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#the millennium cycle
Happy WBW! How does magic work in the Ehlverse? If that’s too broad, pick one aspect you’d like to talk about!
Hi!! Happy WBW!!!
How magic works in the Ehlverse......................... where to START.
Okay first of all: despite trying a bunch of different things, I. Could Not figure out anything to draw for this question. Nothing was clicking.
BUT.
The Ehlverse has, at the point in time when the Millennium Saga and Whispers take place, 10 separate magic systems going on. And uh. That number, due to one of said systems, fluctuates throughout history. I'll focus on that one, since it's the framework for the whole entire world!
The Millennium Cycle, namesake for the Saga because it's hugely relevant to the plot, is a historical pattern of going back and forth between adding something new to (a Growth) or destroying something already a part of (a Decay) the world every thousand years. So, year 0 of the current calendar is when The Common Tongue (the magical translation magic that permeates the world) Grew, and year 1000 was when the Rill Decay happened, which has been trying to erase the Shara'i with a Vampirism epidemic ever since. Growths can add whole new species, peoples, magic systems, continents, plants, etc etc, and Decays can take any of those things away. This is overseen by the Goddesses, specifically Venn (Goddess of Magic, among other things) and Delta (Goddess of Change, among other things), with the other four essentially giving creative input in the form of suggested edits.
(Why, yes, TMS can be interpreted as a commentary on the experience of making art and when to let go of a thing and accept that it has flaws and that doesn't mean it isn't done.)
BUT the way the Cycle manifests changes almost every time. In-world, there's infinite debate to be had about whether or not the planet's creation itself was a Growth, and whether the Goddesses had to essentially just do a rapid series of Growths to get life going before settling into a Growth > Decay > Growth > Decay pattern. And, like, the fact that the Rill Decay hasn't fully manifested (the Shara'i still exist as we're creeping up on year 4000 PCT) when the Eqian Decay (1000 BCT) was over in an instant with an entire continent being inverted into deep sea chasms has made a lot of people question whether it was a Decay at all, over the centuries. (Those people don't realize that Sieril was the technological leader of the world at that time, with the Shara'i having essentially faced an apocalypse that dropped them to less than 1% of their population. Because, you know, that was almost 3000 years ago.)
ANYWAY. The plot of TMS revolves around the Great Decay that was supposed to happen on the dawn of the year 3000 having been stopped by the Chosen One, and uh maybe just actually delayed instead. But he's been pretending he fully stopped it. And its currently 3995 and 5 years is not a lot of time to figure out how to stop the Permanent Magic Eraser from destroying the manifold societies that are entirely dependent on magic to function.
Thank you again for the question!!
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misshiraethsworld · 9 months
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CLOSE YOUR EYES ━ peter pevensie ✥
the loyal & the magnificent
THE MILLENNIUM CYCLE read here: wattpad
tag family: @arrthurpendragon, @eddysocs, @darth-caillic, @dancingsunflowers-ocs, @ocs-supporting-ocs if you want to be added to my family, all you have to do is ask!
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sleepy-writes-stuff · 2 months
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DP X DC PROMPT #26
(I'm feeling angsty today.)
(#) = Notes at the end of post
(*) = Just me building off of other ideas.
Going Supernova
The GIW have discovered his identity, and they don't waste time on using this knowledge to their advantage. They spent the last six months creating a weapon that not only hurts ghosts but absolutely obliterates them down to their very cores. After testing it for so long on minor ghosts and then discovering the local ghostly menace's secret, they have the bright idea to make an example out of Danny.
They ambush him as he's fighting the invading ghost of the day. Their first shot misses and hits the ghost they're fighting. As soon as the shot lands, the ghost freezes in place with a look of dread and horror.
They look up at Danny with tears in their eyes and has only a few precious seconds to say, "Run," before their skin cracks and they shatter, the miniscule shards evaporating into nothingness.
Danny is petrified and grief-stricken over what he just witnessed that he doesn't have the time to even twitch before the GIW lock their sights back onto him and shoot him in the back.
Agony consumes him. His chest burns, and his ribs rattle with the effort it takes for him to breathe through the pain. The civilians who were still on the scene gasped in horror as they watched their local hero's chest start to crack and glow from within.
What the GIW didn't know was that Danny had just recently elevated to Ancient status due to helping Clockwork with the timestream. That and with his status as a halfa, what they did will end in nothing but disaster. (1)
Danny spots his parents, sister, and friends in the crowd. His parents watched in awe and excitement while his Jazz, Sam, and Tucker looked at him with horror-stricken disbelief. Knowing what's to come and not having enough time to explain, he gives them a wobbly smile.
"I'm so sorry."
He whips around and rockets straight up into the sky. He breaks through the atmosphere in a matter of seconds and continues to fly at breakneck speed away from the little green-blue planet he calls home. He has to get away. He can't destabilize so close to them. He has to go even further.
His form is steadily breaking off into pieces as his human and ghost half fight and fail to keep him together. He can feel his human half dying and his ghost half barely holding on by a thread. He can't stop, though. If he stops here, the Earth will be destroyed from the backlash.
He had no worry for himself. After all, stars die all the time. That doesn't mean that's the end for them. They just take on a new form or even help breathe new planets and galaxies into life.
'A star's death is not the end!' He comforts himself.
He only makes it a few light-years further before his energy fades out to nothing, and he slows to a halt. It's only then that Danny starts to panic alone in the vacuum of space. The furthest he's even been from home and the comfort of his friends and family.
"No. No, no, no, no." He repeats over and over. "Not far enough. Not far enough! I'm still too close!!" (2)
His stuttering heart rabbits inside his chest along with his crumbling core. He hugs himself tight with the false hope that maybe that would stop himself from falling apart. He cries for his family, his friends, his planet. His life and lives he's about to take through no fault of his own.
Because for a star to give life, they must first destroy. (3)
"I'm sorry. I-I'm so sorry! Please!"
He sobs into his hands as the light of his core pulses one final time.
"Please." He whispers brokenly.
His core shatters, and he screams for the entire cosmos to hear. His form expands with immeasurable force and shakes the very foundations of creation. His desperate attempt to spare the Earth from his self-destruction was in vain as the waves of his shattered core ravaged the solar system and destroyed everything within its path.
The countless people and other creatures on Earth didn't even have time to blink before they were completely eradicated. Quick and painless but nonetheless gone.
It took centuries for everything to settle again.
It wasn't until countless millennium passed that the solar system began to take shape again. However, everything was reshaped and put back together as though with a child's memory of what it used to be from so long ago. Some things were bound to be different, like how Mars gained its own population of intelligent humanoid creatures. How Earth's own population started to develop extraordinary abilities and magic was able to be used more freely outside of supernatural species.
Soon, there were heroes popping up all over the universe of all shapes, sizes, and species. Some people were even reborn. They started remembering a life that, as far as they knew, never actually existed. How could it? None of the people they were before showed up in any records. There were records, of course. They just, unfortunately, no longer existed.
No one knew why, either. At least not until a magic user stumbled upon a tome belonging to what they knew as the Underworld. It told the story of a young boy who died too young and was destroyed from what he became afterward. How his destruction also destroyed the world despite the boy's efforts to save it.
This story was shared with the masses of people experiencing these memories of other lives, including the heroes who took up the mantle of keeping the Earth and other corners of the galaxy safe. They mourned the loss of a life so young, so bright and full of potential. They hoped that wherever the child ended up, that they were at peace.
Little did they know, the child was part of the universe itself, his very being woven into the fabric that makes up the night sky and everything that lays beyond. They can't see or hear him, but that precious child--the Ancient of Space--laid curled around the Milky Way itself with Earth cradled gently in his trembling hands.
(1) Because of his status as the new Ancient of Space and the fact that he is half human/alive is the reason his destabilization took longer than the ghost he was previously fighting. An Ancient has immense power of the aspect of reality they control, and his human half was desperately trying to keep him alive. He can't live without his ghost half, though. It was also the power of his Ancient status that made his destabilization so explosive and damaging. However, him being a halfa is also what saved his existence in the end and allows him to still continue to be the Ancient of Space, as Space itself is always in a state of dying and rebirth. It just took several thousands of years to pull himself back into a semblance of what he previously was, but obviously irrevocably changed.
(2) According to scientists a supernova would have to be within 30-50 light-years to trigger a mass extinction on Earth. To be actually completely safe from one, however, it'd have to be 160 or more light-years away. Danny didn't even make it to 20 light-years before his core self-destructed, which is why he was panicking.
(3) As I'm sure most of you know, supernovae are essential to creating life, but that life is preceded by the death of said star.
(*) I haven't really thought of who would be reborn into which character. I originally thought of Jack Fenton being reborn as Bruce Wayne, but Bruce only disguises himself as a himbo while Jack actually is one. The only reason I thought it would work out it because 1) Jack's paranoia about ghosts and translating into Bruce's own paranoia 2) him regaining his past memories would explain his propensity to collect black-haired, blue eyed children because of his loss of Danny and 3) him and his relationship with Jason after he came back as Red Hood.
Other than that, I can't think of who any of the other characters might be. You can decide!
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poachedeggssocool · 2 years
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It's really unfair for people to choose things they would have to protect.
Well I think this is life? You can't get everything. Think of how lonely people will feel to sacrifice things for greater good. Watching this episode made me realize the kind of privileges that I have to not having to make choices like this.
There are many people who faces different circumstances that force them to make choices that do not make them happy. But they have to do it.
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arctic-hands · 1 year
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I'm not trying to cancel Love, Actually so don't get your knickers in a twist, but. I loved it as a kid and watched it pretty much every year but didn't watch it for many years as an adult because I mostly just watched it when it came on TV come the holidays and I haven't had cable most of my adult life. So when I saw it was available to stream a few years ago I was so excited to show the Christmas-loving theta so we sat down and watched it and boy did the instances of casual transphobia hit hard. Like yeah iirc it was just two throwaway comments, things I didn't understand or pick up on as a kid or (maybe I did and just excused the jokes because they were so common back then) before I came out, but they still made us into a punchline and it still hurt.
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sreegs · 8 months
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I reblogged it earlier but I'm glad the Something Awful Forums 9/11 thread was archived because it's an incredibly important slice of internet history. For the record I think 9/11 was thousands of personal tragedies for the direct victims of the attacks but one big national farce that led to America's ongoing slide into fascism, and the nationalism and remembrance around it is a joke especially in the wake of the same amount of deaths every fucking day in the US during the height of coronavirus.
Nevertheless I think it's important that if you do not remember because you were too young or just didn't exist on Sept 11, 2001 to read the Something Awful 9/11 forums to get an idea of what the internet was like at the moment when America changed to 24 hour news cycles and renewed hyper-nationalism not seen since WWII.
This all happened before Twitter, Facebook, before Discord. Before smart phones. Before most people had cell phones. When a lot of people still had dial-up internet, even. Some people in the thread were relying on radio because internet and TV weren't keeping up.
It was a live event of internet denizens reacting to the biggest national event (and among the biggest international events) of the past 25 years. It was also a slice of what the internet was like at the turn of the millennium. Not only that, but people accurately calling out who was responsible, and what would result before the attacks even finished.
Keep in mind that the links that follow contain images of the event, lots of Islamophobia, people calling for the Middle East to be nuked, people blaming Palestine, casual racist and homophobic language (this was Something Awful after all), etc etc. They preserved the first 17 pages which spanned about 24 hours during the events. It's the origin of the "WATCH BUSH START A FUCKING WAR" screenshot.
Links under the fold. I've also annotated the pages with notes regarding the timeline and any posts of interest. Note the thread was preserved in Pacific Time even though the page says times are Eastern. That's incorrect. Post timestamps are 3 hours behind Eastern Time, which is the time zone where the attacks occurred:
Page 1 - Note the first post was edited to include images of the second attack. The thread started after the first plane hit. Second plane hitting the WTC happens here too.
Page 2 - Poster accurately calling out Bin Laden was responsible at 9:14 AM EST
Page 3 - "WATCH BUSH START A FUCKING WAR"
Page 4
Page 5 - First official acknowledgement it was a terrorist attack.
Page 6 - Pentagon hit
Page 7
Page 8
Page 9 - Commercial flights grounded by FAA (Federal Aviation Administration)
Page 10 - First mention of towers collapsing at end of page
Page 11 - More reactions to collapse of first tower. People thinking it was a bomb or yet another plane. Rumors about a fourth plane just missing the White House (these are false and predate the actual 4th plane crash by minutes)
Page 12
Page 13 - By this point there's just rampant speculation about more bombs at the WTC, the US Capitol building being hit, etc (all false). Remember this is all just people reacting to TV news and radio and the rumor mill via phone, AIM, IRC, and maybe text messages.
Page 14 - By this point internet news sites are overwhelmed
Page 15 - Second tower collapses. First acknowledgement of the fourth plane that crashed in PA.
Page 16 - There's an abrupt time jump in the threads, I think it was the result of admins pruning the activity or the SA forums going down. This page starts on 9/12 even though it is page 16. American flag signatures and ribbons start appearing.
Page 17
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moonjxsung · 5 months
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Visions of You in Solitude
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Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,” you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he’s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
���Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?”
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
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travelmetoo · 2 years
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Millennium Walkway, Arrowtown
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vimbry · 16 days
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*if you've heard a couple songs but don't really know much about them, or haven't listened in a long while, you can play!
update: the highest votes went to gudetama. but was it correct? here are the full titles and albums.
❌ "put your hand inside the puppet head" - they might be giants
the opening verse makes reference to leaving one's job and how "it's sad to say, you will romanticise all the things you've known before. it was not, not, not so great". according to flansburgh, "the lyric revolves around the idea that looking back on anything colors it in sentimentality".
❌ "I'll sink manhattan" - they'll need a crane (ep)/miscellaneous T
this is a flansburgh song, but linnell explained its meaning in a 1989 interview with NME as "a song about a guy who somehow figures out how to sink the island of manhattan just to kill his ex-lover, so it's his apology to the other people he's gonna kill in between. he's just gotta do it!"
❌ "meet james ensor" - john henry
it's about james ensor (belgium's famous painter).
❌ "wicked little critta" - mink car
from the tmbg unlimited collection: "forged in the crucible of an eastern massachusetts junior high, this song expresses the dreams, fears and hopes of a new england young adult" the lyrics seem to suggest said young adult fantasising about being a sports star alongside bobby orr and john havlicek while goofing off outside.
❌ "working undercover for the man" - mink car
from flansburgh: "it's more a meditation on the "mod squad" [a 1968 crime series about cool undercover detectives] than anything else. the idea of the narc just seems... like, those episodes of "dragnet" where they have the young undercover dress in a hippie suit."
✔️ "talent is an asset" - kimono my house
the lyrics illustrate an overly-cautious family shielding their very gifted child from others, to keep him studious and soak in all the glory, and is heavily implied to be little albert einstein through puns on relatives and relativity. it's not by them, tho. it's by the band sparks. it came 2nd, so I think many of you recognised it (or really wanted to see the results!)
❌ "bee of the bird of the moth" - the else
"this is a song about a creature called a hummingbird moth, which imitates another creature, which imitates yet another creature. it's completely fucked up, and can only be explained in song!" so they did.
❌ "2082" - join us
thewrap's review of the album describes this song as, "a science-fiction short story (...) a protagonist who travels into the future, finds himself hobbled but still unhappily alive all the way into the next millennium, and travels back to the title year to smother himself with a pillow in a mercy killing". fun!
❌ "call you mom" - nanobots
referred to by linnell as an "oedipus pan" song, the lyrics follow an unfortunate young man beginning a relationship with a woman, getting dumped due to his behaviour of treating her like a mother figure, then infantilising a possibly younger woman in a different relationship and in turn leaving her, who goes on to experience the same issues. fun! (altho, the final chorus actually still refers to her Mom leaving, not her dad, I got the details wrong there in the poll).
❌ "gudetama's busy days" - dial-a-song / my murdered remains
yes, that's a real song. quote flansburgh: "(...) it is really just about feeling isolated from the world, even if you are in a crowded place and manically trying to keep up with your life. the character of gudetama appealed to me because he is such a mopey sad sack."
❌ "marty beller mask" - album raises new and troubling questions
this is real, too! it's just about how marty beller was actually an alter ego of whitney houston the whole time. he's not, but wouldn't that be interesting. the song name-checks multiple of her own in the lyrics. it was temporarily retired out of respect following houston's death (4 months after its release), returning to live performances ten years later in 2022.
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radiance1 · 8 months
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Back on my bullshit with the Eastern Dragon Danny and Phoenix Vlad au:
So basically, Vlad decided to go to sleep for a while, inside a modified coffin built to withstand him and all that. So, he tells Danny a specific time to wake him so that he could resume his duties as Duke.
Why did Vlad decide to take a really long nap? Because he was extremely tired of ghost zone politics and decided to just go fuck it, I need a nap.
The deadline he needed Danny to wake him up at is relatively short in ghost terms really, just about a period of 40 years, he's currently 20, so at the end of this he should just be an even 60. Which would give him plenty of time to finish forty years of work before his rebirth cycle kicked in again.
He gave Danny the key to said coffin, with its specific magical signature and everything. So he expected and trusted that Danny would awaken him within a span of forty years, perhaps a bit earlier if push came to shove.
Then he just went to sleep.
Danny doesn't like his decision to just, up and go sleep for forty years, only because he would have to be the one doing the paperwork but its like, whatever he guessed. Do Danny was now actually handling the paperwork and navigating ghostly politics once more!
Joy...
He was buried in work for a fair amount of time, sometimes literally, and had to kick it back for a bit before going back to work. He felt like he was forgetting something, though...
A key appeared under a stack of papers that he just worked through, a veeeeeeery familiar key that he was sure had some kind of importance based on that itchy feeling in the back of his skull.
Eh, it's probably not important.
Welp, back to work!
Danny worked in silence for a bit, before getting up and slamming his hands on his desk.
OH FUCK, VLAD!
It's been waaaay more than 40 years last he checked, enough time that Vlad must've rebirthed inside his coffin already by like, a lot of times by now.
Considering that 5 millenniums have passed.
Well, shit.
So he hid the key in his hair, shifted, and flew off to Vlad's domain to wake him up. But when he got there, weeeeell, let's just say that Vlad's coffin was. Well.
It was gone.
Now, you see Observants. He had a totally reasonable explanation for this, you know. It was uh, well, you know, he just, ya'know?
He just, kinda, forgot...
He'll get him back! He swears! He just, need to, ya'know, find the guy!
Couldn't be that hard!
Another five millenniums later, he felt like punching his past self for fucking jinxing future him! The Observants were literally breathing down his neck to find the guy, and he didn't want to go back to doing paperwork either!
His salvation came in the form of a summoning, one he answered and finally, finally found the location of Vlad's coffin. He honestly got extremely, he didn't want to face paperwork again, so he asked these group of heroes to help him find this specific coffin in exchange for whatever they wanted him to do.
And he's Ancient damn thankful he did cause oh boy, cause like 2 days later he was presented the coffin that was just sitting collecting dust in some magician guy's house that was apparently passed down throughout generations that the Justice League managed to get their hands on.
So he opened it, and literally had to catch Vlad, who fell out of his coffin and looked like a literal 10-year-old. Did Vlad's temporary retirement plan include his deadline of 40 years being stretched by 9,960 years? No, no it did not, and unlike the previous ghost king, he was not unaffected by the length of his sleep.
So forgive him if he had to relearn how to do basic body functions, his memory foggy, and his powers were a bit outta wack.
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sallymander40k · 10 months
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Why The Tau Were Never 'Too Good' For 40k
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The Tau were added midway through Warhammer 40,000's 3rd edition, though according to some records the idea had been floating around since Laserburn. In the twenty years since their introduction to the 41st millennium, the Tau have remained one of the most consistently reviled and hated aspect of 40k lore, with all complaints around them boiling down to one core issue: they're too good for 40k. By that, people mean that they are too morally good to fit within the grimdark narrative of the 41st millennium. This has always been the primary complaint levied at them, since they were first introduced in 2001. And GW has seemingly agreed with them, and spent the last 20 years trying to inject grimdarkness into the Tau Empire.
The first attempt to grimdarkify the Tau came very early on, with the Tau campaign in Dawn of War: Dark Crusade
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It's explained how in the decade following Tau victory on Kronus the remaining human population was subjugated, oppressed, forced to give up their culture, and eventually simply sterilized and allowed to die off naturally to create a Tau and Kroot ethnostate on Kronus. It explains this over images of prisoners of war being fed to Krootox in prison camps and humans huddling together in slums.
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This is obviously a departure from the image of the Tau as it was established in Codex: Tau (3rd Edition), as that codex makes explicit mention of the Tau trading and making alliances with frontier human colonies. This is also a departure from... common sense. Why exactly would the Tau accept Kroot, Vespid, Nicassar, Demiurg, Tarellians and many others into their ranks but then arbitrarily draw the line at humans?
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This would become a pattern that I like to call "The Grimderp Tau Cycle." It's not exactly a stretch to say that the Tau are easily the most morally good society in the 41st millennium. Their tolerance toward other species alone makes them head and shoulders above almost any other species in the galaxy. So to remind people that there are no good guys in the 41st millennium and that this is a very serious and grimdark setting that you need to take seriously because there are no good guys or whatever, GW will occasionally have the Tau commit a completely out of character, random, and nonsensical atrocity. This was also seen at the end of In Harmony Restored, the short story that came out alongside 8th edition's Psychic Awakening: The Greater Good.
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For context, In Harmony Restored is a short story about a group of Gue'vesa soldiers (human auxiliary troops fighting in the Tau military) performing a desperate defensive rearguard action to halt an Imperial advance long enough for Tau reinforcements to come and smash the delayed invasion force. The Gue'vesa are able to do this, though at great sacrifice to themselves, and then when the reinforcing army does arrive and makes quick work of the Imperial army they then continue on to butcher the Gue'vesa soldiers who performed this valiant holding action for... Seemingly no reason? Assuming the Tau forces thought they were more Astra Militarum soldiers, the Gue'vesa step out of cover pleading for mercy, only to be gunned down. With one of the Gue'vesa at the end noting that the language one of the Battlesuit pilots is using is very reminiscent of the way the Imperium talks about those they've labeled undesirables.
The message here is clear: these humans betrayed the Imperium in order to escape from the Imperium's genocidal regime... Only to end up in the equally merciless clutches of an equally ruthless oppressor. But, from a lore standpoint, that defeats the entire purpose of the Tau. It makes them wholly indistinct and, frankly, boring. But that doesn't even scratch the surface of how stupid this is, because it has clearly been stated in the past that the Tau do not hold bigotries toward client species on the basis of their faiths. And that makes sense.
Not only does this contradict previous lore, not only does it render the Tau a boring palette swapped version of the Imperium, it also just defies practical sense. If you're a race like the Tau, who expand primarily through ingratiating yourself with other races and convincing them to join your collective, you'd naturally want as few barriers between potential client races and joining as possible. No human colony is going to voluntarily join the Greater Good if the Tau's version of the Greater Good happens to require that the human population of that planet lose all sense of their heritage and culture through forced reeducation and the abandonment of their faith, and in the long term for that human population to slowly go extinct through gradual forced sterilization and confinement to ghettos and slums.
It's deeply stupid, lazy writing on the part of GW to repair the image of the Tau in the eyes of a fandom who accused the faction of being "too good." Except, uhm, here's the thing: the Tau were never too good to begin with. Lets rewind back to 3rd Edition's Tau Codex, our first introduction to the Tau in the 40k universe. From the very beginning it was very clear that the Utopian idealism of the Tau Empire held beneath the surface a significantly more sinister and malevolent nature, and it all roots from the mysterious and enigmatic fifth caste of Tau Society: the Ethereals.
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In 3rd Edition, the Ethereals are spoken of more like mythological beings than the slightly mundane way they exist in modern 40k. All we know about them out of this book is that they are the autocratic leaders of the Tau Empire who inspire radical devotion among the Tau, though are rarely seen or heard from. They reorganized Tau society with pursuit of the Greater Good in mind first. But the specifics of what that means matters a lot. Tau are born into a caste that roughly determines, from birth, what role in society that person will fulfill. Those born into a caste are not allowed to have children with members of other castes, are not allowed to take up any job or position that contradicts the societal purpose of their caste, and generally lack self-determination in regards to things like career choice.
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so, bam, the setup for Tau as a flawed and morally ambiguous faction are already present. They're a faction who fight for a better future, for a galaxy where all can exist in harmony with one another, so long as that harmony is kosher by the standards of the Ethereal caste. In that sense they're somewhat similar to the Dominion from Star Trek: Deep Space Nine. A multispecies interstellar collective who seek to create a galaxy harmoniously unified... in service to the Founders. Just taken from this vision of the Tau Empire, they're already an autocratic dictatorship who fight in the name of an ideology that declares itself to be for the greater good of all who ascribe to it while also relying on the assumption that the tyrannical power of the Ethereals must inherently be for the Greater Good. I reject the idea that the Tau were ever "too good" for 40k. Rather that they were written with a realistic level of nuance, with an understanding that dictatorships are built upon cognitive dissonance, not on perfectly consistent virtues.
TL;DR THEY'RE NOT FUCKING COMMUNISTS, THEY LITERALLY HAVE A CASTE SYSTEM, WHAT THE FUCK ARE YOU TALKING ABOUT?!
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raviollies · 2 months
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Theta is an incredibly old Hag having been able to survive for a millennium, her true age unknown as she herself stopped counting. Thus amongst Hags, not only does she rank as a Grandmother but a very powerful one at that, her only misfortune having been the last of her coven, the group having cannibalized itself in a struggle for power.
Such old Hags exist but are a rarity, and in some isolated pockets of rural areas they are worshipped as deities of the natural cycle of decomposition and as the group for life. Though this practice is few and far between and generally discouraged in favour of the standard pantheon and generally labeled as a false or old god. Their domains consist of ancient forests older than civilizations, not unlike Silvanus, though where they differ is that the Fae have a propensity to grant wishes and desires, for a price of course, rather than keeping a distance for the sake of balance (Often times this involves body parts [ a la what Auntie Ethel does in BG3, where they would be granted sight or hearing through your body] or living beings).
Theta's reasoning for pursuing Blythe is nothing special - she was simply seeking out Elven women with a potential, ones that have not awakened or honed their magical skills as to be molded and influenced (She sees it as teaching a chick to fly).
Like other Hags, Theta believes in the obscenity of love; patron of obsession and possession. She encourages Elven mages to cannibalize their lovers - and is staunch in the belief that consuming another grants their power. Whether or not that belief is fact or fiction is dubious.
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misshiraethsworld · 9 months
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CLOSE YOUR EYES ━ peter pevensie ✥
Esther Rose believed in the impossible, especially when it allowed her to survive high school. Praying every day for good grades and an extra pair of lungs for P.E., she did not doubt the existence of something more. It had given her a wonderful life amidst the harsh realities of the adult world. As she readies herself for Christmas break, Esther is transported to a mysterious world that desperately needs just a little of her light. A piece that only she can give to rebuild a world and a man that had lost their way so long ago. Peter Pevensie doubted hope could do anything to release him from the confines of war. Hiding from the raids of bombs and hatred, he refused to believe in the possibility of a truce between his world and the enemy. The delusion of peace had become a standard practice to the young, but he sat on the cusp between child and man. As he and his siblings escape to the countryside, Peter is given chance to see the truth in a world that is not his own. A pledge that only he can keep to both a kingdom and a loyal woman full of vibrant life. The acceptance of something bigger than themselves began to grow and build within Esther and Peter. An everlasting promise that, come what may, Peter would choose to see the good where the grim festerings of warfare prevailed. While Esther took heart in knowing her courage would be tested to further the welfare of others in need. Faith offered them a chance at a new perspective, a transcendent world, altering their fairytale into a waking dream.
THE MILLENNIUM CYCLE read here: wattpad
tag family: @arrthurpendragon, @eddysocs, @darth-caillic, @dancingsunflowers-ocs, @ocappreciation, @ocs-supporting-ocs if you want to be added to my family, all you have to do is ask!
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randomfoggytiger · 9 months
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All IVF Roads Lead Away from The Unnatural and to Millennium
After spending too much time batting back and forth various IVF theories (post here for the hall-of-fame-ers), I'd settled on early Season Six because of the factored-in procedure requirements.
And then a discussion with @welsharcher and @agent-troi made me reevaluate everything... and I realized, with dawning horror, that the facts concluded upon not only upended what I believed about Per Manum's time crunch but also pushed back Mulder and Scully's dating timeline from The Unnatural to Millennium.
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What Canon Presents as Facts
Per Manum was a patch-on episode; and there are a few restrictions it imposes on the flashbacks with Mulder and Scully.
The IVF arc must take place after the episode Emily because that is when Scully learns her infertility was caused by medical experiments robbing her of her ova.
In Per Manum, Scully is awkward about asking Mulder for her request.
When the IVF fails, both are not stingy with their hugs-- never have been-- but Scully stops herself from fully kissing Mulder, instead placing it tentatively on his cheek.
The greater implications of points #2 and #3
Point 2: Scully's awkwardness in these flashbacks is absent from her behavior all through S7, especially after Millennium. From then on out, she flirts and pulls Mulder's tie (Rush), makes cracks about going home and making all things right with the world (The Goldberg Variation), shares a personal, traumatic story from her childhood and is unfazed that Mulder collects her and her things to go (Orison), takes it for granted that Mulder would want her to spend the night and advocate for him (Sein und Zeit), is openly jealous of his attention (Rush, First Person Shooter), keeps him guessing (Theef), denies CSM's pop psychology but not his claims about her love (En Ami), and pouts openly while calling Mulder (Chimera.) (See post here for flirty gifs (collected from @settle-down-frohike.)
Point 3: Scully's miss-kiss is how we know this precedes Amor Fati: then, she passionately and unhesitatingly gives Mulder's bandaged head a kiss after his dream recitation; but in Per Manum, though both are tender and grieving, there is still a hesitancy in her behavior. That hesitancy is born from Scully's insecurity in Mulder's life post The Beginning, after her hallway forehead blessing was replaced by his frustration at her refusal to believe. She and Mulder were in sync in S6, and she knew he loved her... but where was she in the order of importance? Still under the Truth? (It's a question she is still asking in S8's Essence.) Amor Fati was the turning point in their relationship: Mulder finally showed his partner that any better life, any better ending paled in comparison to the chaotic and brutal and beautiful one they shared together.
The Requirements for IVF (specifically the FET Timeline)
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There would have had to have been a lot of downtime for Mulder and Scully to attempt IVF and continue a pregnancy.
Flying while pregnant, in the 90s and now, is not unsafe; but frequent flyers are heavily discouraged from taking as many trips because of possible health concerns (blood pressure, early risks, radiation, etc.) with mother and fetus-- particularly in the first and third trimester-- and even more so if the mother has a preexisting condition or previously challenging medical concern. Not only that, but the demands required for the IVF process would have put a further strain on travel.
Scully's ova were collected and stored (and recovered) frozen, meaning she would have had to use the FET method for her IVF cycles. Frozen Embryo Transfer takes up to 32 days from start to finish (starting the count from Day 3 of a woman's period up to the day she takes a pregnancy test); and Scully would likely have had to use the medicated FET method rather than the natural one, which is not a difference in timeline so much as convenience. Not only does the medicated FET method require additional supplementation, but the changes from estrogen and progesterone to embryo transfer-- in other words, forward progress-- hinge on how successfully the lining of the uterus thickens: if it's slow, the process drags on longer; if it's unsuccessful, the process starts from scratch. And despite all these measures, the "success rate of an untested frozen embryo transfer can go as low as 20-30%, decreasing with increasing maternal age." Hence, its failure.
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The only times The X-Files had enough downtime to meet these stringent requirements were twice, and both in S6: the grounding under Kersh's disciplinary thumb and the unaccounted-for months between The Unnatural (April) and Biogenesis (September.)
The Clincher: A Purposefully Placed Family Planning Book
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While the mind melding events of Biogenesis-Amor Fati are unfolding, Scully scours the office before jet-setting off to Africa. In the background is a clear glimpse of a blue family planning book amidst Mulder's various piles that he uses to feather the nest (grabbed from @dreamingofscully's post here~.)
Chris Carter, Frank Spotnitz, the writing team, and the actors knew David Duchovny was leaving the show after the finale of S7; and they planned for the miracle baby early on in the season. (For any lingering doubts about William's paternity, see here for Frank's own words on the subject.) Because of that, the gang split up and left some clues: not just the family planning book mentioned above, but also David and Gillian's decision to act as if Mulder and Scully were dating off-screen post Millennium and the writers request to incorporate William's conception into All Things. Because of those decisions, fertile (heh) ground was sown for anyone willing to look back and fill in the gaps... which they did in Per Manum; and which I do now.
The family planning book serves as the definitive timeline marker for Scully and Mulder's IVF journey. If they had attempted IVF early S6, then the book would have shown up with Mulder's things when he "feathered the nest" post One Son. If he and Scully had attempted IVF after Millennium or any time S7, it would have made an appearance then. But it doesn't: it only appears on the end of season six after Mulder and Scully have grown closer, when an IVF success or failure makes him clarify that it won't "come between us." When there is more that is between them but not technically enough for them to do this journey as a couple (yet.)
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It also bookends the conclusion of the IVF arc: by joining Mulder's stash, the book has become another totem of his life in the vein of Samantha's picture, the cloth hearts, and Karin Berquist's "I Want to Believe" poster (and even Queequeg's collar and Scully's keychain.) It'll be packed away out of sight once he gets the cleaning bug or Scully asks him to; but, until then, it haunts the basement with the ghost of its lost potential.
Why IVF, Why Now, Why The Unnatural?
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As mentioned above, there is a pocket of downtime post The Unnatural's April and Biogenesis-Amor Fati's September (thank you to @dreamingofscully for pointing that out in this post), with only one legitimate case in-between.
(With that in mind, The Lone Gunmen's ask of Scully is doubly stupid since they asked her to fly out to Las Vegas in Mulder's name sometime during her IVF process and triply stupid because Scully-- who likely went against medical precautions-- was drugged.)
But why did Scully seek a second opinion after The Unnatural?
Because Mulder's baseball date and uplifted banter reawakened that dream in her: "What you may find as you're concentrating on hitting that little ball, the rest of the world just fades away. All your nagging concerns, the ticking of your biological clock, how you probably couldn't afford that nice new coat on a g-woman's salary, how you threw away a promising career in medicine to hunt aliens with a... crackpot, albeit brilliant, partner." Because Mulder signaled that he was noticing her, her new suede coat, her ticking biological clock... and that those were important to him.
So, Scully went in for another checkup, to seek hope for both of them.
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The Timeline: A Culmination
The Unnatural-- Mulder, for the first time in their partnership, turns away from the heart of the mystery to gaze at the mystery of his heart; and Scully is giggly and hopeful (having pressed hints about "a normal life" over and over since early S6.) For the first time he mentions something between them that is personal beyond near kisses and love confessions: he brings up her habits, her coats, and her fertility, showing her that he sees her. And after that night, Scully gets another checkup with her doctor and kicks off Per Manum.
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Per Manum, the elevator-- Scully runs into Mulder after her appointment, depressed and down with more negative results. Seeing how devastated this fresh reminder is (despite the episode's very clunky reiteration of her infertility-- which both she and Mulder already know about and know each other knows about), he admits to having her ova on ice. Scully is both hurt he'd kept this information from her for over two years and desperately hopeful-- again-- that there is another last chance.
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Per Manum, the clinic-- Doctor Parenti tells Scully there is a "good chance" that she can get pregnant if they get started right away. She's barreling onward, not thinking two steps ahead of her (noted here in some deleted lines-- thanks to @dunhamhairograpy) except for the fact that she has to ask Mulder for his participation.
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Per Manum, "The answer is yes"-- "I don't want this to come between us" is pivotal. Yes, it could refer to their recent peace over Mulder's noncommunication; but that seems to have been swept aside by both of them in their heady anticipation. So, it has to refer to their personal relationship, one which just blossomed beyond loving partners into partners focused more on each other than the Truth. Mulder can't let go completely until his Closure; but he'll explore living a variation of normal with Scully post The Unnatural's moral lesson and Amor Fati's revelation and Millennium's permanent shift.
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Three of a Kind-- Scully hops on the rare plane to join "Mulder" in Las Vegas, being pulled into The Lone Gunmen shenanigans and ending up getting drugged, flirting up a storm, and planning her revenge. Luckily, it seems Scully isn't too worried about what happened, meaning she was either between rounds or hadn't begun her first (or only?) cycle yet.
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Field Trip-- A more personal episode for Mulder and Scully: he is unusually hurt and angered by her normal level of skepticism, which hurts her in turn as he's devalued herself as well as her abilities for the work. The two of them dance around these feelings until they fall right into hallucinogenic mushrooms. (An interesting note: @iconicscullyoutfits noticed here that Scully does not drink at Mulder's wake, slotting in perfectly both with her denial of this reality and her on-going carefulness with the IVF tries.)
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Per Manum, "It was my last chance"-- Regardless if it's their first and only or last of many tries, Scully is unflinchingly scooped up by Mulder, though diffidently shy about crossing too many lines herself in grief (shying away from her impulsive smooch to instead hesitatingly place a kiss on her partner's cheek.) "Never give up on a miracle", Mulder intones; and holds onto the family planning book for a while more.
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Biogenesis-- Mulder may have the book in his office; but Scully has lost hope, asking him "Look, after all you've done, after all you've uncovered... I mean, you've won. What more could you possibly hope to do or to find?" Her question is more in-character with another fruitless endeavor behind them, a wish to see this journey, too, to its end; and this informs her arc in this three parter: rebuilding herself and her identity in Africa, at the military base, in her apartment, and outside his.
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Amor Fati-- Mulder dreams "another life, another world" where Scully can live safer and freer from him while he gets a built-in idyllic life, wife, and children: "Don't give up on a miracle" echoing around in his head. (An interesting note: @cecilysass's post here about the meaning behind Mulder's Temptation is amazing.)
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But that miracle is a false illusion; and Scully saves him from himself ("You were my constant, my touchstone") just as he saves her from her self-distrust ("And you are mine.") It's now that Scully brands Mulder's forehead as her own just as she had in Fight the Future: diffidence gone, courage and confirmation found.
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From Brain Surgery to New Years Celebrations
Mulder would have been too weak for much while recovering from invasive brain surgery, as evidenced by his and Scully's (mostly) hands-off approach in the next episode Hungry.
However, Mulder joined Scully in California for Christmas-- on a case, of course-- and got himself from one mess to another. They avoided death, saved the world from the Apocalypse, and, most importantly, patched a family back together. There might never be a child to welcome them home from a dangerous case; but they have each other.
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And Mulder seals that realization as the ball drops.
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And that concludes the IVF arc~!
Thank you for reading~
Enjoy!
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Why Joe and Nicky deserve to win the sun and moon showdown, and if they don't I'll end up in the INTERPOL Most Wanted list
A not at all dramatic essay
(Plain text version here)
1. Not only do they canonically use moon imagery to refer to each other, but their context adds new symbolism to that metaphor that other duos don't have
If you haven't seen TOG and aren't familiar with the van speech, well, I recommend that you do, but I'll transcribe it for your convenience:
"He's not my 'boyfriend'. This man is more to me than you can dream. He's the moon when I'm lost in darkness and warmth when I shiver in cold. And his kiss still thrills me even after a millennium. His heart overflows with the kindness of which this world is not worthy of. I love this man beyond measure and reason, he's not my 'boyfriend'. He's all and he's more"
Yeah, pretty long way of saying "actually we're husbands", but let's focus on the "he's the moon when I'm lost in darkness" bit. That bit alone is already insanely romantic and enough to make us fans go rabid with this tournament, but there is an extra layer of romanticism to it, because Mr Yusuf al-Kaysani (aka Joe) is Muslim, and in Islam, the moon represents the guidance of Allah through life, the calendar is based on the moon cycles, and the brightness of the moon is compared to both the face of the Prophet Muhammad and the first batch of souls to enter Paradise. Therefore, the moon, in Joe's culture, is intrinsecally linked with the divine, guidance, holiness, and time
So, when Joe compares Nicky to the moon, he's not only saying that he brings light into a dark world; he is saying that he is the very guiding light that leads him to a blessed life, that he is the foundation through which the world and time can be understood, and that his beauty and holiness is comparable to that of the souls of Heaven themselves
Which is all already enough for me to bite through wood, but the specific relationship between the moon and the understanding of time in Joe's culture is also particularly meaningful for Joe and Nicky, because Joe and Nicky are two of the 5 people who are immortal in the entire world. And one of the core themes of the movie is how that sense of timelessness leads them to isolation, and a constant state of loss. There is a deep melancholy that permeates their entire existence due to the fact that time as we know it no longer makes sense to them, and they live outside of it, skirting around eras and history. So, by comparing Nicky to the very body that marked the passage of time for Joe, he is saying that Nicky is what helps him make sense of the impossible, that he is the constant in Joe's eternity, that he brings meaning to their confusing and sometimes alienating existence
But wait! There's more!
Because Joe and Nicky met in al-Quds (also known as Jerusalem) in the year 493 AH (also known as 1099 CE in the Gregorian Calendar) and had to travel together across the desert for a long time, which means that, for the first few years of their life together, they were in fact relying on the moon to guide them in their path. So they both have a deep intrinsic understanding of how the moon is a compass, the most reliable thing in uncertainty. And the moon has been guiding their steps, their relationship, since their paths were first joined. And they weren't separated since
Like. Listen, I'm sure Star Trek is great and its fans are lovely, and I salute the Star Trek fandom for everything it did for fandom history in general, but you cannot tell me that Spirk has this much baggage associated with the sunmoon symbolism. It just doesn't. If this were a hand touching tournament, no one would have as much symbolism linked to it than y'all, but when it comes to being the sun and moon, no one is doing it like Joe and Nicky
2. The most appealing aspect of the SunMoon dynamic is how they need to defeat all odds to be with each other, and Joe and Nicky have that in spades
"Oh I don't think that's the most ap-" IRRELEVANT. I'll talk about the other ones too. Just keep reading, okay? /joking
As you might know, Joe and Nicky met on opposite sides of a battlefield. They killed each other. (Many times). And what happened then?
They ressurrected and became immortal. That alone is already impossible, but it gets better - even for the rules of immortality in their universe, Joe and Nicky are still an impossibility that has never happened before or since
Because in The Old Guard, immortality is extremely rare. There have only ever been 7 immortals in the entire history of humanity. There are usually several millennia between the appearance of one immortal and the next one. Other than them, the shortest time gap between one immortal appearing and the next was 800 years. But Joe and Nicky became immortal at the same time, on the same day. Their very existence bends the rules of an universe that already bends the rules of the universe they lived in beforehand anyway. Joe and Nicky being together defies the very fabric of time, and if that isn't some sun and moon shit, I don't know what is
But it's not just some destiny shit either. Joe and Nicky were also not supposed to be together by other standards. For starters, they were on opposite sides of a war. Nicky was a fucking priest, and he joined the goddamn actual honest to god crusades. He was hateful and ignorant and awful, and when he chose Joe, he left behind everything he knew before him. All his certainties, his beliefs, his faith, his family, everything he had ever been taught. I'm also gonna go ahead and say that that ties into the whole "the sun is what makes the moon shine" metaphor - because everything that defines Nicky as he is now is the direct result of how meeting Joe changed him
And listen, listen to me. I'm not saying that he stopped being a bigot for Joe, because if he did, I doubt Joe would want him. He did it because it was the right thing to do, and he was wrong and ignorant and indoctrinated by the church. But he still had to make the choice to turn his back to all that, and that plain and simply would not have happened if he hadn't met Joe. It was Nicky's own effort, but meeting Joe was the catalyst
Joe, similarly, had to overcome a lifetime's worth of (well earned) resentment and hatred for what Nicky did. Joe forgiving Nicky at all is already nearly an impossibility (and he would be well within his right to never do that), but he didn't just forgive Nicky, he fell in love with him. And he chose him, well aware of how bloody and terrible his past was, and despite the fact that there is no way he wasn't deeply conflicted about what he felt for Nicky after everything the Christians put him through. I cannot even begin to imagine how hard this process must have been for Joe, and it was one he didn't have to go through at all - which means that he chose to
And that's not even taking into account the very personal resentments between the two of them, because they weren't just on opposing armies, they literally and personally killed each other. Several times over. And yet, impossibly, against all logic, against everything they had ever felt and believed in prior to each other, against possibly their own desires, they fell in love. They fell in love and have been hopelessly devoted to each other every since
And THEN, on top of all that at the beginning of their relationship, they lived as an interracial, interfaith*, gay couple, through what were undoubtedly the worst times in humanity's history to be either of those things. For 900 years, they had to love each other in secret and with varying degrees of risk associated with ever being found out as a couple, or even with being associated with each other at all to begin with
(*It is debatable what their current relationship with their respective original faiths is, since it isn't mentioned in the movie. But even if both of them had turned their back on their religions, they are still culturally Christian and culturally Muslim, and that makes a difference. Personally, though, I don't think either of them turned their backs on their religions, although I do believe Nicky turned his back to the Catholic Church as an institution for obvious reasons)
That's not even counting all the incredibly traumatic shit that they went through ever since (which I won't mention in detail because it's spoilers and also this is long enough already) and that would definitely break a couple with a less unbreakable bond. Through centuries and centuries of pain and regret, they have chosen nothing and no one but each other, first and foremost, no matter what that meant.
Nicky even brings it up in the comics:
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[ID: Joe and Nicky touching foreheads with their eyes closed. Nicky is holding Joe's chin and he says, "why is it so difficult, Joe? We've been afforded more time than any lovers I can name. And still, every moment we scrape together feels precious. Something always happens-" End ID]
(From the Tales Through Time one-shot series. I generally think the comics are meh and the movie is where it's at, but I do recommend reading this one. It is set before the movie happens so there are no spoilers)
There has never been a time where being together was easy, and yet, Joe and Nicky chose each other no matter what. They chose each other even when it meant being separated and getting only scraps of time together in secret. If that isn't some sun and moon shit, I don't know what is
3. They complement each other
And not in the dumb stereotypical "the sunshine one and the grumpy one" way either. For starters, Joe isn't bubbly, and Nicky isn't grumpy. No, they have two characteristics that I think represent the sun and moon way better than that anyway - Joe is an extremely intense person, and Nicky, an extremely cool headed one
Joe doesn't feel anything by halves, and despite the fact that he has lived through several lifetimes, it still seems as if everything he goes through is happening for the first time. Every time Nicky or another one of the family dies, Joe looks just as desperate as he would a millennium ago, despite the fact that he's had centuries to get used to the fact that they die and then come back to life. He's the only one who's that affected by it (obviously none of them enjoy seeing each other die, but the rest seem to have accepted to some degree that it's a part of their lives, or at least gotten used to it). He has experienced so many horrible things, yet he is still as affected and disgusted by it every time, going as far as lashing out sometimes. When he's angry, no one is able to hold him back from yelling at the person he's angry at (not even Nicky). Similarly, not even an actual van full of armed homophobic guards is able to stop him from simply dropping a passionate speech about how important Nicky is to him, complete with getting misty-eyed and kissing him at the end (and I'm not even bringing up the fact that both of them have their hands and their feet tied)
To me, that is the most sun-coded possible trait, because the sun is intense, hard to ignore, and quite literally burning. The intensity with which Joe feels also feels like it could burn, but it's also what makes him so warm and loving
Nicky is also a pretty intense person, but, unlike Joe, he is super cool headed about it. For starters, Nicky is a sniper; he is capable of staying still for hours at a time, observing, figuring out the best time to strike. That demands an amount of control over himself, his feelings, even his instincts, that is admirable. But he's not just like that on a mission; Nicky is very careful with what he says, when he speaks, what he lets other people see of him. His expressions are all subtle, contained, and even when he is in a state of murderous rage, he doesn't lash out. He doesn't lose control. The same way that the moon and the sun share their brightness, Joe and Nicky share their intensity, but Nicky is able to subdue it while Joe burns with it and lets that be his strength
Where Joe is expansive and wears his heart on his sleeve, Nicky is cautious and guarded. Where Joe gets lost in his own feelings and loses sight of what they need to do, Nicky keeps their heads straight and reminds him of what they need to do. Like the moon that guides one through the desert
They're different and complementary, but also intrinsecally tied to each other. They have the same spark where it matters, but present it in different, complementary ways. They are a part of each other, but they're also themselves first and foremost. That's what the sun and moon are all about
Sun and moon imagery has been the staple of the Joenicky fandom since day fucking 1, and for good reasons
VOTE JOE AND NICKY IN THE SUN AND MOON DUO SHOWDOWN
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kikosaurscave · 1 year
Text
introducing Neteyam to your spirit sister Neteyam x Reader gn pronouns
( its been a few weeks since the arrival of jake sully and his family
when they arrived your father ordered you and your younger siblings to teach the sully kids the way of your people.
its not long til the cycle of the tulkun migration continues and you are reunited with your spirit sister. )
-
"THEYRE HERE ! The tulkun have returned" Neteyam gives your smiling face a confused look. you pull him up and urge him towards the commotion
in the short distance you hear joy and laughter, people run past you both as you slowly catch up to your siblings who already approach the tulkun. Na'vi and tulkun share their joy together as you both pass by, theres a beautiful connection that surround the two of you , engulfing Neteyam in the beauty of your clan.
you see your spirit sister Anyih from a distance and you can sense her excitement as she does yours , you pull him closer to you and he follows behind, swimming to the large creature
finally reconnected after many eclipses you tell eachother stories of your past journeys , current journeys and the joy overwhelms you when Anyih notices him presence
when you feel an arm wrap around your waist you finally turn to the first born sully, you sign to him the this is your spirit sister , Anyih.
you watch him give a playfully shy wave.
she judges him curtly and you could give a joyful laugh at the moment if you werent under water.
she sounds out a playful sound of approval which leaves you both confused but dont ask on.
for next few hours the 3 of you travel lengths of the oceans that would get you all killed if those in your clan found you returning just after ecplise, yous just laid there letting the ocean take yous further away while you all stared at the eclipse , feeling nete's hand guide some hair out of your face you smile at him , as he does to you , lost in the comfort of your smile
the sudden large splash pulls you both back into pandora , Anyih is laughing as she rolls around in the water , watching the impact of you both being pushed under water , this is when the three of you decide to head back
when they leave neteyam is already asking you many questions about the tulkun , you share with him the many stories you have of playing with the beloved tulkun getting up to no good
the two of you laugh soundly , enjoying the others joy , hand in hand your head casually leaning on his chest while his skinny monkey tail caresses yours , eclipse slowly sets in that night
"that was awesome" Neteyam says beside you with a smile
it was uncommon to you , the two of you met not long ago but you feel so comfortable with him , youve adored when his eyes connected with yours since the day he came here
to him your touch no matter the form could fire his heart beat for millenniums to come
in his eyes your presence is all he needs for his heart to heal from years of trying to be great for his father
when hes with you he doesnt feel judged and he loves that his soul always finds safety with you
- end
i was gonna like end it with the 2 of you connecting queues n wotnot but its off plot so ill js write more fics n drabbles abt him
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