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#tableau image
sooforme9 · 11 months
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bombusbombus · 7 months
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recoloured this old warmup to repost cause I had it on my mind.
If Clark is going to be in earth 19 (gotham by gaslight universe) (they're publishing more gbg and clark is going to be there), then listen to me listen to me, he needs to be a cowboy. Superman needs to be a cowboy in the big city. I am SOO serious about this. I am on my knees, DC, let me write for you, I would add so many themes about modern technology versus traditional knowledge and sprinkle in some anticolonialism PLEASE.
You could have a cute little Daily Planet that has to struggle against yellow journalism in a smoky little backroom & setting their own type, a la The Truth. You could have gentlemen's clubs. You could have a brutal war against unions in the streets and one lone titan of industry giving into their demands. You could have the exact same 3 batkids from the movie, there's literally nothing to improve on there. You could have Clark tear down a barbed wire fence with his bare hands, in a futile attempt to unravel colonialist ideas of private land ownership. Imagine the alien knows more about the earth, the real earth, than the knight in his city does. Imagine the American dream failing Clark, who has to go back east to the big city, failing Bruce, who lost his parents, failing everyone over and over until they decide to build something without it. In an era of rampant exploitation, what do real heroes look like?
Or you can make the justice league fight big steampunk robots ig I'm excited either way.
#all that to say ask me about the gotham by gaslight superbat friendship I've been thinking about for a LITERAL YEAR...#the original colouring on this was only the sort of ass you can achieve with a blue light filter at 2am#also I can hear you saying “why do your warmups usually look better than your final drawings Moose?”#(shh let me imagine I have a huge rapt audience)#well. I have aphantasia which makes it much harder to make things up than to draw from life#however my passion is cartooning. so I'm a little fucked#I also have a disability that sometimes makes me run a temperature when I overexert myself mentally#so drawing cartoons can make me run a literal fever#whereas drawing from life is more abt hand skill than brain skill so it doesn't fuck me up#but that's why I don't draw much anymore lol. Arranging people and items and background on a canvas is excruciating trial and error#but when you already have a pic the photographer has done some of that for you and you just need to collage preexisting images together#and once you have the elements of the picture then it's easy to retroactively construct a balanced tableau#tl:dr creativity is hard and makes CPU explode but editing is easy#that being said if a mutual wants me to draw an animal or something for them & gives me a reference I will drop everything to do it. dm me.#seriously I'm good w anything organic like plants or animals or horrible growths#hell if u do thumbnails I'll draw the full thing. I'll write w you. I fuckin love collaboration.#might be a bad writing partner though cause I'm neurotic as hell#.#I just remembered that Dan Garret was in earth 19 last time it was shown in a comic#no offense to all you dan-heads out there. but I think he should die.#cause I would be. obsessed. With 1890s Chicago cryptid Ted Kord#I think he should be 23 and terrible#the most steampunk guy around. Probably takes cocaine. Still a college student (gettin his fourth degree). Hasn't left his house in a month#not to mention futureboy Booster in his kevlar vest with his iphone named skeets
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est-ce · 4 months
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4379
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la-creatrice · 28 days
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🇬🇧:
Black Floweys (Locker) :Loca? I can talk to you about something
Fairy crazy(Loca):-?
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Locker: Do you remember my great happy ending project?
Loca🙂‍↕️
Locker:But NP (Creator) never really listened..
Loca:YEAAAAAH :3
Locker: so I wondered how YOU would do !
Loca:Me?....hmmmm
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hudbannonarchive · 8 months
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ofc everyone talks about this all the time but it really can't be overstated how good mad men was at capturing an image. there are so many shots from the show that stand on their own and tell complete stories just as photographs. cynical in that the show understands completely the way still images can be crafted to manipulate the viewer into assigning real humanity and emotionality to abstract symbols. love was invented by guys like me to sell nylons. so it's understood when we seen don hang his head in despair that he is aware of what he looks like, he's acting grief. and the same idea can be applied to almost all characters and images we see. but also deeply moving to think of this lonely world of characters trapped behind the glossy covers of their magazines only able to act out their feelings through images they know to be false.
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sooforme4 · 9 months
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sooforme6 · 3 months
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1542, 29 février 2024 © Up Ten iQ
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doublearmbars · 1 year
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I swear Wednesday dynamite is gonna deliver me images and tableaus.
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nameofjones · 1 year
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plumedepoete · 1 year
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L'Instituteur - Brahim Boumedien
L’Instituteur – Brahim Boumedien
  L’Instituteur   J’aime l’Instituteur qui est aussi le Maître Dans sa simplicité, il est si merveilleux  Prestidigitateur, il fait apparaître Ce qui nous enchante, sans être prétentieux   Si l’école est si belle, c’est surtout grâce à lui On y va de bon cœur, on la quitte à regret Pressé d’y retourner, tellement le temps fuit Devant un tableau vert, décoré par la craie   Où est mon porte-plume,…
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wumekataga · 2 years
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Developper son imagination p
df
#http://vk.cc/c7jKeU#nofollow#_blank#<p>&nbsp;</p><p>&nbsp;</p><center>DEVELOPPER SON IMAGINATION PDF >> <strong><u><a href= rel= target=#<br> jeu pour developper l'imagination#<br> développer sa créativité pdf#<br> développer l'imaginaire créativité#<br> avoir de l'imagination synonymecomment développer son imagination#<br> comment avoir de l'imagination pour écrire#<br> comment avoir de l'imagination pour dessiner#<br>#<br> </p><p>&nbsp;</p><p>&nbsp;</p><p>Souvent#la course#la compétition à une image sociale valorisante coupent l'individu de sa spontanéité#de son imagination et de sa confiance en lui. Le stress#comment booster son imagination; comment avoir lesprit de creativite; développer son imagination pdf. conseilscréativitéImaginationinspirat#PDF Télécharger APPRENDRE À DEVELOPPER SA CREATIVITE La - Michèle Freud développer son imagination pdf Développer notre « Intelligence créa#La raison#c'est l'intelligence en exercice ; l'imagination c'est développe dans son ouvrage The Future of Ideas (2002) un tableau analytique incluant#les enfants ont besoin d'un cadre adéquat et L'imagination de votre enfant est essentielle à son développement.#Guide pour développer une attitude créative au quotidien. Auteur: Louise CÔTÉ. Édition 2016 qu'il bâtit son imaginaire et sa créativité?#Comment développer sa créativité au quotidien ? des repères pour comprendre son propre fonctionnement créatif et d. avoir de l'imagination.#L'imagination créative est à la fois bien moins que cela car. livre va vous guider#mais il n'atteindra son but que si vous vous engagez dès maintenant#se développe rapidement pendant l'adolescence#s'épanouit à l'époque de la jeunesse#tandis que bébé prend son bain#il y a Vonvon#la petite.#</p><br>https://dopiwinux.tumblr.com/post/693960837875007488/download-link-vkccc7jkeu-aquaculture-pdf
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sooforme9 · 2 years
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reading the script after rewatching Primavera and realizing that the tableau in the Norman Chapel references the 3 of swords tarot card which literally means grief, pain, and heartbreak
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and i didn't really pick up on that while watching since i thought 'well, maybe the tableau stands on three swords like the easel of a canvas'. until i read the script.
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the script SPECIFIES a trio of swords. and it feels less like a coincidence and more of a purposeful image considering what the three of swords means in tarot—and the fact that it was a message hannibal left for will.
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his broken heart, indeed.
this show truly is something special.
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est-ce · 5 months
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4338
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jbaileyfansite · 5 months
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The finale of Fellow Travelersis now streaming, ahead of its Sunday night airing on Showtime—a conclusion to one of the year’s best series that is gorgeous, devastating, and cathartic in equal measure.
The story of a tortured-yet-beautiful romance between two men over decades, the show waltzed through those emotions throughout the entire season, as Matt Bomer’s Hawk and Jonathan Bailey’s Tim weather the historical circumstances that prevented their deserved happily ever after. Bomer’s nuanced performance as an infatuated, conflicted man is the best work of his career, and, in the emotion-packed finale, Bailey is a revelation. Across multiple timelines, he showcases how intertwined grit, defiance, and joy in spite of darkness are for gay men determined to make their lives mean something in a world that actively works to strip them of dignity.
The series spans Hawk and Tim’s meet-cute during the Lavender Scare and McCarthyism-led panic of the 1950s through the AIDS crisis of the 1980s. The final scene, set at the unveiling of the AIDS Memorial Quilt at the National Mall in D.C. that might as well have been an anvil plummeting straight onto my heart, it shattered me so much.
There are two images in the final episode that have seared into my brain since I first watched, tableaus charting the arc of a doomed, yet life-changing relationship. First is Hawk and Tim slow dancing naked in the privacy of a secret apartment and, later, Tim’s head nestled on Hawk’s chest as they take a post-coital nap—moments of bliss stolen in a society that won’t allow them that pleasure. Then there’s a mirror of that position decades later, when Hawk climbs into Tim’s hospital bed to cradle him, as Tim struggles through a rough night during his last days battling AIDS.
The power of those moments is amplified by Bailey’s performance. In the earlier timeline, his wide, giddy eyes betray a man fully aware of his good fortune to be so madly in love, cognizant of how precarious and fleeting the feeling could be and determined to live in the splendor of it. Later, as he faces death, his resignation to fate is not one of defeat, but a catalyst for clarity.
So much of his life was impacted—some might say ruined—by his inability to move on from his connection to Hawk. But in a sensational monologue delivered after Hawk questions how much pain he’s caused Tim, Tim corrects the narrative: “I spent most of my life waiting for God to love me. And then I realized the only thing that matters is that I loved God. It’s the same with you. I’ve never loved anyone but you. You were my great, consuming love. Most people don’t get one of those. I do. I have no regrets.”
Bailey’s performance of this monologue stunned me. It is spoken with such certainty, an outpouring of a lifetime of emotion funneled into a searing, pointed declaration. He’s speaking to not only a complicated romance with his lover, but also on behalf of generations of gay men whose great loves were colored and, it often seemed, marred by the misfortune of the times in which they were kindled. That’s the revelation that Tim, through Bailey’s delivery, speaks to: There’s no misfortune when it comes to love; we may now be aware of the hideousness with which society treated (and still treats) the gay community, but how dare we assume that the love found was any kind of misfortune.
I’ll be thinking about this episode, that monologue, and Bailey’s performance for a long time. Do yourself a favor and watch it.
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princessanonymous · 4 months
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When Night Comes
Platonic Yandere Vampire
Previous Part | Next Part
First Chapter
14. 𝓢𝓲𝓷𝓯𝓾𝓵 𝓟𝓻𝓸𝓽𝓮𝓬𝓽𝓸𝓻
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He left her in that room for the rest of the night trapped with the rotting corpse. The flickering candlelight casted an eerie shadow, etching the gruesome tableau indelibly into her consciousness.
Returning hours later, the sound of the lock announcing his presence, she remained motionless, her gaze fixated upon the lifeless form. Her back turned to him, she whispered, the words carrying a lot of weight. "I'm sorry," the phrase lingered in the air, a hollow murmur directed at the vampire or perhaps at the forsaken victim. She wasn’t quite sure.
"I know you are, doll," he responded with a voice that danced between sweetness and a subtle cruelty that spoke of centuries of existence.
She shook her head, trying to explain herself as well as erase the image from her mind. "I didn't want this..."
"Yet, you have brought this upon her," he countered. A hand rested on her hair. "Do not fret, dear. You have learned, have you not ?"
She maintained her silence, a tremor coursing through her weakened frame. Fatigue clung to her like a shroud, and a gentle tug on her hair spurred a clenching of her jaw. "Did you understand, dear?" he inquired, the softness of his tone juxtaposed against the underlying severity.
A muted nod was her sole response. The enfolding of arms around her form and a head resting on her shoulder signaled a rare, perhaps even genuine, tenderness. "Say it, dear," he whispered into the stillness, the words imbued with a delicate insistence. "Tell me you will not try this again." A dampness traced the contours of her neck. A single tear that wasn't hers.
"I won't," she promised with an apathy that indicated her surrender.
⊱ ────── {⋆☾⋆} ────── ⊰
Dorian cradled her with a gentle strength, carrying her weightless form to her room like a precious offering. He lowered her onto the bed tenderly. A soft kiss graced her forehead. Silently, he left the room.
He sighed as he entered his coffin. Vampires didn't need to sleep, but rest was a welcomed interlude, a temporal escape into the velvet embrace of his coffin. It was here, in the darkness, that Dorian found solace. It was a pleasant way to ponder about the event of the night.
While this might have appeared harsh or even cruel, Dorian did not regret it. She had to learn, he repeated to himself fervently. She needed this discipline, the chilling reality etched into the fabric of her soon to be immortal existence. It was a lesson to endure and remember. She had done this to herself and it was his job, as her parent, to educate her. He wanted this to be ingrained in her mind. He wanted her to remember. He wanted to squeeze out this rebellious streak out of her; to pull it out and crush it until there was nothing left of it.
Furthermore, the woman deserved it. The duke had given them all one very specific rule : to keep her in. Yet, one servant broke that rule, having been convinced by the young girl.
This brought up another matter. Dorian was well aware of (Y/n)'s craftiness. She had coaxed and deceived the maid. His daughter had fooled the lady with charming words for weeks.
The lingering pride in Dorian's chest, a testament to his daughter's cunning persuasion, manifested as a soft smile on his lips. The realization of her adept craftiness fueled a certain paternal pride—a sentiment that seamlessly blended into his musings on her intelligence and adaptability. In the chessboard of their existence, she had proven herself a brave player. Brave, but foolish. Her actions were extremely reckless. Bad behavior, no matter how well executed it was, had to be punished. It was his duty to do so; just as it was hers to learn and act accordingly. 
Eventually, in the middle of the day, Dorian's tranquil contemplation was shattered by a distant scream from his child's room. In the fraction of a second, he was on high alert. He rose from his coffin and marched to his child's room.
He found her rolling in her bed, sweating profusely while muttering to herself. A nightmare. He should have expected this following the recent events.
Discovering her in the throes of a nightmare, he sat on her bed, gently shaking her to wake her up from the distressing dream. Whispering soft reassurances, he comforted her until she gasped awake. "This was but a bad dream," the duke wrapped his arms around the girl, shushing her cries.
She clung to him, her small frame seeking solace in the embrace of the vampire who had become her guardian. They remained in this position for a while. When Dorian deemed her sufficiently comforted, he prepared to withdraw. However, her pleas pierced the air, "Don't..." she sobbed while gripping his clothes harder. "Not alone..."
He sighed with no real annoyance. With grace, he slipped beneath the covers, drawing her into the protective cocoon of his arms. The sheets embraced them both, a refuge against the nocturnal terrors that haunted her. His fingers combed through her hair, his chin found its resting place atop her head. "Do you want to talk about it?" He asked.
(Y/n) shook her head, burying her face in his chemise in a childlike manner. How sweet. He smiled fondly.
"That is fine," he whispered soothingly. "We can simply remain like this." She nodded.
Her lips did not remain sealed for long however. "I miss my parents," her whimper broke the silence minutes later, the raw ache of longing echoing in her voice. "I want my mom."
A pang of jealousy fluttered within him, quickly stifled. This was his role now. "I am here," he declared, tightening his embrace.
In her vulnerability, she leaned into him. The nightmare had done a great deal to her, but Dorian couldn't help but feel a sense of joy. It was in these weakest moments that the girl was most receptive, that he could more easily reach.
He planted a kiss on her head. This was his child, she was his. His to protect and his to cherish.
┉┈◈◉◈┈┉
Imagine being so desperate that you have to seek comfort from that same person that hurt you so much. yikes. not good mentally or emotionally for dear (Y/n). But good for my fic :)
Spent hours trying to find the perfect image for this chapter, I gave up and just put something that was meh.
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