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#kenneth jones
applesaucesims · 22 days
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Not too long after Louis, it was his twin sisters' birthday. Emma had spent all morning in the kitchen, baking sweet treats for the party, and soon, bit by bit, all immediate family arrived to celebrate.
With a cuddle and a kiss, it was time to send Ruby and Dorothy off to be yet another year older. Although, to Emma and Niall, it felt like they were only just born yesterday.
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In toddlerhood, just as when they were younger, Emma still insisted on dressing the girls in matching dresses at all times, with Ruby wearing green and Dorothy wearing the same in red. This was not going to change any time soon, for as long as she had any say in dressing them.
Their personalities were only just developing, but it became clearer than before that Dorothy was a much more energetic child than her sister, even more so than she was as a baby. Meanwhile, Ruby's tendency to seek the protection of her parents and to stick near her younger sister was manifesting more now as well. Either way, their bond as twins was still as strong as ever, that much was clear.
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potionboy3 · 2 years
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hphl: men - I'll Make a Man Out of You
HERE COME THE BOYS! 
Thank you so much for everyone who took part in this. I tried to get them all to fit. It may not be the most serious song but the video sure turned out even more dramatic than I had anticipated...
Cast:
Gabriel Sapieha - Colin Firth  Lysander Mercury - Leonardo DiCaprio Frederick Lavigne - Jared Padalecki 
@slytherindisaster
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Oliver Gerard - Darren Criss
@kc-and-co
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William Devlin - Luke Thompson Grant Kennedy - Jonathan Bailey  Maxwell “Max” Pembroke - Leo Suter  Simon Battersea - William Moseley  Cillian Lynch - Hugh Grant Tadhg Lynch - Rob Lowe
@unfortunate-arrow
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Jesse Seymour -Toby Regbo  Ernest di Napoli - Aneurin Barnard  Marcellus Thorne - James Norton Phineas Falcon - Tom Hardy  Adonis Demiurgos - Henry Cavill
@endlessly-cursed
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Danny Gibson - Chris Pine
@catohphm
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Deaglán Herrity - Calam Lynch
@magicallymalted
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Varus de Fey - Timothée Chalamet
@sirfluffig
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Reuben Willows - Hafþór Björnsson Cledwyn Ironwood - Kit Harrington
@that-scouse-wizard
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Noah Taylor - Freddy Carter  Damian Maccarrick - Callum Turner 
@camillejeaneshphm
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Lewis Gallach - Johnny Depp Kenneth Jones - Ezra miller
@nightmaresart
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Galen Stagg - Ethan Hawke Eli Cairncross - Daniel Day-Lewis Rex Brokenshire - Jeremy Irons Teddy Ellison - Robert Sean Leonard Atticus Grimsley - Ben Whishaw
@cursebreakerfarrier
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Atticus doharty - Richard Armitage
@hphmmatthewluther
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Henry of Alderly - Harrison Osterfield Anthony Hawthorne -  Thomas Doherty Theo Goldcrest - Specner Macpherson Olyvar Yaxley - Diego Luna
@gaygryffindorgal
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Elian Goldcrest - Gijs Blom Julian Flamel -  Jonah Hauer-King
Mine ❤️
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Hope I remembered everyone and enjoy the video! 
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arcticdementor · 2 years
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Disclaimer: The authors of today’s paper possess close ties with the Science Communication Trainers Network, with whom SciCommBites maintains a partnership. However, the post author has no connection with this paper and the paper authors had no involvement in the production of this post.
TL;DR: Racism and white supremacy culture (WSC) are baked into STEM fields, including SciComm. Among our best tools for dismantling racism and WSC in SciComm is a multilayered approach centering inclusive science communication.
Why I chose this paper: After the racist massacre in Buffalo, NY on May 14, 2022, I felt horrified and yet unnervingly numb. While reading this article, I realized that my reaction played right into the hands of white supremacy culture. Writing this piece is only a small act to confront that, but it feels like a step in the right direction.
In this Perspective article, Callwood, Weiss, Hendricks, and Taylor begin with a pivotal reminder: racism and white supremacy culture (WSC) permeate the broad fields of Science, Technology, Engineering, and Math (STEM), oozing deep within STEM education, research, and communication. WSC is cruel, extending privileges to White people while enforcing disadvantages for groups such as Black, Indigenous, and Latinx people, as well as other minoritized identities. To confront the pernicious impacts of white supremacy culture, the authors state: “Our purpose in describing WSC in STEM institutions and SciComm is to name it so we can see it and change it.” The authors suggest three key questions and four core themes to guide actions for readers to consider when addressing WSC.
The customs of white supremacy culture are both overt and subtle. Direct incidents of racism tend to get the most attention within the world of WSC. Yet, more insidious harms are also subtly reinforced through lack of representation, lack of funding, and the alienation and disregard of Black, Indigenous, and Latinx audiences.To outline the consequences of WSC in SciComm, the authors draw upon a list of WSC characteristics identified by Jones and Okun in 2001.
Science communicators, especially science communication trainers, have the capacity to work for systemic change and the dismantling of white supremacy culture. For example, the authors cite The Civic Science Imperative, a study exploring the relationships between science communication and public health. To help SciCommers engage in the dismantling of WSC, Callwood and her coauthors describe a framework for building a more effective, more racially inclusive culture in STEM. 
Designing and implementing solutions is a challenging responsibility and opportunity for any SciCommer. Callwood and her coauthors point out that nearly all of the characteristics of WSC identified by Jones and Okun in 2001 like perfectionism and defensiveness define markers of success in STEM fields. That means designing and implementing solutions for racial equity and justice in STEM will seem intensely abnormal, because these solutions will counter long-standing institutionally inherited WSC norms. SciCommers and their institutional partners must reimagine practices for hiring, funding, and publishing scientists, as well as determining whose work and ideas are valued. By shifting away from the deficit model of SciComm into an Inclusive SciComm model, we can diversify science stories, engage more diverse audiences, and work to dismantle WSC.
To dismantle WSC, we need to know it for what it is and be explicitly clear about the complicity of STEM and SciComm in historic and contemporary oppressions. Only by interrogating and acknowledging those harms can we hold people and institutions accountable, then move forward.
Abandoning the deficit model for an Inclusive SciComm model allows for more culturally responsive practice and greater success disrupting WSC. By honoring many ways of knowing and enabling the expression of participants’ own voices, histories, and cultures, SciCommers can more effectively engage with and build lasting relationships among audiences in STEM, SciComm, and SciComm training. 
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We are invited to use the themes and questions of this framework as prompts for personal reflection and collective action. Through this framework, Callwood, Weiss, Hendricks, and Taylor welcome SciCommers to seize opportunities to dismantle white supremacy culture. As a demonstration of this Inclusive SciComm work, the authors invite ongoing feedback and co-creation of their framework as an open-source iterative process. 
[@mitigatedchaos​]
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may8chan · 9 months
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Phantasm
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meandmypagancrew · 8 months
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So, I don’t know if I’m the only one who noticed this, but with the exception of Barbie, am I the only one who thinks most movies recently have been really poorly marketed?
Like, Oppenheimer was a critical success but I think we can agree the marketing team did an abysmal job - like Christopher Nolan’s name definitely sold plenty of tickets but for the most part, it seems they just let the Barbieheimer memes carry them to the finish line.
Now, I’m not sure if this is related to the strike, if marketing teams for movies completed before it but not released yet are striking or if they’re one of the exceptions that was carved out - which, if they’re striking, good for them, but if not, I don’t think they’re doing very good jobs. I think a good example of this is A Haunting In Venice. This movie comes out in less than a month, and I haven’t seen a single trailer for this movie despite going to the movies several times over the past few months, and while my local theatre does have a poster up for it, this is it.
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Now, this is a bad poster. The only thing it’s inspired in us is confusion. After Indiana Jones and Barbie and all the Ghibli Fest movies we’ve gone to we’ve stood and looked at this poster and all we’ve felt is confusion. I mean, we recognized that that’s the actor who played Hercule Poirot in Death on the Nile and Murder on the Orient Express, but did that mean this was another one of those or is it a mere coincidence that he’s in another movie? Actors do that, you know, they play multiple roles. And especially since the Agatha Christie book this is based on is actually called something different, it really doesn’t convey enough information to actually get people interested, I feel.
So I took five minutes and improved it. I feel this poster is 50% more likely to sell tickets because it’s at least 75% more informative and has 100% more false advertising because I couldn’t resist.
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deadthehype · 1 year
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Juelz Santana & Jim Jones for Supreme photographed by Kenneth Cappello
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esperwatchesfilms · 2 months
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Dune (1984)
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This is my father's favorite movie. Every time I walk into my parents' house, I see the Baron floating around laughing maniacally. I have never watched it in its entirety, and with the new ones out, I wanted to watch this before I moved on to Dune: Part One. I spent an hour of the film being SO confused about what was happening and why. But about an hour in (I know, that's a long time), I realized how super into it I was, and the more I started to understand what was up, the more I enjoyed it. Ultimately, a really good film, and I hope I enjoy the new one as much as I liked this one! And I can't express enough how much I love the pug that made it through the whole damn film. ESE: 150/100 50 +2 for the brown spot in Princess Irulan's otherwise greenish eyes +3 for her soothing voice +5 for 9 bulldogs +10 for Patrick Stewart -10 for the laughably horrible effects they used for the shields -2 for the wild eyebrows on Thufir -3 for marching with Barbie hands +10 for the Duke telling his son that people need new experiences to grow +5 for the Atreides family pug -10 for the gross-ass fucking pain box +10 for Brad Dourif -10 for needles in eyes -10 for super nasty Baron pustules +5 for Sting -5 for the nastiest juice box ever +10 for Lady Jessica's hair +5 for Paul ticking off prophecy boxes +5 for how proud the Duke looks that his son knows how the suit should be worn +10 for Duke Atreides saving the miners and saying "Damn the spice!" showing he cares more for his people than the spice -10 for the Reverend Mother jumpscare +5 for Paul saving Shadout Mapes +10 for Shadout Mapes informing Paul of the traitor in his midst -10 for Yueh being a major shitterton +5 for the pug making a getaway +10 for Gurney saving the pug -10 for Yueh being all sookie-la-la after betraying people who were so good to him -5 for the death of Duncan Idaho +10 for Yueh's death because seriously, what a shitterton -10 for the Harkonnen Mentat guy trying to feel up Lady Jessica +10 for Paul using the Voice -10 for the Duke's death -10 for the Baron being alive -5 for the death of Doctor Kynes +10 for Paul's waking dream +5 for the second thumper +10 for the Fremen +5 for Paul Muad'Dib -5 for eating the cow tongue +5 for Feyd's goofy undies +5 for Thufir's new cat -5 for the weird advancement of Usul and Chani's relationship +5 for the weirding way +5 for worm-riding -10 for the fast-forwarding through Alia's growth and Usul and Chani's love story +10 for Gurney still being alive! +5 for Paul's blue eyes +5 for Chani trusting Paul's judgment and giving him the Water of Life despite being scared to +5 for the Emperor calling the Baron "that floating fat man" +10 for Alia +5 for the pug making it to the end of the film +10 for rain on Arrakis
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Butch Cassidy and the Sundance Kid
1969. Western
By George Roy Hill
Starring: Robert Redford, Paul Newman, Katharine Ross, Strother Martin, Henry Jones, Jeff Corey, George Furth, Cloris Leachman, Ted Cassidy, Kenneth Mars...
Country: United States
Language: English
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tobbogan-13 · 2 months
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is there a The Fantasticks fandom out there?
I need to talk to people about this show 😭🙏
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about-faces · 1 year
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TOP 22 TWO-FACE STORIES OF ALL TIME
9.) “The Beautiful Ugly,” (2013) from Legends of the Dark Knight vol.2 #56-58 (digital exclusive), published in Legends of the Dark Knight 100-Page Super Spectacular #3 (2014)
Harvey puts a murderer on trial and lets the victim’s loved ones carry out their brutal judgment. Several Two-Face stories have kangaroo court scenes and themes about Harvey bringing out the worst in people, but few have utilized the trope so effectively. A bleak gem of a story, with a haunting finale.
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movie-pirate · 4 months
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applesaucesims · 2 months
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The pub owner had quite enjoyed the first performance of Kenny and the Kats and thus invited them to perform regularly.
At the beginning, their jazz was mostly heard as background noise by visitors of the establishment. But soon, they noticed certain listeners reappearing and seeming to do so more for the music than the drinks.
Of course, Ken's family would come to see him and his band perform some nights, too. Seeing the proud sparkle in his parents' eyes gave him an extra boost in confidence, especially from his mother who had taught him the art that he was making his career.
[TRANSCRIPT]
Edward: "That's my boy!"
*Maureen and Emma laughing*
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luckydiorxoxo · 1 year
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Arrivals to the Season 4 Premiere of HBO's Succession
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carriagelamp · 5 months
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My internet died for about half a week this month, so I had a really peaceful few days where I had an enforced excuse to do nothing but relax and read when I got home from work. It was incredibly zen and I really sank into my books that week.
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The Call of the Wild
A classic novel that I’ve always meant to read. I was sick and headachy this month and decided that this was the perfect sort of relaxing, narratively rich book to listen to. I really enjoyed it, would recommend. It follows a dog named Buck who’s snatched from his home in southern California and is shipped off to work as a sled dog in the Yukon, where a need for strong dogs to help transport goods over the snow and ice makes them very valuable. Buck has to learn how to survive in this harsh environment as everything from the weather, his fellows dogs, and his human masters seem to fight against him.
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A Complicated Love Story Set In Space // How To Bite Your Neighbour and Win A Wager
Putting these two together because my experience with them was pretty similar. For both I was intrigued by the title, got them from the library on a whim, and didn’t really mesh with either. I didn’t really get far enough in either to give much of a review, they just didn’t vibe. A Complicated Love Story Set In Space set up a scenario that didn’t really interest me — not surprising, I’m picky about my scifi — and How To Bite Your Neighbour and Win A Wager just had an… odd writing style to it. It very much feels like it’s main goal is to be a kinda horny about vampires which, if that’s what you want, all the power to you, but it’s wasn't doing it for me. I had to suspend way too much disbelief for the scenario to function.
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Indiana Jones and the Cup of the Vampire // Indiana Jones and the Curse of Horror Island
A pair of choose your own adventure books I found at a used book sale. I picked them up out of sheer amusement, and they were basically what I expected and paid for: cheesy 1980s adventure stories with Indiana Jones as a nominal protagonist. They were both varying degrees of improbable, ridiculous, and racist so YMMV but they were fun to play with while I was down and out on the internet front.
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The Kootenay Kidnapper
Eric Wilson is a classic Canadian author who writes children’s mystery/thriller novels. I’ve never read him before and decided to remedy that. At this point I choose to withhold judgement until I read another… I’m not sure how I felt about The Kootenay Kidnapper. It had some nice descriptive language, successfully raised the tension from time to time and made me really try to piece together who the villain was, but then also had some strange dead zones as well. The whole thing read a bit like a 1990s stranger danger PSA which was also… weirdly nostalgic? But also just weird. Would try another.
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Grandmaster of Demonic Cultivation comic v3
I continue to be a MDZS simp, this is not news. 
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The Radium Girls
I don’t read much nonfiction, but this book was so narrative in its writing that I seriously couldn’t put it down. Kate Moore took a historical event (the girls that were paid to paint watch dials with radium paint in the early 1900s) that had been written about in scientific and legal styles, and instead retells it with a primary focus on the girls themselves. You follow a variety of real life women over the decades and learn about the all the machinations that went into them being horrifically poisoned by radium, and how that changed the very foundation of American workplace safety. Super engaging, unspeakably appalling.
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Scott Pilgrim v1/2
My brother and I started watching Scott Pilgrim Takes Off on Netflix and… wow, it is not what either of us was expecting but we are loving it. We’ve both been big Scott Pilgrim fans since the naughts. Since I haven’t reread the series in years I decided I should pick it up to help notice the differences between the original series and this new show — I have the big, coloured omnibus version, so I reread the first collection of stories which amounts to volume 1 and 2 of the original. 
Scott Pilgrim is one of those comics that if you’ve somehow never read then you really need to, it’s one of my all-time favourites. It’s a story about Scott Pilgrim, a young adult who’s awkwardly trying to figure himself out, combining a coming-of-age slice-of-life with magical realism. The mysterious girl he meets, Ramona Flowers, can travel a subspace highway through Scott’s dreams — of course, don’t they teach Canadians how to do that? Huh, maybe it’s an American thing. Scott is known to be the best fighter in the province and when he defeats an enemy they explode into a pile of coins. One of the Evil Exes has Vegan Powers, and another can summon demonic back up dancers. This story just does whatever the fuck it likes and I adore it for that.
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Heaven Official's Blessing v3/4
I continue to be TGCF simp, this is not— seriously, the series continues to be excellent and I only get more and more invested in not just Xie Lian and Hua Cheng, but also in the side characters that are introduced. I was thrilled to have Shi Qingxuan become a bigger player in book 4, and really liked the whole plot with the Venerable of Empty Words and Black Water. Please, someone, help this guy…
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The Wind in the Willows
Another classic I had never read that I decided to pick up. It was excellent, I can see why it’s stayed so beloved over the years. Though I love a good cute-animals-in-lil-clothes-living-cute-lil-lives story, so I was an easy sell. It was much more tame than the likes of Redwall, but had a bit more going on than the likes of Brambly Hedge — it keeps you very engaged, but never raises the stakes so high that it stops feeling light and comforting. It is essentially a collection of stories that follow Mole and Rat, a pair of friends that live together on the river, through the seasons and the various misadventures they and their friends go on.
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The Woman They Could Not Silence
Since I liked The Radium Girls I decided to pick up another one of Kate Moore’s books. This one follows a woman who was intentionally committed to an insane asylum by her husband, purely because she was intelligent and outspoken, refusing to be cowed to his opinions or beliefs. This story details her time in the insane asylum, the abuses that the patients suffered, and how she came to fight the laws that allowed for such abuses to be perpetuated in the first place. A fascinating read about a historical figure I had never heard about before.
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camyfilms · 1 year
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THE CHAMBER OF SECRETS 2002 
It is not our abilities that show what we truly are. It is our choices.
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Kuntry
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