Vogue Italia March 1973
Apollonia van Ravenstein in a dress by Roberto Capucci, floral print on white Ambrosini chiffon. The plunging shawl neckline is bordered in purple, yellow, fuchsia and white; the same colors return in the brushstrokes which “stand out” between the flowered inserts of the skirt, very rich and puffy, touched by the long sleeves which widen into a fan. At the waist, a high belt tied with a knot. Shoes: Driamar.
Apollonia van Ravenstein dans une robe de Roberto Capucci, imprimé floral sur mousseline Ambrosini blanche. Le décolleté châle plongeant est bordé de violet, jaune, fuchsia et blanc ; les mêmes couleurs reviennent dans les coups de pinceau qui « ressortent » entre les empiècements fleuris de la jupe, très riches et gonflés, touchés par les manches longues qui s'élargissent en éventail. A la taille, une ceinture haute nouée par un noeud. Chaussures : Driamar.
Photo Oliviero Toscani
archivio.vogue.it
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can i pray my own way? by maeve coughlin, 2023, sublimation print on chiffon, wood, steel wool, vinegar, black tea, hardware & adhesive, 22 × 14 × 2 inches
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“Look 9″
Rodarte
Spring/Summer 2012
The MET; Image via @Rodarte Instagram
Currently on view: In America: A Lexicon of Fashion
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view on wordPress
Gordon Coster :: The Silver Mask, 1929. Bromide print. | src liveauctioneers
Bromide print mounted on artist’s paper. Signed and titled in pencil on mount recto. Nine exhibition labels and two exhibition stamps on verso. The subject is wearing a half mask, a headdress (probably made of velvet) adorned in the middle with a flower-shaped ornament and a huge fluffy collar. He/she wears heavy… read [+]
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life's so fun, life's so fun
ultimate girl loving song. i felt like making something nice for pride and ended up trying new things and learning a lot.
click on the pictures for better quality. please <3
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