Worldwide Privacy Tour #EasterEggs
Harry the Lost Boy
Meghan plotted for Disney & won a "Peter Pan." It's not a coincidence that South Park compared Harry to Strat's Lost Boy character. The musical premiered in the UK (2017) & then Toronto. Meat Loaf actually relocated to London during his career and was quite happy in the UK.
"My love, I will do anything for your privacy."
Before the album Bat Out of Hell was released, Steinman worked on a musical of that storyline that was called "Neverland" at the time.
Steinman has said in interviews that a version of the Peter Pan story inspired some of the songs on the 1977 album Bat Out of Hell, and that is the connection between this musical and the 1977 album.
RIP Meat Loaf - I'd do Anything for Love
I'd Do Anything for Love (But I Won't Do That)
"Written by Jim Steinman(1977), and recorded by Meat Loaf with Lorraine Crosby. The song was released in 1993 as the first single from the album Bat Out of Hell II.
The last six verses feature a female singer who was credited only as "Mrs. Loud" in the album notes. She was later identified as Lorraine Crosby. However, she does not appear in the video, in which her vocals are lip-synched by Dana Patrick."
"After 35 years, it still sells an estimated 200,000 copies annually and stayed on the charts for over nine years, making it one of the best selling albums of all time."
"Meat Loaf promoted the single with US vocalist Patti Russo. "
"Michael Lee Aday (born Marvin Lee Aday, September 27, 1947), known by his stage name Meat Loaf, is an American hard rock musician and actor. He is noted for the Bat Out of Hell album trilogy consisting of Bat Out of Hell, Bat Out of Hell II: Back Into Hell and Bat Out of Hell III: The Monster is Loose. Bat Out of Hell has sold more than 43 million copies worldwide."
"Strat: the eccentric and forever (18) eighteen year old leader of 'The Lost', a group of teenagers whose DNA froze at eighteen (18) causing them to remain young forever. He falls in love with Falco's daughter, Raven. He and 'The Lost' live in abandoned subway tunnels below the city of Obsidian."
"Bat Out of Hell: The Musical (promoted as Jim Steinman's Bat Out of Hell: The Musical) is a rock musical with music, lyrics and book by Jim Steinman, based on the Bat Out of Hell album by Meat Loaf. Steinman wrote all of the songs, most of which are from the Bat Out of Hell trilogy of albums (Bat Out of Hell, Bat Out of Hell II: Back into Hell, and Bat Out of Hell III: The Monster Is Loose). The musical is a loose retelling of Peter Pan, set in post-apocalyptic Manhattan (now named 'Obsidian'), and follows Strat, the forever young leader of 'The Lost' who has fallen in love with Raven, daughter of Falco, the tyrannical ruler of Obsidian."
"Steinman has said in interviews that a version of the Peter Pan story inspired some of the songs on the 1977 album Bat Out of Hell, and that is the connection between this musical and the 1977 album."
"Before the album Bat Out of Hell was released, Steinman worked on a musical of that storyline that was called "Neverland" at the time."
I'd Do Anything for Love (But I Won't Do That)
And I would do anything for love
I'd run right into hell and back
I would do anything for love
I'll never lie to you and that's a fact
But I'll never forget the way you feel right now
Oh no, no way
And I would do anything for love
But I won't do that
I won't do that
Anything for love
I would do anything for love
I would do anything for love
But I won't do that
I won't do that
Some days it don't come easy
Some days it don't come hard
Some days it don't come at all
And these are the days that never end
Some nights you're breathing fire
Some nights you're carved in ice
Some nights you're like nothing I've ever seen before
Or will again
Maybe I'm crazy
Oh, it's crazy and it's true
I know you can save me
No one else can save me now but you
As long as the planets are turning
As long as the stars are burning
As long as your dreams are coming true
You better believe it!
That I would do anything for love
And I'll be there till the final act
I would do anything for love
And I'll take a vow and seal a pact
But I'll never forgive myself
If we don't go all the way tonight!
I would do anything for love
Oh, I would do anything for love
I would do anything for love
But I won't do that
No, I won't do that
I would do anything for love
Anything you've been dreaming of
But I just won't do that
Somedays I pray for silence
Somedays I pray for soul
Somedays I just pray to the God
Of Sex and Drums and Rock 'N' Roll
Some nights I lose the feeling
Some nights I lose control
Some nights I just lose it all
When I watch you dance and the thunder rolls
Maybe I'm lonely
And that's all I'm qualified to be
There's just one and only
The one and only promise I can keep
As long as the wheels are turning
As long as the fires are burning
As long as your prayers are coming true
You better believe it
That I would do anything for love
And you know it's true and that's a fact
I would do anything for love
And there'll never be no turning back
But I'll never do it better than I do it with you
So long, so long
And I would do anything for love
Oh, I would do anything for love
I would do anything for love
But I won't do that
No, no, no, I won't do that
I would do anything for love
Anything you've been dreaming of
But I just won't do that
But I'll never stop dreaming of you
Every night of my life, no way
And I would do anything for love
Oh, I would do anything for love
I would do anything for love
But I won't do that
No, I won't do that
[Girl:] Will you raise me up?
Will you help me down?
Will you get me right out of this God-forsaken town?
Will you make it all a little less cold?
[Boy:] I can do that!
I can do that!
[Girl:] Will you hold me sacred?
Will you hold me tight?
Can you colorize my life?
I'm so sick of black and white...
Can you make it all a little less old?
[Boy:] I can do that!
Oh, oh, now I can do that!
[Girl:] Will you make me some magic
With your own two hands?
Can you build an emerald city
With these grains of sand?
Can you give me something I can take home?
[Boy:] I can do that!
Oh, oh now, I can do that!
[Girl:] Will you cater to every fantasy I got?
Will you hose me down with holy water
If I get too hot?
Will you take me places I've never known?
[Girl:] Will you cater to every fantasy I got?
Will you hose me down with holy water
If I get too hot?
Will you take me places I've never known?
[Boy:] I can do that!
Oh, oh now, I can do that!
[Girl:] After a while you'll forget everything
It was a brief interlude and a midsummer night's fling
And you'll see that it's time to move on
[Boy:] I won't do that!
No, I won't do that!
[Girl:] I know the territory, I've been around
It'll all turn to dust and we'll all fall down
And sooner or later, you'll be screwing around...
[Boy:] I won't do that!
No, I won't do that!
Anything for love
Oh, I would do anything for love
I would do anything for love
But I won't do that
No, I won't do that
Anything for love
Oh, I would do anything for love
I would do anything for love
But I won't do that
No, I won't do that
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Your take on Power of Three is sooo good and correct! Underrated ep!
Thank you! "Power of Three" is another ep where I believe that I could Fix Her with minimal rewrites. I really think it's remembered poorly because the villain is underwhelming and underdeveloped. I think if they'd just simplified the villain, or turned the episode into a non-antagonist episode like they did with "Twice Upon a Time", more people would give it the credit it deserves. The point of "Power of Three" is not the villain.
Power of Three is an episode primarily concerned with what happens after people leave the TARDIS. Modern Who did this earlier, with Sarah Jane in "School Reunion", Jack in The Utopia Arc and later in Torchwood, and pretty much all of the farewell sequence in "End of Time." Chibnall did it later as well with the companion support group. But I think "Power of Three" is unique in that its tone is markedly more positive than previous examples. It's a lovely slice of life episode and a lovely ode to Amy and Rory, who've at that point were our companions the longest anyone's been a companion in Modern Who.
We get the Team TARDIS domesticity that many of us love. We get glimpses of Amy and Rory's friends back home, and the joy they take in "boring" things like weddings and dinner parties. It has the introduction of Kate Stewart and a lovely homage to the Brig. It has my favorite scene with Amy and Eleven by the Thames, where two people who have such difficulty being emotionally direct and genuine are able to now, after years of growing together, admit plainly that they love each other and they're terrified of losing each other. The episode is full of references to how the Doctor's fingerprints are all of Earth and its history, some good and some bad, but ultimately he is loved. His impact isn't just dramatic, be that saving the Earth or bringing about terrible tragedy. The Doctor is Amy and Rory's friend. The Brigadier's friend. Kate's friend. That's it.
I love "Power of Three" because, for the first time since the revival, we're seeing companions who grow beyond the Doctor, whose relationship grows and changes to include the Doctor less or differently, without tragedy being the catalyst. Amy and Rory aren't traumatized like Martha. They don't have their memories wiped like Donna. They aren't forcibly ripped away like Rose. They just built a life they like, and as they're growing up they're finding a lot of joy in all the different ways they can live their life.
Amy has learned to appreciate a life that is slower and simpler. Rory has grown confident both in his relationship with Amy and his career. Amy and Eleven explain the episode's point right at the beginning:
AMY: To think it's been ten years. Not for you, or for Earth, but for us. Ten years older. Ten years of you, on and off.
ELEVEN: Look at you now. All grown up.
This is Amy's character arc, and Amy/Eleven's relationship arc, in a nutshell. This is the end of their story. And as much as I love "Angels Take Manhattan", I feel like really, in "Power of Three", Amy and Rory demonstrate that they're already ready to move onto the next phase of their lives. Maybe it could've ended less tragically. Maybe the Doctor could've visited them for decades and decades in the future. But they were never going to travel again like they did back in Series 5 and 6. And that can be wonderful.
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okay I have had thoughts percolating within my brain about tim drake and his life going to shit like as soon as he stepped out of "normal boy" and into the lives of vigilantes.
this is incredibly rambling steam of consciousness meta bc I can like. Feel the thoughts I'm trying to express but words are hard and typing on a phone is a pain in the behind.
because: Tim was introduced and intended to be a counterpoint to Bruce, as they both had similar backgrounds, and yet Tim had no great personal tragedy compelling him to help others. he simply wanted to do the right thing, in his own clumsy way
but as SOON as he got involved with Bruce he started experiencing personal tragedies at an ever increasing rate. his mother dies, his father is paralysed. he copes. his father wakes up, they have relationship issues, things improve and remain 'stable' for a long while. he gains a stepmother, and a brotherly relationship with dick. he's still the Normal Robin, with school and parents and girl troubles.
but his relationship with his father suffers because he is Robin. jack can see the shape of the secret that lies between them and every time they seem to work things out, they fall apart again. is Robin to blame for it? that one thing Tim must hold back from his father, that his father can see being held back? Jack certainly seems to think so, judging by his reaction when all Tim's obfuscation falls away and Jack discovers his costume (hidden in the closet, something that won't gain any hidden layers of meaning for a good long time)
so tim loses Robin. he does not cope well with being fully demoted to civilian. it chafes at him like outgrown clothes. and the universe punishes him for leaving his role! his schoolmate dies. his girlfriend dies. his father dies and his stepmother is hospitalised until she too dies. his best friend dies and his other best friend dies.
52 happens. he goes away for a year to leave the tragedy behind and recentre himself. he comes back and cass has been brainwashed into being evil and he almost gets a friend killed.
and then Bruce dies.
the universe itself seems to punish him when he tries to stay away from being robin. and then, when he returns to robin he gets bad shit happen to him because that's what happens to superheroes and people who put themselves in danger. danger comes to them. this is a meta thing but, also, is a narrative thread across his life.
and to me it all comes down to one panel.
batman and robin are orphans. therefore, tim drake must become an orphan. the laws of the universe bend around him to give him the motivating trauma he did not have before stepping into his role. causality runs backwards. events happen because of their consequences.
the will of the world demands tragedy.
congratulations on becoming Robin; the red will spread across your body as the blood pools underfoot.
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