I love Willow as a character because of what she represents and teaches about the human condition and because she shows what humans result to on a bad day or when in desperation to do something but if I knew somebody like her in real life I really could not stand being around her. Just the severe lack of emotional maturity and intelligence she has and her insistence to Will things her way all the time and completely ignore or disregard people’s consent and not take into consideration their views or feelings as if she’s the only one in the room that even matters.
I couldn’t be friends with somebody like that. I really couldn’t. I couldn’t tolerate the blatant disrespect. I’d be constantly fighting with her. Telling her that how she’s behaving is selfish or arrogant or childish and could potentially risk or endanger hers or other’s well-being or both. That it’s not worth what it does for her.
She’s a fascinating character in a fictional sense.
But knowing a character like that in reality…
Different story for me. Absolutely.
And it’s a good thing she is fictional because I wouldn’t have the authority to tell anybody any of this. But I know for fact it would slip out when I’m moody and because I’m just a take-no-shit kind of person. I might be quiet and stoic in real life but I’m not carefree and lenient like Oz and Tara are. The reason why I can say Willow is my favourite character in the Buffyverse is because I primarily look at her objectively. She’s an object. A vehicle for learning. And that’s what matters most to me in art/entertainment.
As odd as it may seem to say, - I feel like I could get along with somebody like Xander more than Willow and I know the whole fanbase would take me to task for that and be completely confused by it because the majority of the fanbase think of Xander as the worst.
But nah, not for me. Xander uses his worst traits to become his best self. It’s always opposite for Willow. She uses what she does best to be the fucking worst and it’s not until she’s actually at her worst does she come to realize this and does a 180. But even then…
Nah, knowing a “Willow Rosenberg” in real life would not be a long relationship for me. I just know it.
But I think it’s very interesting how we can love characters that we don’t particularly think much of as a person in art/entertainment but can love as a character. Or maybe it’s just me that’s like that.
I mean fiction is fiction and reality is reality.
I analyze the fuck out of this character. Mostly negatively. But nevertheless - enough to realize that she most definitely is my favourite character. There are characters I don’t ever talk about at all and that’s because I don’t think much of them as a character but probably would like them a lot as a person in real life.
12 notes
·
View notes
always thinking about a video i saw years ago arguing that professional film critics are More Correct than the layperson because they're More Objective, and the example given was that a Professional might remark on things like contrast/affinity. the intended takeaway was that critics base their observations on Objective And Quantifiable Facts, unlike puerile commoners (whose opinions have nothing to do with the contents of the movie)
and like. there are a lot of things one could say about this, but what i keep thinking of is the sheer flimsiness of the argument. remarking on contrast is in fact not a qualitative observation! noting whether a shot is high-contrast says literally nothing about your opinion on it!! as soon as you tack on "...and that's a good thing," you're making a subjective statement! what function is served by claiming that certain opinions are ~Objective~, other than defending the idea of a Superior Intelligent Elite that the Uneducated Masses should look to for The Correct Opinions like a dog begging for table scraps
20 notes
·
View notes
i hope this helps people decode what im talking about when i give games i love poor ratings
9 notes
·
View notes
I think jason post resurrection produces facts, or aims to produce facts because after his resurrection everything is just really unsure. I also think he reacts in the most human and normal way to his resurrection: he goes insane at the incomprehensibility of it.
Yes! Jason's reaction as a victim is really incomprehensive to the dude-bro club but anyone who has experienced being a victim knows that Jason is really the voice of clear reason here in that he understands that none of this is reasonable at all or can be reasoned away or about.
He is also incredibly pragmatic in his approach and can be stone-cold, but everything he does is fueled by this steady fire of knowing deep down that you were wronged. Like, anger often burns bright and destroys everything, completely out of control, but Jason's rage is cold. It's the kind of rage you can nurture and use. And it doesn't explode violently, but burns and burns as a fire that drived him on. He isn't unreasonable at all, he just understands emotion and subjectivity is a part of reason and that makes him terrifying. He is what people don't want to confront. So this terror at the raw emotionality is dismissed by laighing at him. When people laigh at you for crying or showing how upset you are, it's because they don't know how to deal with that and it scares them.
Jason has both emotion, intellect and skill down, the first of which is often neglected in patriarchal worldviews, and the fact that he doesn't seperate facts from feelings makes him very relatable to victims and we see Jason and think, That's what I've been talking about!
52 notes
·
View notes
When ability for food acquisition is directly dependent on the amount of land one owns, then there is a qualitative difference between 'one who owns enough land to reliably feed themselves & their family' & 'one who technically owns land but cannot use it to reliably feed themselves & their family'.
23 notes
·
View notes
The thing about "who" vs. "whom" when you're writing from a character's POV is that it's not about which is correct. It's about whether they'd know how to use "whom" correctly and whether they give a shit.
Like, does "whom" feel right in this moment, in this particular character's mind. And the answer is sometimes yes and sometimes no, but also it's sometimes whichever answer makes the line funnier.
2 notes
·
View notes
can someone who knows more japanese than me explain (or point me to explanations) the rhyme and reason behind particles…like why is it コーヒーを飲みます in this case and 紅茶が欲しいです in this one
5 notes
·
View notes
One thing that bugs me with the "Andor" discourse is the renewed obession with what constitutes "good Star Wars". While it's something I've been guilty of too, the question "is it good?" is ultimately a meaningless and irrelevant question for most people. People are so diverse in tastes and opinions that there will never be one unifyingly "good" movie or piece of media that the entire world looks at and agree "yes, that is what a good thing looks like". And even if they did, what then? What do you do with that information? Do you stop making that kind of thing because a universally agreed upon best version has been made?
Fundamentally, the only question a piece of media need answer us is "Did I like it?".
5 notes
·
View notes