Skk shippers act like the whole fandom hates them for no reason and they're so oppressed, lol.
Yea :'') Some of them (a lot of them) certainly are Something. I think A Lot of them just underestimate just How Much of the fandom is skk dominated when skk's role in the official media is just.. proportionately Not That Large (even I before starting bsd thought that it's be a central thing and was pleasantly surprised when it was not)
skk shippers have Everything and then some (see tags) so ig it just surprises me how often you see skk shippers shitting on or leaving backhanded comments on Literally Every Other Dazai ship's posts for not being/comparing to skk and then getting pissy when the ppl complain abt that behavior when they could just? ignore it and turn to the gold mines of skk content instead-
And I understand it isn't all shippers who do that but those denying it's happening entirely are also quite silly to me-
anyway, look at this screenshot of some skk shipper losing their shit after the sigzai dancing scene came out LMAO
'someone comfort me pls, I'm so pathetic' gives the same energy of the people who are like 'heh, I guess nobody here actually like me.. i'm such a loser aren't I?' lolz
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Suddenly smacked in the face by the implication of Romeo's message where he says "I remember you, so there's no reason for us to fight. I suppose."
I always thought the wording was weird, but didn't think too much on it... Until recently after we discussed some datamined stuff in the Carmeo/Promeo server. There's a scrapped line (where P was supposed to speak) that says "I may not remember, but I'm still your son" during the NP fight, and while the scrapped lines are their own can of worms, let's focus on the memory parts.
I had always thought that once a puppet woke up, they would just get their memories back. But the fact seems to be this: There are select memories that come back to give bits and pieces of their past that "wake" them up-- cause them to change, as we see with P and the necklace; As we see from the spliced memories at the Black Seaside. However, it might not be all one's memories that come back. Whether those spaces stay blank or come back over time, who knows.
What I'm trying to get at here is...
Romeo's memories might only consist of Carlo at the time of waking. Carlo was what woke Romeo-- "I remember you"-- He had the necklace, he knew from who it was; He recognized the face P was modeled after. "So there's no reason for us to fight, I suppose"-- there's a lack of confidence in the wording here. Friends aren't supposed to fight, right? That's what his memory tells him, at least.
And the only memories P tends to get in regards to his past? Those in relation to Romeo, his aspirations, and of his own death. Seemingly, these are the things most important to him.
They were the most important people to each other; They remembered each other, just one too late than the other.
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Where do you find these manuscripts? Is it like a website or do you find it randomly??
hey, thanks for the curiosity! lenghty answer below the cut :)
1)
medieval manuscripts are typically owned by libraries and showcased on the library's websites. so one thing i do is i randomly browse those digitized manuscript collections (like the collections of the bavarian state library or the bodleian libraries, to name just two), which everybody can do for free without any special access. some digital collections provide more useful tools than others (like search functions, filters, annotations on each manuscript). if they don't, the process of wading through numerous non-illustrated manuscripts before i find an illustrated one at all can be quite tedious.
2)
there are databases which help to navigate the vast sea of manuscripts. the one i couldn't live without personally use the most is called KdIH (Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters). it's a project which aims to list all illustrated medieval manuscripts written in german dialects. the KdIH provides descriptions of the contents of each manuscript (with a focus on the illustrations), and if there's a digital reproduction of a manuscript available anywhere, the KdIH usually links to it. the KdIH is an invaluable tool for me because of its focus on illustrated manuscripts, because of the informations it provides for each manuscript, and because of its useful search function (once you've gotten over the initial confusion of how to navigate the website). the downside is that it includes only german manuscripts, which is one of the main reasons for the over-representation of german manuscripts on my blog (sorry about that).
3)
another important database for german manuscripts in general (i.e. not just illustrated ones) is the handschriftencensus, which catalogues information regarding the entirety of german language manuscripts of the middle ages, and also links to the digital reproductions of each manuscript.
4)
then there are simply considerable snowball effects. if you do even just superficial research on any medieval topic at all (say, if you open the wikipedia article on alchemy), you will inevitably stumble upon mentions of specific illustrated manuscripts. the next step is to simply search for a digital copy of the manuscript in question (this part can sometimes be easier said than done, especially when you're coming from wikipedia). one thing to keep in mind is that a manuscript illustration seldom comes alone - so every hint to any illustration at all is a greatly valuable one (if you do what i do lol). there's always gonna be something interesting in any given illustrated manuscript. (sidenote: one very effective 'cheat code' would be to simply go through all manuscripts that other online hobbyist archivers of manuscript illustrations have gone through before - like @discardingimages on tumblr - but some kind of 'professional pride' detains me from doing so. that's just a kind of stubbornness though. like, i want to find my material more or less on my own, not just the images but also the manuscripts, and i apply arbitrary rules to my search as to what exactly that means.)
5)
whatever tool or strategy i use to find specific illustrated manuscripts-- in the end, one unavoidable step is to actually manually skim through the (digitized) manuscript. i usually have at least a quick look at every single illustrated page, and i download or screenshot everything that is interesting to me. this process can take up to an hour per manuscript.
---
in conclusion, i'd say that finding cool illuminated manuscripts is much simpler than i would have thought before i started this blog. there are so many of them out there and they're basically just 'hidden in plain side', it's really astounding. finding the manuscripts doesn't require special skills, just some basic experience with/knowledge of the tools available. the reason i'm able to post interesting images almost daily is just that i spend a lot of time doing all of this, going through manuscripts, curating this blog, etc. i find a lot of comfort in it, i learn a lot along the way, and i immensely enjoy people's engagement with my posts. so that's that :)
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Yes, poor people insist on eating cheap food and refusing to learn to cook. They wouldn't want better even if they did have the resources, that's just how they are by nature.
Thank you for correcting those ignorant Jason stans. Their headcanons of Jason being a good cook and enjoying fancy food are so seriously harmful.
Cass (who canonically lacks a lot of home skills and greatly enjoys eating other people's food) is one of the best cooks. Bruce (canonically a terrible cook who can't even make a sandwich) "does okay"—sure, it's your headcanon. Alfred, the classy British guy, is logically a great cook and "super posh". We can sum up Tim's unimpressive cooking skills just briefly.
But we need an entire section describing your headcanon about how Jason can't cook and needs to stick to "poverty comfort foods", because he comes from a poor background.
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i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.
just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.
you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.
to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.
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