, already adults perfectly functional, able to instruct armies, take down terrorist organisations, and yet… it was not until 8 months after the first kiss that one of you managed to ask the other out.

“The team were going out for drinks tonight, but they bailed… do you want to go still? The two of us?”

To this day, Simon still believes it was his doing that the two of you went alone to the pub, and you still have not had the heart to tell him it was you the one who asked Price, Soap and Gaz to tell him they couldn't go.

And once the door was opened, everything went smoothly and easily. Not bothering to call the relationship in any way, as if the two of you haven't been exclusive to the other from the first moment you met.

Still, even more time went on before something more than kisses went down. Until the two of you went on separate missions, months spent apart from each other, only to reach base again at the same time.

And as if you had planned, you walked to each other room. Meeting exactly in the middle and jumping into each other arms.

Not that anyone else on the team had doubts about what went on between the two of you, but still was a surprising view. And you pulled Simon by his hand inside of his room, every doubt crumb was erased.

And once it started, everything else went in a blur. By the time you took notice, the two of you were already married for a couple of years, the honeymoon phase was still strong, and expecting your first child.

And Simon, who had always promised he would never have kids, now was obsessed with your pregnant self. During the pregnancy, he couldn't keep his hands away from your body.

Constantly feeling you up, every inch of skin, from your hips, to your breast, to your tummy. Completely obsessed and enamoured with your body, changing and adjusting to bear his child. His big-ass child. That had you wabling from the second trimester.

He missed the birth, away on a mission when you were in your seventh month. Promising the mission would last a week, but he didn't take a step into your house until three months later. He didn't look Price at his face for weeks after the due date passed.

The worst part was that there was no communication with you, complete radio silence. Again, like so many years ago; you could be dead and he wouldn't know.

And when the plane landed, he took the quickest shower of his life. Because the worst case scenario was coming home to an empty house, but the worst second was holding his child for the first time with the blood of his enemies still on his hands. He wouldn't taint such an innocent thing.

The door almost fell from the hinges when he entered, eyes looking through the house. Breathing only because he could see light from the bedroom, and then you walked out of the room.

Looking at him with tears on your eyes as you run to him, jumping on his arms and getting crushed by his hug. Muttering apologies as he kissed your head, he still has not forgiven himself for failing you that day.

You shake your head, grabbing his hand and pulling him towards the bedroom. He freezes on his spot, as if he just remembered that he had a child; your abdomen way flatter than when he left.

“C’mon, Si… Do you not want to meet your son?”

A son.

He had a son.

He followed you into the room, unable to say a word as he saw the tiny human sleeping in the middle of the bed.

He walked behind you, waiting for instructions, his brain struggling to work normally. You tell him to sit down, picking the baby to lay him on his arms. The father finally holding his son for the first time.

And when the baby exhaled a satisfied sigh at the warmth pooling from Simon’s body, the first tear rolled down his cheek.

He didn't sleep that night, it didn't matter that he had barely been able to sleep the weeks before, he couldn't pull his eyes away from the baby. So that night, he stayed seated, with the baby on his arms and with you sleeping by his side.

The happiest night of his life.

He finally took his parental leave, almost smashing the phone against the wall when Price called him; even though it was to congratulate him.

And Simon, who always had believed he would never have kids, now had one. And that might have been the first child he had, but it was definitely not the last one.

Because a couple of weeks later, when the two of you went to base; to introduce the baby to his teammates, Simon couldn't stop thinking about how good you looked with his child strapped to your body.

His little head resting over your full breasts, sleeping and perfectly unaware of every problem in the world. But Simon couldn't stop looking at your chest, body changed to bear and care for his child; it was only fair he paid back.

So when Gaz asked if he could hold the baby, it was Simon who helped you take the baby out of the little koala backpack; letting him hold it.

And with a weak excuse, took you to his bedroom. Barely managing to close the door before bending you over his desk, pulling your pants down and stuffing your cunt with his thick fingers. Giving you barely any prep before the strain on his hardening shaft was too much for him to keep it away from your soaked cunt. Groaning in your ear as he thrusts fast and hard into your sweet pussy, rubbing your clit with his fingertip making you cling into the desk.

“Such a good fucking mama you are.” He moans into your ear. “Driving me fucking crazy every time I look at you, so fucking beautiful, so fucking breathtaking, darling.”

Half of what he says doesn't make sense and the other half you can't even hear from over the sounds of the moans.

“Gonna fuck you full of my child again, gonna keep you barefoot and pregnant, mama.” He moans again, kissing your neck from behind as his free hand keeps roaming your body, needing to feel more and more of you. “Looking like a bloody goddess with my child, gonna keep fucking you until it fucking catches, and then again, and again, and again… Do you want that, mama? Do you want it as much as me?”

“Fuck, yes!” You moan back, just as fuck out as him. The unforgiving pace pushing the breath out of your lungs, your legs barely able to hold your weight but it's not like Simon would let you fall.

More and more words and promises keep falling from Simon's mouth, making it hard for your orgasm to take any longer to wash over you.

But then Simon turns you around, laying you on your back and pulling your legs up, your knees beside your head; before he starts to thrust into you again, his happy trail rubbing against your clit.

“Gonna make it catch, gonna fuck you so deep it is not even going to spill. Gonna get you fucking pregnant again, and this time I'm not gonna go away for a fucking second. Gotta give the little shit a sibling, ah?”

The stretch of your legs being pulled so back into your head making it almost uncomfortable if you were able to think at the moment. Your hands grabbing into his forearms to steady yourself.

“The best fucking mama in the world you are, ah? Taking such good care of him.” He groans, engulfing your boob with his enormous hand. “Getting these tits fucking massive just for him, fucking little shit don't know how lucky he is to get such a good fucking moma.”

And you are ashamed to admit it, but the disgusting praises are enough to throw you over the edge; your head falling back against the desk with a loud cry of his name.

“Fucking hell, darling.” He groans just like you. “That's it, choke my fucking cock, love. Milk it dry, suck it in. Fuck! Such a fucking perfect cunt, I would fucking live here. Sucking me in so good, such a greedy fucking cunt. I'm gonna fuck you so deep, I'm gonna give you twins, darling.”

And he doesn't give you time to breathe, his hips slapping hard against yours making you mewl at the overstimulation. Clenching down at the prolonged orgasm.

You hear him groan over your exhausted body. “Fuuuck… Shit, love. Yeah… just like that, take it in, love, take it in. Hold it in, don't let it go to waste love.”

You fill him spill deep inside of you, pulling your legs impossibly higher lifting your butt off the desk, bending you in half with your cunt completely exposed.

“Such a beautiful fucking cunt.” He says before leaning down, kissing your clit as if he was pecking your lips, only for him to literally make out with your cunt. Making you hiss and pull his hair back to make him stop and be able to breathe for a second.

He pulls his head back, only to accumulate the saliva and arousal on his mouth and spit it back over your cunt making you shudder. He lowers your legs, impaling you back on his still hard shaft, pulling the breath from your lungs once more.

“There you go, mama. Stuffed and plugged, so there is no risk.” He says, letting your legs rest down as he moves his hands to each side of your hips, pushing you impossibly closer to him, hitting as deep as he has ever reached. Slightly moving you up and down so your clit rubs against his pelvic bone, making you whine as you clench around him.

“Simon… Si, I need to fucking breathe.” You whine, trying to grab his hand.

“Nah, you got this…” He says without looking at your face, completely hypnotised by the way your folds part to take his cock in. “You are doing amazing, sweetheart.”

Is only hours later, that Simon comes out of his room. Clothes changed, showered and without you (who is currently sleeping on his bed, too exhausted to even stay awake), and he walks up to the mess hall, where he assumed the boys are.

Picking his beloved son from his captain's hands. “There you are, my boy.” He says softly, picking up the baby that looks ridiculously small in his arms. “Time for bed.”

“Oi, LT!” Soap calls him. “So when is his sibling being born?”

He looks at Soap, his expression changing to a stern one. “Don't be disgusting, Johnny. That's my family you are talking about, have some decency”.

Taglist:

@crashtestbunny @going-to-ikea-for-the-fries @waiting-so-long @mothymunson @cod-z

@lyralein @whos-fran @thevoidwriting @sklt987659 @dumb12bvtch1212

@thatonepupkai @darkangel4121 @spadekip @herefor-tojis-tits @soupinasock

@arbesa-mind @cmbghost @multifandomheathenannie @tooloudarts @panikk-attackkk

@reap3erslov3 @mothsdrabbles @ghosts-hoe @cassiecasluciluce @sleepdeprivedkat

@lunamoonbby @hatterripper31 @contractedcriteria @vxnilla-hxrddrugs @fraserbraw

@rosiehale23 @keiva1000 @sw33tsnow @loveandplanet @sobbingnshtting

@dprmoon @simpsallthetime1997 @ladyxtiger @soapsmohawk-16 @nina6708

@katreintjie @sacvh @archenillo @thesinsoflust @sodavrr

@yuki2129 @mikaronn @idk-justkane @shanhalen @thatoneslvt

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venomous-qwille · 3 days

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Hypothetically, if all the gitm characters met the reader at the same time, who would be the quickest verses slowest to fall for them?? (I love ur art and writing btw, not even joking when I says it's probably the best ff ive ever read <3)

heh, I love this question! It's a little complicated (for many different reasons) as the bots fall for the reader for different reasons- some of which are circumstantial! I would sayyy though, of the bots I've talked about here? It would probably be as follows: Sunspot Nova (hey theres a reason we have to wait to meet him, he falls hard and fast) Misuta Clip Ruin Fool Sol This feels so mean to Clip, imo, cause he is the readers OTB and loves cricket so much. But if they had only now met for the first time? Yeah he is prickly enough to take a little time to warm up. In the fic, Ruin already loves Cricket when he wakes up- because of how much time the reader has spent with him, taking care of him etc. But in a classic DCA style fic without that? He, as biblical DCA would take a while to warm! Fool keeps his heart carefully guarded. So does Sol.

#Asks answered #gitm au #ghost in the machine au #ghost in the machine

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sepublic · 3 days

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Speaking of; The Owl House's pitch bible got leaked as well! So while I look for the rest of it, let’s examine some interesting tidbits I found on Proto-Belos, or 'Obron' as he was once known, and William AKA Proto-Hunter!

Can I just say, I'm quite smug to know that Belos resurrecting the Titan as his endgame was always the original plan? I called it from the start! It was also kinda obvious, but c'mon. The Bionicle fan in me was obsessed.

I'm not surprised about the mentions of Pupa, or the name Obron or even the appearance; We've actually seen all of this before! But what does make me curious is the mention of two other councilors... So there's supposed to be a trio? Again, I always bring up the three statue motif in my speculation about the original plans of the show, I wonder if there's any connection there. Would Kikimora have been one of the other councilors, and who would've been the third? And it seems the coven system was always a thing, early on at least.

Yeah, the mention of '500 years' and the connection to William, etc. Even as Obron he was supposed to have been a human witch hunter turned actual witch. Comparing this to the pilot we got, it may not be Obron that the characters are referring to, since he's not the Emperor. But maybe he declared himself Emperor since he was basically the only one in charge by that point.

Makes me wonder if he hates humans under the delusion of 'I hate modern humans'. He hates what humanity has become and he's taking out his anger on modern humans; We also know the main reason he wants Luz in the pilot, to awaken the Titan. I presume Obron preserved William in stasis and hid him away, only for Luz to wake him up earlier than intended. I can imagine the scene/episode where Obron realizes William has been awake and roaming about for a while now...

There's the confirmation that Prince William and Hunter are the same character, or were. As I guessed, his witch-hunting tendencies would've been established early on as a strange gag, a quirk, only to become so much more darkly significant. I wonder if in this draft, Obron's past as a witch hunter also has relevance; Does he think he's 'saving' humanity by using the Titan to conquer both worlds, wiping out the denizens of one? Also him being a feral kid subsisting off of food given to him by friends is such Labyrinth Runners vibes. Was William always going to have his dynamic with Willow, given Luz plays a bigger role in him opening his mind?

Given we had a 'proof of concept' animation leaked a while back, I wonder if that was an even earlier draft to the pitch bible, given William is PRINCE William. Maybe he's meant to be an actual European human, because European bigotry towards witches existed back then I think, even if it wasn't as pronounced. And Obron does bear a resemblance to one of the Proto-Belos designs, though I'm not sure which came first.

…Huh. Would William have been Obron’s nephew or. God. Would he have been his brother. And while William never grew up because magical stasis, Obron did and now sees his brother be the exact same but also change. Man. And William just has to reconcile, when he gets his memories back, the jump from his brother, a kid like him, to Obron. So we still got the desperate attempt to preserve his brother, only for his brother/Hunter to ‘betray’ him.

#the owl house #emperor belos #philip wittebane #the owl house hunter #analysis

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ganondoodle · 2 days

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correct me if im wrong but im PRETTY sure that for something to be a proper sequel it needs more than literally just reusing the same world and character models and slightly altering their design or adding an ability (that they got somwhere in between which isnt shown nor elaborated on either while previous abilities or interests/knowledge vanish)

made the mistake of saying that really totk isnt a sequel bc it doesnt build on, nor expand nor elaborate nor continue anything from botw, its the same preset of basic things like ... world and character models and tells an entirely different story utterly disconnected from anything botw, which it not only acts like it never happened (aside from like one dialog which is not enough for me when everyone else has literally forgotten everything and tbh feels more like a reference thats actually a slap and laugh in your face) but often times actively contradicts it, like a different version of the same thing

which is called an alternative universe

half of the reasons why i despise totk is bc i wanted, expected and was TOLD its a sequel when it isnt, can you really blame me for being disappointed and frustrated when i was told its a sequel, which should build on established stuff, to a game and its lore i deeply cared about and then get an alternative universe game that has nothing to do with the one i cared about except wear its face and STILL get told its a sequel even just by simply reusing models

#ganondoodles talks #zelda #ganondoodles rants #god everytime i voice a single opinion on twitter i have to reexperience why i stopped saying anything about totk over there #im so close to blocking people just for starting an argument over and over again trying to tell me im wrong thinkging the games bad #even when i dont actually say its bad #just that its not what you were told it is #and still people go OOOOH YOU HATE IT AND YOU ARE WRONG GET ARGUED WITH BITCH #shut uuup #well thanks to tumblr for being more chill about it #at least i can rant here all i want as clearly as i want #can you imagine how mad people would get if i said I THINK TOTK SUCKS ASS AND IS THE WORST ZELDA AND NOT WORTH THAT STUPID PRICE TAG

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yuurei20 · 21 hours

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Hi, I'm working on a theory for Ramshackle and MC. Have the creators said why Queen of Hearts/Scar/etc. were chosen for the Great Seven? ((Also, why did MC become the prefect of Ramshackle and not the Housewarden?))

Hello hello!! Thank you for this question, it became a rabbit hole!

Yana had this to say about the villains who were used for inspiration (from the game guide):

"The number one reason is that they are all from 'masterpieces with which everyone is familiar'. They are all legendary—you need only say the movie titles and the characters come immediately to mind.

Since they are also legends in their own right, we thought it would be good to choose stories with a long history, and that is how we settled on these seven.

There are many other movies with fascinating villains, so it was a very difficult decision."

-Twst Game Guide (2020)

She also goes into detail about the different eras during which the movies were set, which may also have influenced which were selected! More here! (Youtube)

But there may be more going on than we have been told 👀 There are theories that "death" is another theme that links the dorms together!

All members of the Great Seven were villains that either died in their movies (Scar, Ursula, Maleficent, Jafar (in the second movie), the Evil Queen), or were never alive in the human sense to begin with (Queen of Hearts, Hades).

Death has never been a subtle theme in Twst, with new students at NRC arriving via coffins.

Kalim observes that, with the ceremonial robes they wear to orientation, "it's like we're attending a funeral."

And there are also the ghosts!

While it seems possible to be born as a ghost (according to Crowley and Eliza), Lilia says that ghosts "linger here due to powerful attachments or personal motives...they aren't visible outside of magically suffused locations like Night Raven College," and that they "linger" by choice.

And this brings back to the prefect!

In the manga, all three prefects that we have seen thus far have had names connected to the afterlife:

・Heartslabyul Arc, Enma Yuuken (円満雄剣): Enma's family name is pronounced the same (the kanji is different) as 閻魔 (Enma), the king of hell in Buddhism. From the Kyoto National Museum website: "The King of Buddhist Hell is Enma, who is also the judge of the afterlife."

・Savanaclaw Arc, Hirasaka Yuuka (比良坂悠河): "Hirasaka" is written and pronounced the same as the hirasaka of Yomotsu-hira Saka, known as "The Entrance to the Underworld" in Shintoism, explained on Shimane Prefecture's official tourism website: "Yomotsu-hira Saka appears as the boundary between the land of the dead and the land of the living."

・Octavinelle Arc, Mito Yuuta (三途宥太): "Mito" uses the same kanji as 三途川, the "River of Three Crossings," which is "a mythological river the souls of the deceased must cross by one of three crossing points." Credit to blogger Tansho for the discovery that "River Styx" was changed to 三途川 in the Japanese-language dub of the "Hercules" TV show.

So there is definitely a theme of the prefect filling a role between life and death!

While one theory is that the prefect ended up in Twisted Wonderland after they died (in the manga it is insinuated that all three prefects were hit by vehicles directly before waking up at NRC), another theory is that they're not quite dead yet.

If that is the case then they may be close (Grim wakes them up prematurely, and Crowley says that this is his first time having a student who opened their "gate" (coffin) on their own) and they might just be an astral projection of someone who is between life and death, appearing at the magically suffused location that is NRC.

In other words, a ghost 👀

The manga is following a theme of naming its characters something involving "Yuu" (which is always the students' nickname for them) and "Yuu" is also commonly adopted as the default-name for the game's prefect.

Another word that involves a "Yuu" sound is 幽霊 (Yuurei), which means: ghost :>

(Hence the name of this blog! It is the very chuunibyou name of a twitter account I made in 2018 to complain about my job. This potential connection to Twst was completely unintentional and makes me laugh.)

As for why the prefect was named Prefect of Ramshackle dorm instead of Housewarden: I am not sure! But it seems to have something to do with the unique situation that is the prefect's role.

They have not technically been assigned to the overseeing of the dorm as a whole, just to Grim, so maybe that is why? :>

And it is particularly interesting as that means that the role of Housewarden of Ramshackle Dorm is still open--maybe to be filled some day...? 👀

#twstask #twisted wonderland

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piratecaptainscaptainpirates · 9 hours

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I think one of the biggest patterns we've been seeing in critical reviews of OFMD is just this very blatant refusal to engage with the show on its own terms.

Obviously, it's fine to not like a show for whatever reason. OFMD hits the perfect sweet spot of emotional, dramatic, and funny for me, and not everyone is going to feel the same way. More than personal preference, though, I've so often seen a failure to understand the show on the most basic level.

OFMD is a romcom. The relationship between the two leads is The Point of the Show. That's why it absolutely baffles me when I keep hearing people say "there's no plot" - yes the fuck there is! It's right there! You wouldn't get mad turning on a romcom and being like "why are they focusing so much on the relationship between these two characters >:( where's the plot?"

I think part of the problem is there's not a lot of Western shows that are so focused on a storyline like this, but OFMD is very clear about what it's doing. It's a character-driven story to the extreme. The big end-season plots about the English aren't actually about the English, so the action beats and villian characters don't get the same attention they would in another show because they're not the point, they exist only to tell us things about Ed and Stede and force them into situations to drive development for our central relationship.

OFMD never compromises from what it is. It's a campy queer romcom, and it's about pirates but it's not about pirates. And if you refuse to engage with the story it's trying to tell you about the relationship between these two guys, if you're not willing to try to empathize with them, then yeah. You're probably not gonna like the show because you're not interested in what it's giving you and you're demanding it give you something else instead.

#ofmd #our flag means death

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bailadeluna · 3 days

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there’s something so brilliant in cooper howard’s costume design - it’s so much more than just a simple blue and gold cowboy fit.

at the beginning of the show, before the bombs dropped, cooper howard was a good person - always kind to others despite the circumstances or how he was feeling in the moment.

you could say… he was exemplifying the golden rule.

this is evident in his costuming - cooper is decked out in gold even when the bombs dropped. the golden rule is still so close to his heart - i mean come on - look at how tight that bandana is around his neck.

even in certain lighting, his hat looks gold.

cooper howard being a good person and living by the golden rule is what barb probably fell in love with (she has her own interesting character analysis and thought process which i would love to discuss later). because this trait is so admired by her and those around cooper, she probably saw him as who she would hope future generations would become as they grow up in the vaults. people like him are the better future she envisions - so it’s no coincidence that the vault suit is in his colors.

what does the blue symbolize?

well, to me, i think it’s the corporate presence in the world. there’s more blue in the suit than there is gold - hinting at vaultech’s corporate greed, capitalism, and evil machinations. (there was also blue in his old cowboy costume - i.e. the presence of the studio and how they use cooper to push a mccarthyism narrative. kinda in the same way vaultech will use him)

the blue in the suit - symbolizing vaultech’s overwhelming presence and the reason for such a bleak and cruel world - does not swallow up the gold - the small semblance of humanity’s capacity to do and be good. it’s the small hint at barb’s intentions (analogous to the road to hell being paved with good intentions).

yet the man who was an inspiration for vaultech’s workers - the man who they all wished they could be like, the man who symbolized all the “do good” ideas they pass down to their children but in the end have no intention of following them (wink wink, looking at you, hank) - was in the end stripped of all his humanity by the world vaultech created (wow, would you look at that? another analogy for capitalism!)

this man, once rich in morals now robbed of them all, wanders the wasteland a ghoul. everything has been taken from him - symbolized being devoid of layers of skin.

now, he’s nothing but the ghost of the man he once was - haunted by what has been done. everything he wears as the ghoul is frayed, tattered, and dark - symbolizing that cooper howard, that kind and caring man before the bombs is dead.

but wait - is that…

you don’t see it? Ok, i’ll zoom in some more

GOLD? (perhaps even the same shirt he was wearing during the bomb drop??)

perhaps the golden rule, those values that he once held so dearly, are still there just dormant - waiting to be awaken again.

maybe cooper howard can come back… that just maybe there’s still hope for the good in humanity…

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rubberduckyrye · 1 day

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Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.

It's about how Gonta is treated by the fandom.

As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.

You all need to stop being ableist towards Gonta.

I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.

But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.

This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.

First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.

There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.

Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.

This is further clarified here:

It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...

It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.

He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?

Because Gonta is a young man.

Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)

I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.

To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.

But.

You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.

This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.

So again, ask yourself this: Why are you treating this young adult like he's a toddler?

#Gonta Gokuhara #Miu Iruma #Kokichi Ouma #Danganronpa V3 #DRV3 #As an AuADHD individual who thinks Gonta is Autistic coded #do you understand how frustrating it is to see this shit #Do you understand how it feels to be infantized? To be told through the lens of a character “You're too stupid to be an adult”?#Worse yet is that I'm also constantly told that me being short and baby faced makes me “child coded.”#Do you understand how ableist this all is. Do you Understand?#Anyway that's one post down. Gonna go read a thing for Star #This does genuinely upset me though as an AuADHDer #Please stop. I am speaking on behalf of people like me--/Please fucking stop./#Tag Edit: Yes this is safe to RB and spread around #Please do RB this in fact

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sailor-aviator · 2 days

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Hey.

Go ahead and get settled because this will be...long, in true Liz fashion.

So, by now I'm sure most of you have heard what's happened. If not, you can search this blog for some answers or others for more.

I joined this fandom offiicially at the end of September after being a long time lurker. I had just lost my job and times were uncertain for me. I felt inspired to write, and as someone whose formative years were shaped by the fandom experience, I wanted to feel that sense of belonging again - to feel like a part of a community. I've talked about it on here before, but I started my fandom days in the original Hunger Games fandom when the first movie had just come out, and then I shifted gears towards the SuperWhoLock fandom. If you know anything about SuperWhoLock, then you know you had to have pretty tough fucking skin to be a part of any of it.

Of course, this was back in the day when fandom was an actual community and not authors having to beg for scraps of engagement and people thinking its a numbers game. I was a fairly large blog within the SuperWhoLock community (Waywardly-Carrying-On was the username), but I left fandom for a few years because life got hectic and I felt like I had outgrown the fandom itself as I was no longer watching any of the shows. As the years went on, I started to yearn for the fandom experience again, which is how I found myself dipping toes into several different ones.

I was so excited to publish my first fanfic. I had convinced myself that I wasn't a good writer (much to the chagrin of my irl friends), and I had put a pause on writing my original story. I wanted to write this idea about a cowboy and a girl using characters that I had grown to love like I did way back in my older days. So, I started posting, and I was so excited for the story, that I kept posting almost daily. MamaMay was one of the first people to embrace not only my story, but me as a person into the fandom. She made me feel welcomed and wanted.

Pretty much right off the bat I was already getting anons telling me that I was being too much and that I needed to calm down with all the posting. I was confused because...this is Tumblr. It's literally a blogging website? Why wouldn't I post? I decided to ignore the mean words (not before giving my opinion, of course) and kept on doing my thing. Well, the anons got continually worse and worse. I had a suspiscion as to who the anons could be, but I never had concrete proof. So, I experimented with blocking suspects until finally it worked. I'm not naming names because that's not my style, so don't even bother asking.

The fact of the matter is, some of you have entered fandom spaces for the first time, and you don't know how to act. You don't care to learn fandom etiquette as you've made abundantly clear by calling fandom olds every name under the sun while utilizing the anonymous feature. Newsflash, you're part of the problem. You're the reason why authors don't want to publish anymore. You are the reason that something that's supposed to be fun is starting to feel like a goddamn chore.

How many times can authors on here say that we aren't machines? We have lives outside of this website: family, friends, jobs, school, etc. Some of you really are just hellbent on making everyone around you miserable, and it's sad. You can't just leave well enough alone and let people enjoy something, no you feel like everyone has to enjoy it the same way as you.

Some of you go after authors on here because of some weird sense of jealousy too. I don't know why my shit blew up, babe, I really don't. But I started out with no followers and no support just like everyone else. I'll tell you what helped me though: following fandom etiquette and reaching out to other creators to build an actual community. None of this "I've reblogged three of your things and now I'm messaging you so that you return the favor." No, I reached out to make actual friendships which is what fandom is SUPPOSED to be. If someone was clearly not interested, it was fine!! I backed off and kept doing my own thing.

Some of you think being mean on the internet makes you big and bad. Guess what! It doesn't! It's loser mentality and I feel genuinely sorry for you. I'm sorry that people in your own life made you feel so small as to feel like you had to lash out at strangers on the internet who are just trying to have fun.

Anyway, this is my really long way of saying that I am taking a break for a little bit. I have no idea how long it will be - could be the weekend, could be a couple of weeks, could be forever. I need time to decide if this is something I want to keep persuing. If I come back, I don't know if I will remain a TGM blog or if I'll shift gears and hop into another fandom with a rebrand. Guess we'll just have to see.

To the people on here who have been a constant source of joy, laughter, and support: thank you. From the bottom of my heart. Your presence has meant everything to me, and I hope that my break sees me wanting to come back and giggle about the silly plane movie with you all again.

Nothing but love,

Liz 💛

#psa #public service announcement #this has been a psa #liz speaks #liz rambles #long post

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darkest-fantasy · 1 day

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Gwyn being argued as some enchantress that manipulates Azriel and his Shadows has been the worst theory to come from this fandom EVER.. and I’ve been with this series since the beginning(2015)

Trying to find any crumb of a flaw from this courageous, empathetic, and positive character has made me so upset about the fandom. It is making elriels seem like they are crumbling under themselves.

Resorting to calling Gwyn a manipulator because you cannot BELIEVE that Azriel would EVER have a positive reaction to Gwyn is desperate beyond reason. If you actually think that Sarah J Maas will have a character like Gwyn become some evil enchantress or manipulator, then you don’t know her as an author at all. Gwyn has inspired THOUSANDS in the fandom. Her story might even be the most horrific one that sjm has ever written. Her ability to overcome trauma, be so positive, and even begin the entire Valkyries again will leave a long lasting impact in the entire series. If you think for one second that sjm will ruin the entire beauty that is Gwyneth Berdara, you’re again very wrong.

The fact that Gwynriel’s could easily say the same thing about Elain’s unknown powers and how Azriel could be manipulated by them. But we don’t say that because we understand that they are attracted to eachother. We acknowledge that they have a natural connection. But we also recognize that their attraction for eachother are for the wrong reasons. We understand how sjm closes the aspect of a couple and that’s what she did in the bonus chapter.

As someone who has literally seen it all, has been gaslit for saying feysand was endgame before ACOMAF, this by FAR is the worst theory that anyone could say about an ACOTAR character. This is the worst take and it really shows me how quick some people in the fandom are to tear apart another woman. It’s disgusting and desperate.

Elriels come talk to me when you actually have a concrete theory, instead of your gross wish that Gwyn is evil

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tyttamarzh · 1 day

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Tallulah is Phil and Missa's daughter.

This will probably be very long, so if you want to read it, go grab some popcorn and get comfortable.

I have to talk about this because it's eating me up inside. I think I shouldn't give so much importance to comments coming from sewers like Twitter and much less Tiktok, but it makes me so sick (and I'm such a masochist that I even spend time looking for the shit they say to make me angrier and debate them xD).

I am very happy that it was finally made official, with papers certified by the federation, that Tallulah is the daughter of Philza and Missa, I think that was not entirely necessary for them, because they had assumed it for a long time (let's assume that Tallulah needed the pappers to end her W arc), although I suppose that more than anything it was done for those people who still cannot accept it or who deny the paternity of Phil and Missa (With Missa, although it bothers me, I can even understand it, he He hasn't been as present and many people don't know him, but god, it would be a crime to deny Tallulah's paternity to Phil, the man who has kept her alive and given everything for her throughout her life).

I'm glad that, although I have seen negative comments, the majority have been positive (even if it hurts them, it doesn't matter, it's official, screw them). Mainly, the negative comments have been from defenders of W and their arguments are so poor and weak that they are easily refuted. It is obvious that these people do not know Tallulah and have never met her, many do not even know how things turned out and say nonsense like that the current Llulah is an imposter, that it is not fair that they "rewrote" history and erased W (which It is false, Llulah's words make it clear that history was never changed, she simply moved on and that person remained in the past).

I refuted all those arguments on Twitter but screw Twitter, I hate the fucking character limit. So I'm going to expand (I have a lot of poison to get out of my skin). I have some points:

1- "That's not Tallulah" Of course it is her, those who witnessed her life and her growth during the year that passed, can realize that this was her natural evolution. She is the same girl who grew up overcoming her limitations, who suffered, who felt alone, who had abandonment problems, who everyone saw as a poor abandoned girl and who found comfort next to someone who has always loved her like a father and a brother who gave everything for her.

2- "They erased all her lore" No. Tallulah's lore is the one she built with Philza and Chayanne over the course of the year they lived together. Her relationship with W and her longing for him was only part of her story (although people made a lot of emphasis on that), but it was not the only thing that defined her, it never was and only people who never got to met her think that. They see her like an extension of that other person, as the only thing that kept him on the server, but did not see her as an individual character and definitely did not watch Phil's Vods and they never really knew her lore.

3-"How do they explain this in the lore?" Simple, there was someone in her life, someone who was her first father, but who spent very little time with her, who left a long time ago and who is currently no longer part of her life. She learned to let go of the past and focused in the family she has in the present, the family that loves her, that watched her grow up, that makes her happy and gives her security to believe in herself and that is the Death Family, Chayanne, Philza and Missa. Time passes, not all people stay, treasure those who are by your side and let go of what never brought you anything but pain.

4- "They should have created another egg and replaced her" Why replaceher? It has no sense or reason. She is a character who built her own story with her family, a story that never really involved that other person other than with one or another sporadic mention, why eliminate a character that evolved by itself? Little by little she separated herself from what she was at the beginning and that bond that she had with that first father was practically non-existent. What would be the point of eliminating it or replace her with another new character?

5- "No matter what other parents and appearance give her, she will always belong to W because she still carries the name he gave her" No. She never belonged to him. She lived with that man for 2 days and apart from leaving him the promise of a reunion, she did not contribute anything else to her life. She formed her own path, her passion for music was not because of him, it was something she already had before, her love for nature, for animals, everything was built in the days she lived with Philza (even with uncle Bad). She suffered for her first father but she moved on, she matured, she discovered her link with death and her powers as a medium, she acquired her own personality and little by little she built the Tallulah she is now.

She never belonged to anyone but herself and she always fought to prove that, but people insisted on dumping trauma on her and reminding her that she was an abandoned child waiting for someone who at a certain point was nothing more than an idealized dream, because There was never a real relationship between them, they never lived together long enough. She little by little made her decisions and chose the people she wanted to be her parents (and it's not that she had few options, Quackity, Bad and even F wanted to adopt her at the time and asked them to, but she was not a girl who was looking for parents). She could choose and she chose Philza, the person who had always been there for her and later she chose Missa, someone who despite not knowing her very well gave her his love unconditionally and gave her security when she needed it. Then she was able to feel the warmth of being part of a complete family.

6- "They should change her name because W gave her that name! That impostor is not Tallulah!" Why? Her name is not anyone's intellectual property, at the time it was given to her, it belonged to her for better or worse and yes, in some way it will always be a tie to her past, but a past she has already left behind and managed to overcome by creating new memories and dreams.

To a certain extent I understand those who became attached to her because she reminded them of that other person, but if they couldn't see her as her own character, it means that they never cared enough to make the effort to get to know her.

It would shock us all if a character we liked suddenly changed drastically and left behind what like us in the first place. But if they had really watched her, they would have realized that the change was not sudden, it was gradual.

She found in Phil a protective and understanding father who always put her and her brother before anything else, who suffered with her her pain and outbursts of frustration due to the depression caused by the absence of her first father. She found in Missa a cute and loving father who always showers her with love and helps her to have confidence in herself. She doesn't lack anything with them. She has closed a cycle of pain in her life and now she can heal.

She chose the look that makes her feel finally free to be herself, whatever the external reasons that led to that, she finally has a future ahead of her unbound by the past and prefers to be more like the people she considers her family now. If you can't see what all of this really meant to Tallulah and her evolution, it's because you never cared to see even 20% of her story. Well, since the middle of last year she began her journey to break away from a name and be herself, fighting to be seen for who she was.

If those people decide to continue supporting someone despite his shit, that is their right, but the server and the admin were also within their right to decide to kick him out and want to distance themselves from a person they consider unpleasant.

7-There were comments of another type, mainly from people who are really very lost with the lore, people who consider her the daughter of Quackity, even confusing her with Tilín (saying that Q didn't know if she was the daughter of W or Luzu and that she should get a DNA test), when we all know that from the beginning she was W's daughter as a single father and that the only reason Quackity could have become Tallulah's father was if to marry W, but that never happened, W didn't come back and Quackity was never able to develop that relationship with Llulah, she considered him a possible father because she knew W loved him, but Q always being kidnapped or something, they never really related much. There are people who, even with a certificate, continue to insist that Tallulah should have been given to Quackity to raise with Luzu (she had a tender interaction with Luzu and people were already asking him to adopt her, saying that she was alone and had no parents, I seriously hate them!) I shouldn't take seriously people who obviously haven't seen Philza even once and I know that many of those people are hispanic and are limited by the language barrier but if they don't have the slightest idea They shouldn't give their opinion… Tallulah is not an object to be passed from hand to hand, she chose and in order to do so she had to go through a very long and painful arc.

8- I firmly believe that it is a great win to now have a certificate that endorses who the people she considers her parents are, but I insist, it was not necessary, because that has been known for a long time and I am sure that if it was created it was to close the mouth mouth to all those people who are not capable of accepting that.

Tallulah is the daughter of Philza and Missa (and no one else), she is part of the Death Family, that is her story, it is not a whim, a whim is continuing to link her to something she is no longer a part of or wanting to make her a part of a lore that never happened or wanting to give her other parents different from the ones she grew up with (Quackity already had Tilín, Richas and now Pepito, I don't think she needs more children and Tallulah doesn't need any more shitty drama in her life).

Tallulah is a beautiful being, both with her old look and with the new and as Missa says "She deserves only the beautiful things in the world"

Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! And I can shout it a thousand times because it's true and she always was, but now it's certified by the government and no amount of complaining or tantrums can change that fact.

Sorry for my bad english. See you!! jajaja ando re agresiva, pero es que nadie se mete con mi familia xD

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comradekatara · 8 hours

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so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?

toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.

zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.

azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.

we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows

mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.

ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.

iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??

jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.

haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good�� vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do

#turtles-alltheway-down #asks #analysis #toph #zuko #azula #suki #mai #ty lee #iroh #jet #haru #put the main three who matter here above and then the rest below the cut #sometimes i forget that zuko is a good character bc yall are so annoying about him…. but then i remember #i also need to talk about more at length about how azula rationalizes that the weak deserve to die thru ozai for MULTIPLE interconnected #reasons that I didn’t have time to get into here #and also just azula’s relationship to ozai in general #but im putting off actually writing that bc it is. genuinely devastating and i don’t wanna #anyway!!

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alittlebitofloveliness · 1 day

Text

In defence of Steve Randle

Listen guys, Steve Randle gets a lot of hate in this fandom and as much as it pains me, it's valid. Everyone has their own interpretation of the source material, and fandom is supposed to be fun, so it is absolutely valid and ok to hate or love any character you want. You can hate Steve for many reasons or for no reason at all! This is fandom! That's ok! The story is for you interpret and love and play with and hate on to your hearts content. HOWEVER, to say that Steve Randle isn't an important character to the novel is simply not true, and to say that he hates Ponyboy requires ignoring or downplaying some pretty key moments of the book. This is especially true for those of you who love Dally but hate Steve, because Steve gets a lot of hate for being kind of a dickhead (which lbr, a lot of seventeen years old are, especially to their friend's little siblings) while Dally gets less for doing a lot worse (harassing Cherry, jumping kids, etc). This isn't to say that either character is better- they're both great, nuanced characters who have done bad things, but the fandoms attitudes towards them when they share a lot of characteristics is really telling. Even Ponyboy's narration about them is pretty similar- Pony doesn't particularly like Steve, and he was canonically scared of Dally, but they're both members of his gang and he doesn't hate either of them. You don't have to like Steve as a character, just like you don't have to like Dally or Darry or Tim Shepard or even Ponyboy, but he is important- and he doesn't hate Ponyboy, nor does Ponyboy hate him.

A really important moment in the book is when Ponyboy and Johnny defend Dally after he harasses Cherry and Marcia.

"Dally's okay," Johnny said defensively, and I nodded. You take up for your buddies, no matter what they do. When you're a gang, you stick up for the members. If you don't stickup for them, stick together, make like brothers, it isn't a gang any more. It's a pack. A snarling, distrustful, bickering pack like the Socs in their social clubs or the street gangs in New York or the wolves in the timber."

This line here is super important. Pony and Johnny were willing to defend Dally after he sexually harrassed Cherry and Marcia- soc girls who they clearly liked and were intimidated by- in the name of being a good friend, because that is what's important to them and their gang. If they're willing to do it in this context for Dally, you'd best believe they'd do the same for Steve, and him for them. Steve can and will rag on Ponyboy within the gang, but he'd never dream of bad mouthing him to anyone else. Dependability is important to the gang, and Steve would never publicly shit talk Pony, and vice verca. Regardless of their squabbles within the gang, at the end of the day they've got each others backs. They're buddies. We see evidence of this at the end of the book, when Pony grabs the bottle and threatens the socs with it.

"You really would have used that bottle, wouldn't you?" Two-Bit had been watching from the storedoorway. "Steve and me were backing you, but I guess we didn't need to. You'd have really cut them up, huh?"

The important thing here is that along with Two-bit, Steve was backing Ponyboy, no questions asked. Sure most of it boils down to Pony being a member of the gang and that deep rooted loyalty to one another, but the context for this scene is that Ponyboy was sitting on Steve's car waiting for Steve and Two to stop flirting with some girls. The three of them were hanging out- without Darry, without Sodapop. It's their school lunch break. We know Ponyboy has middle class friend's at school, or that he could've spent time in the school library. It was a deliberate choice to hang out with Two and Steve. He wasn't forced into it. Canonically, Steve and Ponyboy hang out. Never alone, but they're decent enough friends to hang out together in a group. Doesn't everyone have friends like that? I do. This isn't the only textual instance either where they hang out without the entire gang being present. Early on, Pony offhandedly mentions that sometimes Steve and Soda will buy him pop and teach him about cars if he hangs around the DX.

"I had walked down to the DX station to get a bottle of pop and to see Steve and Soda, because they'll always buy me a couple of bottles and let me help work on the cars."

He could've just said Soda's name here but he didn't. Steve buys Pony pepsi and teaches him about cars, even though he gets annoyed with him when Soda invites him to hang around with them too often. And honestly, who wouldn't? I'd be annoyed if my best friend always invited her little brother along with us, even if I liked the kid. Wouldn't you?

Now, we do need to address the elephant in the room. I'm talking of course, about this quote;

"I'd never tell Soda, because he really likes Steve a lot, but sometimes I can't stand Steve Randle. I mean it. Sometimes I hate him."

I feel like very often people forget the context this quote comes from, and so it's magnitude is blown way out of proportion. Ponyboy has just been jumped and then immediately scolded by his brother who constantly makes him feel foolish and unwanted. He's already scared, embarassed, and defensive and then Steve goes and makes him feel even more unwanted. Of course he wants to lash out. Of COURSE he feels like he hates Steve in that moment. I did even reading it. But Ponyboy doesn't truly hate Steve. This moment is PEAK fourteen year old having a rough night energy, it's not truly representative of Steve as a character or of Ponyboy's feelings towards him. In truth, Steve actually kind of likes Ponyboy and is at very least protective over him. This is evidence by the previous quotes, but also when Ponyboy comes back from Windrixville, and is worried about the state placing him in foster care;

"'No, [Ponyboy said] 'they ain't goin' to put us in a boys' home.' 'Don't worry about it,' Steve said, cocksure that he and Sodapop could handle anything that came up. 'They don't do things like that to heroes.'"

It's subtle, and not immediately obvious to the traumatized fourteen year old who is used to Steve's cocky nature, but this is both a reassurance and a very bold claim. Not only is Steve trying to look out for Ponyboy the way the rest of the gang models- by treating him like a kid, letting the 'adults' worry about grown up issues in a misguided attempt to protect Pony- he is also throwing in his lot to make sure nothing does happen. Based on this quote and the rest of Steve's characterization throughout the book its not hard to infer that Steve would fight tooth and nail to make sure Ponyboy stays safe with his family. Sure, part of it is gang loyalty, part of it is his devotion to soda, but part of it is because he and Ponyboy are buddies in their own right, no matter how much they fight. They are friends- and Steve is an incredibly important character for many reasons, but particularly to add depth to Pony's character, to the bond between the Curtis gang, and to highlight how the Curtis gang differs from the other gangs in Tulsa. Steve is just as much an outsider as the rest of the gang, and it's disingenuous to say otherwise no matter how much you may hate him as a character.

#the outsiders #steve randle #ponyboy curtis #darry curtis #two bit mathews #sodapop curtis

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