#regional language variation

[panvani]

Generally those issues are handled in fantasy settings by having a vernacular called Common that everyone happens to speak for some reason which is certainly non ideal but at least is better than No all of these cultures separated by millions of miles for thousands of years just happen to speak an identical form of English

#logxx #Honestly I think the thing that actually annoys me about it #Is that if it were just stated that the characters were using an otherwise dead holy language (like how Latin is used today) #It would explain why there's almost no regional variation and almost no change in thousands of years #And it's totally 100% reasonable for all of the characters to know a language like that cuz they're all upper class religious servants #It would have been so easy ...

[theenglishnook]

Exploring the Rich Tapestry of English Dialects: Origins, Variations, and Unique Characteristics

English dialects can vary significantly across different regions and communities, resulting in a wide range of accents, vocabulary choices, grammar structures, and pronunciation differences. Here are some of the major types of English dialects: British English: Spoken in the United Kingdom and its former colonies, including England, Scotland, Wales, and Northern Ireland. It encompasses various…

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#British vs American English #Comparative linguistics #Cultural influences on language #education #English #English language geography #English language variations #english-language #english-learning #Global English variations #Historical linguistics #inglés #language #Language Comparison #Language evolution and history #Language variation research #language-learning #languages #learn-english #learning #Linguistic anthropology #linguistic diversity #Regional accents and dialects #Shakespearean language analysis #Sociolinguistics

[tyrannuspitch]

rlly fun thing with linguistics is when someone says "now of course in [language] we don't say x any more" and you speak [language] and x is something you hear literally all the time

#irritating when someone is obviously just not considering regional variation at all #eg 'in english then and than aren't distinct pronunciations any more!' okay yank. #but just kind of funny when it's something that rlly is unfamiliar to like 99% of [language] speakers. and yet. #like amn't for example. yes my old friend amn't i know her well. #or the yorkshire thou. not something i've personally encountered but i know of it so that wld be another one

[ouroboobos]

being american is sucks as hell. it genuinely pains me to think about the customs and language i could have grown up with if my family had stayed in ireland or scotland or norway however many generations ago. and it really bothers me to consider what the evolution was like for my family from whatever they were before to what they are now. like were they always this bad, or is it partly the result of growing up in a conservative american environment?

#and the norwegian side only got here like... 2 or 3 generations ago? it was my great grandparents who moved here in adulthood i think #but by the time i was born nobody knew the language or how to make more than a couple dishes or anything. it makes me really sad #but im almost sadder about the irish/scottish side of my family esp when i read about the way the languages are dying out #and the cultural suppression and all that #its just very depressing #i wish i could have had some connection to these cultures but i just dont because nobody inherited any of that knowledge #obviously american culture like... IS a thing and there is regional variation but idk it doesnt feel. defineable? #hard to put into words but im sure someone knows what i mean

[whispereons]

Oracle!Reader Part 2

Masterlist - Part 1, Part 3

The waves hit the boat gently as you wait for the sound of people to get quieter. Once the cawing of birds is the most prominent sound, you jump out of the boat onto the shore. You walk up Amakane Island and keep your head low as you pass by stalls and people.

You get to mask stall which is thankfully empty at the moment. A jagged fox mask with the lower half missing and gold accents catches your eye. You put it on right as the vendor comes back to the stall.

You smile excitedly at the two men feeling more confident with your identity hidden. The mask showing the bottom half of your face is a necessary sacrifice. Body language is a double-edged sword for lying that you've learned to wield expertly.

"Hello, are you the vendor for these masks? I really like this gold one, I couldn't resist trying it on. How much is it?"

The vendor sees the mask you're wearing and laughs nervously.

"Hello dear customer but I'm afraid it broke when two other customers were fighting over it. You could come back tomorrow, and I could give you a mask with that same color or you could pick a different mask now."

You skirt around the offer and distract him with more questions. It's not like you have any mora to pay with. Your tone is sympathetic and sweet.

"I'm sorry to hear that happened. If you don't mind, I would like to know why they were fighting over it."

"Well as everyone knows, gold is heavily associated with the creator and that happened to be the last mask. The Yashiro guard that usually stands guard is escorting them to the prison."

"Oh, I see. Actually, do you mind answering some of my questions? You see I'm a traveler and I like to listen to stories about the creator. Each region has their own variations about the creator so I'm curious about Inazuma's!"

Your smile is bright, and the man seems to perk up at your words. He begins explaining about acolytes, praying times, the creator's image and even more.

Simply put the playable characters are acolytes and it's a high honor if they have been awakened. Which is a fancy word for saying that you pulled and won them.

No one knows the creators real name meaning you can still live on as Y/N. They believe that after creating the world you were now resting inside a different world. That now that you were awakening acolytes, you would be arriving soon.

It's when he mentions sacrificing that you feel dread pool inside you. This is a cult; you have a fucking cult. Ironic how Ei almost sacrificed you to yourself.

After getting all the information you needed from the man, you walk away. Still wearing the mask without paying for it. The vendor will probably realize in a little while, but you would be long gone by then.

You look back at your boat wondering how you could get rid of it. Ei saw it meaning that she'll be able to recognize it as long as you have it nearby.

You look at Byakko Plain where a teleport waypoint should be. If you could get to it, activate it then your plan of discarding the boat should work.

As you walk across the sand and soft waves from Amakane to Byakko you see 3 treasure hoarders and a nobushi. Right in the middle and right in your way.

Could you outrun them? Probably not. Fight them and win? Maybe the treasure hoarders but that nobushi is dangerous. Your only choice is to retreat and have one of your acolytes defeat them. It felt weird referring them like that but this whole thing is bizarre.

Just as you turn around, you hear them yell. The nobushi pulls out his sword, a treasure hoarder takes out throwing knives, another a crossbow, and the third uses a paddle.

You have no choice but to fight. Gritting your teeth, you skid across the sand to avoid getting hit by the knives and arrows. The nobushi sprints and slashes his sword to hit you at the same time the paddle treasure hoarder rushes after you.

You jump away just in time to see them hit each other instead of you. The sword stabs the paddle guy right in the stomach and the two other treasure hoarders freeze at the sight. The nobushi pulls the sword out unfazed.

The two treasure hoarders watch in horror as paddle guy coughs up blood and falls to the ground.

"What the hell man?! Why would you stab him like that?!" The treasure hoarders start yelling and aiming at the nobushi. The nobushi glares at them and starts walking toward them. The blood on his blade glints in the sunlight and you try not to think about the blood that is splattered on your shirt.

Using the argument between the nobushi and treasure hoarders, you pick up the paddle. The nobushi will probably kill both treasure hoarders and attack you again.

It's better to take out the nobushi and fight the treasure hoarders then run away. As you sneak up behind the nobushi, the treasure hoarders see you and stay silent.

The nobushi prepares to swing and cut down the treasure hoarders. It exposes the back of his neck, and you swing the paddle hard. Your hit lands and the paddle breaks from the force.

The nobushi falls to the ground leaving you exposed as you pant from the strength needed for the blow to be effective. The treasure hoarders stare at you in some shock as they tremble from their life so close to being over.

"So, uh truce?" You offer as you stand up straight. They look at their weapons and look back at you. Their hesitance unnerves you and you drop the broken paddle remains. They get a dangerous glint in their eyes now that you're unarmed.

You smile and pick up the nobushi's sword in a flash. Pointing it at them, you spoke with a drawl.

"Which do you think is faster? Your shitty aiming knives and arrows? Or this sword that's almost as tall as you?"

You touched the teleport waypoint as you watched the treasure hoarders run away. That sword was heavy as hell and only the adrenaline coursing through you in that moment gave you the strength to lift it so easily.

You held a small bag of mora, an old handguard, and 3 treasure hoarder insignia. You opened the bag that you got from the house you woke up in. You put it all in and close the bag. You didn't expect that enemy drops would still exist. The blood on the materials stained your hand and left you a chill.

Watching the teleport become gold you open the screen and open the map. You click on the first teleport waypoint you opened on Kannazuka. The same one where Ei found you.

There were two options, both had the words 'teleport waypoint' but one was gold. You pressed the gold option, and your vision went white.

Pressing your hands to your eyes, you open them slowly. It actually worked. You teleported to Kannazuka island. In a daze you walk to the waverider and summon the boat. You open the screen and teleport back to Byakko Plain.

Your eyes close automatically as you teleport. When you open them again at Byakko Plain, you look to see the boat gone. Pushing down the relief at it working, you try to remember what you needed to do next.

The cold wet feeling of blood on your clothes was creeping you out. Plus your clothes were so unique that Ei could definitly recognize you from it.

You pace the path as you think. The small amount of mora you put in your bag was all you had. But how much could a shirt, pants, and shoes cost? A potato was like 100 mora so the price should be around 4,500 mora. And even that's the least amount it can cost.

You open your bag to check the mora and instead of seeing inside the bag, a screen is there. It's the same screen you see when you open your bag in Genshin.

Well at least you won't have to worry about weight or food expiring. But unlike the bag you have in Genshin, this one is nearly completely empty. So, it's not connected to the bag you have in your account.

You look to the bottom and see 108 mora. You select the insignia and handguard. You try to trash them to see if you can get any mora from that. The game warns you nothing can be recovered, and you cancel the trashing.

Maybe you should just steal? It's your only option at this point. No one would be willing to accept help from a bloody masked stranger, nor will they accept 108 mora as a down payment. You really wanted to avoid stealing more than this mask. Clothes take a long time to make considering how the technology here isn't as advanced.

You trip over something small and pointy almost falling face first into the ground. You catch yourself and look to see that it's.

"Ushi?"

The cow moos at you and before mooing at a group of people running towards you.

"BEEFCAKE!"

Itto runs and picks Ushi up in a twirl nearly smacking you in the process. Kuki and his boys catch up as they breathe heavily. The only thing you can think as you watch Itto baby Ushi is.

'Dear god the game did not do him justice.'

Itto is huge, as tall as the nobushi you fought, and his muscles are nowhere near as flat as his game model.

"Boss, be more careful! You nearly hit them when you threw Ushi!"

Kuki scolds Itto as she points at you. Itto stops and looks at you in surprise seeming to finally notice your existence. Putting Ushi down Itto ruffles your hair and laughs.

"You mean this kid? C'mon if Ushi didn't nearly hit them, something else would."

"Sorry about him, he'll call anyone shorter than him 'kid'."

"It's fine, the bull, uh Ushi, you called him? Didn't hit me."

"Either way sorry about that compadre, but it's a good thing it didn't hit you. As an acolyte if he did hit you, you would probably be six feet under."

As gruesome as Itto's words sound, his actions are the opposite. He has an arm slung around your shoulders and a bright smile. Kuki who is usually more composed seems to be smiling judging by the crinkle at the edge of her eyes.

"Wow, you're an acolyte? Makes sense, a lot of vision users are. My name is Y/N, what are yours?"

Itto perks up at that and releases you. He stands in front of his gang facing you. The sun makes his red horns glint as he spreads his arms animatedly.

"I'm Arataki 'The One and Oni' Itto! I have many names but for time's sake I'll skip them this time to introduce you to the Arataki Gang."

He points to each of his members as he introduces them. "This is Shinobu Kuki, my deputy. She has a permit for everything - literally everything and is also an acolyte. Ushi is the auxiliary member; I call him Beefcake. Akira, Genta, and Mamoru are my boys and have been some of the longest standing members of the gang."

"You mean the only other gang members."

Shinobu corrects him. Spinning around to face her Itto shushes her a comically number of times. Not very quietly he whispers to her.

"Hey, hey don't ruin it for me. A new person is the best to get to join the gang."

Those words make you perk up as you watch Itto continue whisper-yelling at Shinobu. Honestly you wouldn't mind living as a member of the Arataki gang. It's not a criminal gang like the one you were in, in your old world. In fact, it would be even more fun than a normal job.

But there's no way you were staying in Inazuma with Ei hunting you down. You need to steer the conversation away from this into something more productive.

"Sorry if this is rude to say but are your horns real? This is my first time in Inazuma, so I've never seen anything like it before."

Itto abandons Shinobu's side to stand in front of you and comb his hair back with a proud grin.

"Indeed, they are real. Guess you didn't realize my clever wording in my title as the 'One and Oni' Itto. I'm a red oni and the best one there is!"

"That's why you have those red markings right? Plus, your clothing and accessories have all those horns too. So cool!"

Your voice heightens in a way that is similar to a fan. His reaction is just what you wanted. With a smile he juts out his thumb at himself as Shinobu shakes her head.

"Glad to see you recognize my awesomeness! Go ahead and praise me some more!"

"Don't encourage him anymore or else we'll be here for hours."

"Relax Shinobu, an amazing oni like me wouldn't let them stay out here for so long. C'mon Y/N we'll lead you to the city!"

Rubbing the back of your neck, you look down as you sheepishly admit.

"I don't think I can go in with clothes like these. Some treasure hoarders and a nobushi attacked me on my way to the city. So now my clothes are all cut up and dirty."

"What?! That's horrible, I swear if I see them, I'll-"

"Calm down boss, let's get them a change of clothes and then you can go after them."

Shinobu also seems a bit pissed at your story, interesting.

"We should have a spare uniform with the other materials, right? We can get the clothes along with the materials."

"But what if they got hurt? We can't have them walking like this! Akira, Genta, Mamoru! I'm gonna need you three to get the supplies and the old uniform. Shinobu and I will keep our new friend Y/N company in case anyone else tries attacking them."

You inwardly sigh in relief at not having to walk. Your heels still hurt from the electricity.

The boys hesitate as they give you a glance. Unlike Shinobu and Itto who seem to have an instant liking to you, the boys are unsure. Shinobu tries to explain to them.

"I know boss gets scammed nearly every time something like this happens, but I have a good feeling about Y/N. It's like I've meet them before, almost like an old friend."

The boys nod and leave feeling more assured with Shinobu on your side. Itto pats her back with a grin.

"You explained it almost as well as I would have."

"But maybe you should have gone with them. It'll be difficult to carry all those materials by themselves."

"Ah, have more faith Shinobu. They'll be fine. The shrine will look great."

This talk of materials and a shrine give you an inkling of what they're doing but you question them to be sure.

"By shrine, do you mean you're making a shrine for the creator?"

"That's right! It's almost the anniversary of the creator awakening the traveler, so we wanted to do something special. But it'll take some time for the boys to get back with the stuff. Why don't we have some fun in the meantime?"

That smile on Itto's face turns competitive as he stares down at you. It's infectious and before you know it, you have the same grin.

"What game are you suggesting? It would be fun to try an Inazuma game. You'll probably need the extra help of it being familiar too."

"Oh hoho! Shorty's got jokes! I'll take you on in any game. But since you want something Inazuma style then beetle fighting is the obviously best choice!"

Shinobu sighs affectionately as she watches Itto explain how beetle fighting works to you. She can't help but feel drawn to you and Itto feels the same way.

You find a huge purple reddish beetle and carefully carry it to the stage Itto set up.

"That's a good one Y/n, seems like the beetle likes you."

Shinobu comments as you bring it into view. The beetle moves in your hands as docile as a lamb and you pet the hard shell.

"That's great to know. Hope you won't be too mad when I beat Itto's ass."

"As if, just be prepared for him to challenge you to a 100 more matches."

"He wouldn't actually do that right?"

Shinobu adjusts her mask as she stays silent.

"Right???"

She only laughs as Itto bounds up to you both holding a good-sized purple beetle.

"I can tell this little guy has a beetle fighting spirit like no other! Be prepared to lose Y/N!"

With both beetles on the stage, the fight begins. Or that's what you would think if Itto's beetle wasn't immediately defeated.

You give your beetle a nice pat for a job well done as Itto picks up his beetle shocked.

"Alright, I lost that time, but this next round will be different. He just got stage fright is all."

Another round goes and you win again. Itto challenges you again and surprise, surprise you win again. This loop goes on and on until the boys arrive with the clothes and materials.

You cheer tiredly as Itto finally stops challenging you to help his gang with building the shrine. You pick up your tired beetle and hold him close to you as you watch them begin building.

Itto's beetle pinches your leg lightly to get your attention. You smile at the purple beetle and hold him too. Now out of battle the two beetles are friendly with each other.

"Never again Shinobu, that was at least 35 rounds."

"37 actually but hey, who's counting?"

You chuckle at her words and watch as she takes the uniform from the boys. She walks back and hands you the clothes.

"There's a small stall right on the outskirts of Inazuma City. You can change there."

You look at where she's pointing and thank her before going to it. You enter it and take off the mask. After changing clothes, you look at yourself in the mirror.

The outfit itself was Inazuma style with near unnoticeable patches. You never imagined you would be wearing clothes like this in Teyvat. Putting on the mask and looking back into the mirror, you feel more like a part of this world.

Was it because without it you would be hunted? Were you just able to disassociate better with it on? Or were you truly so isolated from the person you wished to be, that living with a mask and an altered identity was more comfortable?

You shake off those thoughts and leave the stall. You get back to where the Arataki gang is building the shrine. Your shrine. And sit beside Shinobu who is supervising to make sure they don't accidentally kill themselves.

You casually chat with Shinobu slowly bringing the conversation to the topic you want. You finally get to say the sentence that will serve as information bait.

"Actually, I'm trying to find a boat to Liyue. I want to keep exploring."

As much as you would love to stay in Inazuma a while longer to look around, Ei isn't the only one you were worried about. Yae, Heizou, and Ayato were all threats in their own right.

They're all good at sniffing out lies and mysteries. And you happen to be the biggest one, especially with this mask.

But Shinobu never got to reply to your comment as Sara approaches you all. Her stare is intimidating as she glares at Itto. Her voice has that same crisp professionalism that you remember her for.

"What is it that you all are doing here? The residents are complaining that your noise is distracting from their daily activities."

Itto gives an annoyed huff and stands up to face her.

"Me and the gang are building a shrine, thank you very much. I never do anything to attract more trouble, seriously what do you take me for? Like obviously I am the trouble, duh."

The way Sara examines the half-built shrine is similar to a stranger looking at a little kid's art piece.

"At least you're doing something productive for once. Despite that, you still need a permit to build one."

Shinobu sighs and stands up. Sara examines the permit from Shinobu before handing it back to her. Just as Sara was about to leave, she finally notices you.

"And who is this? You didn't drag them into your shenanigans, did you?"

The accusatory tone in her voice directed towards Itto made you smile but Itto's sputtered defense was what made you laugh. Sara watches you before approaching you.

"What is your name? I don't think I recognize you as a local or as a frequent traveler. I'm Kujou Sara, general of the Tenryou Commission."

"It's nice to meet you Sara, I'm Y/N. This is my first-time visiting Inazuma."

You smile innocently at her knowing how strict she was at her job. She went silent before saying.

"Your hair, your jaw shape even your smile is so similar to the creator."

Your heart drops when you hear that. Shinobu and Itto look at you too, they can see the resemblance. But your smile stays on your face with ease.

"I've heard that before but thank you for the compliment. Being similar in those features is a blessing."

Your tone is wistful like a shy admirer. Sara's suspicions seem to ease but she becomes curious instead.

"Where are you originally from? How often are you compared to the creator? Were you born with those similar features or did your face naturally change into it?"

With each question Sara gets closer and closer. Her tone has a rare curiosity and just a hint of reverence. It was a good decision to be wary of the cult and all the acolytes. It seems like most of them would react the same way Ei did if they saw your face.

"Your presence. If I'm not wrong, it feels exactly like how the creator would control us."

Her tone becomes cold and as you had no time to answer any of her questions, the suspicion has tripled.

You jump back as lightning flashes right where she was as she retreats a step. She stares at you waiting for your answer. Shinobu and Itto seem to fade in the background as you stare at Sara.

They all want answers. Answers that you don't have. The truth will only be seen as a lie and what lie could you possibly tell them that-

Oh.

That could work. Yes, it can definitely work.

You sigh and turn your head to the side while lowering it a little.

"I was hoping to keep quiet about this longer until I was sure of it but if you insist then I should tell you all the truth. Especially Itto and Shinobu since they've helped me out a lot."

You spin a story on how you woke up with little to no memories at a little shrine near Ritou. You rest your cheek on your hand as you recall how you heard the most beautiful voice state that you were now the creator's oracle. How you were told that you were not going to be controlled but be a way for everyone to communicate almost directly with the creator.

As you finish, they all stare at you with in slight suspicion but no hostility. You smile to yourself as you realize that they are willing to believe. That they could be convinced of your lie.

You play with your hands as you solemnly tell them that you understand that they may not believe you. That the creator even warned you of this being the most likely possibility.

Your smile is gentle, and your voice is a little hopeful as you explain that by communicating with the creator you could prove your status as an oracle.

"Prove it. Show us that you are truly the chosen oracle of the creator."

Sara says firmly.

"I want to believe you Y/N and I hate agreeing with Kujou chicken but I'm serious about the creator. I'll need to see this proof too or else I'll having to actually knock you with Beefcake as revenge for lying by using the creator. I speak for Shinobu and the gang."

You can see Shinobu roll her eyes at Itto's theatrics, but she doesn't interrupt. You smile and nod your head.

"Of course! Using the creator like that is blasphemous. I just need a small shrine to pray in private. If anybody sees or interrupts me, it could make the process go wrong."

Sara accepts that and leads you to a small temple in the middle of Byakko Plain. Which most definitely did not exist when you were still just a player.

You walk inside and stare at the murals that decorate the walls. It's you, undoubtedly so. Some are beautiful, while others are hauntingly sad. You can't help but let your eyes linger on the mural of you embracing a crying Thunderbird that was slowly becoming a Thunder Manifestation.

Probably Kapatcir, the Thunderbird that bonded with Ruu on Tsurumi Island. You never bothered to really memorize this kind of stuff but perhaps being the creator has made you automatically recall everything.

Sara leads you deeper into the temple until you stop at a alter. The altar itself is beautiful. A cobblestone base with Sakura, Amur Maple, and even some Otogi wood used to make the structure of it.

It reaches almost as high as the ceil and the trees wind around a statue of yourself. The statue depicts you with a peaceful expression and clasp hands.

You try to ignore the blood stains that cover the base of your statue. You go into a kneeling position and clasp your hands. Sara leaves the temple and it's only when the light from the door is gone that you relax.

The candles around your altar keep the temple bright and you open the screen.

You already know from experience that simply telling them private information will just lead you to be more suspicious. Instead, you switch out their weapons. From fully leveled weapons to dull blades, you close the screen.

You leave the temple and head back to where the gang and Sara is waiting. You hear the sounds of Itto trying (and failing) to challenge Sara to a rematch as you get into view.

Shinobu sees you first.

"Y/N! Did you finish praying?"

You nod with a gentle smile.

"I did and they answered my prayer. As we know, the creator can really only affect the acolytes so please take out your weapons."

"Gladly, I mean their grace gave me a wonderful fully upgraded Whiteblind that makes me even more powerful than I already am!"

Itto summons his weapon and holds it over his shoulder in a pose. Yet in his hands is a level 1, one star, Waster Greatsword. Shinobu sighs and breaks it to him.

"Boss look at your weapon."

"What? Why would I? It's fine, the creator gave me it before they even- Oh my archon, this isn't my claymore!"

As Shinobu and Itto squabble, Sara looks at the Hunter's bow that she now has. It's so unlike the Sacrificial bow that she normally wields. She feels weak with it, like the creator deemed her unworthy of their gifts.

Looking back up at you, she speaks with a small sadness that doesn't go unnoticed by you.

"It seems you are telling the truth. I apologize for doubting you. There has never been anything on an oracle appearing, so I was suspicious. Could you please pray and ask-"

"Y/N! You have to speak with the creator again! There's no way I can wield this hunk of junk. Not when I know that my great Whiteblind that was given to me by the creator is somewhere out there."

Itto shamelessly cuts Sara off. You laugh and reassure them.

"Don't worry, I'll pray and ask them to change it back. It was only temporary after all."

You leave quickly to the temple and change the weapons back. Shinobu didn't bother taking out her sword, but you still gave her, her correct one back.

You get back in time to hear Sara announce her departure to see Ei.

"I must report this to the Almighty Shogun. The existence of an oracle could mean a great deal of things. Including the chance that the Almighty Shogun can inquire the creator through you as to why she has not been awakened yet."

You didn't pull for her before and you certainly won't after how she chased you. Ei could even take you awakening her as a sign of approval of hunting you.

And there's no way you can let Sara tell Ei about your existence yet either. You would be seen as suspicious due to being found on the same day the 'imposter' was found. You needed a firm reputation as the oracle before you could ever meet Ei again.

"And I have to stop you from doing that. You see there's a reason the creator wants to keep my oracle status quiet. The creator wishes to not only see the world but all the acolytes naturally. Lumine is a famous traveler, people naturally act differently around her. But I'm not well known so everyone's true or normal attitudes are revealed to me. They want to see them as their truest self and warning the Electro Archon beforehand will go against the creators wishes."

Yes, it contradicts how you want people to be aware of you being an oracle, but it's works better than you would expect. Sara is too devoted to go against the creators wishes so she'll stay quiet. Shinobu is trustworthy and will keep quiet to please the creator.

But Itto and the gang? They'll either boast or let it slip easily. Anything that is told to stay quiet or secret almost always gets spread even faster. And since no one would dare speak to Ei casually nor will she actively look for information, Ei will still be oblivious. Only Yae could possibly let Ei know and you plan to be gone by then.

Sara keeps her head down as she speaks.

"Our truest self? Truly, the creator thinks far ahead than anyone else. Can I ask you a favor? How does the creator view me? I treated you with suspicion when you were only doing the creators will. Is that my truest self?"

You reach out your hands and grasp both of hers. She seems so sad and resigned that you can't stop yourself from using your title to speak plainly.

"Sara, the creator has seen you and your truest self is not what you believe. They see just how devoted you are to the Electro Archon and to them. The way you take your job seriously to protect the people of Inazuma, how you do your upmost to preserve their will. They wish that you would grow more when it comes to your emotional state, but they love seeing you take pride in your work. There is nothing to fear."

The way you tilt your head makes it obvious that you're staring directly into her eyes. Your skin, your hold on her hands, that piercing but warm gaze. Your features so similar to the creator. It's like she's looking at the creator in the flesh.

"Your grace..."

Sara whispers before jumping back as you're pulled away from her.

"Hey! Stop hogging Y/N! Weren't you going back to your boring workplace? If you're gonna stay any longer than you should just agree to my rematch."

Itto is holding you by the back of your shirt lifting you above the ground as he glares at Sara. You wanted to laugh at his clear jealousy.

Sara grits her teeth in annoyance.

"I was just conversing with Y/N, but I will be on my way now."

With that Sara leaves with Itto putting you back down as he stomps his foot like a kid.

"That stupid chicken, why did you hold her hand? You could have just held mine, I'm way stronger!"

"Didn't she beat you in a fight?"

"Well yeah, I admit that, but she always refuses a rematch! She's too chicken to accept it because she knows she'll lose!"

"Boss the shrine is done!" "Let's go get the offerings now." "Maybe some candles, candy, and lavender melon."

You struggle not to fall as Itto drapes his whole arm on you. He turns to his boys with a grin as Shinobu helps you escape his grip.

"Good work boys, we'll get the best stuff."

You walk with the Arataki gang as they gather stuff to offer. Sometimes they ask you which one is better to offer since you can communicate with the creator. It's not like anyone will believe that you, a scrappy lying human is their beloved creator.

You smile and shamelessly pick anything you like. You were the creator after all, this totally wasn't self-serving in the slightest.

Taking it back they light the candles and offer the gifts. There's a rare moment of silence as you all pray to the shrine. Well at least they were, you were too busy trying not to fall asleep from such a busy day.

It's only when you are eating roasted lavender melon with them all that Shinobu speaks on topic you needed.

"I almost forgot, Y/N, you planned to leave Inazuma right?"

"What!? You're leaving already? Why?"

Itto's whiny dramatic voice made you smile.

"I'm not leaving yet; I don't have any transportation. I'm following the creators will. As the oracle it's my duty to spread the creator's thoughts and feelings. It's my honor to be one of the bridges between the creator and Teyvat. While Lumine is used to let acolyte be awakened, I am used to communicate."

Itto groans before sighing.

"Fine fine, I understand. You know what? I'm such a great oni that I'll even bring you to meet a guy that can help you. Pretty kind of me, right?"

Perfect, a possible transportation to escape Ei.

"That does sound great! I would love to meet them."

You can basically see Itto's ego grow with every word you say. Before Shinobu can say or do anything Itto lifts you up onto his shoulder. His hand holds you steady as he laughs at your panic.

"Then what are we waiting for? Feel free to admire my greatness as we go to see my guy."

Shinobu waves sympathetically as Itto hauls you towards Inazuma City. He asks you loads of questions about the creator and how they view him.

"Do they think I'm great? Am I their favorite? Of course, I'm their favorite, I am Arataki 'Numero Uno' Itto after all. Just look at me."

"They think it's funny how you always find a way to accidentally consume bean products."

"Oh god no, don't even mention beans. I can't believe they saw me in such a weak moment."

"They also wanted to whack every human who threw beans at you with a beehive to see how they like being allergic."

"You're not lying about that right? Cause that's the best news I've ever heard in my whole life!"

It's fun, the whole walk with Itto was fun. It's even better than you imagined being in Genshin would be like. You wanted to continue living like this. But the looming threat of Ei hanging over your shoulder seemed to stain your mood.

Your hand brushed against your mask. It's a reminder that you probably can't ever live your life here without it. It's still a cult that may attack you at any time.

With that grim reminder, dread pools in your gut as Itto leads you closer to Thoma.

Oh god, oh fuck if it's Thoma then it's Ayaka and if it's both its Ayato. And Ayato could definitely figure you out. Maybe you'll be fine, not everyone that meets Thoma will eventually meet Ayato.

"Thoma! My bro, my guy, my dude. This is Y/N, and they need your help getting a boat to Liyue. They're a super sick oracle for the creator and got a big mission to follow the creators will."

Shit. That one little word is repeated in your mind as Itto keeps talking. You were right about how saying 'it's a secret' makes things spread faster but you didn't want it to happen while you were still here! Thoma has a smile frozen on his face as he listens.

"I'm sorry they're the creator's oracle? I really mean no offense, but this is quite hard to believe."

Thoma smiles sheepishly while Itto pushes you in front of him to face Thoma. There's no point in trying to remind Itto to keep your identity on the down low. Holding out your hand you speak cheerfully to Thoma.

"Yeah, you aren't the first acolyte to not believe me. It's understandable since I'm the first."

Thoma shakes your hand, it's a little hot but not burning. It seems visions really do affect their bodies.

"How did you know I'm an acolyte? I'm just a simple housekeeper for the Kamisato Clan."

"Like Itto said, I'm an oracle. The creator grants me knowledge needed to meet and communicate with everyone."

"Well, I'm sorry Y/N but there's no way I can help you with your identity as an oracle so, sorry to say, suspicious."

It makes sense, Thoma while being a nice guy is loyal to Ayato and Ayaka first and foremost. It's one of his key defining traits and that also means he's loyal to the creator too. Itto tries to convince him by retelling how you switched the weapons, but Thoma doesn't believe it.

"Okay if I tell you information that only very few people know that can prove that I'm truly an oracle, will you help me find a boat?"

"Alright but I have very high expectations. I refuse to help someone that might be using the creators title to trick people."

"To the public knowledge, Lord Kamisato was awakened and then you were awakened. But that isn't the truth. That was a switcheroo Lord Kamisato made to avoid enemies using the truth against the Kamisato Clan. You were awakened long before Lord Kamisato but had to stay quiet about it per his instructions."

Thoma looked at you with slight suspicion. Only Ayato, Ayaka, and Thoma knew about this, yet you a stranger did. But he just couldn't shake off the nostalgic feeling you gave him.

"That's honestly really shady but I can't deny that you're impressive. The only people that know about this would never say anything unless they really trust you."

He smiled kindly like you always seen him do in the game.

"I'll honor our agreement and help you find a boat."

Itto cheered at Thoma's agreement and waved goodbye as you and Thoma left. The gang caught up and started walking to God knows where as you and Thoma walked through Byakko Plains.

"An oracle huh? That does explain why the feeling of being awakened seems to surround you."

The grass swayed as the moon rose higher in the sky.

"All you acolytes tell me that. I can't feel it myself, but it sounds amazing."

"It is, like being embraced by the creator themself. Do you truly not remember much about yourself or your life before becoming an oracle?"

The butterflies dance with the fireflies as the sound of hilichurls dancing can be heard faintly.

"Other than my name, my bag and the clothes on my back, I truly had nothing. My only knowledge of Teyvat is the one the creator shows me through dreams, visions, and stories."

"This must feel like a whole new world to you then. But you're adapting quite well. Would it be presumptuous to ask what the creator thinks of me?"

The path splits to two at Konda Village and Thoma leads you to the right. Nerves prick at you as remember that Ritou is on the left. Where is he taking you?

"A malewife."

"A what?"

"It must be some slang from their world. But it isn't an insult from what I've gathered. In fact, I think it's a compliment."

Thoma blushes a little as he stares straight ahead. You turn your head to hide your smile at his cute reaction. Chinju forest surrounds you as you pass under a red gate and walk along the stone path. You really hoped he wasn't taking you where you think it is.

"But if you want a deeper answer, the creator sees you as a loyal person. As kind and helpful you are to others, it's your fierce loyalty that keeps their eye on you. It burns as bright as your flames."

His eyes shine at your words as he looks up at the sky wistfully. The moon seems to reflect in his eyes.

"Do you mind if I tell you something a little personal? I just feel comfortable with you so easily."

"Go ahead."

"When I still lived in Monstadt with my mom, my dad would send me letters from Inazuma. My parents had their differences, but they never failed to speak so highly of the creator. His letters always ended with a reminder to look for the creator in my hard times."

His words made your shoulders heavy. With guilt or responsibility? You don't know yet. You could only take some solace in the glowing blue flowers of the forest.

"When I left Mondstadt to find my dad, I took a little boat and sailed with a bottle of wine. It's a miracle I didn't die. It was the creator's grace."

You remember reading that part of his character story. It was a shame he never found his father nor the bottle of wine.

"When I was on the boat as the storm raged and it was falling apart at the seams. All I could do was pray, pray that I would somehow survive. When I woke up, I was on Inazuma. My lord and lady were the ones who found me and took me in. That's why I gave them my loyalty just like I gave my loyalty to the creator."

You're standing at the front of the Kamisato Estate when Thoma stops and smiles at you. His eyes were almost closed with how hard he was smiling.

You could tell he was happy, you wished you could feel the same. Because at that moment all you could feel was relief. Relief that you wouldn't have to feel responsible for all their misplaced faith.

You were not a God; you did not save them. But if they knew the truth that you were their beloved creator, you don't know if you could actually tell them that.

"Thoma..."

You trail off, not wanting to lie in such a personal moment. You clutch the strap of your bag. Thoma looks at you with gentle eyes patiently waiting for whatever you have to say.

"The words I'm gonna say right now are mine, not the creators. Even if you didn't sail to Inazuma and almost drown. Even if you didn't meet Lord and Lady Kamisato. I still fully believe that you would be just as great and loyal to whoever you chose. A friend, a lover, even if it was an animal. Anyone would be lucky to have someone like you care for them. You, yourself even without that vision is just as incredible."

You start off softly but feel a rise in your pace as your words come together. You look up at him and smile brightly. All your teeth show, and you feel that happiness he displayed earlier.

Thoma sucks in a sharp breath as his heart rate speeds up. His face burns for reasons he can't seem to comprehend. Why did your words have such a strong effect? How do you look so ethereal with the moonlight shining on you?

A guard calls out to you both from the top of the stairs.

"Thoma?! Is that you?"

You peak past Thoma to see a guard walk closer. Before you could see Thomas's face, he turns his head around clears his throat.

"Hey Hirotatsu! This is Y/N a special guest I brought to meet our lord and lady. Depending on how the meeting goes, they might become more than just a special guest."

His words remind you of your situation. He brought you to Ayato and Ayaka. You'll have to lie and use all sorts of tricks to survive with your life and identity intact. You hope desperately that Ayato doesn't ask you to take off the mask.

Thoma turns to you with a apologetic smile.

"I know this isn't Ritou like you were probably expecting but I promise you. If you can prove your oracle status to my lord and lady, they'll provide you with the safest and fastest way to Liyue."

His smile turns almost sad as he says his next words.

"I'm sure you understand why it's important for me to make sure that you travel in a safe boat."

You know what he's saying. You know that this is technically emotional manipulation. But damn it, he's looking at you with warm eyes and a nervous smile that makes you want to pinch his cheeks. You were weak in this area.

"It's fine, I'm no fake. I'll prove it to them just as I proved it to you and everyone else so far."

You speak with casual confidence and face the stairs that lead to hell. Ayaka wasn't the issue, she's sheltered to a degree that you could spin a tale and have a good chance of escaping. But Ayato? That man believes few things and trusts even fewer.

A pleasantly hot fingerless gloved hand takes yours heating you up. Thoma leads you gently up the stairs. You follow him like a moth to a flame knowing that you're close to being burnt to a crisp.

Something to add is that if Y/N changes things that happened or says something that doesn't align with what happened. It was completely intentional. I just don't want to write "You lied, you paraphrased etc at almost every dialogue. I'm riding on my creative high and taking full advantage of it. Plus, I'm finally almost done getting used to writing again. I loved all your comments, reblogs and hearts! And my taglist is open to whoever wants to be in. Just leave a comment and I'll add you.

Taglist: @vvyeislazzy, @nikqi, @the-dumber-scaramouche, @etherisy, @yourlocalstranger123, @ra404, @iruiji, @goldenglow149, @haru-tofuu, @lsleepysimpl, @bebobeboben, @yuyuzi-ling, @amidst-the-tempest, @resident-cryptid, @mxd1zzy, @mochicurls21, @nervouseaglelover, @thedevioussmirk, @yumuramma If you are in italics that means I couldn't tag you! Usually you'll need to check your settings to fix that.

#yandere genshin impact #whisp's amateur work #yandere genshin x reader #genshin impact #genshin sagau #oracle au #yandere itto #yandere sagau #yandere sara #I can't believe there is no tag for that #yandere shinobu #another tag that I had to make #yandere thoma #sagau #genshin impact sagau #yandere x reader #yandere #genshin impact x reader #geshin impact #sagau cult au #sagau isekai #sagau x reader #sagau genshin

[najia-cooks]

[ID: First image is a close-up on a plate of small flatbreads topped with ground ‘meat’; second is a cross-section of one of the breads. End ID]

صفيحة فلسطينية / Safiha falastinia (Palestinian topped flatbread)

Etymology and origins

صَفِيحَة (“ṣafīḥa”), also transliterated “sfiha” and “sfeeha,” is a flatbread eaten in Palestine, Lebanon, and Syria, comprising a yeasted dough topped with a filling made from ground lamb or beef, spices, and chopped aromatics and vegetables. It may also be called “اللَحْم بالعَجِين” (“al-laḥm b al-‘ajīn,” “meat with dough”)—this phrase is the source of the Turkish “lahmacun” and the Armenian “Լահմաջո” (“lahmadjo”), which describe a closely related dish.

The word “صَفِيحَة” literally means “thin plate” or “sheet”; it comes from the root ص ف ح‎ (ṣ f ḥ), which produces words related to flatness. Compare for example “صَفَّحَ” (“ṣaffaḥa”) “to flatten,” “صَفْحَة” (“ṣafḥa”) “page,” and “صَافَحَ” (“ṣāfaḥa”) “to shake hands.”

In English, lahmacun (also transliterated "lahmajoun") is sometimes called "Armenian pizza." Similarly, it may be called "صفيحة الأرمنية" ("safiha al-'armaniyya"), "Armenian safiha," in Palestine, indicating that it is regarded as a borrowing from the local Armenian immigrant community. In Armenia, lahmadjo is a very thin, soft flatbread typically topped with beef or lamb, tomatoes, tomato paste, bell peppers, onion, garlic, parsley, red chili paste, and black pepper. With Palestinian safiha, lamb is the typical choice of meat; the dough may be thicker, and enriched with the addition of milk, milk powder, or yoghurt; bell peppers are ommitted; and fried pine nuts may be added. Palestinian restaurateur Nassar Odeh remembers lahmadjo being served in Jerusalem's Old City decades ago; he says that "Armenian dishes" such as this have become "part of the Palestinian culture."

Though the Arabic-derived "lahmadjo" and related terms may be heard, [1] the most common Armenian-language name for this dish is "լոշմիս" ("loshmis")—presumably from "լոշ" "losh" "lavash, thin bread" + "միս" "mis" "meat." Some Western Armenian variations on the name reverse this order (meat-dough, rather than dough-meat): "մսաշոթ" ("msashot"), from "մսա" "msa" "meat" + "շոթ" "shot" "thin bread"; and "մսալոշ" ("msalosh"), from "մսա" "msa" "meat" + "լոշ" "losh" "thin bread."

The dish

A common part of everyday Palestinian cooking, صَفَائِح‎ ("ṣafā'iḥ"; plural of "ṣafīḥa") are often eaten as a snack or a portable lunch. They may also be served as a مَزَّة ("mazza"; "appetizer") for عِيد ("'īd"; "feast," "holiday"; often transliterated "Eid") or Christmas.

Safa'ih are shaped into pinwheels in the port city of يَافَا ("Yāfā"; often transliterated "Yaffa" or "Jaffa"), stuffed with ground meat or spinach. In the Bethlehem region the topping is often mixed with tahina, as well as vinegar or lemon juice, and perhaps pomegranate molasses. Other versions of the meat topping omit tahina and vinegar, and are more tomato-heavy instead.

This recipe is for Bethlehem mazza-style safa'ih, with thick crust that's crisp on the outside and light and fluffy on the inside. Vinegar and pomegranate molasses provide a bright, slightly fruity lift to the topping, while tahina grounds it with a toasty, nutty aroma. Black pepper, allspice, and a green chili pepper add complexity and heat.

[1] There is a proliferation of possible spellings for "lahmadjo" in Armenian, which would indicate that it is a loanword (probably via Turkish, ultimately from Arabic). These spellings include "լամաջո" ("lamadjo") [common]; "լահմաջո" ("lahmadjo"); "լահմաջու" ("lahmadjou"); "լահմաջոն" ("lahmadjon"); "լահմաջուն" ("lahmadjoun") [literary; uncommon]; "լահմաջին" ("lahmadjīn"); and "լահմաջի" ("lahmadjī") [rare]. The letter "ջ" is pronounced as "dj" (IPA: [d͡ʒ]) in Eastern Armenian and a "tch" (IPA: [t͡ʃʰ]) in Western Armenian (timestamp: 40:33).

Support Palestinian resistance by donating to Palestine Action’s bail fund; buying an e-sim for distribution in Gaza; or donating to help a family leave Gaza.

Ingredients:

Makes 24 small safa'ih. Serves 24 as an appetizer, or 6-7 as a main dish.

For the dough:

5 cups (600g) white flour

A cup (230g) non-dairy yoghurt (لبن رائب) (I used soy)

1/2 cup (125 ml) olive oil

1 1/2 Tbsp (15g) dry yeast

1/2 Tbsp (4g) kosher salt

1 tsp (5g) sugar

A scant cup (220g) of water

A more "everyday" preparation of this dish might make larger, flatter safa'ih out of a dough without dairy. This holiday variant includes yoghurt and makes smaller, fluffier safa'ih; but the yoghurt may be omitted (or milk or milk powder may be added) without injury, and the flatbreads can be made any shape you like.

Leila al-Haddad writes that, in Gaza, white flour used to be eaten as a treat and for special occasions before it later came to replace whole wheat white flour in many kitchens.

For the topping:

500g ground beef substitute (as a replacement for minced lamb)

1 medium tomato, minced

1 medium onion, minced

1-2 green chili peppers, minced

2 tsp kosher salt (1 tsp table salt)

3/4 tsp black pepper

3/4 tsp allspice; or Palestinian 7-spice / mixed spices (بهار مشكل)

1/4 cup white tahina

2 Tbsp pomegranate molasses

2 Tbsp white vinegar, or lemon juice

For a tomato filling, omit the tahina and vinegar, and instead use 2 Tbsp tomato paste; or 8 diced or puréed tomatoes, cooked down.

Instructions:

For the dough:

1. Combine all dry ingredients in a large mixing bowl.

2. Make a well in the center and add in the yoghurt, olive oil, and water. Mix them together and then combine them with the rest of the dough. Add water or flour as needed to obtain a soft, slightly tacky dough.

3. Knead the dough on a clean surface for 5-10 minutes, until it bounces back when pressed. Allow to rise, covered, in an oiled bowl for 1-2 hours, until doubled in size.

For the filling:

1. Mince vegetables, or run them through a food processor. Mix all filling ingredients together.

To assemble:

1. Divide dough in half, and then half again; roll out each quarter of the dough into a cylinder and cut it into six equal pieces.

2. Roll each piece of dough into a ball between your hands, and then flatten it into a disc about 1” (2 1/2 cm) high and 3” (8cm) wide. Place on a baking sheet prepared with parchment paper, leaving an inch of space between each circle.

3. Press the center of each dough circle down slightly to create a crust around the edge. Add a few spoonfuls of filling to the center of each safiha and press flat.

4. Bake safa'ih in the middle of an oven at 450 °F (230 °F) for 25-30 minutes, until crust is golden brown.

Serve as an appetizer alongside vegetable salads, pickles, olives, &c.

#Palestinian #Armenian Palestinian

[spocks-kaathyra]

thoughts about the Cardassian writing system

I've thinking about the Cardassian script as shown on screen and in beta canon and such and like. Is it just me or would it be very difficult to write by hand?? Like.

I traced some of this image for a recent drawing I did and like. The varying line thicknesses?? The little rectangular holes?? It's not at all intuitive to write by hand. Even if you imagine, like, a different writing implement—I suppose a chisel-tip pen would work better—it still seems like it wasn't meant to be handwritten. Which has a few possible explanations.

Like, maybe it's just a fancy font for computers, and handwritten text looks a little different. Times New Roman isn't very easily written by hand either, right? Maybe the line thickness differences are just decorative, and it's totally possible to convey the same orthographic information with the two line thicknesses of a chisel-tip pen, or with no variation in line thickness at all.

A more interesting explanation, though, and the one I thought of first, is that this writing system was never designed to be handwritten. This is a writing system developed in Cardassia's digital age. Maybe the original Cardassian script didn’t digitize well, so they invented a new one specifically for digital use? Like, when they invented coding, they realized that their writing system didn’t work very well for that purpose. I know next to nothing about coding, but I cannot imagine doing it using Chinese characters. So maybe they came up with a new writing system that worked well for that purpose, and when computer use became widespread, they stuck with it. 

Or maybe the script was invented for political reasons! Maybe Cardassia was already fairly technologically advanced when the Cardassian Union was formed, and, to reinforce a cohesive national identity, they developed a new standardized national writing system. Like, y'know, the First Emperor of Qin standardizing hanzi when he unified China, or that Korean king inventing hangul. Except that at this point in Cardassian history, all official records were digital and typing was a lot more common than handwriting, so the new script was designed to be typed and not written. Of course, this reform would be slower to reach the more rural parts of Cardassia, and even in a technologically advanced society, there are people who don't have access to that technology. But I imagine the government would be big on infrastructure and education, and would make sure all good Cardassian citizens become literate. And old regional scripts would stop being taught in schools and be phased out of digital use and all the kids would grow up learning the digital script.

Which is good for the totalitarian government! Imagine you can only write digitally. On computers. That the government can monitor. If you, like, write a physical letter and send it to someone, then it's possible for the contents to stay totally private. But if you send an email, it can be very easily intercepted. Especially if the government is controlling which computers can be manufactured and sold, and what software is in widespread use, etc. 

AND. Historical documents are now only readable for scholars. Remember that Korean king that invented hangul? Before him, Korea used to use Chinese characters too. And don't get me wrong, hangul is a genius writing system! It fits the Korean language so much better than Chinese characters did! It increased literacy at incredible rates! But by switching writing systems, they broke that historical link. The average literate Chinese person can read texts that are thousands of years old. The average literate Korean person can't. They'd have to specifically study that field, learn a whole new writing system. So with the new generation of Cardassian youths unable to read historical texts, it's much easier for the government to revise history. The primary source documents are in a script that most people can't read. You just trust the translation they teach you in school. In ASIT it's literally a crucial plot point that the Cardassian government revised history! Wouldn't it make it soooo much easier for them if only very few people can actually read the historical accounts of what happened.

I guess I am thinking of this like Chinese characters. Like, all the different Chinese "dialects" being written with hanzi, even though otherwise they could barely be considered the same language. And even non-Sinitic languages that historically adopted hanzi, like Japanese and Korean and Vietnamese. Which worked because hanzi is a logography—it encodes meaning, not sound, so the same word in different languages can be written the same. It didn’t work well! Nowadays, Japanese has made significant modifications and Korean has invented a new writing system entirely and Vietnamese has adapted a different foreign writing system, because while hanzi could write their languages, it didn’t do a very good job at it. But the Cardassian government probably cares more about assimilation and national unity than making things easier for speakers of minority languages. So, Cardassia used to have different cultures with different languages, like the Hebitians, and maybe instead of the Union forcing everyone to start speaking the same language, they just made everyone use the same writing system. Though that does seem less likely than them enforcing a standard language like the Federation does. Maybe they enforce a standard language, and invent the new writing system to increase literacy for people who are newly learning it.

And I can imagine it being a kind of purely digital language for some people? Like if you’re living on a colonized planet lightyears away from Cardassia Prime and you never have to speak Cardassian, but your computer’s interface is in Cardassian and if you go online then everyone there uses Cardassian. Like people irl who participate in the anglophone internet but don’t really use English in person because they don’t live in an anglophone country. Except if English were a logographic writing system that you could use to write your own language. And you can’t handwrite it, if for whatever reason you wanted to. Almost a similar idea to a liturgical language? Like, it’s only used in specific contexts and not really in daily life. In daily life you’d still speak your own language, and maybe even handwrite it when needed. I think old writing systems would survive even closer to the imperial core (does it make sense to call it that?), though the government would discourage it. I imagine there’d be a revival movement after the Fire, not only because of the cultural shift away from the old totalitarian Cardassia, but because people realize the importance of having a written communication system that doesn’t rely on everyone having a padd and electricity and wifi.

#if I read over this again I will inevitably want to change and add things so I'm refraining from doing that. enjoy whatever this is #forgive my very crude recounting of chinese and korean history! I am neither a historian nor a linguist #but I will NOT apologize for talking abt china so much. that's my culture and I'm weird abt it bc of my family history #and it's my GOD GIVEN RIGHT to project what little I know abt it onto all my worldbuilding #also I've never actually read abt any of the various cardassian conlangs but I'm curious if this contradicts or coincides with any of them #I still want to make my own someday. starting college as a linguistics major (in 2 weeks!!) so presumably I will learn how to do that #narcissus's echoes #ds9 #asit #star trek #cardassians #cardassian meta #a stitch in time #hebitians

[dedalvs]

Is there a scientific theory about how the diversity of languages evolved? Or are linguists just like, "language is weird, we tried our best but we can't really splain it good?"

I'm kind of baffled by the question, to be honest. On the one hand, the world's languages are all quite similar, in that they use a sign system to encode meaning, and, beyond that, they all seem to have hit on nouns and verbs. If you've got that, surely the rest of the variation isn't that wild. But also it doesn't require much theory...? Like language change is observable in real time. Everyone experiences it by observing subtle variations in the speech of those who are younger than them—and in different regions. Multiply that by many generations and many different places and pretty soon you rather naturally end up with a lot of diversity.

In short, linguists have been able to explain this pretty well for a long, long time, but it was rather low-hanging fruit, I'd say.

#language #linguistics

[beautiful-basque-country]

Science Association Aranzadi has made a discovery that can be a landmark for the history of Basque language. In an Iron Age Vascon town of Irulegi, in the region of Aranguren (Nafarroa), an inscripted bronze hand from the 1st century BCE has surfaced. It’s the longest and oldest Basque text until now. It’s written in a variation of the Iberian alphabet, adapted by Vascons to our language. According to experts, the hand could have been a lucky charm to bring good luck and shoo bad luck away. 

The first word reads sorioneku - please compare to nowadays Basque word zorioneko (for good luck, luckily).

THIS. IS. HUGE.

It’s the first Vasconic text - not single words - that has been found so omg, we’re super excited!!!

Sources: 1 & 2

#euskadi #euskal herria #basque country #pais vasco #pays basque #euskera #euskara #basque #language #history #archaeology #news #video #omfg #nafarroa #linguistics

[olderthannetfic]

I write fanfic in English even though it isn't my first language. I also read a lot of fanfics, in English only and there are some things my non-English brain just can't comprehend.

Like putting 'one' in front of a characters name. An ex would be "he couldn't believe one Billy Billson was looking at him" I don't know if it's accurate or not but it sounds weird to me.

"Was sat" or " Was stood" instead of just sat or stood is distracting af.

Don't even get me started on the word "dived" which I know is correct but it sounds awful.

But I think the worst thing I've come across was something like "moved his hips in a hallucination way" instead of hypnotic but that was clearly a mistake or so I hope.

I do my best to follow the "rules" of the English language but I learn a lot of it from reading and it's so confusing some times

--

One:

Yes, this is a native usage. I'm stumped as to how to look it up though. It's used in constructions like "He found the professor, one John Smith by name" or in the way you indicate above. It's like saying "The person named X". Sometimes, it's used to indicate that the listener doesn't already know who this person is. Sometimes, like your example, I think it's closer to calling them "the X" as though they're significant or famous.

Was sat:

This is a dialect thing. It sounds hideous to me, but it's normal in some versions of English (UK?). It means 'was sitting', not 'sat'. Possibly, there's an implication they were told to sit there?

Dived:

'Dove' is standard in American English these days. I gather 'dived' is still standard in UK English.

Hallucination way:

Sounds like a mistake, yes.

--

Like every language, there's always more to learn and a lot of regional variation, I'm afraid, in addition to the many straight up errors you'll find in informal writing like fic.

[shimamitsu]

let's learn about spanish with haikyuu!

if you’re an argentinian animanga fan, you might have seen this image before. this is a panel from ivrea’s edition of haikyuu which has gone viral a few times in our country. if you’re not a native spanish speaker and you’re interested in knowing what makes this panel so special, i got you!

as you know, spanish has many different dialects and their own regional variations. and when i say many, i mean it. here’s a list of dialects you can find in the americas only (and that’s not even all of them). of course, spanish speakers from different countries can understand each other, but these dialects vary so much from one another when it comes to slang, pronunciation, accent and even grammar that we can easily get lost when we hear fellow hispanics speak. back in the 20th century, this was a problem for foreign companies that wanted to enter the hispanic market. making dozens of different translations that catered to each hispanic country was too expensive, so they came up with a more profitable solution: they created español neutro (neutral spanish), español internacional (international spanish) or standard spanish. this type of spanish is an artificial variation of spanish used exclusively for commercial purposes. it's limited to latin american only, while peninsular spanish speakers (the standard spanish dialect spoken in spain) have their own standardized version.

español neutro is supposed to be a variation of spanish that speakers can’t associate to any specific place or region. that’s why it omits any type of slang, colloquial language or intonation that might be confusing for its audience (though it’s modeled after standardized mexican spanish). that’s the spanish we’ve seen in many books, tv shows, movies and games growing up. people don’t actually speak español neutro. but it's been around for a long time, so we're used to it by now. obviously, we can recognize why this type of spanish feels unfamiliar to us. imitating how characters speak in tv shows is even an on-going joke here. 

(disclaimer before i go on: i don’t want you to think our dubs are bad because of this, they’re great. though i’d say our most beloved dubs are the ones where voice actors have more freedom and they choose to include slang and intonation. the dub for adventure time’s jake the dog is an all time favorite here in latin america, but after five years of giving life to to jake, cartoon network told his voice actor to stop using “mexicanisms” and stick to the script.)

as i said, we’re used to it. maybe too much. people are so accustomed to it that they find it weird when they read or watch localized media in their own dialects of spanish. that's where manga comes in. the two biggest argentinian manga publishers, ivrea and panini, localize their works. they’re translated to español rioplatense or rioplatense spanish, which is the standard dialect of argentina and uruguay. that’s a rare translation choice. and, of course, people complain about it. they say it's vulgar or too informal, that it's not "pure spanish" like español neutro or that it just makes them uncomfortable, and even more.

[translation of the post: Why does IVREA use so many localisms? It ruins the immersion and they seem excessively forced, you can use "girl" instead and it sounds much more natural.]

i can assure you that denji saying power es buena mina is extremely natural. it's slang, we say that all the time in everyday conversation. es buen pibe (he's a good guy) and es buena mina (she's a good girl) are common expressions. besides, denji's not the type of guy who speaks formally. this choice goes well with the tone of the work. the only difference between chica and mina is that the latter comes from lunfardo, which was the jargon of the lower classes in buenos aires in the late 19th/early 20th century. lunfardo was influenced by european, african and indigenous languages, integrating words and phrases from all of them. over time, it became part of our own vernacular, and many of its words and phrases are used now in everyday language, regardless of class. if you ever heard argentinian words like laburar, chamuyar, pibe, boludo, facha, etc., those are lunfardo.

so, let’s get back to manga. personally, i love these translations, and a lot of other people enjoy them as well. what some consider unfamiliar or weird, others consider refreshing and fun. the panel i used to introduce this post is a great example of rioplatense localization in manga. in this scene, hinata and kageyama ask tsukishima to help them study and he refuses. in the original japanese, hinata calls tsukishima kechishima (kechi: stingy + [tsuki]shima). the official english translates it to "stupishima" (though i should add that "stingyshima" is the more popular nickname, popularized by the official anime eng sub).

ivrea’s translation does the same pun here, but instead of using spanish equivalents like tacaño, mezquino, egoísta (or even more colloquial language like agarrado o amarrete), it chooses the word ortiva/ortiba. 

ortiba is also lunfardo. this word is the result of reversing the order of the syllables in batidor (whisk). this word formation mechanism is called vesre (revés: reverse). it’s similar to back slang in english. this is extremely common in argentina. some popular examples of vesre are garpar (pagar: to pay), jermu (mujer: woman), garcar (cagar: to cheat, to swindle). here’s an example of vesre in dorohedoro:

sopermi = permiso (excuse me)

the term ortiba was originally used to refer to informers that worked for the police, snitches. nowadays, that meaning mostly fell into disuse. it’s more common to use ortiba for people who usually refuse to take part in certain activities or plans (which has some similarity to its original meaning, someone that betrays their peers). you can also be called ortiba if you’re someone grumpy or someone who doesn’t let other people enjoy themselves. there’s not really an agreement on the spelling, people use both ortiba and ortiva interchangeably. it can also be used as a verb (no te ortives). i think buzzkill, spoilsport, killjoy or party pooper are english nouns that are similar in meaning. let’s give an example:

rioplatense spanish:

a: ¿te pinta salir hoy?

b: no, ni ahí.

a: fua, qué ortiba.

english:

a: feel like going out today?

b: no, no way.

b: wow, what a buzzkill.

so, you probably get the gist of that haikyuu panel now. hinata is calling tsukishima un ortiva because he doesn’t want to help them with their studies, and suggests they should call him ortishima. i fear this will only be funny to you if you’re argentinian, but at least you learned something new about spanish today! yippee!

#like and subscribe to my channel if you wanna see more argentinisms in manga #balling

[tyrannuspitch]

slowly descending into madness as i try to work out where doctor greif is meant to be from in tv canon

in the books he's south african. stellenbosch still seems to be meant to be south african (hence the name) and langam definitely is but to my ear stellenbosch's accent doesn't sound very south african at all (while langam's does) but maybe that's because she isn't a native english speaker??? but you'd still think she would've learnt english from south africans and ended up with a south african accent anyway??? but maybe i'm no good at recognising it and/or the actress just hasn't got it right. idfk. but ANYWAY they cast a turkish actor as greif and changed his backstory so he worked in turkey before south africa. while they cast a romanian actress as stellenbosch and DIDN'T change her backstory to match. which might make you think okay he's just turkish now. but also his name is fucking GERMAN. what is Happening.....

#teenage superspy tag #maybe he's a german who's just been hanging out in turkey idk #i think? there are cultural links? lots of turkish immigration to germany. but idk about the other way around... #also possible that he's half and half. or that his family went to germany and then he went back. ? #idk what a turkish accent in english sounds like either #always harder to define second language accents bc you have original accent + target accent mixing #both of which can have regional variation #anyway. infinite possibilities here and idk enough about any of the history or politics to sort through it all. argh #what i AM getting is that it's like extra incoherent for a *turk* to be both pro hilter and pro stalin. 🙄 #i guess unless his politics is literally just i respect ppl with power. /shrug.

[oldshrewsburyian]

Dracula Daily: Lit Crit Case Study

I’m so excited that we’re all reading Dracula together. As we temporarily leave our friend Jonathan in Transylvania sans shaving mirror, to catch up with Nerd Queen Mina Murray, I thought I’d volunteer a little close reading walk-through of some of the stuff we’ve already seen. I do this as someone who has 1) seen a bunch of posts saying Don’t Panic Because of Problematic™ Elements and 2) taught Dracula in both literature and history classes because I’m that kind of nerd, I mean professor. Also, I thought it might be helpful to have an illustration of how you (yes, you!) can read and find multiple meanings in a text.

If anyone replies on this post with a variation on “the curtains are blue,” that person is getting blocked. Okay? Are we sitting comfortably? Good. Let’s talk about Jonathan Harker and Orientalism. Conveniently, we can do this using just evidence from Chapters 1-2; but you’ll be able to see more of this throughout the book. The brilliant Edward Saïd came up with the term Orientalism to describe taking “the basic distinction between East and West as the starting point for elaborate theories, epics, novels, social descriptions, and political accounts concerning ‘the Orient.’” As it happens, it is super easy to illustrate how Jonathan’s perceptions of his journey participate in Orientalism.

Ex. 1, as he enters Budapest: The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.

So here is Jonathan, in the city of Budapest, which got a massive makeover just five years before, in 1892, to celebrate the 1000-year anniversary of its mythical founding. The fancy imperial architecture is fresh and shiny. Also brand new (as of 1896) is Budapest’s electrified subway, the oldest in continental Europe. But to Jonathan, he’s entering “the traditions of Turkish rule,” which have been rhetorically opposed to European liberalism since at least the late sixteenth century. Before that, it’s muddier, and early modern political realities are much more complicated than that, but I’m not going to digress here on what the history of this region actually is. What’s crucial is that, despite all this complex reality (and the subway system), for Jonathan, he crosses a bridge and BAM, rhetorical departure from the West, entry into the East, which is characterized by sensuality, superstition, and despots (who can be sensual as well as tyrannical. Remind you of anyone?)

Ex. 2, the trains: It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?

Again, we have a simple equation here. The more East you go, the less modernity and technology you have. Orientalism 101. The Count’s elaborate and generous hospitality, too, fits the stereotypes of Oriental rulers. And we’ve already talked a lot about all the peasants and their Primitive Superstitions.™ But wait!

The Eastern peasants, with their multiple local languages and their quaint costumes and their worship at roadside shrines and their reliance on physical totems like the rosary... they are right about the way the world of the novel works, and our friend Jonathan, as it happens, is wrong. If Jonathan has a hope of surviving, he had better start relinquishing some of his respectable certainties (who is more respectable than an English solicitor with vague allegiance to the Church of England?) in favor of acknowledging the messy realities of where he finds himself. And all of this is 1) pretty explicit in the text 2) very complex in terms of how it asks us, the readers, to consider how we think about categories like modernity, civilization, and superstition.

Ta-da! See? Lit crit is meant to be fun, actually. [Take a literature or history course if you can; we’re doing this sort of thing all the time.]

#dracula daily #dracula #orientalism #literary criticism

[tastesoftamriel]

Are there any accommodations for people with disabilities? For example, accessible entrances for those who require mobility aids? I would assume there would be a lot of injuries from the war or at the very least from wandering monsters.

In terms of physical disabilities, there are a wide range of accommodations for helping the disabled! Accessible entrances to most shops, temples, and homes are just the beginning.

Hearing aids for the partially deaf are in the form of ear trumpets, a rather crude device into which one shouts to be heard. Enchanted pocket ear trumpets magnify the sound further, using soul gem magic to power a Dwemer-inspired... actually, I'm not even going to pretend I know how magic works.

For the fully deaf and mute, sign language is fairly commonplace around Tamriel, albeit with certain regional variations. Thieves and assassins in particular are great with sign language as it allows them to communicate silently and effectively, and the trend of learning sign language across Tamriel started with those who seek to mimic the cool demeanour of a criminal. As such, it's very practical for those hard of hearing when at least one or two people in their community know sign language!

Prosthetic limbs, generally fashioned from wood, have been in popular use for hundreds of years in Tamriel and beyond. Ranging from crude stumps to finely carved realistic or ornate limbs, it is not an uncommon sight on war veterans and victims of violence, or sick amputees. Prothestic limb wearers who are skilled in magic are also able to meld their minds with their wooden parts, making them function just as well, if not better than the real thing.

While glass eyes have always been common for the blind, but aside from realistic replicas, some Tamrielic citizens have begun wearing polished gemstones instead, a trend said to have started in the Summerset Isles. For those with poor eyesight, spectacles are the most common way to correct vision without magic. ~Talviel

PS: Here's an ESO NPC (Amalien in Solitude) who uses a wheelchair!! Which I think is very cool.

#Asks #worldbuilding #World building #TES #The Elder Scrolls #disability #disabled #I finally made a new post are you proud of me

[anitalianfrie]

Hi hi I’m relatively new to MotoGP so I don’t know if you maybe made a post about this before already but! What’s the accent variety like in the Italian lads? Bc I learnt Italian for a year and I loooveee love picking apart accents and silly lil language things but I’m just not used enough to spoken Italian to identify any variation from the standard. I’ve been told tho that Bez has a notable accent but do any of the others as well?🤔

accents ask accents ask stay calm! (sorry i am. very passionate about accents) also disclaimer: i am very much not an expert! i'm just having fun here

okay so, all the italian riders (that are important to me) come from one of these three places: Emilia-Romagna, more specifically Romagna, even more specifically near Rimini*; Lazio, more specifically from Rome; Piemonte, more specifically from around Turin.

*only exception is dovi who was born a leedle more in the inland. but only a leedle.

Here's a map where I have circled the zones of interest

(yes the circle around Turin is enormous it's because I'm not searching on google maps the minuscule ass place cele lived in)

You can hear the Romagnolo accent in Bez, Vale, Enea, Luca, Dovi, Mig, with various degree of intensity. Luca is probably the one with the less strong accent, but it's still very identifiable. There are of course still some differences in the way they speak (i noticed that for some reason Vale tends to open his e more than bez, sometimes making a ⟨ɛ⟩ sound rather than a ⟨e̞⟩ sound). Their accent is caractherized mainly by the way they say the s, the z and the c, that they tend to almost hiss. Here's an example of Bez saying his surname, and somebody from another region saying it. (first the person with the other accent, then bez)

In the audio you can also hear the e thing i was talking about: in Romagna they tend to close it more then they do in some other places in the north (for example the other guy is from Lombardia)

Between all of them, Bez's accent is probably the strongest. I once said that hearing him talk feels like being slapped in the face by a piadina, and I will repeat it.

Both Franco and Diggia are from Rome, but to be honest, Franky's accent is almost unperceptible. Really difficult to clock. Diggia has a stardard Rome accent, but not that strong. People from Rome have a very distinct accent (and also probably one of the easiest to do) characterized by the frequent use of dialectal terms. You can hear it for example in the c and g, that tend to be a bit more guttural, and the l tends to become a r. Also, due to the dialect thing, they tend to cut the verbs: for example fare becomes fa', andare becomes anda'.

For the Piemontese accent, we encounter a slight problem: I am also from Piemonte, and therefore it's harder for me to clock how strong the accent is. The main thing that you can hear about this accent is the o, that tends to become more of a ou. Prime example in this baby cele clip, when he says 'porte'. Adorable. Also, around Turin they tend to close the e (while we, from the secret location i'm blogging from, tend to open them). People from Piemonte also tend to say 'neh' a lot, but I don't have clips of Cele saying it because it's quite informal. I might try do to a deep dive later. And I can't say much more about this accent because as I said, I can't really hear it.

You might have noticed that pecco is nowhere to be found in the list up until now. That's because his accent INFURIATES me. He's from Piemonte but doesn't have the accent, and instead has a slight Romagnolo accent. Here's a clip from this year's Sanremo that made me cry in pain.

Another thing you might have noticed is that the guys from the northen regions (Emilia-Romagna and Piemonte) will frequently put an article in front of people's names, even if grammatically incorrect. Il Cele. Il Bez. Il Pecco. L'Enea. Il Vale. We just do that. You will not catch Diggia ever saying it, because people from the centre and south of italy just don't. do it.

I hope this was somewhat idk. interesting? useful? if you have some more questions do ask i love to talk about these things

#true reason why i need to put them into the big brother: get a more complete grasp on their informal way of speaking #has cele lost the piemontese swag of saying fuma c'anduma? i probably will never know #c'è posta per me #henritoivonen #Italian motogp

[bovineblogger]

i thought you might find this cow language fact interesting! inspired by your cow gender post!

as far as i know, german uses very similar words! you have cow = Kuh (not sure about the terms for female cows before a calf), bull = Bulle, then there Stier which is similarly pronounced to steer (i assume) but refers to the same cow gender as bull. and then there’s Ochse which refers to what a steer is in english.

also here, have some more regional variations for bull in germany (taken from an article):

Bulle, Samenochse, Samenrind, Farre, Farren, Fasel, Faselochse, Hage, Hägel, Häge, Hägi, Haigel, Muni or Hummel

HIII OH MY GOD THIS IS THE BEST THING IVE EVER HEARD!!!!!!!!!!! I LOVE THEM ALLL!!!!!!!!! my favourite is ocshe that would be ... a really cool name. tysm i love u!!!!!!

#asks