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#linda nochlin
srednod · 7 months
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Jean-Léon Gérôme Retour de la chasse, Circassian à l'abreuvoir ca. 1877
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abwwia · 13 days
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Linda Nochlin teaching at Vassar College in 1959.
Linda Nochlin (née Weinberg; January 30, 1931 – October 29, 2017) was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ARTnews. Via Wikipedia
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coltonwbrown · 1 year
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Linda Nochlin with her daughter, Daisy
Painted by Alice Neel.
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toosvanholstein · 1 year
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De Vrouwelijke Kunstenaars Blijven Oprukken: deel 2
Geen ontkomen aan, de vrouwelijke kunstenaars uit het verre en recente verleden blijven oprukken. Lees hier maar het verhelderende 2e deel van Toos van Holstein haar verhaal daarover in TOOS&ART #art #kunst #expo
Vorige week beloofd, dus ik blijf nog even hak-tak-hak heen en weer springen over ‘de vrouw in de kunst’. Aan de hand van die twee tentoonstellingen ‘De Nieuwe Vrouw’ in museum Singer (Laren)  en ‘Vrouwenpalet 1900-1950’ in de Rotterdamse Kunsthal (tot 10 april) en vanwege die onstuitbare opmars van de vrouwelijke kunstenaars uit het verre en nabije verleden. Waarvan dan weer die twee exposities…
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kamreadsandrecs · 2 months
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kammartinez · 3 months
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placapetri · 1 year
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“ (...) de igual manera, se podrían examinar otras dimensiones de la situación, como el sistema de aprendices o el modelo académico educativo que, especialmente en Francia, fue casi la única llave del éxito, tenía una progresión regular y fijaba competencias, coronado por el premio de Roma, que permitía al joven ganador trabajar en la Academia francesa de esa ciudad -por supuesto, impensable para las mujeres- y por el cual las mujeres no tuvieron la posibilidad de competir hasta fines del siglo XIX, cuando, de hecho, todo el sistema académico había perdido su importancia de todas maneras.”  
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acuratorsdeath · 1 year
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Alice Neel, Linda Nochlin and Daisy, 1973, Museum of Fine Arts, Boston.
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postgraduate · 1 year
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since worms keep surfacing, i read this yesterday and much of the excerpt felt very diane. so, imagine my (!) when i encountered yet another worm.
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rthko · 3 months
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"It is certainly not realistic to hope that a majority of men, in the arts or in any other field, will soon see the light and find that it is in their own self-interest to grant complete equality to women, as some feminists optimistically assert, or to maintain that men themselves will soon realize that they are diminished by denying themselves access to traditionally "feminine" realms and emotional reactions. After all, there are few areas that are really "denied" to men, if the level of operations demanded be transcendent, responsible, or rewarding enough: men who have a need for "feminine" involvement with babies or children gain status as pediatricians or child psychologists, with a nurse (female) to do the more routine work; those who feel the urge for kitchen creativity may gain fame as master chefs; and of course, men who yearn to fulfill themselves through what are often termed "feminine" artistic interests can find themselves as painters or sculptors, rather than as volunteer museum aides or part-time ceramists, as their female counterparts so often end up doing; as far as scholarship is concerned, how many men would be willing to change their jobs as teachers and researchers for those of unpaid, part-time research assistants and typists as well as full-time nannies and domestic workers?"
-Linda Nochlin, Why Have There Been No Great Women Artists, 1971
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abwwia · 13 days
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Kathleen Gilje, Linda Nochlin in Manet’s Bar at the Folies-Bergere, 2005, oil on linen.
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oldsardens · 22 days
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Jenna Gribbon - W.W.L.N.D. What Would Linda Nochlin Do
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chaosacademia · 10 months
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after the biggest identity crisis, feelings of failure and major breakdowns, i've decided that my next academic year will be... different. i need a break from uni, which still hurts to admit. i intend to make learning enjoyable again, so i will start my year of rest and slow learning. the idea is to go back to learning at my own pace about whatever im curious about and NOT for obligation. so! this is a list of nonfic titles i am considering picking up!
- Ace: What Asexuality Reveals about Desire, Society, and the Meaning of Sex, by Angela Chen
- An Immense World: How Animal Senses Reveal the Hidden Realms Around Us, by Ed Yong
- Beasts of Burden: Animal and Disability Liberation, by Sunaura Taylor
- Black on Both Sides: A Racial History of Trans Identity, by C. Riley Snorton
- Disfigured: On Fairy Tales, Disability, and Making Space, by Amanda Leduc
- Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures, by Merlin Sheldrake
- Having and Being Had, by Eula Biss
- Medical Bondage: Race, Gender, and the Origins of American Gynecology, by Deirdre Cooper Owens
- Messalina: Empress, Adulteress, Libertine: The Story of the Most Notorious Woman of the Roman World, by Honor Cargill-Martin
- Off with Her Head: Three Thousand Years of Demonizing Women in Power, Eleanor Herman
- Sentient: How Animals Illuminate the Wonder of Our Human Senses, by Jackie Higgins
- The Botany of Desire: A Plant's-Eye View of the World, by Michael Pollan
- The Psychopath Factory: How Capitalism Organizes Empathy, by Tristam Adams
- Unwell Women: Misdiagnosis and Myth in a Man-Made World, by Elinor Cleghorn
- Why Have There Been No Great Women Artists?, by Linda Nochlin
- Witches, Midwives and Nurses: A History of Women Healers, by Barbara Ehrenreich and Deirdre English
- Without Children: The Long History of Not Being a Mother, by Peggy O'Donnell Heffington
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dispactke · 6 months
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Jenny Saville, "Chapter (for Linda Nochlin)", 2016–18
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rgr-pop · 7 months
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sometimes i think about annak admiring linda nochlin’s formalism when i’m reading rosalind krauss calling linda nochlin a rote and misguided historicist
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