Mikko Joronen – Mark Griffiths, The affective politics of precarity: Home demolitions in occupied Palestine, «Environment and Planning D: Society and Space» 2019, Volume 37, Issue 3, pp. 561-576 (text here) (pdf here) (epub here)
Kind of reminiscent of Romancing the Stone, except without the romancing (a definite point in its favor) and significantly less racism. I won't say there was none - the portrayal of the Inca got pretty close to some Magical Indian tropes - but an attempt was made, possibly helped by the fact that most of this seems to have been shot on location. Honestly, a pleasant surprise.
Also, I can't believe Sexy Woman is actually a place and not something they made up as a bad gag for the movie.
How many times do I have to tell you? You cannot do that! Who are you anyway. I am no one. He's Aethelstan, Edward's firstborn son. Hidden child of Edward? How did he survive this long? He's driven by a mission to annoy me, aren't you, Aethelstan? Better keep him safe, Finan. That's royal blood your carrying. Welcome to the bastard life, boy.
Aethelstan, Finan, Uhtred, Stiorra, Osferth & Sihtric
Caspar Griffiths, Mark Rowley, Alexander Dreymon, Ruby Hartley, Ewan Mitchell & Arnas Fedaravicius
"'Let's just paint some pretty lady' so here we are" - me
I'm kinda bummed I didn't manually record the rendering of face and accessories. It was really satisfying. Hope it comes across from just watching them closely..⚰️
Once again, it's time to feed Horner Tumblr with Jack bod
Based on that one panel of Griffith from Berserk, except instead of thinking abt the non-relationship gay breakup from Guts - Jack's having a fairy-tale insecurity crisis
Panel reference
Bonus entry that I kept thinking about for weeks. BRO CANNOT FIT IN OUR SHOWERS AAA-