Et voici pour les derniers ! J'espère qu'ils vous plaisent, je m'amuse beaucoup à dessiner vos suggestions ! En plus j'apprends plein de trucs car je lis pas mal d'infos au moment de mes recherches pour des références !
Carnival Row (s2e2, "New Dawn") / Caroline Ford as Sophie Longerbane
Overall, I didn't like the costumes for season 2 of the show as much as those for season 1. This may be because Nina Ayres replaced Joanna Eatwell as the designer--maybe I just prefer Eatwell's style. However, I did like this deep green dress for Sophie, especially when paired with the smart feathered tricorn hat. A proper hat can elevate any outfit!
While the Burguish ladies' styles of season 1 seemed based on 1890s styles, with the leg-of-mutton sleeves, this dress has more of an 1870s-1880s feel to it, with the drapery in front and a fairly pronounced bustle in back. Compare this costume to this one (from Back to the Future part III), for example, or this actual example (from 1878). I'm not sure whether that is supposed to represent a shift in Burguish fashion or just a change in design philosophy.
Note that the skirt is made of a subtly different fabric from the jacket. The jacket has a faint spotted pattern, while the skirt has floral sprigs. Also, see below for a closeup of the bodice decoration (which also resembles the Back to the Future dress). The hat has similar trim.
Finished Version of Flamingo Fanart: Steampunk Felipe (6):
Ai dreamkle ref i used:
Expanded with the runaway ai with dreamkle ref:
Inked Sketch Version Of Steampunk Felipe (6):
(ps not my bestest work ever and it looks that felupe had "pink eye" or "high on drugs" when it doesnt cause it surpose be red summer "asethetic" glasses😍💕.)
✨💙♡☆Enjoy Even if It Sucks like part 4 but ots secord worst tbh!☆♡. ~ emmawow12 2024 💙✨.
ps i used maker clayola and crayons and pencil crayons and red Sharpe and other kind of cheep maker and sharipe black and 4 dif whiteouts 2 dif sized white posca and 1 temu one and one michcals fin whiteout called jellyroll and lastly black ball pen🥰.
Petite vidéo de la commande de Enrico et Isabelle (@thewildwestman sur instagram) ! Immense merci à eux !
Il y a quelques temps ils m'ont contactée pour que je leur envoie le dessin que j'avais fait d'eux en version "chien". Malheureusement le dessin se trouvant dans mon carnet de croquis avec plein de gribouillis et de notes je ne pouvais leur laisser.. Qu'à cela ne tienne ! ils ont décidé de me commander ces mêmes personnages et m'ont donné carte blanche pour la mise en situation ! Je me suis vraiment amusée à créer cette petite planche qui a voyagé de la France jusqu'en Belgique pour atterrir chez ses nouveaux propriétaires !
Encore une fois Isabelle et Enrico je vous remercie chaleureusement pour ce très sympathique petit projet 🙏!
•Technique/matos utilisé :
Aquarelle et peinture métalisée pour l'écrasante majorité. La peinture contient aussi du feutre pour réhausser certains détails ainsi que du posca pour le blanc et du crayon de couleur !
Comme d'habitude si vous avez aimé mon travail, soutenez-moi en likant/partageant/enregistrant/commentant ce post 😉
Carnival Row (s1 e5, "Grieve No More") / Tamzin Marchant as Imogen Spurnrose
This may be my favorite of Imogen's gowns in season 1, but I was never sure what color to call it--gold? Brown? Yellow, even? The material has a sheen, and I've included a close-up to show the floral design and the contrasting texture between the dress and the edging at the neck.
The dress also marks the transition between the pastels that Imogen wears in early episodes and the deeper, mostly red tones she wears in the second half. You can literally see the red emerging from underneath. And this episode is the midpoint of the season.
One other interesting detail is her hair ornament. I thought at first that it was made of thin metal, but looking at its thickness and translucence, I now think it is some sort of horn. A subtle connection between Imogen and Mr. Agreus, perhaps?