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#it's also not just the tower
bestworstcase · 4 months
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You’ve mentioned a few times that Salem is awkward, could you get into you’re reasoning and evidence for this characterization (as she is currently)? I’m fascinated by this reading and fully persuadable. Her origin story being the tower, it makes sense she’d be a little socially stunted but she was charismatic enough then to convince others to fight for her through words alone (tho that is different from in person social skills (to that point she persuaded kingdoms to revolt against the gods)). Millions of years of isolation wouldn’t put a shine on amicability, but these things /inform/ characterization. I’m interested in what you see in her as awkward in how she’s presented to us in the Current Era (Remnant Era?)
this post regarding her interrogation of oscar in 8.4 is salient because that's the scene that rly convinced me she's being written this way on purpose. there's a lot of contributing factors, though:
both then (fomenting rebellion) and now (recruiting hazel), salem's standard approach to getting people on her side involves basically walking up and "demonstrating her powers," i.e. inviting or just letting the person she's trying to sway kill her over and over again until they're willing to hear her out. she can (and did) make a compelling enough argument for people to follow her, but the way she chooses to make people listen is by subjecting herself to extreme violence.
further, it's shown in V8 that even within her own inner circle, there is a lot of confusion regarding what salem wants—so much so that tyrian and hazel think diametrically opposed things. why does this confusion exist? ozpin (and most of the fandom) believe it is because salem lies; but a) salem hates lies and liars, and b) the idea that salem herself is deceitful is founded on things jinn says of her in the lost fable, which is a verifiably unreliable narrative. if we look at the two onscreen instances of salem speaking of her goals—"the moment you put your desires before my own" and "in pursuit of a new world"—what strikes me about both is her vagueness.
when cinder questions her in V5, salem answers in a very oblique way: "working with bandits? leaving ruby alive? what's the point!?" -> "never underestimate the usefulness of others; take leonardo. he was one of ozpin's most trusted, but now…" both the bandit (raven) and ruby were or are among ozpin's "most trusted," and salem's point is that she wants to turn both of them against ozpin (like leo and summer). but she does not actually Say That. i made this analogy in the oscar interrogation post but i'll make it again: the way salem answers cinder's question is like showing her work on a math problem but not actually giving the answer. a lot of salem's dialogue is like this: she talks in examples, hints, and implications.
in fact the one time we have ever seen salem clearly state what she means is after ozma asks her "what are you saying?" <- i find this to be significant not only because it flags that other characters find salem's speech to be opaque or unclear sometimes, but because salem answers him honestly and without any hesitation, which indicates that she was not trying to be vague or obfuscate her meaning on purpose. asked for clarification, she clarifies.
then there is what she says to ozma once he tells her the whole truth: "why spend our lives trying to redeem these humans when we could replace them with what they could never be?"—now i am not going to get into my whole theory here, suffice it to say that i think that by "them" salem meant the gods in accordance with her longstanding ambitions—but the salient piece for this discussion is that this bolded phrase is a direct paraphrase from the final lines of 'the shallow sea' and i do think that that is, given the preponderance of thematic links between salem and the faunus, probably intentional, i.e. salem is quoting that myth to express her rejection of ozma's mandate (compare ozma's reliance on fairytales to communicate and make sense of his existence.)
lastly, there are several occasions when salem is talking (to her inner circle in 6.4, or to ironwood in 7.11, or oscar in 8.4) only to be interrupted with unexpected new information (ozpin is back; ruby used the lamp; oscar is fronting). in the first two examples, salem responds by either kicking everyone else out or leaving herself. see the linked post for a more thorough breakdown of her conversation with oscar, but suffice it to say that she responds in a very awkward and disjointed way before she's able to get herself back on track.
so we have a pattern of:
speaking vaguely or being cryptic, in a manner that other characters explicitly find to be confusing,
clarifying readily the one time she's asked for clarification,
paraphrasing the concluding lines of a myth about people embracing change and leaving their old selves behind to live their truth in a new world that is harsh but free, in order to articulate her rejection of "redemption" and the divine mandate,
and ending conversations very abruptly when interrupted mid-speech.
and this pattern exists in correlation with a pair of soliloquies whose language is markedly more eloquent, even poetic, and delivered with a clarity and emotional smoothness that is often lacking from her spoken dialogue.
what this suggests, to me, is that salem struggles to articulate her thoughts (the soliloquies) into words (her dialogue), and that she deals with it with preparation—by planning out what she intends to say and how she'll say it in advance. that she relies heavily on scripts and rehearses speeches and conversations in her head specifically to avoid having to speak off the cuff, in essence.
(and i think this is generally the basis for ozma's distrust and doubts: she told him the truth but in a really confusing and cryptic way that didn't always make sense. if she wasn't coherent—and how could she be after millions of years alone?—of course he wasn't sure whether he could believe what she said!)
basically, i think she's capable of being compellingly persuasive only under particular circumstances (planned speeches given to an audience primed to listen to what she says by violent, spectacular demonstrations of her immortality), and she flounders in ordinary conversation because a) she struggles to find the right words to express her meaning clearly, b) her natural affect is blunted and sometimes erratic (<- "well… :) perhaps you and i can have a better working relationship……… >:( oscar, was it? /:"), and c) she knows both of these things make her come across as an insincere liar.
<- there is a performative aspect to… nearly every scene in front of her inner circle or her enemies; that informs this reading too. as does the fact that there are many, many characters who are tangibly more charismatic than she is—ozpin, blake, oscar, cinder, robyn, ruby, yang—whereas the character whose manner of speech most resembles salem's is pyrrha, who speaks in an overly formal way and explicitly feels socially isolated and unable to form real connections with people.
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rubydubydoo122 · 5 months
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I saw someone say a while ago that Jason attacking Tim at Titans Tower was just Tim hallucinating bc he was feeling guilty about being Robin even though Jason's not dead. Which is great, amazing, I think the whole Titans Tower thing is Bonkers, but I think it would be so much funnier if Jason tried to Gaslight Tim into believing the Titans Tower incident never happened, not because he's like evil, he's just super embarassed about it. like Or Tim did actually hallucinate Jason at TT but thinks it was real, so when he tells Jason about it, Jason's so fucking confused, and Tim thinks Jason's Gaslighting him
Tim: Remember that time when you broke into Titans Tower and beat me half to death while wearing a Robin costume from party city
Jason: What? Tim, I know i'm crazy, but I'm not...Insane.
Tim, pulling down his collar: I literally have the scar to prove it
Jason: Bruce told me that was from Clayface pretending to be me, which, might I just say rude. Tim... are you ok? Did you hallucinate me attacking you? like, I know I've done that before, but...
Tim, frowning: I don't think I hallucinating. I was benched for a while after because I had to recover-
Jason: well, you were benched around the time I was dropping hints that I knew who Bruce was outside of Batman, he probably just benched you to keep you safe. You probably were working too many cases with too little sleep and your imagination started to run wild.
Tim: Are you gaslighting me?
Jason: Are you gaslighting me?
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stevebabey · 6 months
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personally love the interaction in the start of s4 where steve goes “ugh, you know i don’t do double vhs.” when robin suggests doctor zhivago. like ugh robin!!!! we’ve talked about this before!!! steve has a limited attention span and if robin puts on something too long, he will start shooting her with rubber bands
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Tsum boss battle-
bonus(?) and wip stuff under readmore (lol)
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I would play a twst rpg - Deuce would be a good heavy physical defense and physical attacker methinks
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wips - 'lineart' and the original deuce and tsum sketch that i deemed too boring, so the boss battle was drawn instead lol
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lazylittledragon · 3 months
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did somebody say dadkarios
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beatcroc · 1 year
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listen i love these two being besties as much as anyone, but i'd like to also propose the possibly funnier alternative in which the noise Did Not Know about fake peppino before, and is very perturbed at this guy who suddenly isn't nearly as easy or fun to torment. 🔥🔥🔥2024 DISCLAIMER: this was made a whole ass year before we had playable noise do NOT come at me for blatant mischaracterization it didn't exist yet🔥🔥🔥
bonus:
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hey! it's a series! fake peppino world tour: [noise]<-u are here [noisette] [peppino] [gustavo] [gerome] [noisette again]
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inkclover · 7 months
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we love a short king who lifts
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stronk bug! :P
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shorthaltsjester · 9 months
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the mighty nein - critical role
this is a place where i don't feel alone. this is a place where i feel at home.
#also with softer vibes. i offer They#every silly little brainheart found family deserves a to build a home edit#the mighty nein maybe most of all. thats my family#also the lyrics deliciously well suited to m9.#when jester pulls that. stupid tarot card for fjord. home or traveler. and there's a carnival wagon. and veth says Thats Us! . them#i just think about . the tower is their home the xhorhouse is their home the lavish chateau is their home the balleater. the mistake.#the nein heroez. veth and yezas apartment. the dome. fjord and jesters living room floor.#a bar with a silly name on rumblecusp#also like. the song has stone and dust imagery. gardens and trees.#the inherent temporality of life and love and how that holds no bearing on how greatly people can love. im losin it okay.#ive been making this edit for days straight with my computer screaming at me for trying to shove 143 episodes of cr into a 2min20sec video.#crying becuase. theyre a family do you get it. they were nine lonely people and most of them had given up on seeing their own lives#as something that might be good. something that might make the world a better place. and in the end they're heroes.#and it doesn't matter if no one else knows because They know they're heroes. and they wouldn't've believed that was true when they met.#rattling the bars of my enclosure. to be loved is to be changed#posted on twitter and want to get in the habit of posting here too bc.#general reasons but also bc . i have noticed some of the ppl liking/sharing it are also ppl who shit on my ops by vaguing about my posts#which is in general whatever but does leave a funny taste in my mouth.#critical role#the mighty nein#cr2#caleb widogast#caduceus clay#jester lavorre#fjord#veth brenatto#yasha nydoorin#beauregard lionett#mollymauk tealeaf#my posts
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your headcanon abt peppino performing while he cooks reminded me of that scene in kiki’s delivery service where the chef guy does a cool spin with baking pans solely to impress kiki’s cat
peppino’s in the kitchen with brick and he’s like check THIS out. does a sick pizza flip or smth. brick’s like :O!!!
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hes so talented !
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baalzebufo · 1 year
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posted earlier about how fake peppino doesnt like its reflection because it reminds him that its not the ‘real’ peppino and kind of shatters the illusion. but also i wanted something a lil sappy because, despite being freaked out by his clone, peppino is a good egg. so, This
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thewinchestah · 4 months
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and that’s a wrap guys!! I’m not okay!! But at the same time I’ve never been better!!
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springthecowboy · 2 months
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He's so good at conversing with others
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eggwishing · 4 months
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short & stout rose And awkward and gangly dave >>>> i think rose would move with a ferocity like she could accidwntally bump her elbow onto the corner of a table and the table would crumble . dave posture’d be so rigid that he’d fall like a tree and shatter like glass from a light breeze
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manichewitz · 1 year
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sam and frodo’s relationship is so crazy theyre like what if we had a homoerotic adventurer’s bond that was so strong it overcame the power of supreme evil, saving not just the world but one another, and the only reason we were able to survive the violence around us was through sheer love for each other, and although we’re not canonically lovers our relationship is so much more intimate and tender than acceptable norms for male/male relationships that we transcend easily definable labels and thus become queer irregardless of whether our attraction is platonic, romantic, or sexual…and we were both hobbits
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oifaaa · 11 months
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"I just think his [Jasons] motivations are a bit stupid, why get mad at Bruce about getting a new Robin when hes the second Robin, it doesn't make a lot of sense"
Yeah weird that it's almost like Jason was already mad at Bruce long before he found out about Tim and his overall motivations were 99% to do with Bruce and very little about Tim
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thelonelywhale · 1 year
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Smooch!
Pose inspo from theposearchives
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