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#she is here regardless.
didsomeonesayventus · 6 months
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and ofc the idle concepting for figuring out what Alexandra looks like. i think she's neat. fun fact her name comes from alexandrite (brodian naming conventions of being rock related) but also carries a very divine dragon flavored meaning of "defender of man". And hey the Al-name trend continues LMAO
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comradekatara · 7 months
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“the desert” is katara’s most quietly admirable episode; she manages to guide and protect the rest of the gaang while they are in precarious states under unimaginable pressure and with very few resources. katara’s tireless endurance this episode culminates in her bravery as she risks her own safety to comfort aang in the avatar state.
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for an audience upon first viewing, her ability to thrive under pressure here may seem like a surprising departure from the impulsive, reactive, sensitive girl we’ve been accustomed to over the past 1.5 seasons. but sokka’s admission in “the runaway” reframes katara’s behavior in this episode.
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we know that while the rest of her family was a mess, katara stepped up and gave them hope. she refused to sink into her grief—to abandon the site of her trauma like hakoda did, to give up like kanna did, or to repress and depersonalize like sokka did. she may have a temper and she may not always think things through, but she is able to communicate her emotions and refuses to cut herself off from feeling and processing her grief and rage, which is more than can be said for her brother.
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and upon learning this piece of her history, you realize that her indefatigable, relentless hope and care that she displays in “the desert” is actually a pattern of behavior for her that is being repeated. when all hope seems lost and everyone in her life has abandoned faith, katara finds purpose and meaning in being the glue that holds everyone together, even when she is as grief-stricken and exhausted as the rest of them.
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in moments of abject despair, katara guides her loved ones and herself out of there desert, both literally and metaphorically. and that is why she is the narrator and the catalyst and the hero of this story of a revolution that successfully destabilizes an oppressive paradigm in the eleventh hour, because she represents the power and importance of organized resistance when all hope is lost, of refusing to give into despair, of continuing to believe in love even in the bleakest, most desperate circumstances, and envisioning a brighter future even (especially) when no one else can.
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poorly-drawn-mdzs · 6 months
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i wanna know more about svsss menopause
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They synced their periods together too well. Now they are synced through their perimenopause years.
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titsthedamnseason · 3 months
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eras tour lookbook: my favorites edition
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five-flavor-soup · 3 months
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This is technically in response/as an addition to a post on the supposed ‘double standard’ in the fandom between Zuko and Jet as Katara’s love interests, but it’s been so long since it was posted and I figured the OP would be entirely uninterested in my word vomit, especially after like one and half years—so, separate post. I added a link for those interested. There's a cut because this got quite long lmao.
In short, the post supposes the argument that though Jet would’ve made Katara kill people (something Zuko very much Did Not Do, no matter what you think about The Southern Raiders), he cleaned up his act after this. Zuko, on the other hand, did lots of Really Bad Things to Katara & Co. with far more frequency than Jet did and got redeemed after a multitude of episodes doing Various Things Moste Evile. To then slap Jet with The Toxic Ex-label and see Zuko as the ‘healthier’ and ‘better’ option creates a Double Standard(™) within the fandom, which is supposedly bad and not an arguably incorrect reading. 
But the differences in fandom perception between Jet and Zuko as Love Interests for Katara (one of which canonically, and the other potentially and apparently talked about in the writer’s room) are easily explained, as can the Supposed Double Standard—just by thinking about it from Katara’s viewpoint, or even the audience’s. Because, well, the worst things Jet ‘almost’ ended up doing didn’t happen because of outside interference only. 
That’s the important bit here. He 100% would’ve drowned an entire village just to get rid of a handful of Fire Nation soldiers, had Sokka not managed to evacuate everybody. He 100% would’ve grievously injured two people who, as far as Jet and everybody else were aware, were refugees who might not even be firebenders — considering nobody else saw Iroh heat up his tea, he could’ve been wrong — in an attempt to prove his own hunch. Had the guards not been there, had Zuko not been able to fight back with swords, Jet would’ve genuinely attempted to wound them for as much as a puff of smoke. And Jet consistently involves bystanders (innocent or not) in his desperate quest to harm and defeat the Fire Nation: the Gaang (and particularly Katara, through explicitly manipulative means) and the villagers in Jet; Zuko, Iroh, and the people in the teashop in City of Walls and Secrets. Additionally, we don’t see more violence from him because he’s not a main character like Zuko is—though it’s implied that Jet beats up villagers who are supposedly in cahoots with the Fire Nation often, only agreeing to turn over a new leaf when he, Smellerbee, and Longshot decide to move to Ba Sing Se. 
Zuko explicitly and frequently doesn’t harm people: that, or it isn’t important to the plot. He doesn’t burn down the village on Kyoshi, he literally only manages to lightly singe it. He threatens people with violence frequently but never actually goes in for the kill. I’d argue that the most explicitly violent thing he does in Book 1 is breaking Aang out of the Pouhai Stronghold—for his own ends obviously, but if it’s spelled like treason and sounds like treason, it’s probably treason. When he thinks of robbing the pregnant couple while he’s on the run, he stops himself of his own volition; when he considers using Appa to catch Aang (this was a point made against Zuko in the post), he’s unaware of what Appa’s been through prior to that point and sees him as no more than an animal used for travel, much like the ostrich horse he stole earlier in the season. 
Zuko’s schtick throughout Book 1 and 2 is that he doesn’t want to think of the consequences of his actions. His plans are never fully complete. He doesn’t think of how he’s going to get a chained, notoriously slippery little eel of an Avatar to the Fire Nation, and he doesn’t think about what would happen to twelve-year-old Aang after they got there—which is horrible of him, but it also shows an odd, ignorant kind of innocence that you’d associate with a kid who’s got a hard time telling right from wrong. Like, I love Zuko dearly, adore him even, but kiddo doesn’t think ahead until the Book 2 finale and even that’s debatable. He’ll eventually start thinking ahead a little bit but for the most part, he doesn’t. Not saying that takes away responsibility, because it absolutely doesn’t, but it is telling of Zuko’s character: he’s an ‘act first, think later’-kind of guy, all ‘fuck around; find out; maybe success’. His sole goal throughout Book 1 and 2 is going home, without even thinking on how to get there beyond like, Avatar in my custody => back in Fire Nation with Avatar => dad loves me again. And he says that his only intention is to go home too, in Ep 2 of Book 1:
Aang: If I go with you, [He holds his staff in front of him as an offer, making sure Zuko understands that he does not wish to continue fighting.] will you promise to leave everyone alone? [The camera cuts to a side-view of the area, Zuko's men still surrounding him, spears poised. After a brief moment of hesitation, Zuko erects himself and nods in agreement. Aang is apprehended by Zuko's men, who take his staff . . . ] Zuko: [Boarding the ship up the walkway. Determined.] Head a course for the Fire Nation. I'm going home.
(Added emphasis for my point)
Zuko is not the Big Bad. He’s not The Largest Threat. He never is. In Book 1 it’s Zhao, in Book 2 it’s Azula, and in Book 3 it’s Ozai. Zuko is a consistent threat, yes, but not a particularly large one no matter how good of a fighter he is. Because he’s presented to us as a disastrously hurt and traumatised little brat who we, the audience, are supposed to feel sorry for, and slowly grow fond of. Because we learn in The Storm that the notion of “caring for others is weak” has literally been branded into him. Because he keeps getting back up to fight, but consistently holds back. We are shown that he knows, on some level, that what he’s doing is wrong: the text suggests that Zuko is actively suppressing his morals. And by the time Zuko hires an assassin to ensure the Avatar is dead, we know that Zuko is incredibly unhappy with his choice(s) and is desperate to be safe; that he’s uncomfortable but wants to be comfortable; that he’s incorrect about the source of his fear while he’s back in the palace. The audience is shown this explicitly. 
By contrast, we’re shown that Jet is fully aware that those villagers will die. He’s fully aware that, if he manages to prove the two refugees are firebenders, they’ll be arrested and probably mutilated (if the hand-crushing is any indication). I love Jet and his character, but he’s supposed to be the example of poisoning yourself with your hatred, anger, and hurt. He’s revenge that goes too far, because he doesn’t allow himself closure. He knows the consequences and isn’t shown to care for them, as long as his goal is furthered.
And there is the small, but significant, difference between the two characters: Zuko initially just wants to capture the Avatar, is purposefully remaining unaware of what will happen when he does so, and is clearly shown to change, while Jet just wants to punish firebenders and is very aware of what will be necessary for him to do so, with a handful of lines of how he ‘stopped being like that’. And honestly, Jet is far more mature than Zuko is for quite some time, regarding the violence of war—basically as mature as Zuko eventually becomes at the tail-end of his redemption arc. But Zuko’s maturity is at that point healthier, because he doesn’t want to genuinely do harm. 
In regards to their separate relationships with Katara, there’s these fantastic points that @sokkastyles made in reply to the post:
The fact that Zuko actually did change and Katara actually forgave him makes ALL the difference. [ . . . ] The thing about Jet is how manipulative he was with Katara. He not only almost made her kill innocents, but he lied to her about the man he attacked having a knife when he was called out, so that Katara would see her as righteous. Someone who is willing to lie in order to make themselves seem good and someone who says they are going to change but then does the same things doesn’t have a good track record, and that’s a more troubling relationship dynamic than someone who acts as an upfront enemy but then sincerely changes.
And: 
I do think it makes sense to focus on manipulation being worse than being a cartoon villain when we're talking about personal relationships. I think many people can relate to having someone like Jet in their lives who seems nice but who lies and manipulates to justify their own bad behavior despite repeatedly claiming that they will change. Not that many people will experience being tied to a tree by someone who wants you to tell them where the Avatar is, and it is completely reasonable for people to be more forgivable of things Zuko did as a villain than things Jet did to Katara when he claimed to be a friend.
I actually don’t have anything to add to this, lol. It’s succinct and well-worded.
Lastly, in addition the relatability and the relationships being different (the manipulative, emotionally hurt, and self-proclaimed anti-hero versus the initially childish, explicitly confused and desperate cartoon villain, plus the girl they hurt horribly), there’s also the problem of Jet not being a main character. Jet is a relatively well-written side character, whilst Zuko is very quickly established as a main-ish character with his own POV (as the writers decided during the conceptualisation that he’d be joining Team Avatar eventually). Zuko’s troubling, self-destructive nature that has been forced upon him and his Tragic Childhood is shown in high definition. The audience is supposed to eventually be okay with Zuko and hopefully like him, slowly adding puzzle pieces to complete the picture of a horrific earlier youth and treatment by nearly everybody he knows except Iroh. Something like this isn’t necessary with Jet, not just because he was already incredibly likeable and understandable from his introduction and onwards, but also because he’s neither a villain nor a main character. 
There’s multiple reasons as to why Zuko is often seen as the ‘better’ option, just like there are multiple reasons why Jet and Zuko are compared so frequently—they’re both traumatised teenage boys who ‘rebel’ to get some semblance of control back, but we see Zuko change into a kid anyone would be a little bit proud and fond of and that doesn’t happen with Jet. Double standard or not, Zuko and Jet are different characters who the writers also treated very differently, on purpose. It makes sense to me that the audience would think Zutara is the ‘less bad’ or far better option. We know far more about Zuko than we know about Jet; and Jet’s redemption arc, if we can even call it that, halts permanently when Zuko’s is reaching the height it for him to go into a freefall, ultimately culminating in a genuine redemption. We, the audience, know this. So does Katara.
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floralcrematorium · 9 months
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i'm unfortunately very lazy today so miss austria doesn't get clean lines, let alone fingers. she can cope
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mary-kasexual · 6 days
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my Jen for @pepbuttz pride collab! Super glad I could participate, hope I was able to do my girl some justice ✨
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tokibuns · 7 days
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because im delulu i edited this screenshot to make it look like a disear moment 🤠
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lasshoe · 1 year
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Incorrect Ted Lasso + The Parent Trap (or an AU where Rebecca follows Ted to Kansas)
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snakeoid · 9 months
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whisker zhongli returns
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thefandomcassandra · 11 months
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Every Time You Complain About How Mean La'ezel And Shadowheart Are, I Become More Sapphic And Spitefully In Love With Them Both
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rip reyna you would have loved ‘i know you’ by faye webster
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arcanegifs · 59 minutes
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Arcane Gif Requests: anon + Caitvi Scenes: 27/? ↳ "We need you back on your feet. What was the name Sevika gave you? Jinx?"
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crazymecjc · 11 months
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shuake week day 2 - new game plus
plus, bonus!
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tequiilasunriise · 1 year
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In terms of Wenclair nicknames, I believe in ‘Enid using Willa’ supremacy and φεγγάρι μου (‘my moon’ in Greek) is especially beloved to me, but I also love little shit Enid who calls Wednesday any day of the week EXCEPT Wednesday (“Hey, Monday!” “What do you think about this Sabbath?” “Oh thank god you’re here Friday”) and it annoys her favorite murder goth to NO END but slowly said murder goth becomes endeared by her roomate’s antics as feelings start to tumble and bloom away. Besides ‘my moon’, I can also see her calling Wednesday ‘silly raven’ in Greek.
Meanwhile, Wednesday has this wholeass evolution from shit like “mutt” to way softer nicknames because Gomezifcation™️ is a powerful thing. She starts to pine and internally call Enid her Alectrona (a greek goddness of the Sun, known for sunrise or ‘waking from slumber’, a perfect combo of how Enid brings light to Wednesday as well as her inner wolf finally waking up), but slowly she starts using it out loud along with “mi sol” (‘my sun’, Spanish), “mon petit chiot” (‘my little pup’, French), and “la mia vita” (‘my life’, Italian). Enid melts everytime without fail and stutters in Greek and honestly? Who could blame her when Wednesday has that passionately lovestruck shine in her eyes as adoration drips from devout lips.
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wifegideonnav · 2 years
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honestly it would be so fucking funny if alecto = nona and that’s just her personality. everyone’s like she’s crazy shes evil she’s gonna kill god and then you pan over to alecto and she’s making a daisy chain. turns out the ogs didn’t like her bc she was too nice and that was actually the outlier. she made them all presents by hand and they were like that’s it she’s gotta go
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