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#lisbon and jane
renegadesstuff · 5 months
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they weren’t even together- 🥹🤍
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patrickjanebrain · 8 months
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This scene from 5x01 is fascinating; there's so much unsaid but still fully communicated - both between them and to the audience.
Lorelei Martins presents a conundrum for the audience. She is presented as a femme fatale. She is literally presented to Jane by Red John, and as a present, she's something of a Trojan Horse. She's looks like Lisbon, but she is like Jane.
At this point in the show, Jane values two things, nearly equally: his quest for revenge against Red John and his relationship with Lisbon. The quest has been his #1 priority for a decade or more, but in working with Lisbon and the team, Jane has become marginally tamed. He sees what it's like to be cared for, and he's found that strong person - a better person - who will be there for him through thick and thin, someone who he can truly trust in every way.
Lorelei is a threat to both of those things, and I think he senses it, but does not want to admit it. He does not.
He knew she was Red John's weapon. He wanted to be approached. He thought he could easily dismiss that she resembles the woman he loves. While he and Lisbon are not a couple and have never been physical, Jane does love Lisbon, and he needs her in his life. He accepts her on her terms, whatever those terms may be.
Lorelei is a direct threat to Lisbon - she demands her head to give to Red John. But she's also a threat to the trust that he's developed with Lisbon because he knows that Lisbon will not like that he's become intimate - in any way - with Lorelei. He's also unwilling to talk about that intimacy because he's in denial. And not about Lorelei and her importance or his attraction, whatever those may be. He's in denial that he's the one in control in this situation.
He WANTS to be in control. He needs to be the one doing the playing, not the one being played.
See how defensive he gets when Lisbon tells him Lorelei is playing him? He mocks her suggestion that he tell her what Lorelei's game is. Like that's so far fetched. It's his literal job to tell her what the criminal's game is, and he does it all of the time.
But if Lorelei is playing him, Jane is not the one in control. And worse, it might not just be Lorelei who's is pulling his strings.
Lorelei is like Jane. She's been traumatized by Red John, and she lost her most important person. She's also a sly, cunning criminal. Being cruelly victimized by a psychopathic killer can lead to multiple outcomes. Jane became a better person, partly because of Lisbon and the CBI team. Lorelei became further enthralled to Red John.
Jane is an exceedingly lonely man. He wants to get close to people, but he is excruciatingly aware that anyone he gets close to become a potential target. In gifting him Lorelei, Red John is giving him a peace offering: Here's someone you can love. I'll let you have this person, someone who will understand exactly what you're going through. You don't have be alone. We don't have to be enemies. And you don't have to be a better person, you can be yourself. We like you for who you are.
In this short scene, we see Jane wrestle with that comprehension and his loyalties, to Lisbon and his mission.
Ultimately, he rejects Red John's peace offering and tries to turn Lorelei, at which point she betrays his trust, goes after Red John herself, and puts her lust for revenge over and above Jane's offer of friendship and a successful outcome. He loses his hard earned lead, six months of his life, and a person he wanted to try to save (a version of himself). He loses everything but Lisbon's friendship.
What Red John didn't understand is that Jane doesn't want or need someone like himself. He needs a person of compassion, concern, objectivity, self-sacrifice, and iron-clad loyalty.
Lorelei Martins - There but for the grace of Lisbon, goes Jane. And that's not who he wants (or needs) to be. He knows how that story ends: in an alley, alone, covered in blood. And without Lisbon and her stubborn loyalty and patience, he probably would have come to the same end.
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oliviasalvatore-rb · 3 months
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Teresa Lisbon Design on Redbubble
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katebeckets · 3 months
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gif request meme
@burningblake asked the mentalist + favorite location ⤷ Home. ♡
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maniccherrygirl · 10 months
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robntunney · 7 months
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15 YEARS OF THE MENTALIST Day 7 : Free Choice
"My heart, my hips, my body, my love. Trying to find a part of me that you didn't touch"
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tmsource · 30 days
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blue bird countdown -` ♡ ´- ↳ [50/100] days of Jane and Lisbon
#they are married, your honor
requested by @thatbitchmabel
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wildwildtarget · 15 days
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PATRICK JANE & TERESA LISBON
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psychicpinenut · 2 months
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#flirting
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babyjapril · 2 months
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The Mentalist 2.11
Rose-Colored Glasses
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renegadesstuff · 4 months
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THEY CAN'T LOSE THEM 🥺🤍
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patrickjanebrain · 9 months
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Red Hot: The Slow Slow Burn of Jane and Lisbon (Walter Mashburn Edition)
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I just finished re-watching Red Hot (3x07), and I have some thoughts about Lisbon and her aborted love affair with Walter Mashburn.
I admit that I didn't like it that [spoiler] Lisbon had a one-night stand with Mashburn. I enjoy the character. Mashburn was entertaining, charming, and likable in a whimsical sort of ruthless way, and Currie Graham had great chemistry with both Simon Baker and Robin Tunney. It would have been interesting if he had made more appearances on the show. But I felt it was out of character for Lisbon to just take him for a quick spin and then never see him again. And obviously he's a horrible romantic bet. The writers make that clear when they introduce him.
And then I realized that's the point.
During the 7 seasons of The Mentalist, in the course of their investigations, Lisbon and Jane meet hundreds of people, and Walter Mashburn is quite unique among them. He and Jane hit it off right away, despite the fact that Jane suspects him of being a possible murderer. Mashburn immediately understands exactly who Jane is ("You're a psychic, aren't you?").
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He succinctly sums up Jane's entire raison d'etre the second time they meet.
Walter Mashburn: Oh, I know you're a charlatan as I said. You lost your wife and kid to a serial killer, your fault you think. And now you're on this hopeless quest for redemption. Battling evil and injustice, right?
Patrick Jane: Close enough.
Walter Mashburn: You play mind games with people. You size up their weaknesses, and then you give them the rope to hang themselves.
Patrick Jane: Oh, you make it sound so cool.
Mashburn happily goes along with all of Jane's schemes because he's essentially bored being the smartest, most danger-seeing, risk-taking person in the room all of the time. He enjoys new experiences.
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Mashburn also has a thing for revenge. When we meet him a second time it's because he's in the process of destroying an old enemy, Yuri Bajoran. He's maneuvered a hostile buyout of his business, Yuri's "baby," because Yuri once stole the woman he loved away from Mashburn.
Playful. Ruthless. Brilliant. Charming. Hedonistic. Risk taking.
You get where I'm going here. He's Patrick Jane. Minus the trauma.
Mashburn is what Jane was trying to become before his wife and child were murdered. He was chasing fame and fortune. He was ignoring his wife's desire to live a straight life because he was having too much fun indulging himself.
And then, because of Jane's arrogance and carelessness, Red John deliberately targeted Angela and Charlotte for destruction, and Jane had to do a massive internal restructuring of his priorities.
When we first meet Jane, he's still playful, charming, ruthless, brilliant, and risk taking. But now he has a mission, and that suicide mission for revenge takes precedence over ever other thing. He's no longer self indulgent. He's sublimated his hedonistic urges, including his sexuality, to give himself greater focus. The only thing that matters is hunting down and killing Red John.
Then he meets Teresa Lisbon.
Lisbon is a soulmate. She has survived her own crucible of trauma, and she has a critical understanding of (and empathy for) broken, hurting men. She understands that Jane is off-limits romantically. He's shut down. He may flirt and charm out of habit or need, but the part of him that could give something to a relationship is no longer operational. There is an attraction between them, but it's impossible.
That impossibility is the reason they allow themselves to get so close and eventually care so deeply for each other.
Because Teresa is extremely skittish. She's a bolter. She left Chicago because she felt tied down taking care of her father and brothers. She abandoned her fiance when things got too serious between them. She's afraid of commitment. To her commitment feels like slavery, and she doesn't want that. She's afraid of that.
But that doesn't mean that she's not attracted to Mashburn. She has a type: she likes charming, ruthless bad boys who don't follow the rules. She knows they're bad for her, but she can't help it. That's her thing.
When she meets Walter, he immediately tells her he's attracted to her and available.
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He asks her out. He says he'll fly his plane to Sacramento to see her. Jane finds all of this amusing. He agrees with Mashburn's assessment of Lisbon's appeal and compliments him on his style. And later he tells Lisbon that she should have taken him up on his offer, that a little empty glamour would be good for her.
When you realize that Mashburn is a stand-in for Jane, the whole thing is quite funny, really. Lisbon being attracted to Jane. Jane telling Lisbon that he'd be good for her, loosen her up a little.
When they meet again in Red Hot, Lisbon does take Mashburn up on his offer. She enjoys herself, and then like the skittish filly she is, she never sees him again. It's too much. Too tempting, too out of character for the person she wants to be. And Mashburn could overpower her emotionally. She doesn't want that.
The trauma, their mutual trauma, is what Jane and Lisbon share and bond over. It's what keeps them apart, and what eventually, after that slow, slow burn, brings them together. The attraction was always there. It's takes time to build that complete understanding and utter trust, and it never would have happened if Jane had been available to begin with.
@tmsource @robntunney @tresalisbon
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sharpesjoy · 3 months
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— you're always on my mind (in/sp)
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mauraeyk · 9 months
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PATRICK JANE & TERESA LISBON The Mentalist | 5.13 "The Red Barn"
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katebeckets · 16 days
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TERESA LISBON + i love you
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robntunney · 7 months
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15 YEARS OF THE MENTALIST Day 1 : Songs
"I replay my footsteps on each stepping stone, trying to find the one where I went wrong, writing letters, addressed to the fire"
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