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plutothe-pup · 4 months
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RP RESOLUTIONS AND HABITS:
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TW: .........i used a lot of memes............im sorry. idk how to be serious. im in a silly goofy mood idk. do u see the header u know what u signed up for ok
Real TW: very minor drug mentions.
Write your RPer Resolutions for 2024! (What are some goals for yourself as a writer? Improve descriptions? Plot with more members? Etc.)
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Once again, I am asking myself to learn how to plot. That is going to be the theme here, just wait. Seriously though, I am pretty terrible at it. I do not like to approach people because I am........... idk weird. I am somehow anti-social even online and tend to just sit there twiddling my thumbs instead of reaching out. It's been a problem for me for literally ever. Sometimes I even get scared when people reach out to ME. But one year maybe we will get there. I also want to get back to regular activity. I've been really slipping these past few ... well, years I feel. I want to be more consistent at the very least, and not just post, disappear, spam, disappear, etc. I know I say this every time - but maybe just once: do a big plot. Do a big plot for yourself buddy. You can do it. Best Supporting character's get a sequel spin-off series one day, right. Just do it. JUST DO IT. I also feel like my writing recently compared to years ago has gotten poorer in quality. Idk what that's all about but I would like to improve that. Make proofreading a thing for me again 2024 or whatever.
me @ myself:
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Write at least one resolution, or “goal,” that you have as an RPer for your character(s):
Oh - you....... you think I have GOALS? (tbh I think they align with my character's own. We're on the SAME TEAM)
Greg: RECONNECT WITH HIS PARENTS. This was like a silent plot I started literally over a year ago where Gregory got more and more distant with his parents until they stopped talking entirely and he moved out to live at R2F. He's been on and off about trying to reach out - and this is the year to do it. Also probably come to terms a bit more with his relationship with Zero. He's comfortable in it and loves Zero very much - but there's that voice in the back of his mind still saying that he'll leave. Sebastian: Get over his crush on Lo that he did to himself. I want him to fully accept uncle life. To get over his fear of hurting people. Milo: BREAK. HIS. CURSE. .........nah. That's not my goal for him this year lmfao. I want him to find his passion, actually. Will it be in working out and being a jock? Does he actually have a fond passion for cooking? Does he yearn for theater? Fawn: Get her into TROUBLE. I didn't really do much with this yet, but she's a TROUBLE MAKER. She's nearly been kicked out the hollow for god's sake. She is a TERROR. It's time to UNLEASH IT.
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Write at least one resolution IN CHARACTER for your characters. What do THEY want to accomplish or change in the New Year?
Greg: Reconnect and apologize to his parents - but to do that... kick the minor drug problem first. Sebastian: Don't die. (.....i can't stress enough this man doesn't have outlooks) Milo: BREAK. MY. CURSE. Fawn: Discover a new creature in Enchantra! Befriend the creature! Train the creature! Sick the creature on Eboshi so it eats her and the forest is free again :)
List one or more characters you have never interacted with that you would like to do so:
.....disclaimer: I have bad memory now. soooooo. if we did interact and I list u here I am so sorry i am so so so so sorry.
Clarion: For obvious reasons, and also as stated above - Fawn is on mighty thin ice in the Hollow, so I think any interactions between them would be great and funny. And........ well maybe she gets kicked out oops. Doc: I'm not counting twitter interactions - I just think because of the whole Luca thing, I feel like Doc has flip flopped on his opinion of Milo multiple times and it would be funny for them to finally meet and talk. (and prove he's a good boi!) Any of TAM'S characters strictly because - I believe u have escaped me so far. Eluded. (That's not hard, as we discussed in point 1 I am very inconsistent) That should change!! ....I am sure the format of this post is very enticing...... sorry.
Talk a bit about your plotting style – what plots are you most drawn to? Do you prefer to come with a fully-formed idea and plot off that, or throw stuff at the wall and see what sticks?
And here dear reader we return to the beginning again. Roll credits: oh man, I simply do not. I am by default a 'buckle your seatbelts and lets just see wtf happens' kind of person simply because I am SO BAD at plotting in the first place! So many of my 'plots' revolve around other people's well equipped talents, or throwing my characters at opens/events/etc and seeing what disaster strikes. I'm just doing drive bys at all times of day.
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Talk a bit about character relationships – what relationships are you most drawn to? How do you prefer to approach shipping (if at all!)? What, specifically, are you looking for right now for your character relationships? 
I love just good old fashion friendship and family relationships! Like I adore the relationship Milo has with Pip/King/Luca. The Greg/Jun relationship, Sebby and his bros. I think it's pure and good and writing BFFs getting into dumb things is my favorite. I also like BEEF. I am a fan of rough-housing so to speak. Drama? Sure. Pile it up. Beef? Grudges. Fights. Whatever. It is okaaaaay. I love a good ol' beefin' between people. Same as above. I barely plot as it is - but when I do, it's definitely not relationships/shipping. In fact, I don't really 'ship'. i don't plan around ships, I don't get characters for ships, I don't anticipate ships. If one develops while throwing fruit--- I mean characters at other people, then that's great! That's how.......... both of my current relationships are! Phineas and Fawn were completely random and not at all my intention but they vibed from the start and it happened to work out in the timeline. Gregory and Zero were incredibly unlikely but started talking here and there, and Z and I didn't really say........ anything to each other at all until they were kissing in Pixie's and even then - we didn't think they'd become a #thing. ..........which they did. So I'm pretty much just...... looking to expand on the ones I have? Explore Phawneas a bit and see what on earth is going on inside their head, see where Glo takes us. ............figure out if Seahound can survive not jumping each other's bones forever.
Plotting Exercise! Pick one of the resolutions/goals in #3 and plan a rough guideline to how you could accomplish it.
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..........what if I said no, huh? I'm so BAD at this (it all comes back to it yanno)
GREG TALKS TO HIS PARENTS:
GREGORY and ZERO have a discussion post-Zero's parents coming to town, where ZERO tries to prod about what is going on between GREG and his parents, and Greg comes clean to him about the fight that happened between them. Zero gently offers to go with him to talk to them but Greg doesn't think it's time yet.
Still too uncertain, GREG asks IAN if his mum has said anything about Aubrey, or about Greg. He tries to gauge if his parents have been talking about him to their friends, if they're upset, or if they've moved on.
PLOT CALL: Gregory anonymously looks into sources for mental health, and tries to find people with experience in the same struggles he's had. He either forms or joins an anonymous online/twitter support group for such problems / group therapy.
Having overheard various times through the grapevine, GREG finds and approaches TAD to see if he can talk to him about his recovery and sobriety and find advice/guidance for that path.
Knowing that he might get the most brutal honest answers, GREG confides in JUN and asks his advice on what he should do or how he should handle it.
GREG finally bites the bullet and drags JUN and ZERO to his parents house for support to talk to them again after over a year of radio silence.
PHEW. A tough one.
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Anyways. ...........................
my deepest apologies again. idk what happened. this did start serious but then it went off the rails. it's sincere between all the...... whatever that is.
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lokh · 4 months
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(not) recognising the self in the other...
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick
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overcastkid · 5 months
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ummm yeah
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turtlespancake · 7 months
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i love seeing out of context posts about long-running stories with deep lore because it's always shit like "MAJOR SPOILER WARNING!! i can't believe that the metallic athenaeum's envoy actually used never-ending dance of the 57th universe on rionne as if she's not LITERALLY the incarnate of august?!?!" it's like buddy boy thank you for the spoiler tag but all of those words are incomprehensible without at least 5 years of foreshadowed knowledge, 7 different fan theories, and 21 wiki entries
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egophiliac · 8 months
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lostinthebookwithstitch.jpg
this is all I can muster right now, too busy having my brain absolutely melted by the September schedule, what is happening
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riacte · 8 months
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carefully traversing through decked out 2 (tumblr) with a compass in hand (a renchanting post), trying to avoid the unavoidable clank (posting shit in martyn’s tag). i drop the compass (press post on tumblr), find the precious artefact (notes on the renchanting post), and try to make my way out alive. heartbeat racing, clank accumulating, hazards shutting down my path— and then BOOM a ravager jumpscare (martyn has reblogged your post). i am instantly killed and scurry back to the lobby (private discord server) like a scared animal
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sleepis4theweak · 2 months
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Inspired by my mom pulling the emergency call cord in the hospital because I got the hiccups when I was like a day old.
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renthony · 2 months
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People use the phrase "rent-lowering gunshots" all the time, but I just heard yet another gunshot, which happens in our neighborhood about once every two weeks, and my rent is still through the goddamn roof. The fuck.
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moongothic · 4 months
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Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.
At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little
You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)
Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right
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So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?
Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)
Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)
Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass
Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)
My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?
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Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO
So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.
Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.
Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))
But like, once they set sail to Alabasta...
Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.
But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.
But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)
Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.
The only question is, how would Robin take that?
Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good
So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.
Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.
And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.
What's she going to do?
EDIT: I wrote a sequel post, enjoy
#Moon posting#OP Meta#Sir Crocodile#Crocodad#Nico Robin#THIS POST WAS AN ACCIDENT. I DON'T KNOW HOW THIS HAPPENED. WHY DID I WRITE THIS. WHAT DEMON POSSESSED ME#I'm sure someone's written this already right#Right#Surely this fanfic already exists#Please tell me it exists#I dunno what to tell you I am not immune to a Juicy AU#Anyway on a more wholesome side of things: Robin accidentally calling Crocodile ''dad'' and he just inhales and swallows his whole cigar#Nearly chockes to death. Gets burns on his throat.#Robin feeling less alienated because of her DF ability because Croc has seen weirder AND is made of sand himself#If anything if they're literally by themselves then Robin being able to literally lend a hand to Croc at any time could be extremely useful#Like. In regular life situations. 'Cause Croc only has one hand. And Robin as many as she wants. Perfect duo.#(Also if they were travelling on like a small ship then it'd probably be built for a Tall Motherfucker like Croc right)#(Robin's ability would just make the ship more accessible to her and Croc would find that independence good)#Robin still gets a codename because Croc can't have anyone realize who she is. Maybe she even wears like a mask or summin' in public#If Crocodile's openly trans and the news of him transitioning recently broke out. Like. No avoiding that convo eh#Baby Robin's like ''...I read in a book once that some reptiles can change sex but I didn't know crocodiles could do it too''#''💦.../Humans/ can't do that normally either''#''Hmmmm. Weird. I don't think being a girl would suit you though'' // ''...I'll take that as a compliment''#I just. I think they could have really cute interactions if they warmed up to each other after a little while#And I'm Extremely Normal about that
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pinkiepiehole · 11 months
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Gotta say, really love the little touch in the newest Barbie trailer where Barbie jumps back from the cold shower water even though there isn't any water
Because the water's pretend
Because the Barbie dream house doesn't actually have running water
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maddymoreau · 1 year
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Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
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“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
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It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
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Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
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The isolating childhood he experienced riddled with his strict father constantly scolding him.
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Despite everything MC is so important to him he wants to see his father again so we can meet.
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fossys · 4 months
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system stuff sometimes is like.
yes im an ancient godly power from another realm
and yes im doing our math homework because no one else wants to do it
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meagancandraw · 6 months
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You ever think about how neither of them got to say goodbye?
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the-king-of-lemons · 2 months
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I know a lot of people on qsmpblr use Tumblr mobile, but if you do use browser Tumblr then I would recommend the Simple Translate extension. Because Tumblr doesn't have built in translation like Twitter, there's less fans posting in their native language, instead most people just use English.
Simple Translate is an extension that allows you to translate text that you highlight into a target language. (It uses Google Translate API, but so does Twitter so the translation quality is pretty much the same).
Firefox Extension | Chrome Extension
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When you highlight text in another language, a translate icon appears, when you click on it a panel containing the translation of the text appears.
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You can also change the settings of the extension so that the translation panel automatically appears when you highlight text in another language.
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Here's some more examples using the official QSMP Twitter accounts, you do not need to change the settings of the extension to translate from different languages into your target language.
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(All of these match the translations given when using the "translate bio" button on Twitter directly.)
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You can also access a translation box using the icon in the toolbar, any text you enter can be translated to the language selected in the drop-down menu (meaning you don't need to open a new tab to use Google Translate).
Some settings explanation and other stuff under the cut. Not super important but I figured I'd add it anyways.
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There is an option to use DeepL API as opposed to Google Translate (it's another translation tool, there is free access to the API with a limit of 500,000 characters/month, and a pro version for unlimited access).
Whatever the target language is set as is what text you highlight will be translated into. There is another option for a second target language, I'll explain that further down.
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This option changes how you view the translation panel, the first option (default) has the icon appear when you highlight text (as seen in the first image of the post), the second option has the translation panel appear automatically when you highlight text, and the for third option the panel and icon won't automatically appear, but can still be accessed by right-clicking the highlighted text and selecting "translate selected text".
The checkbox below these options means that if the text you're highlighting is already in your target language, the translation icon and panel will not appear, it can again still be accessed by right-clicking what you've highlighted and selecting translate.
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This option appears twice, in both the Web-page section (for translating selected text) and the Toolbar Popup section (for the translation box in the toolbar popup).
The web page option, when toggled on, means that when you select text that is in your target language, the translation panel will translate into the second target language that has been selected. If the checkbox for "do not display if translation is not required" is toggled on, you can only view the translation from Target -> 2nd Target by right-clicking to translate selected text.
The toolbar popup version of this option is used to automatically switch the language in the toolbar translation box when you input something in your main target. (ie. second target set to French means that when you input English text in the translation box it will switch the translation setting from "(detect language) -> English" to "English -> French").
There are also settings to change the style and size of the translation button and panel.
Side note: Mixed language messages (not containing your target language) will only translate one of the languages, you can work around this by highlighting the different languages separately.
Links again if you don't want to scroll all the way back up
Firefox Extension | Chrome Extension
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