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moonlight404-translates · 5 months

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A3! Mikage Hisoka | SSR - Mankai Feature | Translation

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Disclaimer: Neither English nor Japanese is my native language, but I did my best with the translation. If you find any mistakes, feel free to tell me. By the way, Director’s name will be Izumi.

Today’s Star: Franz / 1

Hisoka: …Ahm. …Nom, nom… Passerby A: Come on, Puu-chan. Let’s go. Dog: Woof! Passerby B: Good afternoon. Passerby A: Ah, good afternoon~. Hisoka: (A person is walking a dog while an aged person is taking a walk…) Middle schooler A: Hey, why don’t we play some games later? Middle schooler B: Sounds good! I’ll leave my bag and then go to your house! Hisoka: (Teenagers are walking home from school. They seem happy since it’s still early in the afternoon. Maybe they could leave earlier after finishing their tests today.) Hisoka: …Ah, there are no more marshmallows. Hisoka: …It feels warm today since the sun came out. Hisoka: (It’s a shame not to take a nap when it feels this nice, but… I should get in soon.) Tsumugi: And up… Ah, Hisoka-kun, you were here. Hisoka: …Tsumugi? Tsumugi: The director is calling you. Can you come down? Hisoka: Mhm. I also ran out of marshmallows, so I’m going now.

Izumi: They came. Tsuzuru: You could find Mikage-san. Azuma: Was he in the attic? Tsumugi: No, he was on the rooftop. Guy: I see. The weather does feel pleasant today. Hisoka: …Did you need something, director? Izumi: Yep. We have the results of your supporting character survey. Hisoka: Supporting character survey? Tsumugi: Yeah, it’s part of the project where each troupe member will stream a short spin-off story of their side characters. Guy: The supporting character is decided with a fan survey. The results of Mikage’s character survey have been tallied. Hisoka: Aah… Izumi: Then, Hisoka’s character will be—. Izumi: Franz from “Nocturnality”! Azuma: Franz, huh? A mysterious aura enveloped him, which made him the perfect fit for Hisoka. Tsumugi: I agree. Since his hair color and ethereal atmosphere are similar to Azuma-san’s, the relationship and setting of Reo and Franz were convincing. Tsuzuru: He didn’t have much time on stage, but he was an appealing character. Izumi: Yes, yes. You can understand why the fans chose him. Don’t you think so, Hisoka—. Hisoka: Zzz… Izumi: H-He’s sleeping… Tsumugi: Now that I think about it, he mentioned he ran out of marshmallows earlier. Azuma: If that’s the case, I have some marshmallows for him. These are some tasty marshmallows I ordered not long ago. Hisoka: …Ahm. …Yummy. Hisoka: What were we talking about? Tsuzuru: About the spin-off. Izumi: I called you because I thought you could discuss with Tsuzuru-kun any request or idea you could have since he’s here. Hisoka: …I don’t have any. Tsuzuru: It can be a small thought or a simple word. Hisoka: Hmm… Hisoka: …Franz is a vampire. Izumi: Uh-huh. Hisoka: So he might like cranberry jam marshmallows. Tsuzuru: …I can’t say for sure, but maybe not. Hisoka: Then… strawberry and cherry marshmallows. Tsuzuru: That’s the same. Hisoka: Acerola marshmallows… Tsuzuru: Aren’t you just mentioning red fruits flavored marshmallows?! Tsuzuru: Sigh… It’s clear that Hisoka-san is not interested in anything besides marshmallows… Hisoka: That’s why I said I don’t have any. Azuma: Fufu. Well, he ate red-looking marshmallows for Franz’s role study. Hisoka: I’m leaving all the spin-off content to Tsuzuru. Tsumugi: It’s a shame not to request anything when you have the chance… Guy: But that’s just how Mikage is. Hisoka: I’m not good at that. I prefer acting to thinking. Izumi: Then, we’re leaving the screenplay to Tsuzuru-kun. Guy: Got it. But if you have an idea later, do tell me. Tsumugi: That’s right. You might not have any ideas at the moment, but you can get some after rereading your script. Hisoka: My script…

Today’s Star: Franz / 2

Hisoka: The “Nocturnality” script… Where was it…? Homare: I’ve come back—. Homare: Oh my, are you looking for something, Hisoka-kun? Hisoka: I’ll play Franz for the next spin-off, so I’m looking for the “Nocturnality” script… Hisoka: But I can’t find it. I give up. Homare: How could it disappear when you have so little?! Hisoka: Maybe I put it somewhere or threw it by mistake…? Homare: Oh, dear. I’m sure you just took a quick look and didn’t search it properly. Homare: I will give you a hand. It would be a problem not to find it. Hisoka: Not really. I just tried to look for it because of Tsumugi’s advice, but there’s nothing important written on it. Homare: I’m sorry, but that’s not a reason for me. Now that I know the story, I’ve gotten interested in it. Hisoka: …I’m counting on you, then. Homare: You’re counting on me?!

Hisoka: … Hisoka: (It doesn’t feel warm when the sun starts to hide… but the sunset today is pretty.) Hisoka: …Ah, Kumon and Azami are back. Hisoka: (Kumon is rubbing his stomach while Azami is giving him a look. Maybe they ate ramen, and Kumon overate?) Hisoka: (...Yuki and Muku came back too. That bag… aah, they went shopping at a craft store.) Hisoka: (It looks like the director is going somewhere. She must be going shopping for dinner.) Hisoka: …She’s all cheery. We’re having curry tonight. I hope she makes seafood curry or bean curry. Hisoka: (Ah, Tasuku is back. …And Arisu is telling him something?) Hisoka: (From what I can get… he might be asking him to join the script search.) Hisoka: (...I already left the script search to Arisu, so I should think at least something about what Tsuzuru told me.) Hisoka: (What did I think when we had the vampire performance…? I didn’t have my memories back then…) Hisoka: …Ah, Chikage. Hisoka: (He came back earlier than usual. He’s holding a department store magazine in his hand...) Hisoka: (His business meeting should have finished earlier, so he bought souvenirs in a department store nearby.) Hisoka: (Judging by the paper size, there might be cream puffs for some people inside…)

Chikage: — Hisoka: Ah, he saw me. Hisoka: (Chikage, come here for a bit.)

Chikage: …Sigh. Hisoka: (He’s sighing. But that means he will come.)

Hisoka: …You’re so slow. Chikage: Is that what you say to someone who came to the rooftop after returning from work for you? …I’m going back. Hisoka: Wait. I want to ask you something. Chikage: What? Hisoka: I will play Franz from “Nocturnality” for the supporting character spin-off story. Hisoka: Tsuzuru asked me if I had a request for it, but… Chikage: You left everything to Tsuzuru. Hisoka: … Chikage: So I’m not wrong. Chikage: …Then? What do you want to ask me? I’m just telling you, I can’t help you come up with an idea. Hisoka: …Tell me, how did I create a “person profile” in the past? Chikage: A “person profile”? Hisoka: Before, I needed a detailed profile to become someone else. I’m sure I did the same for Franz. Hisoka: Maybe if I remember how to do that, I will get an idea about what to request for the story… Chikage: Isn’t it faster to look at the script you used back then for it? Hisoka: …I lost it. Chikage: You… Chikage: …Just what you’re doing now. Hisoka: What I’m doing? Chikage: Just like this, you watched people from a high place. Chikage: But well, the fact that you’re still doing it means you didn’t do it just for the mission, but because you liked it, don’t you think? Hisoka: …Now that you mention it, maybe it was like that. Hisoka: (Even when I lived like a shadow, I would gaze at the people on the road and imagine their background and life…) Hisoka: (Maybe I wanted to feel like I was a person living in the same world by putting myself in their shoes…) Homare: He-y, Hisoka-kun! Homare: Ow, ow…! Tasuku: Hey, don’t overdo it. Come on, are you losing muscle? Homare: How rude. That’s not happening to me. Hisoka: What’s the matter? Homare: Look, we found your script.

Today’s Star: Franz / 3

Izumi: Are you ready, Hisoka-san? Izumi: Ah, is that the main story script? I heard you lost it, but it seems like you could find it. Hisoka: It got mixed up in Arisu’s bookshelf. Izumi: I see. I’m glad you could find it. Hisoka: Mhm. Izumi: Did you have something written in your script? Hisoka: Well—. Tasuku: Hey, Mikage. Homare: Hisoka-kun, it’s almost time for the show. Hisoka: Okay. Hisoka: …Director, I’m leaving the script with you. Izumi: Sure. See you later!

Izumi: (At the rooftop of a high-rise building… Under the moonlight in the night sky, Franz is looking down at the humans.) Franz: “...” Businessman A: “Yes… yes… I’m very sorry about that…! I will confirm it promptly. Businessman B: “Apologizes for the burden. Thank you for your understanding.” Man A: “Ah, ha, ha, you’re all wasted~” Man B: “Hum, hum~♪ la, la, la~♪” Izumi: (The bustling red-light district and a savage business district. Two opposite districts—) Franz: “…People will change just as countries and times do. And yet, the scenery these days has been the same. How boring.” Franz: “Pain and joy, sorrow and happiness, wealth and poverty are next to each other. Sometimes they hate, and others they love.” Franz: “Humans, rejecting what is different and yet accepting and coexisting with them—” Franz: “But for them to accept us who live in the dark…” Franz: “...It doesn’t matter now.” Franz: “Very well, I should start searching for my dinner. Hmm… which corner should I choose…?” Franz: “...Ooh? The men in that building…” Izumi: (Inside a building in the business district, Franz finds Kota and company. He eavesdrops on their conversation.)

Nonomiya: “Hey, Seto. Tonight… do you want to go there?” Kota: “There?” Nonomiya: “Where else? A place with beautiful ladies!” Kota: “Sigh, quit that and move your hands. We have to catch the last train.” Nonomiya: “Tch, you’re a moodkiller. Okay, okay, I get it.”

Franz: “Hmph, that blood seems neat and easy to drink.” Franz: “The other looks like it has a good nutritional balance but might be a little thicker. It’s hard to pick one, but my choice for tonight is…” Franz: “---!” - A red moon appears - Franz: “...I can feel the smell of a fellow’s blood. Is it from the town where I resided until not long ago?” Franz: “...Aah, this is the work of an exorcist.” Izumi: (Franz senses an exorcist has hurt that vampire from a distant town.) Franz: “Those foolish humans who chase us to eliminate us since ancient times…” Franz: “Aah… tonight feels good for something thicker and bitter, with a piquant touch…” Franz: “I’m craving blood mixed with despair and rage. Exactly, something like—” Franz: “The blood of an exorcist…” Franz: “When was the last time I drank blood like that? 70 years ago, no, two years ago… wait, it was three days ago…” Franz: “...I forgot. When someone has lived this long, it’s inevitable to forget things.” Franz: “However, the taste is unforgettable.” Franz: “A church exorcist— The blood of the Fonsu clan was exceptional…!” Izumi: (Franz’s eyes shine enigmatically with an expression filled with fascination… It feels mysterious and frightening but at the same time charming.) Izumi: (Hisoka-san is so impressive…) Franz: “Those two look delicious, but I will leave them as emergency food.” Franz: “Tonight, why not have something from that corner—” Izumi: (Franz, who is getting ready, exchange looks with Kota, who suddenly raises his head.)

Kota: … Nonomiya: “Seto? What’s wrong?” Kota: “Nothing… it might have been my imagination.”

Franz: “Aah…” Franz: “...Wasn’t that one my fellow’s emergency food?” Franz: “But— eat him soon. The time for him flows differently than ours.”

Izumi: …Yes, that was perfect. Izumi: (That’s right. The script Hisoka-san entrusted me… has something written, right?) Izumi: (Ah, there’s a memo. “I like to watch people”...) Izumi: I see. So that’s the reason for this content. Izumi: (But aside from that, there’s nothing else written…) Izumi: (...Hisoka said that he needed a lot of details to get in character back then. Now that I think about it, when did he stop asking for that?) Izumi: (Around this time might have been when he started to become the actor “Hisoka Mikage.”)

Tasuku: Hey, don’t fall asleep as soon as we finish. Hisoka: I’m out of marshmallows… Homare: Oh no, the marshmallows are in the dressing room…! Izumi: …That has never changed, though.

#a3! translation #hisoka mikage #a3!#a3! hisoka #a3! backstage story

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hadeschan · 4 months

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item # K18C57

VERY RARE Pra Somdej Luang Phor Guay, Lang Yant Ma-a-u, Yant Sariga, Nu Din Pasom Pong Att Archan Luang Phor Guay. A baked clay Buddha amulet with a bas-relief of a mediating Buddha seating on a 3 tiers platform, in the back is with imprints of cabalistic writings, a Yant U (Unalome), and a Yant Sariga in Vertical line, and a Yant Ma-a-u in horizontal line. Made from earth, holy powder, sacred materials, holy water, blended with ash after burning hair of the head of Luang Phor Guay, and bone powder and bone fragments of masters/teachers of Luang Phor Guay (read more). Made by Luang Phor Guay of Wat Khositaram (Wat Ban Khae), Chai Nat Province in BE 2513 (CE 1970).

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BEST FOR: Pra Somdej Luang Phor Guay gives favorable omens, and strengthens auspicious omens which bring positive role in your life. Anything you wish for, and it could change your life for the better. This amulet has a tendency to draw positive energy. Klawklad Plodpai (bringing safety, and pushes you away from all danger), Kongkraphan (making you invulnerable to all weapon attack), Maha-ut (stopping gun from shooting at you), Metta Maha Niyom (helping bring loving, caring, and kindness, and compassion from people all around you to you), Maha Larp (bringing Lucky Wealth / wealth fetching), and Kaa Kaai Dee (helping tempt your customers to buy whatever you are selling, and it helps attract new customers and then keep them coming back. Ponggan Poot-pee pee-saat Kunsai Mondam Sa-niat jan-rai Sat Meepit (helping ward off evil spirit, demon, bad ghost, bad omen, bad spell, curse, accursedness, black magic, misfortune, doom, and poisonous animals). It helps protect you from manipulators, backstabbers, and toxic people. And the force of the bad intentions / activities / behaviors from your enemies hitting you, the Khata Sà-tón Klap Spell puts an equal force back onto them, meaning those bad intentions / activities / behaviors bounce back up to your enemies.

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The content of Pra Somdej Luang Phor Guay, Lang Yant Ma-a-u, Yant Sariga, Nu Din Pasom Pong Att Archan Luang Phor Guay.

Luang Phor Guay made this Buddha amulet from Taat Tang Si in Thai (4 elements), Din Nam Lom Fai in Thai (Earth, Water, Air, and Fire). Luang Phor Guay made this amulet from the followings:

1)Earth Element (Din in Thai)

- Din Nuan Jai Klang Na, clay taken from the heart of the rice paddies, the deepest of earth level that the earth becomes clay, fine-grained natural soil material containing clay minerals. Thais believe that this fine-grained natural soil contains power of the Mother Earth, with auspicious omen, fertility & prosperity.

- Din Jet Phong Jet Pa, earth taken from 7 forests where deposit of salts and other minerals are. A mineral lick (also known as a salt lick) is a place where animals can go to lick essential mineral nutrients from a deposit of salts and other minerals. Din Jet Phong is believed to have the force of temptation and distraction.

- Din Kui Puu, earth balls piling up in front of male crabs’ holes to tempt female crabs to mate, believed having power of temptation and seduction.

- Din Jet Ta Nam, earth taken from 7 boat destination terminals of both sides of the river banks. Thais believe that these areas filled with lovers’ mind power while waiting for one their love one to come homes.

- Din Gon-gru, earth accumulated inside the chambers where ancient amulets were stored, and fragments of ancient amulets.

- Fragments of MOST powerful ancient baked clay amulets or “Pra Gru Gao” in Thai, like; Pra Sawan Chai Nat, Pra Nang Phraya of Wat Nang Pharaya, Pra Pong Suphan, Pra Rod & Pra Kong of Wat Mahawan Lumphoon, and etc…

- Ploy Sek, powder and fragments of auspicious gems.

- Sai Sek, blessed quartz sand.

- Pong Viset (the miracle holy powder made by Luang Phor Guay, and holy powder of Somdej Pra Buddha Chan Toh of Wat Rakhang given to Luang Phor Guay by Luang Phu Nak of Wat Rakhang. The process of making holy powder, Luang Phor Guay blended sacred materials with plaster cement (earth element) and holy water (water element) to make chalks for writing the cabalistic writings on the stone board, then erased it, and collected that powder to make Buddha amulet.

- Koht Lek Lai, the legendary mystical iron ore.

2)Water Element (Nam in Thai)

- Holy water made by Luang Phor Guay

- Sacred water collected from sacred wells/ponds all over Thailand

3)Air Element (Lom in Thai)

- The air was in the clay while kneading and preparing Clay for making baked clay amulet.

- Luang Phor Guay would blow air from his mouth onto the amulet after saying sermons.

4)Fire Element (Fai in Thai)

- The ash, bone powder, and bone fragments collected after the cremations of master/teachers of Luang Phor Guay that contain in this baked clay amulet.

- Tao Senn Gaysa, ash after burning hair of the head of Luang Phor Guay.

- The fire that baked this amulet.

*According to Luang Phu Thong of Wat Samphao Choei, Luang Phor Guay implanted his mind power (telepathy) in the amulets he made or blessed on. The telepathy, the transmission of information from one person's mind to another's without using any known human sensory channels or physical interaction, it would happen while the amulet owners pray or talk to Luang Phor Guay’s amulets (saying any khata (sermon) is not needed), and those messages will pass to Luang Phor Guay automatically.

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The amulet made from soil or earth

The soil or earth is the oldest minerals on Earth, it accumulates all power of good deeds of all Arhats (or Luohan), Bodhisattva and Buddha as long as you and your enemies are standing/living on the earth, the Pra Mae Thoranee (the Earth Goddess) will witness good deeds and bad deeds, if you have made good deeds, then your good deeds have already witnessed by Pra Mae Thoranee, Pra Mae Thoranee will help you, and your enemies could not do any harm to you. And the difficulties of your life, Pra Mae Thoranee also witnesses, and Pra Mae Thoranee will ease all of your difficulties.

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Hair of the head, ash, and bone of guru monks

The hair of the head, ash, and bone of Guru Buddhist monks are considered as relics. “Relics come from masters who have devoted their entire lifetime to spiritual practices that are dedicated to the welfare of all. Every part of their body and relics carries positive energy to inspire goodness.”

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Yant U or Yant Unalome

Yant U or Yant Unalome, unalome cabalistic writing represents the path to enlightenment in the Buddhist culture. The spirals are meant to symbolize the twists and turns in life, and the straight lines the moment one reaches enlightenment or peace and harmony. The dots at the end of the symbol represent death, or the moment we fade to nothing.

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Yant Sariga

The word “Sariga” or “Nok Sariga” refers to a mystical magpie that sings to impress a female in breeding season. The power of Yant Sariga Cabalistic Writing would make people who are listening to what you say standing still, listening, and being mesmerized by your speech. The Yant Sariga is good for merchant, sales representative, celebrity, and politician. It also has power of Magic Charm, Metta Maha Niyom (it brings loving, caring, kindness, and compassion from people all around you to you), Maha Larp (it brings Lucky Wealth / wealth fetching), and Kaa Kaai Dee (it helps tempt your customers to buy whatever you are selling, and it helps attract new customers and then keep them coming back.

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Yant Ma-a-u

The Ma-a-u Cabalistic Writings means “I take refuge in the Buddha, Dharma, and Buddhist Monk”, also refers to the Three Jewels, Triple Gem, or Three Refuges are the supports in which a Buddhist takes refuge by means of a prayer or recitation at everyday life.

These Three Jewels are:

The Buddha, the fully enlightened one

The Dharma, the teachings expounded by the Buddha

The Buddhist Monk, the monks who practice the Dharma.

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“ขอศิษย์ทั้งหลายอย่าอดอย่าอยากอย่ายากอย่าจนอย่าต่ำกว่าคนอย่าจนกว่าเขา”

“All of my Looksit (disciples / followers /adherents/ worshippers / devotees) will be away from destitution, failure, hardship & difficulty in living, poverty, inferiority, and deterioration in quality of life.”

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Luang Phor Guay was highly respected by Luang Phor Pare of Wat Pikulthong, Singburi Province. Many Batches of Luang Phor Pare’s amulets were blessed by Luang Phor Guay first, Luang Phor Pare would bring them to Luang Phor Guay and ask Luang Phor Guay to bless them for him before the Grand Blessing Ceremonies…

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*All of the amulet made by Luang Phor Guay, the last mantra that Luang Phor Guay blessed on amulets was “The Khata Sà-tón Klap (The Bouncing Back Mantra)”. The force of the bad intentions / activities / behaviors from your enemies hitting you, the Khata Sà-tón Klap puts an equal force back onto them, meaning those bad intentions / activities / behaviors bounce back up to your enemies.

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LUANG PHOR GUAY

Luang Phor Guay was an abbot of Wat Kositaram (Wat Ban Khae), Chainat Province living between (BE 2448 to BE 2522)

Luang Phor Guay was a disciple of many Legendary Guru Monks, for instance;

- The Holy Luang Phu Tao of Wat Kaang Kaao, a senior brotherhood of Luang Phu Suk of Wat Pak Klong Makham-tao

- The Holy Luang Phu Sri of Wat Pra Prang

- The Holy Luang Phor Derm of Wat Nong Pho

The supernatural power of Luang Phor Guay experienced by his Looksit (disciples / followers /adherents/ worshippers / devotees)

1)An ability to know the future.

2)An ability to shoot clay ball bullets from a sling bow with cursive path (line of fire) to any targets Luang Phor Guay wanted, no matter how far they were.

3)An ability to make a ring to be put on anybody’s fingers no matter where they were by blowing rings from Luang Phor Guay’s palms.

4)Photo shootings without Luang Phor Guay’s permission, those photos would be blurry or camera malfunctions.

5)An ability to make people who just visited Luang Phor Guay not to recognize Luang Phor Guay after leaving Luang Phor Guay.

6)An ability to stop gun from firing at him or anyone

7)An ability to make gun malfunction by squeezing out a piece of cloth in his hands.

8)An ability to make ants to return to their nest hole.

9)An ability to bless chicken food, and made chickens eat it if the chickens or the chicken eggs were stolen, and later eaten by the thieves, the thieves would got Dermatophytosis or Ringworm on their skins.

10)An ability to use a rock tying up with a robe, and beat up his looksit, and looksit felt no pain.

11)An ability to stop the gun from firing by saying “the gun jammed”.

12)An ability to treat people with headache by pinching their own thumbs.

13)An ability to heal people with broken bones.

14)An ability to replace the pain during child labor from wives to their husbands.

15)An ability to turn a man to both a crocodile, and then a tiger or vice versa.

16)An ability to turn midrib of a banana leaf to a green snake, and a loincloth belt to a cobra.

17)An ability to turn leaves of Maerua siamensis (Kurz) Pax tree to wasps.

18)An ability to turn a joss stick wrapped with red paper to a Siamese fighting fish.

19)An ability to hold burning charcoal in his hands

20)An ability to pick anything that his hand could hold from anyplace, no matter how far they were.

21) Luang Phor Guay’s message to his looksit would come true.

22)An ability to make his amulets floating in the water or flying in the air.

23)An ability to command wasps to sting any people he wanted. And command turtles to search for anybody he wanted.

24)An ability to toss his amulets into the air, and those amulets were flying to people whom he wanted to give amulets to, no matter where they lived.

25)An ability to know if his Looksit were assaulted or in danger, no matter where they were at.

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THE AMULETS OF LUANG PHOR GUAY

Luang Phor Guay made and blessed all of his amulets by himself. Mon Pra Gaan, the Lord Kala in Sanskrit, the Pra Gaan Mantra, the one who is beyond time (death) and universe and all life within, and the god of death. Those who have good intentions of using Luang Phor Guay’s amulets would be blessed, those who are not will be doomed. And all amulets made by Luang Phor Guay, at the final of blessing ritual, Luang Phor Guay would end with Khata Sa-ton-klap. Such Khata has a power that helps protect amulet wears from manipulators, backstabbers, and toxic people. Not only protection from those kind of people, but also people who are thinking a “bad” thought about the amulet wearers will also be doomed.

REMARK: According to Looksit (disciples / followers / adherents / worshippers / devotees) of Luang Phor Guay, Luang Phor Guay made amulets every day to release his mind power (Grasin Fire) that generated heat in his body, and Luang Phor Guay NEVER made amulets for sale. Luang Phor Guay just gave amulets to anybody he wanted.

THE BLESSING PROCESS OF AMULETS OF LUANG PHOR GUAY

Luang Phor Guay blessed his amulets at the 7 times of the day firstly in the early morning, in the late morning, in the afternoon, in the late afternoon, in the evening, in the late evening, and at midnight. These 7 times of blessing was said to be the blessing process of Black Magic, and to prolong/extent the lives of people who wear his amulets in case that people’s lifespan on earth are shorten by their bad karma. And only best guru monks or Best white robe masters could perform such rituals. Luang Phor Guay would pick the day on auspicious constellations (Rerk Mongkon), master of devil constellations (Rerk Boon Phraya Maan), and criminal constellations (Jora Rerk). Luang Phor Guay said that the Rerk Boon Phraya Maan, and Jora Rerk are constellations that help criminals, and evil people to successfully commit their crimes, and amulets of Luang Phor Guay would perform miracles to persuade those bad people to believe in good and bad karma, then they will return to support Buddhism, and finally, they will be decent citizens.

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DIMENSION: 3.70 cm high / 2.50 cm wide / 0.60 cm thick

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item # K18C57

Price: price upon request, pls PM and/or email us [email protected]

100% GENUINE WITH 365 DAYS FULL REFUND WARRANTY

Item location: Hong Kong, SAR

Ships to: Worldwide

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