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#like it is such a cool concept and we were robbed
ministarfruit · 2 months
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day 26: apocalypse ♡
(femslashfeb prompt list)
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unfinishedslurs · 1 year
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aware of his bisexuality steve (steddie, buckingham)
“Is that a hickey?” Comes out of Steve’s mouth without permission. But there it is, bright purple and red against the slope of her neck. She’s been walking kind of funny this morning, too. He’d assumed her period came early, but… “Rob, did you—“
Eddie fumbles the coffee mug he was pulling down. Chrissy freezes, face turning white with fear. Robin whips around, face bright red, and slaps a hand over her neck. 
“Bathroom!” She yelps. “Bathroom now!”
“Wait,” Eddie says, setting the mug down with trembling hands. “It was me. Sorry, man.”
Steve stares at him, unimpressed. Why the fuck would he lie about—
He looks at Chrissy again, who takes a nervous step back, and it clicks. 
“Right,” he says, nodding quickly. “You. You gave Robin a hickey. Had totally awesome sex that she didn’t even tell me about.” He directs that last bit at Robin pointedly. He told her almost immediately when he lost his guy-ginity. Traitor. “Yep. Sure. Got it.”
Eddie blinks, confused. Robin buries her face in her hands. 
“Oh my god, calm down,” she groans. “That’s not going to work. Steve’s cool.”
“Cool?” Chrissy asks, still looking ready to bolt. 
“Super cool,” he assures her. “The coolest. So incredibly cool, even if my best friend didn’t even tell me when she lost her virginity.”
“Steve!”
“Sorry, sorry,” he says. “But I am going to need details, Buckley. We can go over what worked, and what needs more oomph.”
“Oh my god, can we talk about this anywhere else,” Robin groans, at the same time Eddie asks, “What, so you can get off on it later?”
“What,” Steve says. 
“You think two girls are hot, is that it?” He’s got a sneer on his face now, but Steve’s more observant than Dustin gives him credit for. Even if he wasn’t, it’d be hard to miss how hard his hands are shaking, the nervous tilt to his mouth. 
“Ew.” Steve’s face screws up. “Dude, no. It’s Robin.”
“Hey, fuck you,” Robin breaks in, from where she’s started comforting Chrissy. “You thought I was hot for at least a summer.”
His mouth drops open in betrayal. “We agreed to never talk about that again!”
“Can’t help being sexy,” she coons. Chrissy giggles wetly. “You wanna get married, Harrington? Have my babies? Stay home and raise six little nuggets while I bring home the bread?”
“I hate you,” he informs her. “Hate you so much. We’ll have a nice, heterosexual wedding and share a sad, heterosexual kiss, and you’ll carry me over the threshold of our nice, heterosexual house, and we’ll have boring, heterosexual sex that gives us nice, heterosexual babies, because we are so heterosexual and happy in our suburburban house in our nice little heterosexual town.”
He’s honestly kind of proud of himself for saying heterosexual so many times. Usually he fumbles words with that many syllables, especially after that many times in a row. 
Chrissy is outright laughing, now, endearing little snorts making their way between giggles. Eddie is looking between them like they’re a puzzle he can’t piece together. Robin grins.
“I’ll cuck you with the secretary.”
“Not if I cuck you first. You’ll be away all day in that office of yours, and I need someone big and strong to carry all the new furniture I ordered.”
“I knew it! I knew Timmy wasn’t mine!”
“Oh, but I couldn’t help myself,” he swoons. “Mark was just so sweet, with his bulging biceps and hand flexes, all hot and sweaty from helping poor little me while you were away! You know I’m weak to curly hair and brown eyes, Rob, how’s a man supposed to resist?”
“Fag,” she says, not without affection. 
“Dyke,” he shoots back. 
“Cocksucker.”
“Carpet—“
“Okay,” Eddie breaks in, clapping his hands. He and Robin both startle, and so does Chrissy from where she’s been watching them like a particularly interesting tennis match. “What the fuck is going on?”
“Robin lost her virginity and didn’t even tell me,” Steve says immediately, like he’s tattling to the principal. 
“Steve doesn’t seem to understand the concept of waiting,” Robin retorts. 
“I told you when I had gay sex,” he whines, and Eddie chokes. “I hate you. See if I ever give you tips again.”
“Oh, is that what you meant?” Chrissy asks. “Please don’t stop. They were good tips.”
Robin flushes all the way down to her toes. 
“You like boys?” Eddie wheezes. 
“Oh,” Steve blinks. “Yeah? I thought you knew.”
“You thought I—how would I know?”
The fuck is that supposed to mean? Steve’s been flirting with him for months!
“Robin always says we can sense each other! You sensed her.”
“You told him?” Eddie’s mouth drops open, and Robin looks sheepish.
“She didn’t have to,” Steve snarks. “You’re flagging in Hawkins, man. Was I supposed to miss it?”
“You know what flagging is?”
“Again, in case you missed it, I fuck men.”
“Fuck,” Eddie mutters. “Fuck! Christ, I can’t believe this. You’re, like, the epitome of heterosexual. I spent half of high school having to hear about how much pussy you were getting. Why are you not straight?”
“Wow, Eddie,” he deadpans. “Are you saying just because I like men and woman, I’m not queer enough? That’s kind of homophobic of you, man.”
“Yeah, Eddie, wow,” Robin says. “I thought you were better than this.” 
“Fuck off,” Eddie says. “I feel like I need to lie down. My entire worldview just shattered.”
“I have a couch?” Chrissy offers shyly. “Or a bedroom, if you need a minute away.” Fuck, Steve kind of adores her. Especially since she’s apparently vicious n bed, if the five other hickies he counts just from Robin bending down a little to whisper in her ear are any indication. Good for her.  
“Don’t worry, Eddie,” Robin says, with a glint in her eye that means he’s either going to love or hate what comes next. “If it helps, Steve’s never fucked a man in his life.”
Eddie’s brow furrows, looking between the two of them. “So…you’re just making fun of me?”
He looks a little angry now, and Steve can’t make heads or tails of this conversation because, “What the hell, Rob, yes I have—“
“Oh, so suddenly you’re the one doing the fucking?”
“Stop making fun of me for taking it!”
Eddie lets out an honest to god moan that he immediately slaps his hand over his mouth to cover up. “Right,” he says fervently. “Okay. I need to lie down, like, for real.” 
They watch him stride down the hall, so fast he’s almost running, and slam the door closed behind him.
“I could totally top,” he mutters to Robin as something that sounds vaguely like muffled screaming echoes down the hall. “I top girls all the time. It’s not my fault prostates are a gift from God.”
“Uh, you top because all the girls you fuck are from small town Indiana. If one of them brought out the strap you’d drop to your knees so fast—“
“That’s—I like topping!”
“Your favorite position is cowgirl. Forgive me if I don’t believe you.”
“I will show Chrissy your baby pictures,” he hisses. Robin makes a face at him. Chrissy nods excitedly from where she’s still tucked under Robin’s arm. 
“Oh what’s that?” Robin practically shouts. “You like being pressed against walls and ravished? You want someone to tie you up and have their filthy way with you? Is that what you said, Steve?”
Another noise from the bedroom. He narrows his eyes at her. “What are you doing?”
“Helping,” she says sweetly. “You’re both hopeless.”
“I told you he’s shy!”
“Eddie?” Chrissy asks. “Shy?”
“Yeah, okay, I was confused too, but I figured it was the romance! He told me he hasn’t actually been in a relationship before, I assumed he was nervous to take that step.”
“Yeah, but dingus,” Robin says sweetly. “You’re missing a puzzle piece here. He thought you were straight. He thought he was flirting with his straight best friend he didn’t have a chance in hell with, and then he finds out that said best friend likes taking it up the ass and men with brown eyes.”
“Oh,” Steve says, realization dawning. “Oh, fuck. What if he doesn’t like me like that?”
Robin smacks the back of his head. “Why are you stupid?”
“I don’t think you have to worry about that,” Chrissy says. “Like, really don’t have to worry about that.”
“I’m not coming over tonight,” Robin says. “I’m gonna stay with Chrissy again. Er…if that’s okay?”
“That sounds amazing.” Chrissy beams, and Robin turns red again.
“Yeah, I’m going to stay with Chrissy again tonight. You are going to invite Eddie to stay the night when he gets done with his little crisis, and then we’re getting lunch at the diner tomorrow and you can tell me about it before our shift.”
“Right,” Steve says. “Right, I can do this. I’ve invited guys over before, how hard can it be? It’s just Eddie. But that was hotel rooms, not my house and my bedroom with my shitty wallpaper. And it’s Eddie. Fuck, what if I’m shit at it? Robin, what if I’m actually bad at sex and everyone who’s ever said I was good was lying because they didn’t want to hurt my feelings? Oh my god, I’m totally bad at sex.”
“Woah, dingus, slow down. I think we took the mind meld too far, you’re turning into me.”
“If it helps, I don’t think you’re bad at sex,” Chrissy says. Steve and Robin look at her, and she flushes. “Because of the tips! Not because—I’ve never slept with you, but some of my friends did, and I got three orgasms out of last night, so…”
“Oh thank God,” he breathes. “I was worried for a minute.” Then he raises an eyebrow at Robin, and holds out his hand for a high five. She slaps it, begrudgingly proud of herself, and then takes the hand to pull him into a headlock that’s honestly more of a hug than anything. 
“You’re fine,” she whispers in his ear. “You’re great at sex, as you keep telling me. What’s more, you’re funny, charming, handsome, brave, caring—“
“Aww, Robin, are you getting sappy on me?”
“Plus Eddie literally moaned in front of you when he found out you bottomed. I really don’t think there’s a way to fuck that up.”
Steve grins. “He did do that. I’m going to make so much fun of him later.”
“So,” Eddie says with a smirk, “men with brown eyes?”
“Hey man, don’t look at me. Blame Jonathan.”
Now Eddie looks stunned, mouth dropping open. “Byers?” He says, sounding betrayed. “You have a crush on Byers of all people?”
Steve feels offended on Jonathan’s behalf. “What’s that supposed to mean? Jonathan’s a good guy!”
“I guess.”
“What do you mean you guess? He’s sweet, passionate, good with kids, nice eyes. Can pack a punch. I mean, what’s not to like?”
“Uh, didn’t he steal your girlfriend?”
He waves that off. “That was, like, years ago, man. We’re cool now.”
“Right, okay,” Eddie mutters. “Well have fun with Byers, I guess.”
It clicks. “Oh,” he says. “Oooh. You’re jealous.”
Eddie splutters. “Jealous? I’m not—I don’t—you’re jealous!”
“Oh, am I?”
“Yes,” Eddie says resolutely, not looking at him. 
“Right,” Steve agrees. “Well, if I am jealous, maybe I should know that I got over Jonathan years ago, and have since moved on to brighter, hopefully more attainable pastures than my ex’s ex.”
“Oh yeah? Like what?”
“A different man with brown eyes?” He suggests. “Who is also good with kids, and passionate, and…” he trails off, suddenly realizing all those times Robin made fun of him might not be based on nothing. “Oh my god, I have a type. Shit, I have to tell Robin she was right.”
“I figured that was a common occurrence.”
“Shut up. Where was I going with this? I had a point.”
“You were telling me how awesome I am?”
“Oh, suddenly it’s you we’re talking about?”
“I mean,” suddenly Eddie looks shy, and Steve can’t help but think even with the change in context he might have been right when he told Robin Eddie was nervous about being in a real, romantic relationship, “isn’t it?”
He feels himself smile, slow and wide and probably more revealing than he means it to be. “Yeah,” he says, in a tone he knows Robin would call soppy, “it is.”
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kerubimcrepin · 17 days
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Dofus: The Production - reviewing the artbook
This post won't go too deep in detail, it's just my commentary on the artbook — but the next (or, well, one after the next), post will be me doing some actual research outside of it. I recommend you to buy the artbook, and go see its contents for yourself, if you're curious about it. (or download it. It's been scanned to hell and back...)
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God, this makes me deranged and insane. Even being baby does not stop Kerubim from loving Joris's jokes... I'm insane...
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This part of the artbook has always scared me because like... Does he kill people in Dofus 2, Tot?. Does he.?
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Epic events is a funny way to refer to this movie's unending barrage of traumatic events, but man, we were kinda robbed of cool draconic winged Joris. That's sad.
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I won't include too much art from the artbook if I can help it, but I wanted to report that this is a very good art and theres a lot of love and um and they love each other and um and [CAR CRASH] [GLASS SHATTERING] ‘GOOD LORD!’ [GENERAL COMMOTION] [BABY CRYING] ‘WAAAAH WAAAAH’ [YELLING] [POLICE SIRENS] WEEWOO WEEWOO [HELICOPTERS] ‘WE’RE REPORTING LIVE-‘ [EXPLOSION] ‘MY LEG… MY LEG…’
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I wish I knew what the fuck Tot meant by this. However, knowing that Pupuce is Kerubim's pet, who just liked her owner's kid more than her owner, has fueled some of my headcanons for years and years:
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This version of his armour matches the one we could see in the Dofus Manga. :)
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I find it quite fascinating that at one point, it was considered for Julith to be an osamodas huppermage, considering it was theorized for some time that Joris might be an osamodas.
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I wouldn't call her a tender mother, but eh. She's more of a... "very loving yet despaired mother who doesn't even know her son" mother. A "wants to get back the past which will never return to the point of putting her son into the torture nexus" mother. A "has love in her that is so mentally disturbed" mother. AND I LOVE HER FOR IT!!
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I know that her being an alcoholic is a retcon that Dessous did, but its such a good one. I think it's a good show of her decade of slow slippage of sanity. Comic retcons win over Tot's ideas for all Joris-related media once again.
This post was made by "I love Kerubim's dead family from Dofus Heroes Kerubim and Bakara Alcoholism Lore from Dessous de Dofus" gang.
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These two huppermages from the movie's concept art were reused in season 4 of Wakfu. Though it would be easier to say what in season 4 of Wakfu isn't reused stuff considering the "shoestring and a piece of chewed gum" budget it was made on...
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God, him petting a pupuce is the most important part of the artbook, save for perhaps...
THE KHAN & THE RED-LIGHT DISTRICT & JORIS UNDERAGE DRINKING SCENE
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The fact that this was cut is the biggest personal tragedy of my entire life, and I am NOT joking.
Apparently, in this tavern, we were supposed to learn more of his backstory, — like how his father was a gobbowler, but sadly (or happily, if you really hate Khan) it was cut.
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But listen. Khan would go to some sexworkers to stare at them and do nothing. He's that much of a loser. He would take a 10yo as his drinking buddy.
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This is where my headcanon that he buys Joris booze post-movie comes from, btw.
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Compared to the movie's exaggerated visions of Kerubim crying, these images feel like something Joris would remember seeing in real life, something he'd want to avoid.
It feels more real, than just his panicked visions.
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trillscienceofficer · 3 months
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I love Soji. We were ROBBED of her. She should've been in all 3 seasons.
LITERALLY she was the protagonist of season 1 and for good reason. I thought her narrative was really impactful and a fresh take on the 'android' concept... S1 of Star Trek: Picard repeatedly asks the audience “what happens when people are treated as things? As instruments? As vanity projects? ” and, for better or worse, it's a theme that is recurring in every storyline, from the Romulan refugees to the xBs to Raffi and Rios' backstories. Soji is the fulcrum of all this, the character that it is literally at center of the story because she embodies so many of those questions. I'll never forget the dialogue in “Broken Pieces” where Soji asks Dr Jurati if she can really see her as a person; I honestly think it's one of the best scenes in all of the more recent shows. Plus, she was such a cool character and Isa Briones really brought her to life in all her complex mixture of naivety and steely determination.
Unfortunately even s1 didn't exactly know what to do with her during the finale and the rest of the show was SO eager to get rid of her that I don't even know what to say about it beyond “it sucks so bad and it's a huge waste”. More than that, I can't believe we got even more anodyne Data content (after they put him to rest in s1!) instead of anything about Soji. I don't hate Data but can you say anything about him that hasn't already been said? Couldn't have we moved on like we were all too briefly promised? Soji brought such a cool perspective on the Trek androids, one that I personally found way more interesting than the old one, and we ended up seeing nothing of it.
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blackstarchanx3new · 10 months
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Four Swords Returns pages 109-111
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I just keep having fun/exciting parts in this comic so I'm just gonna keep making it lmao.
Another Flaaaaashback. Apologies. I promise it's relevant. UwU
Since this is a fan comic I'm less concerned about the structure/pacing of it and more concerned with showing cool shit for this AU/concepts.
I got the head cannon Vaati shared his techniques with Shadow Link because in the Minish Cap manga, Vaati uses virtually all the same attacks/magic powers Shadow Link does.
Which I find very interesting.
There's more "In between" Scenes that COULD have taken place during the events of the original manga I wanna add to FSR: Like Vaati being introduced to Vio.
We were so robbed to not get a scene like that oof just "Oh yeah he's on our side remember? REMEMBER I'M TELLING YOU BECAUSE WE DIDN'T DRAW IT REMEMBER VAATI!?"
AKA "As you know, I'm telling you this thing you should/DO already know for the audience."
I will say it again: I wish we got an uncut version of the FS manga with no weird restrictions or deadlines. It pains me so much. WE COULD HAVE HAD IT AAAAAAALLLLLL-
Oh yeah because I'm a dingus: This is why Shadow recognized Vaati in his human disguise. He saw it before. XD
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hezuart · 5 months
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Btw have you seen Disney’s wish and if so what’s your review on it? And how would you Rewrite the story? To me it had interesting contact about your Wishes being a part of yourselves and without it you feel hollow but too bad it was written poorly. The “Villain” Magnifico kind of had the point of not all of the wishes are supposed to be granted Example “My Wish is to get a Rocket Launcher to aim that Talking Goat and the rest of This Freaking Kingdom!” With that said next is Asha! There is no reason for her to be “Adorkable” or “Quirky” we already have Princesses and Characters like that! let them have their own Personality Already!! One problem with Asha is she should have been Magnifico’s Apprentice for a long time in the start but instead of selecting her to Be His “Apprentice” throughout the Movie 🤦🏻‍♀️ and have you seen the Concept Arts?👀 Spoilers! King and Queen are supposed to be Evil Together! and The “Star” is supposed to be like a person or it? That comes from the stars? it would’ve been cool to named it “Stardust” instead of “star” the concept art looks so Amazing than the one we have now and Also No Comedy in this movie it’s to Boring and so as the Songs 😴 we’ve been ROBBED! (The Animation is Nice but I wouldn’t compare it to Spiderverse or TMNT or Puss in boots or The Bad Guys🤔) Anyways what do you think? I want to know your opinion, see you!🙋🏻‍♀️
I might write a review if I have time, but omygod Disney's Wish is SOOOOooooo bad. SO bad. The characters are flat, its nothing but forced in references to other Disney movies, the plot is boring, the songs have all this bravado and make them not catchy- the setting is supposed to be in the Mediterranean but all the animals are from the USA implying they are all invasive species brought over from the settlers of other countries- the comic relief characters aren't funny- the goat himself should be deleted he is so annoying- The star is like, ultimate magic. He made animals sentient, he can make things fly- he can change the size of things like a giant chicken- but he can't open a fcking roof? He can't grant people's wishes? He sort of implies he left that power to Asha, but she sucks at magic. She's the worst person to be handling it. The entire marketing campaign for this movie was about how the villain is "classic Disney". He's NOT???? He's just a narcissistic traumatized(?) control freak King. But then he touches a dark book of magic and now suddenly he's 100% evil and there's no going back for him. Even his wife implies that the book changed him, that the dark magic corrupted her husband beyond repair. The dark magic influenced his personality to make him darker, but he wasn't a legitimate true villain. Classic Disney villains have always been full of themselves. They always manipulated and abused people. They aren't afraid to hurt and kill people. They relish other people's suffering. This King is not like them. They were trying to make him sympathetic from the beginning with actual real reasons to control the kingdom as he does. They do a 180 on his personality. Dude fled from his previous homeland ravaged by war, and has been serving his kingdom for years, he's basically customer service and people can be demanding and needy. Asha herself takes the opportunity to try and weasel in her grandfather's wish through her apprenticeship application and the King is like "Yep. Here we go again."
But the way they show those reasons make his entire operation look stupid. They're like "Look how evil he is for not granting wishes because his judgment is slightly skewed. Look at how evil he is for not returning the wishes because he's------- idk, a control freak? Due to his trauma?" The concept art is definitely better than the final product. I feel like it would have been a decent movie with the original concept. But what annoys me the most is that Disney thinks this is a celebration of 100 years of Disney. It's not! They're only really celebrating the last decade of quirky flat characters, mostly 3D animation, and poor storytelling. The thing that makes me the most angry out of the whole movie? The wishes. The entire concept is nonsense. The bad guy claims that Asha's grandfather's wish is too dangerous to grant. The wish? He's singing to people. fcking WHAT. "I want to be an exclusive tailor." "I want to be a sailor!" "I want to sing to kids and inspire them-" THE PEOPLE OF ROSAS ARE SO STUPID.??????? THEY CAN ACHIEVE THOSE CAREERS ON THEIR OWN. THE KING OF ROSAS. IS A SORCERER.
We have TWO wishes that are actually physically impossible and magical. "I want to talk to birds!" "I want to fly!" ARE YOU TELLING ME. THAT NO ONE WANTS TO BECOME A FIRE-BREATHING DRAGON AT WILL? HAVE TELEKINESIS? BE A STRONG BODYBUILDER WHO CAN LIFT BUILDINGS? READ MINDS? SEE THE FUTURE? OWN A GIANT CHICKEN THAT GIVES GOLDEN EGGS? WISH TO BE A FAIRY TO CHANGE THEIR SIZE AT WILL?
THOSE. ARE ACTUAL DANGEROUS, UNACHIEVABLE WISHES WHY ON EARTH WOULD YOU HAVE A WISH OF WANTING A CAREER AS A FARMER WHEN YOU COULD WISH TO HAVE TOTAL CONTROL OVER PLANT LIFE AT WILL? THE PEOPLE OF ROSAS ARE SO DUMB I CANT WITH THIS IM SORRY IM SO MAD AT THIS MOVIE And the wishes themselves like- people don't have the same wish forever. Someone in the crowd even asked, "Can we change our wish?" It's implied maybe they can even have more than one. They also straight up forget their wish when they give it up to the King? This whole thing feels like a weird metaphor for real life in a magical setting. It doesn't make sense to me.
One of my friends said they heard a theory that this entire movie is secretly a jab at Corporate Monopoly Disney, how they won't let anyone else be magical (monopoly), how they only choose 12 wishes a year to grant (Internships), and how the wishes they choose to grant are useless to the kingdom because anything else more creative or inspiring is a threat (regurgitated sequels, uninspired stories, boring formula) and how the ending is about defeating the "villain" (Disney) and moving on to try and achieve your dreams yourself (Form a Union, start your own businesses, take back animated media) and viewing the movie through THAT lens is actually incredibly metaphorically genius and made the movie less terrible for me, intentional or not But yeah anyway, Wish is bad. I keep telling people. Disney is so dumb. THIS is what people want for a Disney celebration: CROSSOVER. DISNEY CINEMATIC UNIVERSE. Disney will probably do it badly but I'm telling you, people have been wanting this for YEARS.
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They did it with House of Mouse, they can do it again.
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ninjago-sideblog · 9 months
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Skybound had so many good ideas and concepts that I really like the season for. On the other hand, it fumbled like 80% of those ideas soooo hard that makes me want to cry.
(suuuper long indulgent rant about Skybound underneath cut read at your own risk)
Nadakhan is my favorite villain in a bubble. He’s this disgraced djinn prince who runs away from his home realm to become one of the most feared pirate captains in Ninjago and when he tries to return home, it’s all crumbling. He then exacts revenge on those who destroyed his home by manipulating them and toying with them psychologically, eventually trapping their souls in a sword? Badass, right?
Except that all of this cool characterization is contradicted and bastardized left and right. The season dumbs down the ninja instead of making Nadakhan smarter so he can win. When he gains the ability to make his own wishes, he resorts to immediately killing everyone. His obsession with Nya is really weird considering that she was the one who CAUSED Djinnjago to get destroyed.
Jay and Nya’s character arcs are really interesting too. In a bubble. Jay has to step up as a leader after all his friends were taken by this guy, who he has to face after he kidnapped and tortured him. He fucked around and found out the hard way and has to make up for it. Nya continues to struggle with her identity and coming into her own as a ninja and not having Samurai X to latch onto. They both have to fight to keep each other safe and make sacrifices and fall back in love.
Once again though, this is all fumbled and explored in a way that makes me tear my hair out. Jay is a selfish obsessive whiny asshole who’s pining for Nya is super uncomfortable and annoying to watch instead of cute or relatable. Nya is an even bigger asshole than he is. She lets Clouse get away in the beginning to throw a tantrum on Jay, which causes Nadakhan to be freed in the first place. She causes Jay to nearly get killed by the Tiger Widow and then get kidnapped/tortured, all because she was mad at him.
So many other plot points and character choices make me so upset it really detracts from the season as a whole. To name some:
Kai’s ultra inflated ego/obsession with social media and girls
Dareth
Forcefully inserted misogyny
All of the prison arc. All of it.
Ronin betraying the ninja for the police. I get he likes money, but the ninja saved his ass and he is a known criminal. Just a weird place to take his character.
The ninja turning on Jay immediately and effectively sacrificing him to the ultra deadly giant spider
Cole and Lloyd being unceremoniously/anti-climatically removed from the season so Jay and Nya could be alone
Marriage plot (specifically Delara and the marriage plot only ever being used as an excuse for Nadakhan to fight with Jay over Nya which is really gross)
I wish Delara was explored more and was not a creepy Nya clone for Nadakhan to drool over, ew
Dareth
Cole, Lloyd, and Nya using up their wishes immediately in really stupid ways
Tonal whiplash from the goofy lighthearted first half of the season to the dark hopeless second half
Echo Zane (before the Echo fans come after me, I like his character, but he just introduces a lot of plot implications that are never resolved or addressed for a character who has like 10 minutes of screen time max and never gets to come back)
We never learn why Cliff and ‘Libber’ abandoned Jay with the Walkers. Cliff obviously cared about his son, he made a shrine for him in his dressing room, so why did he never contact him before his death? What happened to Jay’s mom? Did Wu know? It’s annoying to have this plot point, only for it to never be explored in the whole show besides a line about being adopted in Prime Empire. Maybe we’ll get some context in Dragons Rising, but I doubt it.
We were robbed from a rematch between Captain Soto and Nadakhan
I honestly wouldn’t mind the ending, if it wasn’t for the fact that the writers can’t decide wether everyone remembers the alternate timeline or not. That and it’s seems like the events of Skybound don’t effect Jay and Nya in later seasons like at all besides a wink and a nudge at the viewer. Once again, Jay was kidnapped and physically/psychologically abused and tortured, and Nya straight up died. They are the only people who (completely) remember and gained what should be a massive amount of trauma but nope! Lloyd has more on-screen/canon trauma over Harumi than Nya does about DYING or Jay does about TORTURE. Again, I don’t think that Dragons Rising will explore this to any extent either.
I also don’t mind the whole trapping the ninja in the Djinnblade thing, I just wish the ninja could have had more screen time. Either by keeping them around longer before trapping them, or showing what inside the sword was like idk
Nadakhan and Jay are kinda weird because I’m not sure why he singled him out out of all of the ninja. I know the Doylist answer is that Jay is the focus character for the season, but I find it weird that instead of getting the other ninja while he could, he wasted a lot of his time toying with Jay on Misfortunes Keep. Why didn’t he just kidnap all of the ninja on Tiger Widow Island instead of giving them a chance of escape. His obsession with Jay could have been easily explained or explored it it never is?
TL;DR, Skybound is a mess of really good and really bad ideas Frankensteined together in the messiest, laziest way they could. I still like it quite a bit, but I would be lying if I said it didn’t frustrate the hell out of me.
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kylo-skywalkerr · 9 months
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It has come to my attention that some people apparently didn't know about the Duel of the Fates script??
Okay so here's some of the official concept art for the original (and better) direction that the sequels were meant to go down.
1. Many cool fights were cut from the script. Kylo was supposed to fight a form of Vader to outline how he's always been in the shadow of expectations that Vader left. The Knights of Ren actually got used for more than just a brief battle. The Knights hunted the Resistance actively, and as seen in the art, it wasn't just Ren or Rey fighting them. In fact, Rey kills them, and it makes her fear that she's slipping to the darkside. Rey runs off as Luke had and goes into hiding so that she doesn't use her teachings to be anything like Kylo. In her fight with Kylo Ren, she's blinded.
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2. The story also went a far darker route. Years had passed between the movies. Characters were older, and changes were made.
For example, Rose and Finn get sent away to a First Order labor camp for their crimes against the FO.
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While I can't find an image for it, the Resistance also takes fewer prisoners with them. Rigging FO ships to explode if they attempted to escape, disguising bb8 as a FO droid to rob their ships, all that fun stuff that wasn't featured as much in the sequels we got.
My favorite part was that Hux was the chancellor. All of the power he wanted was his, and Kylo was alright relinquishing it. It was proof that they were stronger together, with Hux admiring the force and even having a lightsaber collection of his own. Chancellor Hux wishes he had the force and is frustrated that he doesn't, so he keeps Kylo as a tool to use instead of banishing him from the FO or simply killing him.
The darker aspect comes from what Hux does after the Resistance defeats the First Order. In shame for all that Hux lost, he commits suicide with a lightsaber. Another thing to note is that if you read about it, it's mentioned that the lightsaber was supposed to be purple. The concept art, however, shows a red one, like Kylo's. (I'll have to note this particular fact down for later.)
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3. Kylo gets stronger. A Sith holocron guides him to a new master, from whom he learns to drain life from and use force lightning.
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Eventually, these teachings are used to kill Kylo's new teacher, bringing him closer to the dark side than he was before, despite the internal conflict still being present.
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Kylo was also intended to get a new mask! It may or may not have been intended to be a show of his journey, but imo the concept art seemed interesting enough to note.
4. How Kylo's redemption was handled. While hunting a sith artifact, the artifact senses the light in him and pretty much explodes, leaving him disfigured and severely injured. The locals of the planet, despite knowing who he is, help him recover. Kylo begins to reconsider his actions due to the kindness he was shown and works his way towards redemption.
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He still dies, but only when Leia stops him from killing Rey. He sacrifices his life to save her as in the original, making his death the endgame in both scripts.
5. Relationships. Reylo isn't a thing, I think she actually kisses Poe or something at a point. Rose and Finn are canon and at the end of their story have force sensitive children. That could have been in the original if not for Disney's "issue" with them being together. (That's not a story for today)
6. Rey's true name was revealed to be Rey Solana. Not Skywalker.
To conclude, the script was fascinating to me. There was redemption, suicide, new characters, different relationships to explore, and so much potential for a darker yet more interesting story than what we got. Thank you for reading!
Here's some sources if you'd like to read more about it yourself, those were just key things to note about the script!
(And of course, a source for where I got the concept art from)
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azar-rosethorn · 10 months
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Security Breach Incorrect Quotes Part 3
Once again there will be stuff in here that's exclusive to my AU, which I still have nothing figured out about yet, so when those things do come around, just pretend like u know what's going on
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Sun: I love the term 'partners'. Are we dating? Are we robbing a bank? Are we the dedicated detectives who investigate these vicious felonies and are members of an elite squad known as the special victims unit? Who knows.
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*Glamrock Freddy is casually searching around the room*
Monty: Hey Freddy, what’re you looking for?
Freddy: My will to live.
*Gregory walks into the room*
Freddy: Oh, there it is.
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Roxy: Whatever happened to the concept of less is more?
Glamrock Chica: But if less is more, then just think of how much more 'more' will be!
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Glamrock Bonnie: *trying to fight off Vanny's control over him*
Monty: You can do it, Bonnie!
Monty: But if you can't, at least your death will be quick, painless, and really cool to watch!!
(Monty this is why everyone thinks you killed Bonnie you idiot)
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Vanessa: If I was married to you I would put poison in your coffee.
Monty: If I was married to you I’d drink it.
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Glamrock Chica: It's called cauliflower, not ghost broccoli.
Gregory, eyes wide: I know what I saw.
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Sun: Just so everyone knows, don't ever try to climb a tree at night carrying a strobe light, owls DON'T like it.
Roxy: ...what happened?
Sun: I made a VERY bad mistake.
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Sun: honk.
Glamrock Chica: WHAT.
Sun: HONK.
Chica: WHAT DOES HONK MEAN THIS TIME YOU WHIMSICAL PIECE OF SHIT?????
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Vanessa: Wow, great work on the Halloween decorations. Where did you get the fake skeletons?
Roxy: Fake?
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Vanessa: Dammit, Roxy, you ruined everything!
Roxy: You’re welcome.
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Glamrock Chica: Can you recommend a book that'll make me cry?
Gregory: General Mathematics 8th Grade Edition.
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Glamrock Freddy: Bonnie! I thought you were dead!
Glamrock Bonnie: No, just in deep cover.
Freddy: ...But it was an open casket.
Bonnie: It was very deep.
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Roxy, with a headache: Advil me up, daddy.
Glamrock Freddy: I will short circut the language centre of your systems if you say anything like that ever again.
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Glamrock Freddy: I love hearing Vanessa shouting at someone else. It makes such a nice change.
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Glamrock Bonnie: Don't joke about murder. I was murdered once and it offends me.
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Glamrock Freddy: I asked Bonnie out.
Roxy: Oh, I’m sorry.
Freddy: Why?
Roxy: Well, I assume he said no.
Freddy: No, he said yes.
Roxy: Really? Then I’m sorry for him.
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Chica: It's pretty cold outside.. wanna hold hands? We should stay close.
Roxy, blushing: Okay.
Gregory: It's fucking summer.
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lovesickbrat · 1 year
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Bunny by Mona Awad (Spoilers!!!)
okay so bunny by mona awad succeeded in areas I think my year of rest and relaxation by otessa moshfegh failed in which she created a satire that actually had something to say. the way awad deals with the concepts of loneliness (both incidental and self inflicted), female friendships, class and the pretentiousness of New England college culture actually feels purposeful. and the reason I compare it to moshfegh is because both books are satires with unlikeable protags but while moshfegh is too busy kissing her own ass and hiding behind “oh all art is apolitical” bc shes to scared to admit that she actually cares about the topics shes talking about, awad cares very deeply about what she’s writing which made it unsurprising to see she based it on her own experiences at brown university.
Samantha is not the most likable character and you’re either gonna cone away from the book hating her and her pity parties or deeply understanding why she throws them (especially if you read her as a woman of color like I did). there’s a constant theme of her being obsessed with her own otherness and its true especially when you consider (Spoiler) She created her best friend Ava from a swan in the pond . Ava is Samanthas ideal friend but also the ideal form of herself: cool, self assured and beautiful. If Ava is the good part of herself, then Max is the bad. Her dark thoughts, negative impulses and hatefulness. But he is also how she sees herself as well, or at least what she thinks Ava would find attractive, he’s smooth, attractive in a dangerous way, poetic without being pretentious (he’s a literal vessel for her to say what she feels about Ava all of which is written in her diary) and what I think is very very important he can fuck Ava. Something the bunny-boys couldn't do.
there's also the sense of how we lose ourselves in our friends, as female friendships tend to be all consuming to the point we really do melt into a hive mind and I think even the friendship with Ava is tinged with co-dependency. Samantha dehumanizes the Bunnies calling them by nicknames she gave them, robbing them of agency because of their perceived perfectness but once she is invited to the Smut Salon she begins to call them by their real names until finally in honestly the most disorienting section of the book they all become Bunny, to the point its hard to tell who is talking and I loved that I wish we got more of Sam as a Bunny.
the atmosphere and aesthetics of the novel were so fun a candy colored dark academia where we even see that the bunnies also put on airs around each other like how Kira’s voice deepens when she thinks shes alone, no longer concerned with sounding like. bunny. I like how each of the women have a genre assigned to their writing and personal style showing how even though they are indistinguishable from each other, they were their own people beforehand but they allowed themselves to get sucked into a vacuous pretentious bubble.
the commentary on class was great, especially with how sam is said to be too obsessed with being poor to have been poor her whole life and I think thats a very accurate representation of someone who's financial status has been precarious for much of her formative years and why despite herself shes so intrigued by the bunnies and feels out of place in her writers cohort. rich people love to blow smoke up each others asses, which allows the bunnies to write horrible work because at the end of the day they’re rich it doesn’t matter they're never gonna have to improve themselves. its also why sam feels reluctant to speak her true feelings on their work because she doesn't have anyone to rely on lest she gets ousted
the usage of the all female writing cohort with the singular teacher was a great nod to the secret history honestly the whole book was
I loved how it was a creation horror story as well as coming of age the horrific parts were truly gross and the way the cannibalize themselves (metaphorically) towards the end was satisfying as fuck
and a lot of ppl hate the ending but sam choosing Jonah was honestly cathartic, she isn't healed things aren't sweet and nice but she makes a connection with someone who has been reaching out to her instead of being obsessed with her own otherness
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rassicas · 1 year
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Between the Splatoon 1 art book, the second one and the Haikara walker which one would you say offers the most concept art? Which one you liked most?
haikara walker is my favorite. it is really interesting with how differently its structured compared to the other artbooks since its not just an artbook, but trying to be like an in-universe magazine. i think it also has more "what could have been" kind of concept art that the other artbooks dont have as much of. octo expansion changed a lot during its development and the artbook shows a nice little chunk of that.
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from the artwork it seems OE was originally conceptualized to be about agent 8 escaping the octarian world from deep within it....we couldve seen octarian city life. possibly couldve had the octarian lore weve been craving. deepsea metro cool and all but we were robbed
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vesora · 1 year
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reminding you of your true power - manifestation
do you feel alone? are you going through hard circumstances and you feel bad because growing up, all anyone ever said to you was completely negative? 
this sounds like an ad to a dodgy scheme but its not 
i am here to tell you anything that anyone ever said to you, no matter who it is, it could have been beyonce (i bring her up a lot) but it aint real
because how can anything negative be associated with GOD? you are god. that doesnt make you delusional or egotistical because growing up im sure we all associated god with this being outside of us who is better than us and yada yada
i do believe in god still, meaning source, but i believe that god/source gave us all His abilities. we are able to create as well as He can.
so, how can you sit here and tell me that you dont deserve anything good?
“If your conception of yourself is less than that which you claim as true of God, you have robbed God” (i think neville said this im not sure)
now tell me what you would associate god with? for me it is:
pure unconditional love, the almighty creator, limitlessness, pure forgiveness
you already have all this within you but “your refusal to believe this is the only reason you do not see it” (-neville)
you do not have to BECOME limitless, or BECOME a master manifestor because you already ARE everything you desire
but sora why cant i see proof of this?
if you are just starting out, lack in persisting or you have had hard circumstances and fail to believe that you truly are the one and only creator, you might have to persist even more and fully embody yourself as that which you seek to be
but sora this all sounds too good to be true
we live in an epoch right now where there is a martian impulse situated from the time of jesus christ meaning that earth right now is dominated with the need to work hard, to compete, to fight because what is mars associated with? war, aggression, heavy masculinity
humans used to live in an epoch - lemuria / kinda atlantis until they lost their shit and became overly concerned with technology like how we are rn - where it was extremely natural to manifest. telepathy, levitation, full control of one’s body was completely normal because it is a human’s TRUE nature to be in line with divine consciousness meaning to be less dense (less concerned with the physical world)
this power hasnt left us, if it sounds too good to be true as it once did for me, it means that you havent completely let go of the conditioning that society put in you because why would the elite want you to realise your true power?
but i am telling you right now that you are powerful. idk if u r a small town girl from ohio named betsy, u r POWERFUL because you are made of the same consciousness that god is made of.
now i had made this post initially to offer support for people going through bad things so ill go back to that rn
you are not alone. this blogger named vesora (shes pretty cool) is here for you. we do not need to know each others names, faces or livelihoods, just simply the fact that you are aware of my existence and i of yours (yes i check my notes and manifest the best for everyone), we are set and bonded. for humans share a special connection that others cant replicate.
i love you, if you havent heard it in a while or if you wanna hear it again. i love you and i love how you are trying even if things are hard but remember success is guaranteed for that is the gift given to you as soon as you were born. i see you, i dont care if you feel unseen, unloved, unworthy; i see you, i love you, i know you are worthy. and since all humans are one - one consciousness - u love urself too. just accept you do. ପ(๑ᴗ͈ˬᴗ͈)ଓ
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yes u can be like tanjiro too
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moon7shine · 5 months
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Disney Wish Rewrite
We were robbed. What would’ve worked more was if the king and queen were both evil and Asha was their daughter. Then Asha would’ve grown up thinking that keeping the wishes was the right thing and star boy had to help show her the right way. Also it would add a lot more to Asha’s character by standing against her parents since for all the other Disney princesses with evil parents they’re always stepparents (Lady Tremaine, Evil Queen, and Gothel). So the fact that a princesses actual parents are evil would’ve been so cool. I get wanting villains that are evil just to be evil back but Magnifico being a sympathetic villain would make more sense. Like due to a traumatic event he is now so obsessed with keeping everyone safe. The seven friends could be people that Asha helps throughout the story. Also I wouldn't make Asha quirky I mean she can definitely have somethings but not as much as they did. I would make her more similar to Elsa and Mulan personality rather than Anna and Rapunzel. I would also change Asha's color palette purple reminds me too much of Rapunzel and Isabella.
As for her design I wish they stuck with the orange red color palette from the concept art.
They should've shown the effects of people forgetting their wishes like have everyone feel miserable and empty in a way.
Also it’s funny how they scrapped star boy but kept the obvious love song in the movie. The demo for At All Cost even has the words love you but they changed it to promise in the movie.
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Recently there’s been a few useful resources posted in the  HEMA Grapplers facebook group, both of a similar yet somewhat different nature. One was a list of all the various grips and techniques one can see pop up in historical grappling and a note in which specific sources/systems they were present, and another a work of comparison where each technique that has mulitple systems/sources showing it has them presented one next to each other, with the author also using judo and sumo for comparison.
Found here and here.
Ringen discussiongroup! as well as  Scholars of Fiore dei Liberi are potentially useful facebook groups when it comes to historical grappling forms.
For anyone who hasn’t yet seen the following links:
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Some advice on how to start studying the sources generally can be found in these older posts
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Remember to check out  A Guide to Starting a Liberation Martial Arts Gym as it may help with your own club/gym/dojo/school culture and approach.Check out their curriculum too.
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Fear is the Mind Killer: How to Build a Training Culture that Fosters Strength and Resilience by   Kajetan Sadowski   may be relevant as well.
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“How We Learn to Move: A Revolution in the Way We Coach & Practice Sports Skills”  by Rob Gray  as well as this post that goes over the basics of his constraints lead, ecological approach.
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Another useful book to check out is  The Theory and Practice of Historical European Martial Arts (while about HEMA, a lot of it is applicable to other historical martial arts clubs dealing with research and recreation of old fighting systems).
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Trauma informed coaching and why it matters
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Look at the previous posts in relation to running and cardio to learn how that relates to historical fencing.
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Why having a systematic approach to training can be beneficial
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Why we may not want one attack 10 000 times, nor 10 000 attacks done once, but a third option.
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How consent and opting in function and why it matters.
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More on tactics in fencing
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Open vs closed skills
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The three primary factors to safety within historical fencing
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Worth checking out are this blogs tags on pedagogy and teaching for other related useful posts.
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And if you train any weapon based form of historical fencing check out the ‘HEMA game archive’ where you can find a plethora of different drills, focused sparring and game options to use for effective, useful and fun training.
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Check out the cool hemabookshelf facsimile project.
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For more on how to use youtube content for learning historical fencing I suggest checking out these older posts on the concept of video study of sparring and tournament footage.
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Consider getting some patches of this sort or these cool rashguards to show support for good causes or a t-shirt like to send a good message while at training.
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popculturebuffet · 2 months
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Here Comes Garfield: The Fantastic Funnies (A Comission For Emma Fici)
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Hello all you happy people! And welcome one and all to Here Comes Garfield, my look at all things garfield. For the rest of the year this feature will mostly be a look at the 11 garfield specials, minus babes and bullets which I covered previously, as well as his appearence in Cartoon All Stars to the Rescue for last 420.
So for those just joining us: I'm a lifelong comic strip nerd, ever since my dear Aunt Paula gave me her spare copy of the Indespensible Calvin and Hobbes in the 3rd grade. From there I slowly glommed on to other strips over the years: From FoxTrot, to Doonesbury, to Get Fuzzy to Zits to Cul De Sac, to recent faviorites like Pheobe and Her Unicorn, Crabgrass, the Steenz version of Heart and the City, and Breaking Cat News, which i'm wrapping a huge retrospective of soon, and whose place this retrospective is taking on my friend Emma's Patreon slot.
I love talking about this fine art, fitting your best work in just 4 panels, all the wonderful characters many simply don't know exist, all the weird shit that happens.. it's good stuff. So naturally I also gained a love for specials based on them. And while I loved the Peanuts ones and will climb THAT massive mountain someday, as a tween.. my faviorites were Garfield's and it's how I fell in love with the fat cat, the cool cat the nobody's cool cat.
While younger me did like garfield as a strip, especially that one arc where Garfield gets caught in a window blind and it conttinues to suck in an escalating number of people
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Truly the "Snoopy's Awkward Nephew" of Garifield comics. Pure art. But while I liked it, it was watching the specials on the DVD garfield as himself that sucked me into the character. The DVD"s were released around the time of the first movie and releases of Garfiled and Friends to cash in and they certainly got my money. 12 specials, all ranging from excellent to watchable, and all wil lbe covered this year.
However before I can tell you that story, I have to tell you this story: See while Here Comes Garfield was Garfield's first SPECIAL.. it wasn't his first apperance in animation. Two years before that Garfield lept onto screens and into the inky depths of animation with a short but scene stealing apperance in the 1980 special the Fantastic Funnies, an apperance I honestly didn't even know existed till recently, but is such a weird and important piece of garfield history I had to cover it and Emma was on board to comission it.
So what exactly IS the fantastic funnies you may ask. Well i'll tell you.. you may ask. The Fantastic Funnies was a sequel to the earlier special The Fabulous Funnies, a celebration of comic strips interviewing various creators and including a live action on animated bit with Rob Reiner. I haven't seen it but if there's enough intrest I might cover it. The special was a hit for NBC, with CBS regretting having passed over the idea when animation maestro and peantus producer Lee Mendelson suggested it. After they remembered he'd pitched it and they'd been stupid at all of course, as is the executive way. They called dibs on the next time.
The next time was 12 years and an animated series that didn't do so good later, and CBS was front and center for the Fantastic Funnies, taking the concept but spiffing it up: this time the interviews were, with two exceptions, each accompanied by an animated short, there was an animated bit to start it off, and we also got a few musical numbers and live performances from the broadway cast of annie.. well two of the broadway cast of annie bu tthat's still more of the broadway cast of annie than has been on this blog so touche Fabulous Funnies, touche. It's the most 70's thing to come out of 1980 and i'll be covering the whole thing under the cut.
Fantastic Funnies is hosted by Loni Anderson, who at the time was on CBS' hit WKRP in Cincinatti.. and what i've seen of it is excellent. She hasn't really done anything else i've seen, but she seems nice enough.
This makes it awkward as hosting wise she feels shoved into the special. The script she's given feels awkward, with her only genuine enthuasim coming from Barney Google. I honestly wish I could be as jazzed about Barney Google and his go go gooogly eyes as Loni Anderson apparently was in 1980. I AM that jazzed about Snoopy's awkard teenage nephew
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But it's not the same alas.
I can't even blame her as anderson was already frustrated with her pay for the series she did do and would demand more from the network leading to a brief exit from WKRP. I can't be too hard on her for not giving a fuck about an extra gig they saddled her with she didn't ask for with a script written by a block of wood on several pounds of qualudes. She did her best under the circumstances.
The circumstances also include getting animated as a cartoon, lucky, and getting to introduce a panel of various comic strip all stars of the time.
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Okay so going row by row, with the strips self titled unless otherwise stated.
Front Row: Charlie Brown and Lucy (Peanuts), Nipper (Wee Pals), Dennis the Menace (US Comic), Nancy and Sluggo and Little Orphan Annie. Second Row: Blondie and Dagwood, Dick Tracey, Barney Google (Snuffy Smith), Alley Oop and Prince Valiant
Third Row: Pogo, Tumbleweeds, miss Peach, B.C., Beetle Bailey
Back row: Michael Doonesbury (Doonesbury), Broom Hilda, Drabble, Cathy and Hagar the Horrible
And in their own section because dogs apparently don't get bleacher seats at Walden, where I assume this is taking place as the only college out of these strips, we also get the dogs and one very special cat in their own section.
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So Snoopy, Daisy (Blondie), Fred Basset and Garfield who are all about to throw down when Lonnie announces they have to get back to the human world for the show. But before that a song they all prepared, and it was at this point in the special I had to ask myself the tough question:
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I still don't know. But yes the song is like living in a living nightmare and I don't care for it. It's thankfully short and Broomhilda takes them all to the real world. But that's a story for another day
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Sadly not that day.
For now the special settles int' it's formula: Lonnie introduces a cartoonist, they talk about how their strip came to be, we get an animated segment about it. The only exceptions to the last part are Wee Pals, which instead has it's creator voice over one of his strips directly and Prince Valliant, who gets jack shit.
It was at this point I also realized a bit of an issue. While I mentioned my love of comic strips.. most of the ones I adore come from the late 70's onward, with Doonesbury and Peanuts being the big exceptions. I don't have anything against strips from before that time, I've read what I could of Pogo and want to read more and Krazy Kat is still well loved for a reason. I've also recently gained an appreceation of popeye thanks to Randy Millholand's take on the franchise.
The thing is I started devouring every comic strip I coudl in the 2000's. It was a great time for that as every strip got at least ONE collection, so even if you didn't read the newspapers, you could get a sample of a wide range of strips in book form. Boondocks even got a hilarious title out of it for it's first book.
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So I got to sample a wide range of strips, many of which I still read today: Get Fuzzy, Zits Pooch Cafe, For Better or For Worse, Baldo, La Cucaracha, Cul De Sac, Lio, Luann, Rudy Park, Adam@Home. Many strips I first found in collection and binged later. Sadly this went down in the 2010's but thankfully the kids comics boom has meant many newer strips have gotten collections. It's why I have collections for heart of the city and crabgrass on my shelf.
But as you may of noticed... most of those either started in the 2000's or in the 90's. Most of the kings features based strips simply didn't get collections and thus I didnt' notice them.. and by the time I could i'd mostly heard of them by reputation as dinosaurs that would go on till the heat death of the universe via various legacy artists who wouldn't really change a thing.
And I do GET why: a lot of these legacy strips.. are ran by family members who want to honor the legacy and may simply not feel comfortable altering the strip too much. I'm not asking that dagwood suddenly become a t-rex... i'd love that, but I get i'm not everyone's target audience. Not every strip can be Pooch Cafe and go entirley off the rails AND still be every bit the strip it always was AND be good
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It's hard. So I do have some sympathy. It's not limitless: while I get not doing so say in the 2000's when handing your strip off to another cartoonist, let alone your DAD'S strip wasn't a thing unless they were going to stay the course, in the 2020's and late 2010's we've had a bunch of great reboots and soft reboots of legacy strips: Randy Millholand of Something Positive fame did such a fantastic job on popeye sundays he got a weekly slot with olive and popeye, giving other creators the chance to do their own olive oyl strip basically alongside his. Mark Tatulli got tired of doing heart of the city (Lio both continues and slaps hard) and rather than phone it in or end it, handed it over to the talented Steenz, whose work on the strip is both something entirley diffrent but something entirely fresh and fun with some tight continuity. Olivia James made people care about Nancy for the first time in decades and has a nice dry wit. And while Henry Barjas keeps the soapy stylings of gil thorpe and hasn't changed as much as his contemporaries he still isn't afraid to shake things up having Gil go through a divorce, get two new assitant coaches, a third assitant coach who was once his arch nemisis and making the teen cast far more diverse including trans and non binary characters, being one of the few creators to do so in comic stripery.
While I don't want you going after these old men, and please for the love of god DO NOT GO AFTER THESE MEN. I do not want that. I may gripe, but these seem like decent guys just ones who won't evolve and have no reason to. I'm just outlining why maybe i'd rather read strips that keep growing with age or have fresh new voices rather than "Dagwood still hasn't left the 1950's and when theyt ry to it's embarassing for everyone involved. "
I.. didn't mean for this to turn into a screed on legacy comics that never really changed but it makes it all the more special tha ta lot of these creation stories for these comics still fascinated me.
The big standout was Wee Pals, a strip I hadn't heard of as it ended in 2002. Wee Pals was created by Morrie Turner, a cartoonist and protege of Charles Schultz who bemoaned the lack of black characters in the newspapers. Charles told him why not make one, and Wee Pals came about, with Turner diversifying the cast to drum up intrest creating one of the more diverse casts in earlier comic strips as a result. Nowadays it's a tad quaint, but I can't fault the man for trying to make comic strips less white and i'm glad I know this pioneer exist. I'm also mildly annoyed his strip wasn't animated, as it was one of the funneist present, with our heroes talking about one's pet chameleon.
There were other intresting stories too: Cathy Guthwise based Cathy on her own life, just changing Cathy's job from cartoonist to "whatervers funnier". Broom Hilda, a strip about a wtich, was something his creator tried pitching as an add character first. IT's small stuff but it always fascinates me how a strip comes about.
The only outright hilarous one is Johnny Hart, who kept trying to sell a caveman character, his friends asked him to put up or shut up so in his words "He drank 4 beers and the caveman slowly came into focus." He just.. outright got hammered to fuck because that was a normal thing in 1980 and created a classic comic strip out of it that later became obessed with jesus. Amazing.
The interviews are neat and while I may not like these strips I respect their creators.. and the creator of Hagar for putting on a viking helmet. Good stuff.
As for the animated segmets.. their eh. Like I said most of these strips are pretty gag a day and it seems like the shorts just flat out animated a strip. Which can work as it does for the raeson we're all here, garfield will come soon I promise, but for the most part it just dosen't land for me
In two cases they just flat out take bits from pre existing specails: For Doonesbury they take a bit of Joanie at the daycare.
For those less drenched in the deep and complex lore of doonesbury as the werido who has a ton of print books and bought digitals of strips he already had and books he already bought years ago just to have a copy on kindle: Joanie Caucuss was once a house wife, who got tired of it and her husband clinton and hitched the first ride she could away from his sexist ass. That ride happened to be with strip lead Mike and his best friend and revolutinary Mark on a motorcycle trip to find america. They took her back with them, she joined them at their commune, and soon got a job in daycare while trying to become a law student, which is the status quo the special used. Soon after she'd become a law student, head to berkley, find the love of her life and a long LONG list of other stuff up to present day where she works as a campaign manager on occasion during her alleged retirement.
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It's not a bad bhit, but I get the sense they wanted to pick the least political thing they could.. yet weirdly DIDN'T go with the musical number or the dinner the group have. Or you know just accept doonesbury is political and include frank discussions of the 60's in this special.
For Peanuts, they just include an animated bit of snoopy singing suppertime from your a good man charlie brown. It's new animation far as I can tell, as the bit wasn't in any of the specials and they woudlnt' adapt the musical till the mid 80s. It's fine I just question why they didn't recycle anything from the specials.
Finally Cathy is from it's special, but fits, with her "wanting to have it all". A very cathy joke and frankly had I not found out she has three specails, i would not have been able to tell.
As for the other material either recycled from the fabulous funnies or made for this special, i'm going in no paticular order.
Beetle Bailey: Beetle runs away from sarge to try and get out of doing the obstacle course
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Hagar the horrible has a trite bit about his wife telling him to take out the garbage VIKINGS DON'T DO THAT. YOU SO SILLY HAGAR.
Dennis the Menace keeps drawing out bed time because kids do that, even immortal children who aren't all that menacing.
By now your starting to get what a mountain it was to climb this special: short interview, unfunny skit, short interview unfunny skit, rinse repeat, toss away my sanity. I TRY to be positive on this blog, try not to be a dickhead.. but this special is so damn boring half the time. The interviews are kinda neat but the animated bits are just.. so lame.
So as a break let's talk what else the special did to fill time. Loni Anderson sang the radio themes to Popeye and Little Orphan Annie. IN the former's case.. that's all you gets. No adventure, no high seas just her singing the popeye theme. We dont' even get a musical number from the popeye movie because it hadn't happene dyet. I want to hear bluto say i'm mean over and ove rand over again. I"m that desperate.
Annie DOES get the cast of the broadway show, a huge hit then and forever, to do two numbers, both iconic and both well performed: The first is I dont' Need Anything But YOu, the cute duet between Annie and Warbucks, and then of course Tommorow best sung by bill the cat.
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But the kid they use here does pretty good herself. They have it sung at the only playground in budget for some reason, but they did their best.
We also get a truly batshit bumber about peopl eneeding their funnies, from reading them as they go down the fire pole to IN A MOVING CAR. Yes even serial murderers need their funnies as they mow down pedestrians. It's nature's way. I do relate to tha tboost you get from reading them every day, I do so and I have to use three diffrent sites: one for andrews mcmeel, one for king features, and one for the webbcomic kevin and kell. So I get it. Three's also a closing number I ran away form.
The final non torture bit is Johnny Fever from WKRP. Due to a news strike he's tasked iwth reading the comics and drmatically reads flash gordon. Howard Hessman is hilarous as always, the bit is fucking great, and it woke me up after several strip adaptions put me to sleep. good stuff.
Back to my cycle of torment, and we have a Blondie cartoon and one of the few animated bits in the specail that was intresting. And unintetionally hilarous as Blondie gets dagwood THIS haircrime done to him.
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What makes it funny is that not only is this haircut too much even for the 70's, but Blondie LOVES it, as do the kids.. despite all three of them having never updated their styles. Granted Blondie's hair game is timeless, so I get her point but it's just a .. weird plot to pick for blondie.
Naturallyt his being blondie instead of forcusing on the problem of "his wife wants him to try a hair cut that makes him not feel himself" it's in part him worried tha this friends and co workers will laugh. I mean they will, it's as if Luke Skywalkers hair started to eat into his brain, but that shoudln't be your takeaway and him washing it out while Blondie's alseep solves nothing and isn't funny. "Haha he can't be honest with his wife and she's going to later cite this incident to thier marriage counclier". Granted I would ENTIRELY read Dagwood's hair causing a divorce between them, but i'm not sure that's an arc Blondie readers want. I do wnat reprints of golden age blondie as it apparently involved Dagwood having to get disinherited to marry blondie, getting drunk, and other soap opera stuff more intresting than Dagwood trying to single white female mark hamill. Huh now THAT'S a Disney + series i'd watch. get on it disney
The other really fun one is Marmaduke. This one's just kidna fucked up. Marmaduke want sto go sleep in the same bed with the kids, which can somehow fit all three and is adorable so I don't get why not, but the dad tries to make him go outside because that was the thing with dogs. It hasn't aged terribly with charlie brown because snoopy clearly likes having his own pad and the inside is larger than most mansions, let alone the brown house
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And when the whole thing burned down in one of the more sobering strips in the series run
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Charlie Brown dutifully helped him plan his new house
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Honestly I could talk about Snoopy's house burning down all day but it's not what you came for. You came to hear me tell you how it relates to Marmaduke. My point is Marmaduke just has a regular ass Dog House, and just wants to sleep in bed. I get this was normal at the time, it used to be the norm that dogs woudln't sleep in bed.. but my Dog YOshi curls up on my mom' sbed every night and maddie, my other dog , only dosen't when she's not on her own bed restfully asleep as she is as I type this. what i'm saying is maybe just maybe forcing dogs to live outside at night was cruel jackassery and maybe letting the big old dog curl up at the foot of the bed or, if he prefers tucked in while old man bastard can sleep outside and think about his life choices. Also i'm shocked this wasn't the plot of either marmaduke movie. It's so perfect. One man's journey to be a better dog owner .. or Marmaduke repeadely hitting him in the nuts with a tennis ball machine and other various objects. I"m not picky. Also i'm not touching either of those films unless someone pays me the 15 dollars it'd take to comissoin it. I'll review plenty of garbage on my own time, but I have limits. Pete Davidson is very much a hard and fast one. Owen Wilson is fine though. We love owen in this house.. but even he can' save cgi marmaduke and we all know that.
Pogo also takes a bit from the then upcoming film I go Pogo.. a guy I don't know tries to take two passing critters for a ride using the old shell game.. only to have put something under every one. i'ts a nice joke and it works well, and the gorgeous claymation. Given it's both election based and based on a comic i'd like to know better, me reviewing that .. would still be 15 if anyone wants it but far less of my own personal hell. But i'm more likely to do that one on my own. Fun fact: pogo's election storyline's inspired bloom counties, which I will be covering this year or at the very least the 1984 one.
BC has some bit with a turtle. It sure does exist
Broom Hilda asks who the fairest in the land is and her mirror calls her second. She responds by breaking it. This bit.. was actually funny. I'm not sure Broom Hilda would be for me as it's main gag seems to be "Gee isn't a woman chasing men against their will funny" which
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Same other way around or with non binary folks. But I did like this and her horning in on mike's close up
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She looks like she's about to hit on him but adorably so and he looks just.. so done with it as he always is. I mean.. I can't have turned out worse than Mike's actual first marriage. his second is pretty ballin though.
Mama has her Son say that life is a song.. onlyf or her to sing about him neglecting him. Get it because guilt tripping is funny! This is apparently most of what Mama is.
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Finally before our main event we have tumbleweeds with sexual harassment as some lady refuses to let tumbleweeds go. And that's not me being lazy that's his actual name. Though to it's creator's credit he retired rather than let it become "a zombie strip", so good on him.
Okay now for what you all came to see
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Also garfield
Garfield's first aniamted special was MOSTLY worth the pilgramage here. While ti's only a few strips repeated, it's fascinating for just how diffrent it is from Here comes Garfield a few years later.
For starters the Fantastic Funnies used an early design for our faviorite cat, not the iconic entirely weird by this point earliest garfield but one more in between, not quite upright yet, but not nearly as realistic as day 1 garfield.
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To the classic peanuts team of Mendelson and Mendez's credit they did a wondreful job, likely why they were chosen to produce the specials till the companies backing peanuts asked them to stop helping out rival specails, and this version of garfield heavily resembles what he was like in the strip this frame is based on
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It's also telling how fast Jim Davis was evolving the special that by the time it aired Garfield had already changed his look up a bit, if still not fully to his more classic 80s look.
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It's not a HUGE change, just a little thinner, with the bigger change being in how he sit's/stands
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It's just a testament to how slowly but surely the character evolved in apperance over his first decade or so and part of what makes this intreresting: while the specials help chart this evolution, and helped cause it as Jim needed to draw Garfield with SKinnier legs for the opening dance number of here comes garfield, it's nice to have this bit of his evolution frozen in amber.
The voices behind the characters are intresting: to my shock Thom Huge ALWASY voiced john and basically only stopped doing it when he retired. Thom did voices for commericals and was an old frat brother of Jim Davis who Davis asked for help with this special. While the producers would recast huge for Here Comes Garfield, he sent them a tape and became THE voice of john in the same way Lorenzo Music became THE voice of garfield.
WHile that's weird enough... what makes this special stand out besides the earlier designs... is Garfield's Voice. It's not Lorenzo Music, who would DEFINE the character in my eyes and is THE garfield, no question, though Frank Welker and Bill Murray are admirable.. but Radio DJ and voice guy Scott Beach.
Beach is take is intresting as both Murray and Welker clearly take from Music, while Beach largely does his own thing. Instead of the dry, sarcastic bored tone Lorenzo perfected, Beach has that but it sounds more like Jean Shepard'ss narration in a christmas story. Shepard isn't bad but his voice for Garfield is less relaxed, mor ebooming and confident. It dosen't COMPLETELY fit and makes the short feel a tad weird.. but it's also hard to judge the voice as, like I said EVERY voice after took cues from Music. he left the perfect blueprint. The fact Chris Pratt isn't that dry, sarcastic , laid back voice the character has been defined by hasn't helped his case voicing the character at the time of this review. Beach does a good job, but he just didn't quite fit and it's hard to compare a 2 minute performance with dozens of hours worth of material from Music. Beach did a decent job, but he just wasn't the right guy for the part, simple as that. his voice just didn't fit Garfield's give no fuck nature that well.
Finally we have the specific strips adapted. nd the garfield wiki was a huge help here. Seriously fan wikis can have a bad rap but many are done by dedicated people who save me a LOT of work and do a lot of through research> Kudos guys, thanks for your help. So the wiki has each strip adapted. Excluding the "I have feet? " one we have
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Not bad choices: they get all the garfiled bases: he dosen't like catching mice, likes food and Jon weight shames him a lot. Simple, quick and well done.
Overall the garfield shorts for this special are excellent. It's a short bit but it gets the character down and it's easy to see why, despite being the new kid on the block at only two years old at the time, garfield's the one who go ta specail out of the deal.
Now does he make the specail worth watching?
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I mean if you like comic strip history like me, you'll get something out of it. There's a bit on the inductees into the hall of fame, but even then it's a long slog of interviews that are fairly short and shorts that are both short and tedious. The good bit here or there cannot save this.
Other than Garfield .. there really isn't much to write home about for the casual viewer or if your a fan of Peanuts and Doonesbury like I am, as both bits can be found elswhere. It's easier to either fast forward to the bit with a comic you like or find the garfield bits in their own little video, of which there are plenty. I'm glad I reviewed the special.. but it just hasn't aged well and probably wasn't that fun to begin with. Even as much as I ranted about how much I didn't know the strips.. i'ts still presented so dryly even if it had strips I liked more in it, it'd still be a bit of a slog. There's just not enough genuinely good stuff or loveable nonsense to keep this afloat. Skip the special but DO check out the early garfield stuff. It's brilliant.
Next Time: The first proper special as Garfield must save Odie from the pound.. after he grooves to Lou Rawls a bit. As is nature's way. Thanks for reading.
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thefirstknife · 1 year
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What are your thoughts on the critisism that Neomuna, and more specifically cloudstriders, feel "out of place", or the feeling some have that Lightfall has a whole has thematically defied their expecations in a bad way? (insert that comparison of the key art from the BL reveal vs the current key art here.)
Really hard to critique any aspect of it currently before we know more and play it.
A lot of stuff in Destiny can feel really odd and out of place without any context! I remember similar doubt and questions about Lucent Hive for example. For any serious critique, I'll have to see the expansion first, learn more about Neomuna and Cloud Striders and see if their story fits and has something valuable to add to the setting.
So far, I don't think they're out of place. The ECHO ships and surviving human colonies outside of Earth have been seeded almost 3 years ago and I've quite literally accurately predicted how that specific lore is tied to Neomuna. I think it's a pretty cool way to tie in an older open-ended storyline with something new that they need for an expansion.
A story about "survivors of the Collapse" is pretty much a given, as that's something that we've always wondered about in the setting. Could some humans have escaped? Could they have survived? What would've happened if they did and how would've they developed if the Collapse hadn't stopped us? Going there and examining that story can give us valuable information about our past (Golden Age and speculation on what we could've achieved if it continued) and our fall (the Collapse, how it happened, what exactly happened, how to prevent it a second time). On top of that, it's giving us super cool scifi concepts about neo-human civilisations and advanced development through nanotechnology.
And yeah, the original key art was really striking; no colours, grim, very evocative with imagery of a Pyramid eclipsing the Traveler. It was of course simply just a base for the expansion. It was a placeholder. I've seen a lot of people saying that Bungie "robbed" us of something; they did not. They cannot rob us of something that never existed. Concept art is a really long process with millions of ideas being thrown around, especially placeholder concept art.
For what it's worth, from what we know about Lightfall, the base idea for the expansion is still the same. We are very much in deep trouble, especially if we're correct in our predictions that the Traveler is about to run and if the trailer's footage of a massive battle in Earth's orbit is anything to go by. Neomuna itself is under massive siege by a new disciple and the Witness itself. There are new enemies and enemy threats that we haven't seen for a long time acting up again (the Vex).
Is the expansion much more colourful in comparison with a black and white placeholder image? Yeah. But that doesn't remove the danger the system is in. I'm not sure what people expected. Destiny is not a super edgy setting of only doom and gloom. It certainly has a basis of incredibly terrible stuff going on, but it never presents it without a balance. Even in the Red War and Forsaken, things were still colourful and beautiful and had a lot of different vibes packed together.
To me, a massive fleet of Pyramid ships descending on colourful Neomuna is an incredibly powerful image with a really visceral theme of how nobody can successfully escape the Darkness forever. You can buy yourself time, but ultimately it will find you. I think that's a pretty doom and gloom theme. I feel like the only reason people aren't seeing it is because the original was black and white, while the current is colourful.
My only proper concern is that they're introducing a whole new aspect to the setting this late. Introducing it itself is not the issue as much as that we're 2 expansions (including Lightfall) until the end. There's still a lot of stuff to go through and solve and deal with so I'm not sure how wise it is to introduce a whole new set of characters and a setting of this scale. Of course, as with the rest of the question, we can't really fully make a judgement on that before we play.
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