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DAMN THE MAN, SAVE THE EMPIRE!
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happy rex manning day 🎶🎸🎞️
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ruleof3bobby · 4 months
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A BIGGER SPLASH (2015) Grade: B-
It grew on me. The characters are well written and interesting. The climax isn't a wow moment but good enough bridge to the third act and overall the ending was average, but plausible. It's a film full of tension. They also had some wild zoom-ins that somehow worked with the Italy setting.
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adambhalalough · 1 year
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Criterion Channel has listed The Upsetter in their new “Music Films” playlist.
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drneilfox · 2 years
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Things That Aren't There: Music Films Book Blog 21 (June 2022)
Whisper it.
I might get this typescript delivered on time.
After months and months of grind and walking through molasses-like progress, June was a good month where I got lots of editing done and got into a good rhythm that made me think I will hit that late July hand-in. My deadline is actually August 2nd but we are away from July 25th on a much-needed and anticipated family holiday so I want this gone by July 22, and I think, I think, I can get it there. Barring disaster.
June was a good month of working through edits on chapters, putting in quotes, rewriting for clarity and adding in colour and flavour, context and links back and forth between films and ideas. It felt good. I enjoyed it.
I finished editing the ‘Making Music’ chapter on 7th June, the ‘Black Music’ chapter on 19th June and the chapter on ‘Place’ on 27th June. Following that last chapter I reached out to my number one choice to write a foreword for the book, Gruff Rhys, as it’s the chapter where I cover his work and wanted to send a decent-ish version to him. He got back straight away saying he’d be honoured to do it and I am elated. I love him and his work and think a foreword from him will set the tone for the book beautifully. It was a moment of great uplift during an exhausting time for me.
I’ve tried to write this book as though I’m not the first person to write about music films and the more I read the more I realise that one of the things I’m contributing is shining a spotlight on so many films that are overlooked and not considered. The same titles crop up again and again and I’ve tried to broaden the scope for readers, in what I’m saying and in the films I’ve chosen. Gruff Rhys and Dylan Goch’s films are in that category. Beautiful cinematic works that deserve attention.
On the 30th June I finished the ‘Punk’ chapter. And on that note, I also published my first review in ages, on the lovely new Blu-ray release of the Ramones cult classic Rock ‘n’ Roll High School, for the Big Picture. Read it here.
So hopefully, when I next write a missive like this, it will contain confirmation of typescript submission and I’ll be nervously awaiting a response and making my way slowly through this ‘reading for pleasure’ pile -
In the meantime, don’t forget you can listen in to my book themed playlist here.
Here’s what I was listening to while writing in June:
You can follow what I am watching and re-watching for the book via my Letterboxd here
Finally, a bit of fun. Here are my favourite notes from this month’s viewing sessions:
“Are you ready Paul?”
“When you delve too deep you can sometimes spoil the beauty of things”
Ambient band - sound of the environment
“I don’t think I saw a tree until I was about 9”
Wings?
“I don’t wanna have fun, I wanna be with you”
Digital explicit
TV doc stylings of The Rutles
Thunders?
“Only unhappy people are bad dancers”
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thecurvycritic · 5 months
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Luther: Never Too Much Eloquently Pays Tribute to R&B Icon
Did you know David Bowie is responsible for unleashing Luther Vandross on our airwaves? I didn't and that was just the tip of the iceberg. #luthervandross #nevertoomuch #sundance
  “A House is Not a Home,” “Superstar” and “Dance With My Father are just a few song titles associated with one of the music industry’s most identifiable R&B crooners of all time – Luther Vandross. If you know, you know there is only one Luther. Award winning director Dawn Porter takes audiences on a musical journey into the life of the iconic Vandross, the man with the soulful velvet voice. An…
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texaschainsawmascara · 4 months
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Jennifer Tilly playing poker
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Then Guadagnino brought them Challengers, due for worldwide release in April. Reznor said, “He started us down a path, saying, ‘What if it was very loud techno music through the whole film?’” (This is exactly what it turned out to be.) “I wish I had his notes,” Ross said of Guadagnino. “His notes were so fucking funny on what each piece was meant to do.” “Oh, yeah,” Reznor said. “‘Unending homoerotic desire.’ It was all a variation on those three words.”
Trent Reznor and Atticus Ross have a plan to soundtrack everything, GQ, april 2024
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classicfilmblr · 2 months
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The Sound of Music dir. Robert Wise | 1965
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ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.
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taylornation · 5 months
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We’re looking back on this year and feeling like we just lived 13 lives? 🤯
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Thanks for making it best year yet! 🫶 Also, since today is 123123, we gotta say it… 1, 2, 3, let’s go (to 2024), bitch!
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folklorefearlessts · 1 month
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I can do it with a broken heart 🌚❤️
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ruleof3bobby · 3 months
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THE PERFECTION (2018) Grade: C
I give them props for some out of the box thinking on the narrative and editing. Little cheesy and corny, but the originality keeps you watching.
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everydaylouie · 25 days
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Traces 🎶🏡
(bandcamp) (spotify) (youtube)
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Taylor Swift is an amazing songwriter wbk but she also has these little idiosyncrasies that are so *her* like the intentional whisper of ‘old habits die screaming’ and how she cuts off ‘how dare you say that it’s -‘, and how ‘so long London’ mimics the chime of Big Ben, and this goes back, mind you. the lyric ‘my stolen lullabies’ trails off like she was choked saying the last word (that lyric deserves it’s own essay but I digress), and she begins Last Kiss with 27 seconds of instrumentals for -reasons- and just. She’s not just a songwriter, she really is just incredibly talented and creative on all fronts, we just got lucky that she chose music as her baby.
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thecurvycritic · 1 year
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Little Richard: I Am Everything Digs Deep into the Lineage of a Legend
I encountered Little Richard one time in my life and it was unforgettable as is the astounding documentary from the amazing Lisa Cortés. #littlerichardiameverything #sundance2023
Shortly after moving to Los Angeles, I made a trip to the post office in my neighborhood.  After waiting for an excruciating long period of time, I noticed an elderly gentleman with makeup and and a pompadour wig enter with a bedazzled cane and sunglasses.  After a few seconds, I also notice he is headed to the front of the line. He notices me glaring then turns around and yells, “Shut up.”  I…
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odetokeons · 11 months
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i don't know what this movie genre is called, but it's my favourite movie genre
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