literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
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just thinking out loud here but i feel like a lot of popular perception of kon esp in online fandom spaces is colored by his joie de vivre and all the times he's silly and goofy. which i do of course adore!! i love when he's silly and goofy. but comparing that perception to, that of like, clark or kara, i feel like kon gets shunted into the box of "dumb comic relief character" a lot more easily. lots of factors probably contribute to that (sb94 having a bad rep, while no other kon comic really goes into a lot of his tragedy; conflation with the side of the fandom that doesn't read comics; the fact that comparatively postcrisis kara doesn't have a team the way kon has yj and clark is seen as a more capable adult, so other characters in the jl get the "dumb comic relief" short end of the stick more often; etc) ...
... but what really gets me about him is that he does embody a lot of the same traits as the rest of the kryptonian superfam. he's so extremely kind. he's got that same noble heart as the rest of them; he cares about everyone and he wants to protect everyone. and he's so, so lonely. he struggles between cultures and worlds where he feels like he doesn't belong to either. he is so strong and capable and holds so much power that it scares him.
cradles him gently in my hands. he contains multitudes... come closer don't you want to love him 🥺
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Hello y'all. Uh. I... Am a bit blown away??? but apparently there's like... A lot of you guys here????????
So I kinda wanna work on a special project for ATR! Something big and different from my usual comics!
I... Didn't think I'd get to this point. But cool I guess lol. It'll be nice to have a project to work on for a bit! Thank you guys!
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Getting emails from tiktok sometimes feels like it's an ex partner begging me to come back. Tempting me with names of people I had followed during the short time I used the app.
Sorry tiktok but never again lmao. It was great for when I was new to WH and could see a lot of cool art and videos. Not so cool when I started drowning in drama videos.
I'll stick to just using tumblr 🥰 Much more control over what I wanna look at.
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i know a big point of contention in this fandom is Ed's Anger. but the thing is that it's rlly hard for this to be an "agree to disagree" issue because the sides are like:
edward teach does have anger issues. in the show he becomes disproportionately and irrationally angry, and he expresses that anger in harmful and unacceptable ways. saying ed doesn't have anger issues is flattening a complex indigenous character for the sake of respectability politics.
edward teach does not have anger issues. every instance of ed's anger in the show is proportionate to the situation he is experiencing and ed is shown to be capable of controlling his anger. the way ed expresses his anger is normal and acceptable within the fictional comedy universe he exists in. saying that ed does have anger issues reflects implicit biases about men of color being inherently and exceptionally angry and violent.
and like, i've rewatched this show a billion fucking times at this point. i've seen these scenes more times than i can count. never, at any point, did i think ed's on-screen expressions of anger were indicative of anger issues. i have always considered ed's anger to be reasonable. even in the brief period of time before i began engaging with this fandom, i did not think ed had anger issues. i was surprised to find out that some people believe he does.
i just. i have a hard time, after watching this show over and over again and finding ed's anger to be a reasonable response to some very difficult situations, seeing people say they think those reasonable responses are indicative of anger issues. i've heard the arguments, and i just don't agree. and the question of why i don't agree really comes down to: am i subconsciously over-correcting for racial stereotypes and flattening the complexity of a character of color, or are other people reading ed's anger as more extreme than it is due to subconscious racial bias?
and that's. really not a question i think any of us are ever going to be able to answer.
EDIT 7/8/23: A QUICK POST ABOUT THIS POST
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