#sidhe answers

[osatokun]

✴ you are my moon ✴

#'yes just as round' she answered #vtm #charlie #vamily #glinda #wod #world of darkness #malkavian #sidhe #ctd

[valkyrie-of-the-rising-sun]

'Liberator' is an interesting trainer class for Hauyne. What's the reason for it?

Okay, so to answer that question, you'll need to know some Chroniclerverse lore history. I'm talking like super ancient history, all the way back in the Old World Era.

Spoilers from .karma files' Paragon and Renegade routes under the cut!

So in the Chroniclerverse, after humanity won the war against Arceus, Pokemon and its loyal followers the Sidhe (aka aura wielders if you've been following @/tired-needs-sleep's Sara content), the world starts to crumble away in the absence of their god.

However, the humans soon learned that the Sidhe have been attempting to resurrect their god, Arceus, using the golden arch it left behind upon its death via a series of sacrificial hosts. But it's not the resurrection of Arceus they're interested in, they're interested in the godlike powers the host of the golden arch was bestowed in. They did not want Arceus to return, they want to replace it with a god of their own making, one that could sustain the world in its place.

With that, humanity launched a second attack upon the surviving Sidhe, seizing the golden arch for their own selfish gains. They would call this artifact "Archetype" after refining it, and experimented it on willing volunteers in an attempt to find/manufacture their perfect God.

One of these volunteers is Electra, who would later become the Renegade Interceptor of the Chroniclerverse. Unlike the others, Electra showed far more promise as the Archetype's host, gaining traits of Dialga's abilities and was even able to manifest the Archetype's full power albeit for short periods of time. However, she inevitably contracted Genesis Syndrome and died a slow painful death, so she was marked off as a failure (although her soul was harvested and kept away for a different program).

Then came Reset Zero that ended the Old World, and Electra was awakened for the first time in eons to take Aevia's place as the Interceptor. Due to her being dormant for so long, her memories became fractured, so her journey across Aevium is also a journey for her to regain her memories, find out what happened to her old home and if she could return to it.

Of course, Electra would eventually learn that all traces of her old life was wiped away, which drove her past the brink of despair and made her obsessed with restoring the Old World so that she could return to her old life. To that end, she sent the world onto a destructive path, hoping to destroy it in order to make room for the restoration of the Old. While she was successful... somewhat, her destroying the world also ended up wiping herself from existence, so all her struggles ended up being for nothing in the end.

But not all traces of her was wiped away; remnants of her, the manifestation of her bitterness, resentment and grief lingered still, and it remained inside the CORE, infecting it like a virus. That 'virus' was what corrupted the CORE and by extension Karma, causing it to loop endlessly and trapping everyone in a never-ending cycle of death and suffering even after a world has flourished and "Bloomed". There's more to the cycles than just the virus infecting and corrupting it, but it's one of the main reasons since the loops are partially to reconstruct the data that got corrupted as a result of Electra's actions.

This is where Hauyne comes in. Due to her origins, she's gained awareness of the cycles very early on, realising that this was not supposed to happen and that there's something that's causing this unnatural timeloops. So her mission as the Interceptor went from "saving the world" to "liberating the worlds from its endless cycle of death", even if it meant declaring war against Karma itself and removing it as well as its influence from the worlds entirely. Hence, "Liberator".

#ask answers #tysm for the ask! #chroniclerverse #just to make things clear: aura wielders are officially known as Sidhe #but aura wielders are an old name for them. a beta name that stuck around because of the old stuff I wrote in this blog #which is why sleepy calls them aura wielders since he based his oc sara on the old outdated info (they're up to date now dw xD) #there's a lot of stuff about the chroniclerverse i could tell you here #but i'll spare you the ramblings lol #unless... /j #anyway #i hope this answers your question!

[sunyandmony]

Happyyyy birthday to youuuu~

Happy birthday to you!

Happy birthday, happy birthday~

Happy birthday to you!!!!

HHHHHHHH

Yeee:D

THANKSSSS!!!! 💥💥💥🥺

#sunyandmony bday #yeyyy:) #answered #cipher-the-sidhe #WHSJSISJ #happy bday to me #HHH #ruin eclipse #gif #media post #+ EVERYTHING ELSE I DIDN'T TAG

[badassbutterfly1987]

For the bingo I'm going to press repeat and go with Lenansidhe/Erlking again.

#ask answered #dresden files #erlking #leanan sidhe #ship bingo

[bonegrieve]

TAG DROP ( Felix, Sidh, & Andoya )

#🦴 Felix #🦴 Interaction ( Felix ) #🦴 Headcanon ( Felix ) #🦴 Aesthetic ( Felix ) #🦴 Playlist ( Felix ) #🦴 Answered ( Felix ) #🦴 Andoya #🦴 Interaction ( Andoya ) #🦴 Headcanon ( Andoya ) #🦴 Aesthetic ( Andoya ) #🦴 Playlist ( Andoya ) #🦴 Answered ( Andoya ) #🦴 Sidh #🦴 Interaction ( Sidh ) #🦴 Headcanon ( Sidh ) #🦴 Aesthetic ( Sidh ) #🦴 Playlist ( Sidh ) #🦴 Answered ( Sidh )

[etheirytes]

(@ sidh!) "Congratulations. You played yourself."

Sidh blinked, ears immediately standing upright. Immediately his hands clasped together, heart lodging itself somewhere between his sternum and tongue. The hammer-slam beat was so loud -- would Allan be able to hear it? "I-- I do not know what you mean...?" @desertrosed

#—— ☄ ( answered ) #—— ☄ ( sidh )

[larluce]

Merlin traveling back in time to save Arthur AU but with a twist!!

Merlin makes it to the sidhes, bringing a barely breathing Arthur with him. As expected, they ask for a price and Merlin offers his life, ignoring Arthur's protests.

Sidhe1: You're inmortal you can't die

Sidhe2: And even if you could, killing you would mean killing magic itself, therefore killing the earth itself.

Merlin: (crying desperate) I don't care! Take what you need! My blood, my magic, anything! Just save him!

Sidhe1: (smiling evily) I might know just the thing.

They never tell him what are they going to take from him, but he agrees. The sidhes start the ritual, while Arthur just keeps pleading weakely

Merlin: (smiling) If I somehow don't come back-

Arthur: (crying) Stop! Merlin don't do this. Please!

Merlin: I just want you to know that I love you.

Before Arthur can answer the ritual ends and Merlin blacks out.

When he wakes up he is in his way to Camelot in his old clothes and 10 years younger. He soon discovers he's been brought back to the very first day he met Arthur. He's confused. Have the Sidhes taken from him years of his life as a price? It doesn't make sense to him, but he decides to take advantage of this to prevent some things from happening.

Time goes by and while, in general, all events are repeating, not everything is happening as he remembers. Some people arrive in his live early, like Lancelot or Gawain. And Arthur treats him better? Like he says thank you to him more often and listens to him more. Merlin thinks it’s weird, but brushes it off thinking it’s due to the changes he's been making that some things are not quite the same.

Then the day comes when he finally reveals his magic to Arthur. He cries and Arthur hugs him telling everything its okey. Nothing its going to happen to him. Shortly after however Arthur also has a confession.

Arthur: I already knew.

Merlin: What?! Since when?

Arthur: the very start.

Merlin: How? I've been careful! More careful than before!

Arthur: Because you told me before. Well, not really before, but in the future. It’s complicated.

Merlin: Wait... you are from the future too?!

They are both surprised. They thought they were alone in this and it turns out they never were. Merlin cries all over again, apologazing for everything, for failing him, for not being able to save him, but-

Arthur: You did.

Merlin: ... What?

Arthur: You did save me.

Merlin: No, the sidhes tricked me. They sent us back in time-

Arthur: It was not them who did that. It was me.

Merlin: What... what are you saying?

Turns out what the ritual really did was turn Merlin into a small tree in exchange for saving Arthur’s life. A magic tree that would grow taller and taller and never die and whose ruts would expand making magic florish in the earth forever. Arthur of course was really upset after that. He demanded the sidhes to turn Merlin back but they only told him "what's done it's done" and that all he could do was pick the tree up before the roots growed if he wanted to move it elsewhere.

Arthur put the tree in a pot and brought it back to Camelot. Everyone was devasted with the news but they were also glad their king was alive and safe. No one blamed him, but Arthur always blamed himself. He repealed the ban as soon as he could and made sure everyone knew Merlin's involvement in the battle and later the other things he find out Merlin did for Camelot through Gaius. He made an anual event and a statue in Merlin's honor. Camelot slowly but surely welcomed magic again and became the most prosperous kingdom in the land.

Merlin: Oh...I don't remember being a tree.

Arthur: Yeah, I figured.

Merlin: But you repealed the ban! That's great! Magic was free again in the-wait... so why did you do all this if everything was fine? And how did you do it?

Arthur: Everything was NOT fine Merlin. You weren't there!

Merlin: (utterly confused) I was. As a tree.

Arthur: You know what I mean! You were there but you weren't. We mourned you but you were still alive. I kept you in that pot for longer that I should have because I wanted to keep you close all the time, yet looking at you was so painful... Gwen had to scold me into finally plant you in the garden so you could grow properly. I was broken inside, while trying to rule a kingdom. I kingdom we should have ruled together from the start!

Merlin: ...

Merlin: You're telling me you somehow traveled us back in time and throw away the golden age, your dream of uniting all Albion and all you worked hard for... just because you missed me?

Arthur: And because I couldn't say it back.

Merlin: What?

Arthur: That I love you too.

NEXT PART OF THIS AU HERE -> PART 2

#merlin bbc #merlin #bbc merlin #merthur #merlin fic #merlin fanfic #merthur fic #merlin prompt #arthur and merlin #merlin and arthur #merthur prompt #merthur fanfic #Arthur and Merlin travel back in time without knowing the other is from the future too AU

[multimuse-online]

💋 Surprise me!

everyone sending ‘💋’ in my inbox gets a kiss from my muse.

You got: Killian Erskine!

"I did not expect anyone to be so forward," The Pixi purred with a smile upon his lips before leaning down so that he was eye to eye, a hand raising to cup under their chin "Not that I mind, of course".

Slowly, he pressed a gentle kiss against their lips, the skin of his lips was soft, warm and inviting and they lingered for a moment before he drew away; a pleasant smile upon his face.

"I hope that was to your liking".

#answered #anon #Muse: Killian #The Sidhe #he is a gentleman #random generated muse

[alterlest]

𓃶 What Is The Wild Hunt?

The Wild Hunt is a common belief among many Northern European cultures. In short, the hunt is a cavalcade of ghosts, spirits, fairies, elves, and other spiritual beings that is said to sweep across our world every year. Depending on where your beliefs come from, when it happens will differ.

It is commonly believed that the leader of The Wild Hunt is a deity or figure of importance of some kind, such as Odin/Woden in Norse and Saxon traditions, or King Arthur in British lore. Other leaders of the hunt include but are not limited to:

𖤓 Arawn or Gwyn ap Nudd, commonly seen as the Welsh lords of Annwn

𖤓 Danish king Valdemar Atterdag

𖤓 The Norse dragon slayer Sigurd

𖤓 Biblical figures like Cain, Gabriel, Herod and the devil

𖤓 Gothic king Theodoric the Great

☾༺♰༻☽

𓃶 What Did People Do For The Wild Hunt?

The Wild Hunt was generally seen as a bad omen; one for destruction, famine, war, plague, or the death of the one who saw it. In many traditions, witnessing the hunt would result in the viewer being abducted to Otherworld or Underworld. Other times, those who were not protected would have their souls pulled from their bodies while they sleep, and they would join the menagerie of the dead.

To avoid this fate, people in Wales, for example, began the tradition of carving pumpkins as a way to avoid being taken by the fae. In Scandinavia, offerings like bread were put outside the home as an offering to the spirits joining Odin for the hunt.

☾༺♰༻☽

𓃶 When is The Wild Hunt?

Depending on where your beliefs stem from, there are various answers to this question.

In Britain, The Wild Hunt is associated with the autumn season, specifically around and on Samhain/The Autumn Equinox.

Scandinavian tradition tells us that they prepared for the hunt around December, specifically Yule/The Winter Equinox.

☾༺♰༻☽

𓃶 What Entities Are A Part of the Wild Hunt?

Many entities are associated with the Wild Hunt in different areas. These entities include but are not limited to:

𖤓 The Fae (The Sidhe, The Tlywyth Teg, etc)

𖤓 Spirits of the Dead

𖤓 Demons

𖤓 Valkyries

𖤓 The Spirits of Huntsmen or Nobles

𖤓 Horses (sometimes with an abnormal amount of legs)

𖤓 Wolves and dogs (sometimes spiritual in nature, i.e. the Cwn Annwn)

☾༺♰༻☽

#pagan witch #paganism #witchblr #witchcraft #the wild hunt #king arthur #avalon #gwyn ap nudd #arawn #welsh mythology #norse mythology #norse paganism #fairies #fae folk #fae #faerie #ghost #spirituality #celtic paganism

[ludcake]

I've been chatting with beloved mutual @amethyinst and recently found a way better way of like, articulating my thoughts on the Others and the whole Fire and Ice thing.

I've written one or two pieces of meta on the Others before and I am a strong believer that they're people and not evil ice demons and that they have some cognition, society and that the books won't end with them just getting all destroyed and murdered in a big war - for a lot of reasons, including the fact that I think that would go very much against the overarching theme of the books, both in the sense that I disbelieve the idea that the Others are the big threat we have to pay attention but are too concerned with our own small, petty issues (I think that it would do an immense disservice to the struggles that these characters endure to ultimately frame them as pointless) and because I disbelieve that the ultimate, overarching conflict will be a big war in a display of violence.

The thing is, obviously, the Others are Ice - and we have the dragons, on the opposite corner, as Fire. Martin's mentioned a couple of times that fire, and the dragons, represent passion, and they represent life, and that's part of why they're associated with Dany's position as mother and breaker of chains... And he's also mentioned a couple of times that the Others are "ice sidhe", that they can do things with ice that are incredible, but I'm going to focus on that idea of them as sidhe - as fey beings, as counter to fire, but also as spirits and bound by spells.

To me, it's difficult to accept the idea that the dragons, and fire, is wholly positive - we've seen how "fire consumes until there's nothing left" is a theme through Thoros and Berric, and we've seen how dragons were used by the Targaryens and the Valyrians to keep a vast tyrannical empire that oppressed several peoples and kept them as slaves, the same system that Dany now uses her dragons to destroy. There's clearly a greater theme here, at play, that dragons aren't universally positive - and throughout A Dance With Dragons, specifically, we see Martin use the dragons, in particular Drogon, to represent Dany's desire for freedom, to escape politics, to escape Meereen, to fly and burn and end peace and crush the slavers.

And frankly, I don't think that the ultimate answer is that it's a necessarily good instinct. It's not a bad one either.

There's been a few pieces written about the Others that go at length about their role - a few ones that link their appearance to the sacking of the barrows beyond the Wall, or the idea that the ancient Pact has been broken, or the idea of the Wall and the Night's Watch as ultimately institutions of separation, and of course, linking the 7000ft tall wall of ice to the ice guys. And I think there's a point to be made here... There's few times where we see the Others themselves, but it has always fascinated me how in A Game of Thrones' Prologue, the Others ambushing Ser Waymar Royce accept his request for a fair and just duel, and fight against him in his own terms.

I think that if dragons are passion, and freedom, and warmth, then the Others are oaths, and laws, and the cold. The Others are not evil, but they are duty - and the dragons are love. Love is the death of duty, duty is the death of love - the Others are a slowly marching force, that moves ever onwards, and they will have their ultimate reckoning, and they will bind people to oaths and laws. They are Ned Stark executing a poor boy who was running for his life. They are Robb Stark executing the father of his friends for treason. They are Ser Barristan Selmy standing by while King Aerys ruled tyrannically. They are Duncan the Tall standing up and keeping to his oath of knighthood. They are Prince Baelor Targaryen defending Duncan. They are Stannis marching onwards for duty. They are every law and every oath and every rule, just or unjust, whether it upholds ideals or not - they are the ice sidhe, they are what you swear upon, they are the Old Gods of the North which look through the weirwoods and tell whether you've said a lie. They are cold, harsh, unforgiving truth.

And the dragons, of course, are that opposite. They are Maegor the Cruel destroying every rule of the realm, every demand of the Faith, because he rides Balerion. They are Daenerys destroying slavery and breaking the wheel, because she is the mother of dragons. They are passion and they are love, they are the impulse for freedom, they are might-makes-right and the breaking of chains, they are the Valyrians destroying every rule of society because they have dragons, they are Daenaerys making a better world because she has dragons, they are Aegon V seeing glimpses of a world where the smallfolk would not toil so much because he'd have dragons, they are Aerys the Mad burning his victims because he is a dragon. They are tyranny, and they are freedom - they are the fact that you are beholden to nothing but yourself.

And that can be used for good, and for ill; just as oaths can be good, or bad.

And that's what ice and fire are; they may both end the world, and they may both uphold it, but they are duty and love. The human heart in conflict with itself.

Is this a definitive analysis? Not at all. I'd love to see people counter argue or add onto it! It's just my brief thoughts on the bilaterality of ice and fire, and how that dichotomy is often presented, I think; I might write up something longer with proper references to the books sometime. But it is A Thought I've Had, and I think it's worth writing out.

#asoiaf #.txt #valyrianscrolls #adwd #the others #meta #the human heart in conflict with itself is the only thing worth writing about #and what is more human than the conflict between love and duty #between what you believe and what you want #what youve been taught and what you desire #what youre pressured to do and what you yearn to do

[seananmcguire]

Hi Seanan! I recently threw some more of your creatures into the my DnD5e-ish game I'm running- I homebrewed a Cait Sidhe race, and let my players rescue a colony of Aeslin Mice (redubbed "loremice," so I don't have to figure out what "Aeslin" means when my players ask.) The mice have so far named a God of Smokey Rescue, a God of Deceptive Size, and a God of Ominous Declaration. :)

I realize I could make up whatever rules I want for their specifics, since it's my game and I haven't gotten my players to read your work yet, so they wouldn't notice any inaccuracies. But I think it'd be cool to portray them as accurately as possible to the way you see them.

So! If you're willing, I have a couple questions!

1. Do you know what the rough ratio of Shadow Roads distance to not-Shadow-Roads distance is? I'm homebrewing a spell for the Cait Sidhe Shadow Roads thing, and I'd like to give my Cait Sidhe player some hard numbers to work with when they wanna push the limits of their range.

2. For the same player, can you share what the Shadow Roads look like to a Cait Sidhe? We can assume Tybalt isn't as blind as October is in there, but I can't remember her ever asking him precisely how he navigates.

3. I was gonna remove the Aeslin "God/Priestess" gender distinction for my loremice, because the women at my table would have questions and I wouldn't know how to justify it. I don't expect you'd mind much, but it feels mildly disrespectful to the source material anyway (like, what if I'm just using this as an excuse to remove it, because I dislike this Aeslin habit myself?). So I'm torn. Do you know an explanation I could give my players to make sure they don't mistake the mice as sexist?

3.5. I was also considering a compromise solution to this. I'm considering making all the player characters "Gods" to the mice initially, then having the mice switch to using "Priest(ess)" to refer to PCs who converse most directly with the mice, who make the most effort to force their way past the HAILs and be treated as equals. I'd have them act slightly more casual and less reverent to the Priests and Priestesses, make it easier for them to hold productive conversations with the mice than it is for Gods. I felt this could pay enough homage to your work to alleviate my baseless guilt, while beating the potential sexism allegations. And since I have you here on Tumblr, I wanted to get your input on it- is that uncomfortably far from your vision of Aeslin Worship?

If you can't answer any of these, either because they feel spoilery or because you haven't canonized answers to them in your own head, that's fine! I can figure it out. But you've found time for my Tumblr asks before, so I figure I may as well run it by you.

Maybe I'll add Cu Sidhe as a playable race next... if my players are mature enough to handle how I believe it's pronounced, haha.

This is all very neat, but I started my numbered list before I said that, and can't get out of it!

About 1:10.

The Shadow Roads are absolute blackness even to the Cait Sidhe. They're just a little warmer/it's possible to breathe there, if not comfortably. They navigate by feel, and generally "know" when it's time to exit to the "real world" again.

It's not disrespectful to the source material, honest. The mice who live with the Price family, whether Portland or Penton Hall, are still operating under a foundational commandment that Beth Evans didn't know she was giving, when she told them they couldn't set her above her husband, who they had already declared a god. So the mice aren't sexist, because they barely comprehend human sexual dimorphism: they're just following the orders they were given when they were first adopted by this particular liturgical tradition. A colony that hadn't received that commandment could pick any other set of titles. As a rule, you will have two: one for people who are worshiped but not listened to, and one the other way around.

That works!

[lailoken]

hello,

this may sound like a silly question, but is it possible for someone who is not Irish, scottish, or British to be contacted by the Fae?

thank you!

Hello there.

This isn't a silly question, but it's one I will have to expound on a bit, as opposed to just giving a yes or no answer. I'll also preface this by saying that my personal beliefs will likely be contentious to some, and I encourage readers to take what they find useful and leave the rest if it conflicts with their own paradigm. Most of this comes from a mixture of personal gnosis and theory, and I am not attempting to assert authority on the subject or claim academic accuracy, so please keep that in mind.

To put it very simply, I believe that the Fae are present in every region of the world, and I have highly syncretic beliefs about the nature of the Fae and other spirits in general. For me, the folkloric specifics come down to cultural lenses and the ways that long-term worship and perception shape the expectations and manifestations of the Gloaming Folk. So, no, I don't think one has to be Gaelic or Brythonic in order to cultivate a relationship with the Fae.

For instance, when looking at the Faerie Faith, many people think primarily—if not only—of the insular Celts. The Fair Folk of the English; the Aos Sidhe of the Irish; the Daoine Sìth of the Scottish; the Sheeaghan of the Manx; the Twlwyth Teg of the Welsh; the Spyrysyon of the Cornish; and the Korrigan of the Breton. But in the larger context of Germanic and Scandinavian folklore, there is copious evidence of entities that are undeniably similar to the Fae as they are understood in the Insular Celtic Isles. In fact, the Germanic word Elf is so closely aligned with the term Faery that many people don't even realize or think about the fact that they derive from different cultures. That being said, the Germanic/Scandinavian "lens" of Faerie Lore is probably the other best known by the wider public.

Likewise, there are multiple beings that show up in Slavic mythology and folklore—such as the Vila, the Rusalke, or the Vodyanoy—which are pretty readily accepted as Faeries. I don't know of an overarching term that would necessarily be equivalent, but the folkloric link is still there.

Now, moving into a more controversial aspect of my beliefs, I also happen to think of Angels, Demons, and Djinn in terms of Gloaming Spirits. While I readily admit that millenia of regionally specific belief and veneration form unique "identies" that Spirits of a given culture may align more closely with, I believe that they are all part of one larger "family" of beings who have been interacting with humanity for many thousands of years. I realize that this will likely be considered an egregious oversimplication for some, or possibly even an erasure of the individuality these cultures possess; but for me, the things that make a tradition sacred and unique are not invalidated or snuffed out by by the fact that other cultures may find recognition in them. So, while I do think beings like Angels, Demons, and Djinn are inexorably interrelated, I also fully accept that they are unique and culturally specific. And frankly, I find it hard to believe that others who have engaged in intensive personal gnosis haven't come across similar threads of paradoxical interconnection.

Beyond these, though, I've also pinpointed other entities over the years that I think represent reasonable approximations of the Fae. These include things like:

The Peris of Persian Mythology (Beautiful aerial spirits sometimes known to work with humans called Peri-Kahn, who gained skills and abilities from the relationship. They are generally described as humanoid figures with beautiful wings, who are known for their michevious behavior, though at least one work references them as divine beings denied entry into paradise until such a times as they have atoned—a folkloric motif some will recognize in connection to certain folk-beliefs regarding the Angels and the Fae.)

The Yakshas of Hinduism, Buddhism, and Jainism (Spirits of nature often connected with water, fertility, plants, treasures, and the wilderness. While some are considered benign or benevolent, others are considered more mischevious or sinister, though most are considered capricious. Sometimes associated with ecological forces, and at other times, with the spirits of the dead. )

The Yōkai of Shintō (A diverse array of spirits—often explicitly equivacated with fairies, demons, and/or sprites—known to interact with humans in both benevolent and malevolent capacities. While many of these spirits are quite singular in their uniqueness, others are more recognizable within a broader archetypal folkloric context—such as the Zashiki-warashi, which are described as diminutive domestic sprites known for both their ability to bestow good fortune, and their tendency to perform mischevious pranks.)

The Korpokkur of Ainu Mythology (A race of little folk, associated with the Butterbur plant, who were said to leave gifts under cover of night—as they did not like being seen. They were believed to be the original inhabitants of Japan before the Ainu—which also echoes aspects of Celtic Faerie Lore.)

The Aziza of Dahomean Mythology (A race of supernatural little folk who are said to live in the Wilds—often beneath Anthills or within silk-cotton trees— and use their magic to help humans, as well as providing people with practical knowledge and spiritual wisdom.)

The Yumboes of Wolof Mythology (Spirits of the dead described as little folk with pearly white skin and silver hair who lived beneath hills and come out to dance beneath the Moonlight. They are known to hold great feasts, which humans are sometimes invited to.)

The Hellenic Nymphs, Sirens, and Kobaloi (As many know, Nymphs are animistic spirits of nature, considered beautiful, and known to interact with humans. Likewise, most will have heard of Sirens as beautiful, seductive, and dangerous spirits of the water who are known to entice and drown men. The Kobaloi, in turn, are described as a mischievous race of small goblin-like folk who are fond of playing tricks on human kind.)

The Basque Iratxoak, Laminak, and Mairuak (An Iraxto is a type of domestic Imp or Goblin known to help with human labors in the night, if properly propitiated. A Lamina, on the other hand, is a Water Maiden described similarly to Sirens or Nereids. They are generally understood to have webbed duck feet and long beautiful hair, which they are fond of combing by the waterside. They are known for both their tendency to offer aid to those who show them respect and propitiation, and their tendency to seduce and ensnare men. Some traditions speak of male giants called Mairuak, who are closely associated with Laminak, and are linked by some with the construction of megalithic structures.)

The Duende of Iberian mythology (A term quite similar to 'Faery' in its usage, which encompasses a diverse array of spiritual entities who are generally said to appear as humanoid, though frequently capable of shapeshifting. They are often associated with nature and are known for their involvement with humans—be it helpful, romantic, michevious, or vicious. They include goblin-esque folk known as Trasgu, Water Maidens known as Xana or Anjana, and supernatural beings called Mouros who take refuge beneath the earth and rarely emerge near sites like barrows. The most common conception of a Duende, however, describes them as a mischevious sort of domestic imp or goblin known for their dealings with the human world. )

The Aztec Chaneque (A sprite-like race of little folk who are associated with Elemental forces and are often conceived as guardians of nature. These beings were once propotiated by the Nàhuatl peoples in exchange for protection from blight, intruders, and evil forces. However, they could also inflict harm, and they were known to sometimes kidnap humans and take them to their home in the Underworld of of Mictlàn to be seduced. On an interesting sidenote, one folk-method of protecting against them when traveling in the forest was for a person to turn their clothing inside out—a charm many will recognize from Celtic Faerie Folklore.)

The Mayan Aluxo'ob (Spirits recognized in the mythological traditions of certain Maya peoples, who are generally associated with particular features of nature. They are described as small and humanoid, and they usually remain invisible, though they can assume physical form for the sake of interacting with humans. Sometimes, wandering Aluxo'ob are said to ask for offerings from farmers or travelers and may respond with wrath if refused. If its conditions are respectfully met, however, it is said that an Alux will provide protection, luck, and aid. In fact, some traditions hold that a farmer can erect a specialized form of Spirit House in order to welcome in an Alux that will aid them for a contracted period of time with tending crops, summoning favorable weather, and guarding property. What's more, there exist naming taboos that reflect themes of Celtic Faerie Lore.)

The Guarani Pombero (A spirit particularly important in Paraguay, though it appears in multiple mythological traditions from the surrounding area. The Pombero is generally conceived as a small hairy man who lives in forested areas and abandoned sites, and is known to cause mischief for humans. It is said that the Pombero can become invisible, change shape, and perfectly mimick the sounds of the wild. Usually, he is considered harmless, if mischevious—known for antics like food theft, the loosing of cattle, and the scattering of household objects. Though, he is also known also known to occasionally abduct and/or impregnate women, resulting in the births of hairy children. The Pombero is capable of being appeased, however, through offerings such as cigars, liquor, and honey. It is even said that, if these propitiations are observed consistently for long enough, the Pombero will take a liking to a person or persons and provide protection for their home and posessions, as well as leaving gifts of their own in return.)

The Tupi-Guarani Curupira (A spirit described in the folklore of Paraguay, Amazonia, Brasil, and Argentina as a little man with bright red hair and feet turned backwards, which it uses to obfuscate the trajectory of its footprints. They are said to live in the wild, and will prey on hunters who take more than they need, or who harm animals while they care for their Offspring. They are also said to ocassionally abduct and/or impregnate women, resulting in strange or unexplained births.)

The Iroquois Jogah (A race of magical little folk spoken of in Iroquois lore. They are said to be largely invisible, and an array of phenomena are associated with them, such as mysterious drumming noises, rings of bare earth, disembodied lights, and "bowls" found in stones. Offerings such as tobacco and fingernail parings could be left within these stone bowls, as propitiation to the Jogah. They are fond of mischief and games, though they can also be dangerous if disrespected. It is said, for example, that they will cause illness in homes constructed upon sites that they favor. The Jogah are also known for the variety of sub-groups into which they can be divided, generally associated with particular aspects or features of the natural world.)

& the Māori Patupaiarehe (Beings described in Māori mythology as a pale folk with red or golden hair. They are said to live in the mountains, hills, and deep forests in communities unseen by human eyes. They are known to influence the mist and clouds, to play music sweeter than that of any human hand, and were said to sometimes act with hostility towards humans who encroach or intrude upon their land. Despite this, however, most traditions state that Māori are able to converse with them at times.)

These are only a selection of traditional beliefs, though there are many more I won't attempt to list, and who knows how many more I've never heard. These are merely ones that have particularly caught my notice over time, and which seemed worth mentioning here. However, I am far from an anthropological expert, and I encourage others to ammend, contextualize, and add onto this information as they see fit—especially if they come from a culture I reference here. My goal is not to imply that all of these traditions are somehow directly connected to the Anglo-Celtic traditions, or that Anglo-Celtic mythology should be the cornerstone by which all folklore is considered; it's just the cultural background I have the most personal connection to/understanding of, and so I aim to speak mainly from a place of my own experience (though, I am actually half Paraguayan as well.)

So, in conclusion, while I do think that one's own cultural and regional context generally plays an important role in how one is likely to encounter the Gloaming Folk, I believe that people from virtually every culture have the capacity for working with them. I think that, when attempting to approach the Fae, it's a good idea for one to come at it from the perspective of their own heritage and regional lore, but at the same time, one can't always help the way spirits end up cultivating relationships with them (and, honestly, I think it is better for one to wait for the Fae to approach them whenever possible.)

#fae #fair folk #gloaming folk #gloaming #otherworld #faerie folk #faerie faith #good neighbors #pagan syncretism #syncretism #faerie lore #faerie folklore #anonymous #ask

[badassbutterfly1987]

My sleeper hit: Leanansidhe/Erlking

Love it/ Hate it/ Tolerate it/ Would write it/ Have written it/ Would never write it/ Would read it/ Have read it/ Would never read it/ That would be a TRASH FIRE (affectionate)/ That would be a TRASH FIRE (derogatory)/ Squick/ Yay/ Fits with canon (affectionate)/ Fits with canon (derogatory)/ Makes no sense with canon (affectionate)/ Makes no sense with canon (derogatory)

Honestly, I can see it! They occupy similar circiles, they're both chaotic, they're both ancient feral fae with a thing for hunting... It works!

#ask answered #dresden files #ship dynamics #leanan sidhe #erlking

[ghouljams]

Hey I'm not sure if you answered this already but I wanted to ask what Soaps Fae form really looks like. I read the drabble about the horror artist but it wasn't entirely clear. Is he like a shadow man with cobweb-like tendrils emanating from his form or am completely wrong in how I read that.

I hope your doing well. Stay hydrated and take care of yourself 💗

I'll be real with you my love I have no fucking clue.

Soap is based both on old school djinn myths, old leanan sidhe myths, and the essential angler fish. He was meant to be sort of spider-y but then Threat snapped up that imagery up from under him. I'm going to.... I don't know!!! I think he's almost forgotten what he's supposed to look like. He's been pretty for so long, so desperately pretty for too much of his existence, that he wouldn't be able to take the coat off. No easily at least. Even a seer like Liebling wouldn't really see "him" they'd get that electric feeling, the horror of something uncanny and inhuman, but his beauty is a true part of him. It's the type of fae he is.

Leanan Sidhe are beautiful, they glow with an ethereal energy that draws people to them. They're full of life and allure, made to be muses. The djinn part is where I steal his extra chompers from, gotta have the teeth needed to bite through bone and carrion. But they can also give inspiration to poets, and soothsayers! Soap is multi-talented what a man... The angler fish is self explanatory.

This is where I say again that I think Konig is an anomaly. He's old old old fae so he isn't quite humanoid yet, an old monster stalking the woods. Proto-fae, before humans discovered they were more than mindless animals. He has a monster form, but that's also just the type of fae he is. Soap is not that sort of fae, but the vibes are there. He has the big guy's vibe in pretty shiny packaging.

Now the other answer is that he might have a hollow back like a Huldra, but huldra are pretty solidly Nordic creatures. Still beautiful and alluring, but it's said if you gaze into the cavern they carry in their back it will suck your soul into it. Anyone the huldra decide to sleep with are never heard from again, killed for the crime of being unable to satisfy the creature... ANOTHER possibility is having charred extremities, lines of soot from the fire in his veins, his fingers black from heat, his internal fire sustaining and burning him in equal measure. A pain he's long grown used to, if he can keep himself well fed that is...

#ghoul speaks #john soap mactavish #fae!soap #just some thoughts #I don't see any of the boys having monster forms #they're not really those sorts of faeries #1fae1

[larluce]

Arthur and Merlin travel back in time without knowing the other is from the future too AU

LINKS TO THE OTHER PARTS OF THIS AU HERE: PARTE 1 , PARTE 2 , PARTE 3, PARTE 4 , PART5 (you're here) , PARTE 6

In "The Beginning of the End"

Morgana: Merlin! I need your help.

Merlin: (worried) What is it?

Morgana: Just come with me (brings Merlin to her chambers and shows him Mordred behind the screen)

Merlin: (Who's been ignoring Mordred's calls for help in his mind on purpose and still hates him to guts for what he did to Arthur in his timeline, trying to remain compose) That's... That's the druid boy.

Morgana: (Who did hear Mordred calls for help and helped him instead) He's injured. If we don't give him medical attention he'll die.

Merlin: (almost histerical) If Uther finds out you've been hiding the druid boy in your chambers you'll die! We'll all die! What were you thinking?!

Morgana: I couldn't just leave him! He's just a child! He's innocent!

Merlin: To Uther he's guilty.

Morgana: And to you he is? He has done no harm. His only crime is having magic. Do you think he deserves to be executed for that?

Merlin: ... No. Of course not.

Morgana: Then help me. Just tend his wound. Please. (puppy eyes)

Merlin: (Still full of resentment to Arthur's future murderer, but loving Morgana too much to deny her anything. Sighs) Alright.

...

Morgana: Arthur. To what do I owe this pleasure?

Arthur: (enters her chambers) Where is him?

Morgana: Who?

Arthur: I know you're hiding him Morgana.

Morgana: I don't know what you're talking about.

Arthur: Well, I need to search your chambers, kings orders. (starts searching)

Morgana: You will not do such a thing! Stop messing up my things!

Arthur: (opens the screen where Merlin and Mordred are hiding) So this is where you've been lazing around.

Merlin: Sorry 😅

Arthur: (To Morgana) You drag him into this, I can't believe you! Do you know the risk you're putting yourself in?

Morgana: Arthur, please! (putting herself between Arthur and Mordred) Don't turn him in. I beg you, he's just a child.

Arthur: (who resents Mordred, not really because he tried to kill him, that part just hurt him, but because Merlin had to make the deal with the sidhes and was turned into a tree due to what Mordred did in his timeline) I'm sorry I have no choice. I can hide your involvement in this. No harm will come to you or Merlin. Now step aside. (Morgana doesn't move) Morgana.

Morgana: You'll have to go throught me first!

Arthur: I'm trying to protect you.

Morgana: If you hand him over, I'll never forgive you.

Arthur: (Conflicted cause he still have mixed feelings about Mordred but doesn't want Morgana to hate him again. Looks at Merlin for answers, but Merlin's avoiding his eyes at all cost)...

Morgana: We can take him out of Camelot, back to his people. He'll be safe there and Uther will stop searching for him eventually.

Arthur: This is treason. If my father finds out-

Morgana: He won't. Not if you help us. Arthur, please. (puppy eyes)

Arthur: (sighs, giving up) We'll have to be careful. And I'm not doing this again, you hear me?

Morgana: (jumps happily and hugs him) Thank you, thank you, thank you! You're going to be a great king one day. I know it!

Arthur: Yeah, yeah whatever 🙄(but he smiles and hugs back)

Merlin: (touched by the scene and very proud of Arthur despite his feelings towards Mordred) I agree. You'll be the greatest king of all.

Arthur: (separating from Morgana's hug and extending his arms at Merlin to which Merlin just looks at him confused) So?

Merlin: So?

Arthur: Where's my gratitude hug?

Merlin: (shocked)... what? 😳

Morgana: (Who already knows something is going on) Oh, don't be shy (pushes Merlin towards Arthur)

Merlin: (wraps his arms around Arthur hesitantly, but Arthur presses Merlin to him instanly and Merlin melts in the hug)

Morgana: (thinking) Awww. Next time I'll just have Merlin seduce him into doing stuff. It'll work faster.

#merlin bbc #merlin #bbc merlin #merthur #merlin fanfic #merlin and arthur #arthur and merlin #merlin fic #merthur fic #merlin prompt #merthur prompt #Arthur and Merlin travel back in time without knowing the other is from the future too AU

[trans-cuchulainn]

What do you think about using Irish as a stand-in for a dying Indigenous language in a Gaelic-inspired fantasy story? It would be spoken by sí, but also just be the native language colonialism has done a lot of damage to. If you don't have the time/spoons to answer this, completely understand and I appreciate you just having your ask box open and taking the time to read this. No ill will meant, your earlier post is just making me reconsider things. I am am Irish person, but I've been living abroad most of my life.

i am not the irish police or anything but i think it is worth considering the impact of continuing to use irish in fantasy as an unnamed magical or dead language that belongs to the distant past without naming and acknowledging it as a real language that real people speak everyday in the real world

because a lot of people will see this unnamed language and think "this is a fictional language" or "this is a dead language" and then when they see irish IRL it will seem magical and mystical and they won't think about it as something entwined with politics and language rights and funding and people's everyday existence

and a lot of them will also not realise it is irish at all. it is obviously difficult in a fantasy setting to refer to things by their real names but you can often tell the difference between an author with knowledge of irish who has deliberately chosen to use it to evoke certain real world parallels, and an author who has borrowed it because they think it's mystical and none of their readers will be able to understand it (and part of the difference comes from how the reader is cued to experience that language and indeed whether it appears to occur to the author that the reader might well understand every word of it)

there are certainly ways to use Irish in fantasy that are respectful and whatever, but i would caution that having otherworld beings be the speakers (i assume this is what you mean by "sí" although usually the word needs a person word with it since it refers to the place not its inhabitants, hence aes sidhe, daoine sidhe etc) and presenting the language as a "dying" language feels like it falls into some of those harmful tropes

(irish in the real world is a minority language, but it is also language with a growing number of urban speakers, new words being coined all the time, influencers and social media as gaeilge, growing support for language rights in the north, etc. that doesn't mean it's not endangered. but it does mean it is not a relic of the past found only in forgotten villages that haven't changed in 100 years, and the popular depiction of it hasn't really caught on to that fact)

but also i'm not the irish police. i'm not even irish. the language is not in my blood, i just went out and chose to learn it bc it interests me (maybe this is part of why i resist the Magical Language Of Our Ancestors spiel so much)

#answered #anonymous #irish