at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
So, I' sure most of us have seen a story/prompt or two about Ellie being on the Teen Titans or Young Justice right? Here's my question, does she tell them about her being a Clone, or does she just omit that from her resume?
Imagine a scenario where Ellie is on a mission with her team (Let's say YJ for this). They are nearly done, when she gets hit by some type of Ecto-Weapon in the middle of the fight?
She is hurt, but shrugs it off and continues the battle. In the end, the team manages to come out on Top, and they return to Base.
The others are fretting over Ellie, asking how she is doing and if she needs ant help. She's never once been hit while in Battle, her Phasing Powers are stronger than even Miss Martian, so they are understandably concerned for her health.
She tells them that she's fine, and goes off to her room to rest, telling them to drop it.
Later that night, one of her teammates goes to her room to fetch her for Dinner. They knock on the door, but she doesn't respond. After a while, they decide to just open the door and find Ellie collapsed on the floor. She never made it to her bed.
They rush her to the Medical Station, and call in the League.
While there, they try to figure out what happened, but nothing comes up with the Weapon that hit her. (They took it after the battle for study)
Eventually, they get the results back from the Doctors. Her cells are dying at an alarming rate. Her energy levels are Unstable. Her DNA is deteriorating. She's Destabilizing.
She's a Clone.
All the evidence is there. Her DNA is deteriorating because she wasn't made complete, and her Cells can't keep up with the damage anymore because of that.
If this Ellie is a Clone, what happened to the Real Ellie? When was she kidnapped? How did they not notice their friend being replaced by a Clone?!
They need answers, and unfortunately Ellie isn't waking up any time soon.
forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.
It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.
Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.
I would just like to say how hard it hits me in the chest to see Charlie masking every time she's onscreen the day before the fight (including what we see on Vox's spy screens of course), except when no one is with her but Vaggie. Even during her emotional speech she tries so damn hard to keep that confidence up and smile on. But we do see her stop masking twice, when the only person watching her is Vaggie.
First:
No one's really paying attention to her, and she's not smiling; she's worried. When Vaggie approaches her, she doesn't put on a happy face. She talks about her mom with the same smile as in the first episode (during a very emotionally vulnerable moment with Vaggie, might I add). It's not happy or confident. It's nostalgic, wistful, and sad, because her mom's absence is something very personal and painful for her. When Vaggie asks if they're ready, Charlie doesn't instantly start to smile or answer with confidence even though she usually would (even within that short beat of time), because her mask is off. She's not confident or optimistic. She's scared. She's not ready.
Then Pentious comes out and she's all smiles again! The mask comes back on when someone other than Vaggie is there.
Second:
Of course, one of our favorite scenes. Charlie's alone when she breaks down, but when Vaggie shows up, she keeps the mask off. She admits how scared she is. When she does smile, it's not the big smile she's been throwing on throughout the day, and it's not strained either. It's soft, gentle, and real. She's not masking. Vaggie is genuinely making her feel better when she's finally letting herself fall apart, just by being there and reminding her that no matter what happens, she's already accomplished so much, and she's so loved.
Charlie is under a lot of stress and pressure. She's scared. She's not as optimistic as she's making herself out to be. She's giving everything she's got out there being a strong, confident, inspirational leader and friend in front of everyone, and it's only with Vaggie that she lets it go. She doesn't have to try to be strong. She doesn't pretend. She lets down her guard, because for her, Vaggie is that one infinitely special person who gets to see every part of her; the one person she can always be her honest self with.
There were plenty of times in other episodes when Charlie didn't mask her negative emotions around people, but that was when she didn't have anyone looking to her as a leader. She's running on adrenaline and the weight of people's expectations as Extermination Day gets closer, and she can't let the mask she's put on slip in public. She has to seem like she's totally ready for what's coming. But Vaggie is different.
The amount of trust and love Charlie has for her is staggering. She's under an insane amount of stress and pressure, and having Vaggie by her side is probably the only thing keeping her from completely falling to pieces. Seeing a relationship so full of deep trust and love is absolutely beautiful. <3
@dduane I have no idea how I came onto your radar but I'm extremely shook, I have so much respect for your work and love your blogging besides and uhhh just thank you?? I just clocked into work and I've just been walking around in circles, I literally want to be you when I grow up (and I'm not even embarrassed about the verklempt Transformers OC rant so I guess I AM growing up!) so a reboggle is utterly boggling
btw cause I think some people still need to hear this, but the rose colored glasses coming off and the ‘revision’ to the meanings of her songs about joe was always gonna happen. with travis around or not. so saying she should focus on her new relationship is not the dunk you were thinking it is. like I keep saying it but she wrote him into her world, she included him in the world she wrote music in, and when she needed to, she wrote him out. why would he get to stay when he hasn’t earned that anymore? she would have kept him in, she even would have left the bad stuff in a box, but he didn’t seem like he wanted that part of her life. please can we all just realize that this is just such a normal reaction and end to a relationship and Taylor doesn’t need to ‘take the high road’ or whatever just because she’s in a new relationship. the reckoning of what happened was always going to be closing the chapter of the story she wrote for them. she’s releasing it whether you’re ready to reckon with her or not.