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#this is way too long I'm sorry
raapija · 5 months
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I'm curious (read invested) do you have a time line in mind for the strollonso au? Like when they met, got engaged, got married
In my pookie au, which I set most of my edits into, it goes something like this.... THIS IS GONNA BE LONG OH LORD, I have a whole thing formulated in my brain and writing is down is gonna be a struggle
2014-2015 They met for the first time very briefly as Fernando was visiting the Ferrari Academy drivers at Prema. Note that Lance is a massive Fernando fan since he was a kid, so this was like meeting his hero. Nando immediately forgot about this meeting as it was just a promotional thing, very sad :(
2017 Lance debuts in F1 at Williams, he's about 19yo and still a massive Nando fan but they rarely interact with each other (see, 'shy canadian rookie'). Sure, they talk every now and then, but no sparks yet...
2018 This is where it starts to get interesting. Nando is struggling (and when I say struggling I mean STRUGGLING) at McLaren and his interest starts to waver which leads to his little fixation on Lance. It started out pretty tame and harmless with Nando writing little notes/letters to him and hiding them around the Williams garage (no one knows how he did it without getting caught) and Lance's belongings. He gets more invested in this than driving the McLaren GP2 engine shitbox.
Eventually Nando gathers up enough courage to ask the 20 year old man out. To his absolute horror and shock, the kid says "yeah, sure" and that's how they began dating. For the remainder of 2018, they keep it strictly to themselves, not telling anyone in case their relationship gets leaked. Lots of hotel room slumber parties, discreet dinner dates and traveling in the same planes between races.
Fun little side story I got is that in 2018, Lance, Fernando and Lando took part as team LANCELANDONANDO (hilarious, I know) in the 24h of Daytona ✨ They finished like... 50th, but it was a big deal since Lando was a tiny little baby boy and Nando was a bit of a mentor to him. (see, 'nando never got kids of his own but really wants to be a father figure)
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2019-2020 Nando decides to "retire" from F1 after losing all his ambition to drive because of McLaren draining the life force out of him. Now that Nando isn't in F1, they can make their relationship public since the conflict of interest is no longer an issue.
2019 is a rather dark time for Lance, as the media rips him to shreds for 1) dating a man, 2) being almost 20 years younger AND 3) the person he's dating just happens to be Fernando Alonso. He's called every name under the sun, constantly ridiculed and the fans pretty much turn against him. He tries to avoid all the drama by becoming more closed in and even more shy around people.
Fernando, on the other hand, is off doing indy and endurance racing. He's pretty outspoken about their relationship and does his best to gain respect for Lance, always praising him and telling nice things about him. This starts to work after a while as the media starts to forget about the whole thing.
Nando would visit the F1 grid from time to time and Lance would be at his indy races. Eventually it became normal to see them together and act like a couple and the fans started to support them, so the media did a complete 180°. Now it was a race to get the best Strollonso story in the papers...
During this time also, Lance starts to visit Fernando's karting school a lot more and after a while becomes a key part in its operation. He would volunteer as a race director for the kids' tournaments, pop in as a guest coach or just help around with whatever they were doing. He would become a bit of a celebrity in that community of young drivers and really like spending time there.
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2021 Surprise! Fernando gets bored of the other stuff and unretires himself to come back into F1 with Alpine! Before this Lance, Nando, Alpine and Aston Martin have a proper sit-down with FIA to figure out how they can allow Nando back in without the risk of sharing team secrets. A couple rule changes, some NDA's and contracts later, it's settled and F1 gets its most popular Spaniard (sorry Carlos) back on track. Everyone celebrates!
Turns out Nando is on a revenge mission this time. All that pent up McLaren resentment is poured right into Alpine and he becomes the villain of F1, which the fans kinda like. Outside the track, he and Lance live their best comfy life, getting a couple houses together, traveling and expanding their family with a doggy, Nyla! 🥰
2022 Alpine is in shambles. Estie Bestie is threatening to strangle his best friend's boyfriend on a daily basis. Lance suggests, just as a joke, that Fernando should come to Aston as he knew Sebastian was about to retire and they hadn't found a replacement for next season. Fernando doesn't take it as a joke. So, Nando calls up Lance's dad and he agrees immediately to take the Spaniard in.
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Fast forward to the end of the season, Alpine gets a couple more big L's, and finally Nando can leave that sinking ship to walk right into Aston Martin's motorhome as soon as he drops out the last race. Fans rejoice, as Strollonso is now in the same team, media is fired up from the potential content and FIA can have a breather now that company secrets are no longer at risk.
2023 Working in the same team turns out to be the best choice they ever made. The team spirit is at an all time high, everyone is enjoying working together and the fans absolutely love them. Nando's tiktok influencer career also helps tremendously and people follow their social medias like it's Friends in 1996.
Nando decides before the summer break that it's now or never and proposes to Lance. To his absolute horror and shock, the 25 year old says "yeah, sure" and they get engaged. Everyone expects a big and glamorous wedding, but turns out they have a small civil ceremony during the break with just family and close friends, away from the limelight. It's a cute and intimate wedding party in Tuscany that only gets out as Lance posts a few pictures from it. Fans rejoice once again! Future's looking all bright and rosy for them <3 And speaking of rosy... They got another fur child! Rósa was Lance's 25th birthday present 🥰
2024.... We'll see ✨
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laurentlemonke · 4 months
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I don't think I have tourettes, but I've had tics since I was like 6. However, I've never been diagnosed with anything that could explain why. And it's not like they went unnoticed. No, I had very severe tics as a child. I never really experienced vocal tics, apart from coughing and clearing my throat repeatedly, but I did have complex motor tics that everyone was aware of.
My teachers, my classmates, my parents knew about them but they just didn't care I guess. I was made fun of for them by teachers and other kids though. I was told I was disruptive and bothering the class. Bro as if my tics weren't bothering me as well. But yeah, apart from telling me I was annoying, nobody really gave a shit lol.
They got better with age though. From the age of 12 or so my tics became less frequent and less severe than they were before. I still have them, but I can go days or even weeks without ticcing now, whereas it was a daily occurrence back in primary school.
Now that I'm older and my tics have lessened in intensity, I don't really feel the need to get a diagnosis. Sure, it'd be cool to know why the fuck this is happening. But given the point of a diagnosis is mostly to get access to treatment or accommodations, I don't really feel like I need one, since my tics are pretty manageable these days. I don't think people even notice I have them nowadays. It's mostly just my muscles tensing up, not something others would pick up on.
The reason I'm saying all of this is because an argument I've seen thrown around online as a way to discredit people with tourette or tic disorders is "I've seen videos where you don't tic at all but now you're ticcing every two seconds" or something along those lines.
And yeah, that's how tics work actually. They tend to vary in intensity. Even now that my tics are better, I still get days where they're more frequent. Some tics can go away completely over time. New tics can appear out of seemingly nowhere too. They can also change as you age. For some of us, we had really bad tics during our childhood, but now they've become less prominent. While for some others it might be the opposite, they developed tics later on in life.
This can go for basically any illness/disorder/disability btw, but we aren't a monolith. Which is why it's important to listen to as many stories as possible to get a better understanding of how a condition works. Everyone is different, so every condition is gonna present differently depending on the person.
Of course, diagnostic criteria is a thing, that's how you know someone suffers from a certain condition. But not everyone is gonna experience said symptoms the same exact way. As I've said before, I barely if ever, experience vocal tics. Doesn't mean nobody experiences them, or that if someone does they're faking. I'm just one person who exhibits one presentation of any given symptom.
Remember that medical professionals can't diagnose or undiagnose anyone from a social media post. They're straight up not allowed to, because social media isn't a 1:1 reflection of reality. We choose what we show online, things are curated. Which gives fakeclaimers even less credibility. Bro you're just some rando with a reddit account, go outside.
I didn't think this post would be so long. Shit's a goddamn novela. I'm pretty passionate about the topic, I just don't understand how weirdos online can claim to know more about someone than the person themselves. People change and so do disorders, doesn't mean it's fake.
Edit: omg forgot to mention! Just because someone isn't diagnosed doesn't mean they're faking their symptoms! You don't suddenly gain them once you're formally diagnosed.
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mimimar · 2 months
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page 7 of my ivy comic ✿
<previous page completed full comic> first page (prints)
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fyncherly · 2 months
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I had to put everything down and make this
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Imagine Shilo (who is actually Emizel) wearing this to the tournament?? Imagine it covered it blood??? Do you see my vision??
Here's a version with a more ~Emizel~ expression idk how this guy is gonna fool anyone
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Should I make a bloodied version should i
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posletsvet · 8 months
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Thoughts on Geto Suguru's Psychology Pre-Defection
There's something that I've been meaning to talk about for a while now, and that is Geto's apparent tendency to conceal his negative impulses that allows for, in my view, faulty interpretations stating that he was faking his righteous beliefs all along just because assuming high moral ground gave him a sense of superiority and fed his ego. Meanwhile I would argue that, on contrary, this habit is more indicative of Geto's insecurities and heightened sense of self-awareness.
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My thoughts on this underneath the cut, but beware: it's going to be long!
To begin with, I think there are two major factors playing into the misconception that I mentioned. The first one boils down to prejudice forcing people to look upon younger Geto through the lense of a person he would go on to become. The kind of cautious logic that says that a deeply empathetic, caring highschooler couldn't have turned into a murderous cult leader preaching the merits of genocide, and thus seeks ways to dehumanize him from the very beginning (because that's a terrible concept to wrap your mind around, I agree). And the second factor being... well, that Suguru's behaviour really does come off as fake at times.
We experience 'negative' emotions as naturally as 'positive' ones, and despite some of them are conventionally accepted as 'good' whereas others are painted as 'bad', no emotion is inherently harmful or invalid; they all are a part of what makes us human. While it's undoubtedly a chilly and ominous concept for someone to be completely devoid of any positive traits, just as unnatural it is to display positive responses only. Perfection is stored away at museums, no living breathing human being can go through their life without being affected by negative impulses or thinking. But more often than not negative emotions are condemned and stigmatized (in the end, we still refer to them as 'negative'), and self-consciousness can make one ashamed or guilty of experiencing them. The end result of this would be trying to hide your feelings under one more appealing appearance, creating a warp between what's intuitive and what's manifest, an inadequate emotional response.
Gojo (at least in his teenage years) is widely outspoken and doesn't hesitate to outwardly express himself, whether verbally or via body language. It probably takes root in Gojo's upbringing: he was spoilt rotten, revered for being born with a silver spoon in his mouth, his every whim indulged and tended to. There simply wasn't any need for him to try and make a good impression by faking docility and emotions that are more pleasant and easier to digest. Gojo may be boisterous and bratty and obnoxious, but he isn't trying to 'trick' anyone into thinking he's better than he really is, and this paints a more sincere, believable picture to the audience.
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On the other hand, Geto's emotions, partly due to his more solemn demeanour, are often toned down or consciously concealed. For instance, when Riko manages to strike a nerve in him, his response is to immediately plaster on mawkish 'customer service' smile to not give away his annoyance. This scene is especially interesting to me because of how Amanai's reaction gives voice to the audience's concerns. Referring to Suguru, she says, 'You look like a liar!' -- and by doing so calls him out on his tendency to mask negative emotions. Intuitively, she can still read his feelings in his body language, in the delay in his expression rearranging itself into a smile, and so can the viewer. We know he's annoyed, and his words about having no intention to harm Riko don't exactly align with how he behaves (even if in a playful manner) a moment after saying them. It creates a tangible contradiction between what he says his intentions are and what his actions speak of, between the appearances and what lies behind them. And this contradiction raises suspicion, in a way that if somebody's making an effort to hide something, then there must be something to hide.
In retrospect this doubt might seem reinforced and justified. I see how it's easy to fall into thinking that Geto, having become a criminal who's done unspeakably cruel things and who backs up his delusional ideals with bigoted reasoning, should've been hiding darker parts of himself behind all those fake smiles and talks about righteousness. But pinning the blame on Geto alone by claiming that he had violent tendencies to begin with is essentially disregarding systematic issues that the story strives so much to convey to the audience. Holding innate individual qualities accountable for the catastrophe is basically the sort of thinking that the higher-ups display, whose main strategy for dealing with problems is public scapegoating and disposing of every single threat to the current order by giving out one death sentence after the other. I don't think we as the viewers are supposed to reach the conclusion that Suguru is at fault for what happened, which is not to say he's faultless, nonetheless the narrative goes to great lengths to make us sympathize with him, not the other way around.
Now, there's really a handful of ways in which Geto's character seems to contradict himself. He shares overspilling empathy for the people around him, that is his character's core trait, but that very empathy spells out his downfall when it degrades into resentment and hate. He displays a largely considerate and sympathetic demeanour, but he's first introduced to the audience as someone who backhandedly bad-mouths Utahime for being weak. He's one half of the strongest duo, but whereas Gojo is a natural-born genius, Geto evidently struggles with his powers. His entire career as a curse user is based on the mentality which justifies the means to an end, but reaching the end goal is impossible for him as he is, Geto himself as much as admits to it during his last conversation with Satoru. He sets on his wild-goose chase for power, but ends up stagnating to the point where his use of Curse Manipulation in the Hidden Inventory Arc is much more inventive and creative than in Jujutsu Kaisen 0. The list goes on, but you got the gist.
To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in a curse that lies in the gap between ideal and reality.
I believe this to be such a poignant phrase when it comes to Geto's characterization because of how well, in my view, it encapsulates the conflict of his character -- or, if you will, the contradiction of it. It succinctly expresses his outlook on things, where he views the world how it's ideally supposed to be rather than how it realistically is. I've actually somewhat already elaborated on this in my very first rambling on here:
To me, Geto seems to be a type of person who needs something to guide him, some clear-cut ideal to make it possible for him to navigate through his life. He is pedantic in that sense: the sharp outlines of his views define his surroundings, the very way he looks at things and perceives them. He needs everything to fall precisely in line with his own set of ideals, which seems to be quite verified and well-adjusted within his mind, like a strict and refined concept he constructed for himself, like a routine he's used to following out of pure principal. His own belief system being so defined, it's that which makes him indulge in excessive discourse on the subject of morality and responsibility, like he's patiently laying out the basics in front of a disobedient child to help them wrap their mind around some fundamental truth that is so obvious and natural for him.
In a way, Geto concealing his negative emotions is not a false front put up against scrutinizing looks that could reveal his 'true nature'. Quite the opposite, I think it speaks more of his well-meaning intentions. When trying to change the way things are, start at yourself, and I guess this is the principle Geto's trying to apply here. By following through his own ideal, Geto does his best to be an upright person he believes himself obliged to be, whether that means forcing himself to absorb curses or putting on a customary smile. It might be juvenile and wishful thinking on his part, probably akin to 'fake it till you make it', but it's important to keep in mind that at that time he was still but a teenager. Moreover, he was put on par with somebody as praised within jujutsu society as Gojo, he must've felt on top of the world, too entranced by their warm spring of youth to care too much about the occasional slips. With Satoru by his side, I imagine Geto could afford to cut some slack and participate in the mischief. Later we see post-defection Geto drop his frivolous facade only when he's entirely alone -- another hint at how Gojo was really the only person Suguru allowed himself to confide in, that is untill the SPVI put uncrossable distance between them.
While I do say that Geto's intentions are well-meaning, the way he positions himself actually reveals some quite problematic aspects of his mindset. Namely, his attitude towards non-sorcerers, whom he clearly sets into a different category from himself and his fellow sorcerers. Regular people lack crucial understanding, they are weak because they are helpless, therefore they have to be shielded from the source of harm. This is a largely patronizing concept of empathy, since it's based on the notion that the 'weak' are inherently inferior to Geto himself and others involved in jujutsu society. It's interesting how it's reflected in Geto's insistence on the necessity of curtains. The use of curtains furthers the extent of non-sorcerers' ignorance, they never learn how to stay out of harm's way as they are deprived even of as much as their perception of the existing danger. It reminds me of how a parent would brush a child's concerns aside because they're too young and naive and do not need to be aware of adult life's hardships. Just like Geto's paternalistic outlook, it does not come from malice or negligence, it's just an attempt to keep someone less experienced and skilled safe. Nonetheless it's harmful as it puts that person in a position which denies them agency.
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In my view, Suguru's fake smiles are an extension of his acute sense of responsibility. In front of those over whom he assumes responsibility, he presents himself as calm, collected and dependable as if it's supposed to reassure them. It's his job to protect them and make them feel safe, so there's no need showing them his own struggle. Even if such thinking is condescending, it's not in any way malicious. Geto's entire character arc would be simply non-existent if he wasn't completely genuine in his sentiments.
So why do I talk about Geto's insecurities when first introducing the topic of this post? Well, I'm about to take a deep dive into the field of speculation and theories and finally get to the point why I'm writing all this in the first place (took me long enough, lmao). There's also a reason why I brought up Gojo's upbringing when talking about his personality and how it contrasts Geto's. You see, like Satoru's way of dealing with his emotions can be linked to his childhood experience, Suguru's behaviour might also give us some clues about the circumstances he grew up in.
The more I look into it, the more convinced I become that Geto was in one way or another exposed to emotional trauma in his childhood. Remember when I mentioned inadequate emotional responses? While being one, smiling in reaction to stress may act as a defense mechanism of sorts, shielding the person from the chronic nature of the unpleasant experience. It also may serve as a way to avoid alienation by others who are not privy to the source of your distress or are not comfortable with it. Affiliative smiles are motivated by social factors, it's a tool used to create and maintain social connections. Human beings are hardwired to connect with others, feeling alienated by the people around us causes us great pain.
The thing us, we must assume that Geto is relatively new to the jujutsu world in the flashback arc. Given his non-sorcerer background, chances are he was the only one in his immediate surroundings with the ability to see and exterminate curses. There couldn't have been a way for him to confide in someone with his concerns and fears born from interacting with something only he could see. So I assume that eventually that resulted in Suguru developing an unhealthy habit of masking his emotions before the ones he cared about. And as over time he grew more aware of his abilities and got a grasp on how his CT works, I imagine Geto committed to exorcising curses in order to protect ordinary people from them -- all by himself. This, in turn, must have solidified that conception in Suguru's head which ultimately othered him from the people around him and put them in a position inferior to him since they were the ones depending on him and his powers.
As Geto should've mostly kept to himself, I also see how he might have grown heavily reliant on his analytical mind. Overthinking is a habit developed early on in life as a way to wade through feeling uncertain or unsafe. It's an attempt to make sense of confusing reality by applying an analytical lense to it and compartmentalizing it into neat, easily understandable categories. And also a way to regain sense of self when you find yourself in a situation you otherwhise have little to no control over. And while over-analyzing can create a sense of security, it may also interfere with a person's emotional responses. I guess it's something that could be applied to Geto, too, because for such a self-reflective character he always struck me as someone with oddly little regard of his own feelings.
As a side note, I like how Geto's tendency to over-analyze things is shown in that one scene when Yaga's briefing him and Gojo on the upcoming mission. Suguru's clearly presented as someone who's very mindful of how the world around him works. Understanding helps him assign meaning to different aspects of life, and he relies upon it heavily. Also, as someone who's been uprooted from his former society and introduced instead to an entirely different world, I guess it's important for Geto to fit in. Him being highly knowledgeable about such essential details is, in my view, indicative of such effort on his part. Whereas Satoru simply does not care about such details, the reality makes sense to him as it is as he was born perfectly fit into it.
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Last but not least, Geto's infamously guilty of a dichotomous, or black-and-white, outlook on things. This is the all-or-nothing mentality that leaves little to no room for nuance and does not allow two opposite statements to be true at once. It's a common cognitive distortion that manifests immature thought; a rigid mindset more often than not bordering on extreme. Meanwhile the very foundation of Geto's downfall is the inability to adapt to the complicated reality which doesn't align perfectly with his idealistic vision. He ultimately failed to wrap his head around the world with grey areas, his black-and-white thinking thinking prevented him from doing so.
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The development of such maladaptive personality traits has been repeatedly linked to the effects of childhood trauma. If the environment which a person grew up in was traumatic and chaotic, black-and-white thinking might have given them a sense of control through rationalization. That's why a mentality which doesn't allow for nuance and doesn't reflect life in its intricate complexity comes off as childishly simplistic. Seeing the world in all-or-nothing terms in some way means reverting to your inner child. And this is actually something that Shoko accuses Geto of during their brief conversation in Shinjuku. In his thinking Geto doesn't grow past his traumatic experience, whether it was his parents actively abusing his abilities for their own gain or the ache of being alienated at such an early age.
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If the nature of Geto's relationship with his parents was abusive, it would also explain his altruism. Suguru goes out of his way to express his concern for well-being of those around him, and he does genuinely care, but all the while it could be a way for him to tend to his own unsatisfied needs by helping others. He seems to be highly attuned to others through his empathy, but also somewhat has trouble advocating for himself, resulting in harmful patterns of self-sacrifice or self-neglect.
It's true, there is a lot of contradictions housed within Geto's character, which are evident in his mindset and his actions. But I don't believe this to be due to sloppy writing, on contrary -- it's the kind of writing that speaks through detail and nuance and invites the reader to ponder why is this or that character the way they are.
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thunderboltfire · 4 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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shima-draws · 2 years
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SO I just finished binging all of Romantic Killer bc it came up in my recommended. And oh my god I loved it so much;;
There’s definitely mixed reviews about it WHICH IS FAIR bc the premise is about a girl named Anzu who isn’t interested in romantic relationships but she then gets pushed into typical dating sim situations with Really Cute Boys in an effort to like. Force her into a relationship. And obv this kinda comes off as arophobic. But the fact that she so stubbornly refuses to partake and tries so hard to veer away from those situations makes it so fucking funny, especially when she rejects the boys with faces like this
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And it turns out it’s really just a show about found family and overcoming trauma and developing healthy friendships with people and UGH. UGHHH it’s so good.
I actually adore Riri lmao they’re SUCH a little shit and I very much enjoy insanely chaotic characters like that. And we start off thinking okay wow this person’s kind of an asshole for forcing a girl to get a boyfriend by taking away her cat, her favorite hobby and her favorite snack, but then we find out OH, they’re just a cog in a corporate machine and they don’t really have much of a choice about it. And we slowly see Riri actually gain true affection for Anzu, and see how much they come to care about her as a person rather than just as a test subject, to the point of them actually breaking the rules of their contract just to make sure she’s safe. AND NOT JUST HER. They make sure the people she’s associated with are safe too, even if it risks them getting in Big Trouble with their boss. AND the fact that they canonically go by they/them pronouns but can ALSO transform into a boy or a girl depending on their preference, and they playfully flirt with Anzu in both forms?? It’s so good. Also thinking about the effort that Anzu goes through to make sure Riri gets to stick around;; like even tho she’d never admit it. She’s come to care for them too in some very strange way lol
And Junta;; the fact that Anzu is actually so concerned about him possibly being brainwashed into the position of childhood friend? Like she doesn’t immediately push him away or shut him down, she actually cares about him as a person and wants him to find happiness and wants to get him out of the situation she thinks he’s in. But then she finds out oh wait he actually IS a childhood friend. And he’s such a good boy. I love love LOVE how they handle the love triangle aspect in this, because obviously yes there’s a bit of jealousy, but not enough for things to get petty between him and Kazuki. They actually treat each other with respect and regard each other as friends and are kinda rooting for the other in their own way. Kind of “may the best man win” sort of thing. There’s no toxicity, there’s no classic “fighting over the female love interest” trope, they actually genuinely like each other after a bit of awkwardness enough to feel comfortable with living together and living with Anzu. They’re SO fucking sweet god dammit //shakes fists
(Honestly tho I really wish we got more episodes focused on Junta. Bc he really seemed like more of a background character and made the whole “love triangle” aspect not feel as prominent. Which is fine I guess?? But I felt so bad for him lmao)
And Kazuki 😭 My beloved. My poor sweet boy who deserves the world and everything in it. Just the build up. The subtle hints of his trauma that pop up every now and then. And when it all comes together you’re like oh!! Ohhh. THAT’S why he acts so aloof and cold all the time. THAT’S why he doesn’t like being the center of female attention. THAT’S why he gets distressed at things that, at first, seem so insignificant. THAT’S why he got attached to Anzu so quickly. And I love the way they handle his trauma, how they don’t make it seem any less important or alarming just because he’s a guy. And how Anzu’s there for him through everything 🤧 How she’s the person to pull him out of the darkness, how she stands up for him time and time again, how she just KNOWS when he’s uncomfortable and steps in to protect him. She ends up caring about him so much despite how they were set up to encounter initially. And he cares about her so much too. And I just 🥺 I care them
Also the fact how everyone came to help Kazuki when they found out what was going on. No judgement, no “you’re making this up”, no “isn’t this your fault to begin with?” They all just step in without even hesitating and support him through his trauma and immediately go “Okay we’ve got a problem so here’s our gameplan.” SEE. IT’S REALLY ABOUT THE FOUND FAMILY,
And one of my favorite things. Riri 🤝 Hijiri using their influence and power to protect both Anzu and Kazuki despite the risks to their reputation and social standing
OH AND I wanted to mention. I love that all of the classic romantic tropes i.e. something happening to your cute neighbor’s apartment so that they’re forced to live with you while it gets sorted out--those are generally really cheesy and make huge plot holes and don’t make ANY sense in the narrative. But that’s the thing about RK, they make it funny, yeah your cute boy neighbor’s apartment flooded bc we need him to come live with you. We did it with magic. Yes your childhood friend is living with you now bc we had a weirdo break into your apartment--with magic. So now he feels like he needs to stay with you and protect you. Yes you got hit by a car with a really rich boy inside and now he’s interested in you. We also did this with magic. Everything that would be regarded as a “coincidence” and is a badly written plot point just to push two characters together is actually explained through the hilarious concept of magic and I LOVE that it’s so fucking funny
Honestly this show is really up to interpretation too which I like a lot? Some people think hey yeah, maybe Anzu will end up with someone. Others say you know what the message here is that friendship is the most important thing and sometimes platonic relationships are better than romantic ones. The ending is pretty ambiguous so it could really go in any direction.
Anyway I have so much more to say but. Just watch Romantic Killer it’s really good thanks bye
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(Trigger warnings include sexual harassment/assault, stalking, panic attacks/PTSD, and attempted murder, so please take care while watching <3)
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hedgehog-moss · 1 year
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I lost one of my chickens :( she was caught and carried away by a fox... I’ve been growing complacent about my chickens’ safety I think because we’ve only had one other attack before, a goshawk that swooped in abruptly (unsuccessfully), but no fox sightings nearby so I’ve been assuming Pandolf was a great deterrent. Which he is, just not foolproof. I’ve talked to some people in town about this and they were pretty philosophical about foxes stealing chickens, like “it’s the tribute we pay to woodland animals, it’s just a few hens here and there.” I don’t begrudge the fox for being a fox, if anything I have a renewed respect for foxes because everyone I talked to proceeded to give me their best / worst fox stories, and most of them involved foxes outsmarting humans (learning people’s habits / timetables, opening latches, faking a limp...) Still I feel terrible for my hen, she was only three. RIP Cordy :( You’ll be remembered fondly... (except by the cats.) I feel bad for the other hen too, who just lost her pal!
When I said that last thing, one of my neighbours jumped on the opportunity to try and convince me again to accept a rooster from him. He had a rooster baby boom last summer and I’ve been telling him for months that I don’t need a rooster, I don’t want to raise chickens I just want eggs, and his new argument was that a rooster would protect my hen (or if it comes to that, would heroically sacrifice himself rather than let the hen be eaten—I’m sceptical...) I asked around for a young hen but there aren’t any to be had in this season, so my remaining one is going to be alone until the spring, and my neighbour said she’d get stressed and male company is better than no company. (I wish I could ask my hen what she wants! Maybe she’s penning A Coop Of One’s Own as we speak.) I said the rooster was more likely to stress her out and harass her and he said nah they’re free ranging all day, it’ll be fine, and he’s young so your adult hen will boss him around. I was like, but then will he be any good at protecting her? etc. etc. and after a while I caved in.
When I told her about this on the phone my mum sighed “you’re terrible at saying no”—excuse me, I said no so many times and the guy just kept ploughing on until he could foist a rooster upon me. I’m good at saying no, other people are terrible at hearing it! I reassured her that I had only agreed to take the rooster for a short probationary period, and if he bothers my hen too much I’ll drive him back to his native farm. My mum was like “Drive him back? look I’m sorry I raised you as a city kid but there’s no need to waste gas on driving a rooster around, I’ll have no qualms about wringing his neck for dinner if he’s more trouble than he’s worth.” The rooster’s fate is not sealed though, if he is anywhere from vaguely useful to not actively problematic I’ll keep him, so we’ll see...!
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cuecrynsleep · 3 days
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Ranking Amangela moments based on how much I freaked out over them.
Disclaimer: This is a joke and is made for fun. This tier list isn't meant to say anything on Amanda and Angela's dynamic, nor their character, or who they are as people. It's just a tier list based on what I think of them as a pairing for certain moments. Please do not take this seriously. Amanda and Angela are real people at the end of the day.
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Written Out Text Version if Photos Unclear
Tier 1: "SOMEONE CALL AN AMBULANCE I'M NOT OKAY"
-Seals in another life
-Angela making Amanda a ring + "I finally get married to the person I belong with"
-Amangela playing a married couple 3 times
-Livestream affections
Tier 2: WHAT THE FUCK AMANDA/ANGELA
-Fake kiss #1/#2: Love is Blind Edition
-"I just fell in love with you" - Angela after Amanda's TNTL bit
-"What if we kissed/made out and went missing" x4
-"Quick before we go live kiss me" | "Okay"
-"Security guard I'd like to fuck" - Angela
Tier 3: OH! Oh. I don't know man that's kinda fruity
-"Put us on top of each other" / "Dude both pants are off." - Board AF Legacy
-(Amanda talking about not talking about something bothering her for a whole shoot week) "Then again sometimes I just see Angela and I'm like 'hey' and I don't know what happens..."
-Competitive Amangela - Challenge Pit
-"We'll probably find our way back to each other" - Love is Blind 2
-New York x Toilet Girl Saga
-Tinky Winky and Detective Wheresmycoffee
-Physical affection Tapple video edition
-Reddit stories physical affection
Tier 4: They're so cute I might survive this.
-"She's a thankful person... I love that about her." - Angela
-"She knows me so well that she knows when I'm lying." - Amanda
-"You're killing it" - Amanda to Angela during her first Smosh video
-Amangela team duo during Incohearent games video
-"Angela tried to like watch the reunion with me." - Amanda
Tier 5: "Wait guys we swear it's just a bit."
-"But can you kiss me before you leave?" / "All I wanna do is go into hell and kiss your face." - Angela Board AF Legacy
-French Soldier x FBI Agent TNTL bit
-Physical affection blood clocktower games video edition
-Tinky Winky choking Detective Wheresmycoffee
Tier 6: This is just them at their normal.
-"Are you okay?" / "You have to trust yourself." - Angela
-"A soulmate can be a friend." - Agree to Disagree video
-"Aww Ange" - Amanda comforting Angela during Reddit Stories
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freakadr0id · 2 years
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ROTTMNT Character Fight Style Analysis - Part 1: Leonardo
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Eeeeyyyy it's finally here. This is my analysis of each character's fight style and role post that I teased about a week ago. This turned out to be a hell of a thing, so this will be split into many posts focusing on each character since I have quite a bit to say (and I think Tumblr might break if I put it all into one post). I plan to release one a day, but we'll see how it works out with school.
[Part 2: Raph] [Part 3: Mikey] [Part 4: Donnie] [Part 5: April]
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If there's one thing Rise is known for, it is the show's stellar action animation - it's the reason most people started the show to begin with. The visuals are so strong in these scenes, in fact, that Rise could have easily gotten away with having pointless fights each episode (if the budget allowed that) and still be regarded as a fairly decent show. However, Rise doesn't do that, instead chooses to give its action scenes depth by putting thought into the personality of each character and implementing that into how each of them fights, showing the growth of the protagonists over the course of the show.
After rewatching the show multiple times (seriously, so many times) I began to notice patterns in many of the show's big fights, particularly in how the turtles and April fight and how they cooperate with each other as a team.
I thought it might be fun to categorize and examine how Leo, Raph, Mikey, Donnie, and April fight by breaking it down into their unique fighting styles, their roles and strengths in battle, how they apply those roles, and how all of these demonstrate different parts of their character.
BTW: There's a reason for the order in which I examine each character - it will all make sense by the last post. There's also a bit of a TL;DR at the end, but I encourage you read the full thing (or at least skim it)
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Let's start with Leo.
Leonardo: The Strategist/Initiator
Leo was one of the easiest characters to analyze since a major focus of his character arc is the development of his fighting skills and his ability to cooperate with his team and act as a leader.
Fight Style:
Balanced/Well-rounded Fighter
Leo is the most balanced fighter on the team. He is a capable offensive and defensive fighter and has enough physical strength and acrobatics to handle many types of fighting styles. We see him fight everything from paper ninjas to the large Foot Brute and Draxum's hired goons (the dog guys) without seeming to be weak against one type of enemy. He may not necessarily be stronger than them but he is very versatile. However, this means that Leo doesn’t have a specific ability that makes him stand out in a fight (mystic and ninpo powers aside) the way his brothers do, and won’t have any inherent advantages that he can utilize when fighting a particular enemy.
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Strengths and Roles in a Fight:
The Strategist:
Leo’s role as the team’s strategist is pretty obvious. He may not be given the title of “Leader” until the end of season 2, but we see throughout the show that he is a very quick thinker and is skilled at coming up with clever and effective plans. Of course, each member of the Mad Dogs supplies ideas and plans, but Leo is especially good at developing and implementing them. The most obvious example of this is his fight in the Battle Nexus in 'Many Unhappy Returns, but there are other times when he is the one to put all the pieces together (think of the big attack against Draxum in the Shredder armor in 'End Game').'
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The Initiator:
Leo acts as the initiator in battle as he is either one of the first into battle or is the one to start a coordinated attack. This doesn't mean he necessarily has to attack first, but that he is usually the one to put the plan into action. This role relies the most on his mystic powers as his portal and teleportation powers give him the maneuverability needed to accommodate any plan. His abilities allow him to enter and disorient the enemy, or he can portal allies into the fight and create opportunities for a follow-up attack. This plays into his strengths as the Strategist as being the initiator can help him begin a strategic attack by maneuvering people or objects into their needed positions.
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Utility:
Leo’s skills truly shine in a fight against a few number of enemies as he can better focus his strategies on a specific enemy and direct the battle in his favor. With less pieces in play, he can properly utilize his mystic powers and act as the initiator instead of bouncing around a battle with no real objective in mind. It becomes easier to coordinate attacks with his brothers and allies since they don't have to spend time fighting different enemies.
However, in a fight with multiple enemies, Leo’s skills can be easily overlooked. Sure, he can direct the fight as the Strategist, but there’s only so much he can do in the middle of the chaos. His role as the initiator isn’t all that effective in a fight with many enemies as well as he and his brothers tend to just rush into battle in those situations. However, Leo’s balanced fighting style means he could theoretically go up against every type of enemy and won’t be at a noticeable disadvantage, which is very useful in a chaotic battle.
How it Plays into His Character:
Admittedly, the show is probably the most direct in using fights to show some of Leo's character traits, since so much of his arc is centered on his fighting and use of mystic powers. However, Rise does use this in enough interesting ways to make it worth mentioning.
While his role as the Strategist plays into Leo’s strengths as a character, it also highlights Leo’s problems with team communication. When Leo plans a strategy, he often fails to inform his allies of his plans, which can result in losing the battle or frustrating those around him. The show demonstrates this by having him make strategies in a fight but leaves his allies in the dark and confusing them. Leo does this, in part, to show off, but also because the plan simply makes sense in his head, so it would be easier for him to just do it instead of having to take the time to tell everybody his plan.
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The initiator is a good role for Leo’s powers and fighting style, but also feeds into his cockiness and overconfidence in a fight. Leo has a tendency to play the hero and either overestimate his abilities or underestimate his opponent. He may be the best fit for going first in a fight but Rise uses some fights to show how this can conflict with some of his character flaws. When he goes into battle first overconfident and cocky, it only conflicts with the team, but with his own role as the Strategist. He could, theoretically, bring his teammates into the fight after him, but if he thinks he has an easy win in front of him, all strategy goes out the window.  
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His status as a balanced fighter and lack of specialization in battle is a likely source of some of Leo’s insecurities about his place in the group. We see in 'Portal Jacked!' how Leo doesn't feel like he has a proper role on the team - that he's just the face man - which is reinforced by the way he fights in comparison to his team. Leo is well suited to fight a wide range of enemies, but when his brothers have easily identifiable skills that can give them a distinct advantage, it becomes difficult to recognize the advantages he brings to the team as a well-rounded fighter.
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Working as a Team:
As mentioned earlier, Leo's strengths as a fighter make him the one best suited for the first attack in a coordinated team strike as it highlights his skills as the Initiator and the Strategist. It shows how well he can fit those roles when he plays to his strengths and overcomes the character flaws that stand in his way. While the others do have skills that may allow them to start the first attack, Leo's abilities and strengths as a fighter give him (and his team) a much stronger advantage in this position.
Leo also does well when he goes second to last in a team attack, as he can finalize a strategy and prepare for a final blow by putting all the pieces into position. However, this is more situational as there are other characters just as well suited for that second-to-last position and can fill that role when Leo needs to be the one to start a team attack.
Leo’s fighting style, however, does make him a poor fit for a follow-up attack or the final attack in a fight. His balanced fighting style means he isn’t suited for a strong final attack. While he is technically fine acting as a follow-up attacker, it doesn’t really play into his strengths and isn’t that effective when fighting with others who are more suited to that role. His balanced fighting style also prevents him from effectively dealing that final blow to an enemy since he doesn't have a specialized strength in this regard. Again, he can do it, he just isn't well suited for it.
The way Rise develops and explores Leo's fight style demonstrates one of my favorite things the show does with his character (in fact, all of its characters). At first glance, he may seem pretty one-note and predictable, but as we go through the show, we see how both his character is actually more complex than we were first led to believe. The fights Leo participates in reflect that, as not only do his skills develop over the course of the show, but we begin to see how it all ties into his personality and growth as a character - making his fights more meaningful than what they may seem.
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[Little bit of a TL;DR: Leo is the team's strategist and initiator in fights, supported by his balanced fight style and mystic powers. These roles play into his greatest strengths but they also expose some of his character flaws and insecurities. In team fights Leo is most effective as the first or second to last attacker but isn't well suited for a follow-up or final attack]
Thanks for bearing with me on this stupid long post. They're all going to be like this btw. Next up will be Raph. I plan to get that done and posted tomorrow.
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smilesflower · 1 year
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such a heartthrob...
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ooooh! Could you do something for Elliott from Stardew Valley? Or perhaps Mr. Qi? Elliott’s my favourite character, but Mr. Qi has that “omnipotent stalker with a weird sense of humour” vibe that would fit perfectly.
Thanks in advance!
Ooh, okay! As much as I think Mr. Qi is the most likely out of everyone in the cast to become a yandere, I can't help but that I just wanna cuddle a delusional yandere Eliott. Thanks for the Ask btw!
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Anon Yan 💌‧₊˚❀༉‧₊˚.
Yandere Elliott
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I feel like Elliott is the delusional stalker type.
Like when he and the farmer (aka you) first meet it's love at first sight for him.
He's been in a creative rut for so long, bored out of his mind and replaying thr same words over and over again in his mind.
He heard about the new farmer coming into town from Leah, a thought nothing if it really. It wouldn't effect him and his work.
Oh how wrong he was. From the moment Elliott met you the man became a simp.
He watched you run around town foraging for anything good to sell, he always admired how keen your eye was for the little berries that'd grow in the bushes and the flowers nobody thought to pick.
He looks at you like you hung the stars and the moon in the sky. Like you've moved the heavens and the earth to make space just for him and his little whimsical fantasies. And in a sense you kinda did.
After all, it was you who brought him out of the bored gloom he'd had been living in for the past months.
So it'd only make sense that you'd become his one and only muse.
The man could write thousands of sonnets and haiku's in your name. He hasn't gotten that far yet, but he's getting closer everyday.
He's sickly sweet, that lovey-dovey puppy-dog expression crosses his face whenever he so much as thinks about you. [Which is all the time btw]
He is totally and completely enamored with you, fallen for you like a fish falls for the bait. Which is unfortunate for him as you don't seem to have fallen for him.
But it's fine! Maybe you're just shy, that's okay, he'll just need to be a little more forceful in his affections.
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"Darling! There you are. I have been looking all over for you. Come along now, I have made another poem for you to read. It'll be wonderful."
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Which doesn't work...in fact it seems to make you even more reserved.
But thats okay to! You guys will work on that together.
He just keeps on pushing and pushing and pushing, and it never seems to stop.
It isn't until you blow up on him, calling him a creep, that he backs off. But only for a little bit.
He see's this as just a small argument between you guys, it'll pass over in a few days once you cool down.
But then he see's you talking to Sebastion in the saloon. You twirling your hair between your fingers, laughing at his jokes, blushing when he gets a little too close for comfort, and looking up at him with sweetest expression he's ever seen from you.
For the first time in a long time, Elliott feels rage. And not the normal kind, oh no no no, I mean blinding rage.
The kind that makes you act on your violent thoughts. Which is exactly what Elliott ended up doing.
In a flash he's on Sebastion, beating the poor boy within an inch of his life.
The other people at the Saloon try to stop the raging Elloitt, but all of the get knocked on their ass and get to scared to do anything.
Once Elliott was done with Sebastion, he turned to look at you. No longer did he look at with that sweet puppy-dog face, no instead his eyes were filled with nothing but apathy as he grabbed your chin with his bloody thumb and directed you to look at the dead body of your best friend.
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"Look at what you've caused dear. This is what happens when you try to make me jealous."
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canisalbus · 8 months
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hi your art has for the longest time rendered me to utter shreds. nary a piece of me left untouched by the papershredder that ur blog is to my brain. what do you MEAN the thorny sickly looking one is getting held close to a warm chest at night what do you MEAN shopping in modern au together what do you MEAN reunion after 17 years sticking ur stupid snout into another mans neck I'm ILL . I'm ILL about this. and your art style is . ohhhhh. speechless your color work and line work is like honey and i am a stupid little ant getting lost in it
p o e t r y
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mci-writing · 3 months
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Hi I saw that your requests are open. Can I request a senku x female reader where he has a crush on an older tattooed foreigner who was on vacation in Japan when the world was petrified
I've had this sitting for a minute tbh, but mostly bc I didn't want there to be too many spoilers for anime-onlys 😭😭 mostly for how tattoos work,,, Don’t be surprised if there’s a heavy focus on language plot wise, I’ve been working on a lot of linguistics homework 😞
Anyways, hope you enjoy
Science Makes Age Complicated (Ishigami Senku x Reader):
Warnings: technically an age gap but also not (reader was once 2 years older than Senkuu, but now they're the same age due to time shenanigans), fem!reader, some language use (a few swears here and there), reader is American (RIP but it’s plot relevant), reader is implied to know an insane amount of languages (bc this is Dr Stone and it’s relevant to world-building)
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"Think you can scrounge something up for her, Yuzuriha?" Senku parts the lush shrubbery for his friend, unresponsive to her obvious surprise at the sight before her. He figured it would go that way, considering how kept away the whole area is, but he'd rather start the spectacle with her big reactions instead of the loud and boisterous version involving the rest of their crew, "I'm more than sure you'll manage to make her something she's 1 billion percent comfortable in."
He'd considered this statue his secret weapon for the next part of their excursion. Well, that would be his explanation as to why he'd waited so long to unveil her and finally free her from her encasement. Really, he could never find the proper time to finally revive her, especially when every time it would feel right to, something else would arise that would require them to use the revival fluid for someone else.
When talks of traveling to the Americas came up, he knew it'd be the perfect time to properly reveal her and, hopefully, ease her into their current predicament. While Gen is a great diplomat, thew mentalist isn't exactly fluent in as many languages as the girl in the statue before them. Even more, if they are to run into more people (which they very likely are), it's better to have at least two representatives to talk things over. That's going to be his reasoning, anyway.
Deep down, he's a little nervous to finally see her again, especially now that he's technically older than her by a few months at least. The last time they'd seen each other had been the day before the petrification light, the two decided to spend time with each other before he went back to school. She was visiting Japan for a bit, a trip she'd planned to make at least once a year since the two had officially met in person while he had been in America. Back then, she'd been 17 to his 15, owning an American driver's license and a tattoo sleeve that left many of the older members of society scandalized.
"I don't think she's going to take being younger than us well," Yuzuriha mentions as she finishes up sewing the outfit she'd made for (Y/n). She worked fast, wiping the sweat that had accumulated on her forehead once she finished. She takes a step back once she's finished, watching as Senku steps forward, "Especially when she finds out how long it took for you to bring her back."
"She'll be fine. I'm 1 billion percent sure she's going to be grateful for it," He responds, popping the top off the tiny vial between his fingers. He doesn't stop the grin from spreading across his face as he lets the contents of the vial drip from the top of her head. The two watch expectedly as it eases its way down her body, stone cracking and parting in its wake, “She’s going to get to visit home, after all.”
The stone falls from her body, the life slowly coming back into her (e/c) orbs as more of her skin is revealed. Her tattooed sleeve remains, now accompanied by the petrification markings on her face and other parts of her body. A wave of confusion hits her as she takes in the unfamiliar surroundings, but her shoulders relax a little as she takes in the two familiar figures next to her, "Senku...? Yuzuriha...?" "Hey, (Y/n)," He immediately greets in response, an excited light coming to his eyes as ruby meets (e/c), "Looks like we're the same age now."
Yuzuriha flinches at his greeting, sighing with a shake of her head as she takes a small step closer to their friend. A nervous smile forms on her lips as she takes (Y/n) hands into her own, leading her out of the hidden away area into the light of the new world. She feels the grip tighten as (e/c) eyes dart around the surrounding forestry in an attempt to better understand the circumstances and environment, "We have a lot to catch you up on, but I'm sure if we ease you in slowly it won't cause you too much whiplash-"
"We don't have time for that, Yuzuriha. We still have to load the ship back up and travel to America," Senku waves the notion off, walking past the two of them and leading them back into the village. Neither of the girls miss the smirk on his face as he continues, unmoving as they gape at him like fish, "(Y/n) will catch up along the way."
He's bluffing, which they realize a little later when Ryusui recounts the plan to spend the next few days loading the ship and replacing the items they used on their last voyage. (Y/n) is assimilated faster into their new society than she can process, the rest of their group taking the basic information they're fed and working with it. Yuzuriha is eventually forced to leave her to fend for her own after a bit to attend to her own assignments and Taiju only stops to catch up for a bit (which is mostly him speed talking and making assumptions about how much she's been made aware of) before continuing to move along.
Senku doubts he'll ever admit it out loud, but he is grateful that they're the same age, even if he's technically older by a few months now. Standing next to (Y/n), who hadn't aged a day past the last time he'd seen her, was the reassurance he secretly needed about his own development. While his growth spurt, a result of the final pushes of puberty during the Stone Wars and roughing it during the New Stone Age, was the only difference he could notice next to her, (Y/n) had been hit with the whiplash of every other development.
To her, it felt like both a lifetime and a long night since she had seen Senku, yet he looked almost completely different and exactly the same. The remainder of his baby fat had rounded out of his cheeks, his face maturing nicely into that of a young adult, and he'd sprung up quite a bit in height. He was still lithe in comparison to Taiju, till thin and very much not built for too much physical labor, but he'd gotten a bit of meat on his bones to fill his arms out a little more. Despite that, he still looked like him, like the jerky boy she'd met by chance in middle school who would be the first person she'd show her newest tattoos to when she was 16 to get some kind of rise out of him.
Taiju and Yuzuriha were a further reminder of the weird passage of time, the two more developed in their own rights. He was beefier, still ever-muscular in a more defined way. His hands seemed rougher, but she didn't know if that had been due to the rougher circumstances or if they were always meant to get so rough with all the handy work Senku would put him up to. Yuzuriha had filled out a little, a few scars littering her hands from what (Y/n) could only assume was from her thread work she'd seem to consistently be working on since they'd gotten back to their stronghold. Her silky brown hair, which had once reached her waist and made a few of the girls from their school envious of its length, now barely reached past her shoulders in its bobbed shape.
She feels so out of place...
~~~~
The rush of information coming to people’s senses is always amusing to watch, but (Y/n) is taking a little more time to process than usual. Even now, a few days into her now being free from the stone prison, she still has more questions. They aren’t particularly scientific, more so just random observations that she really wants the answers to. She’s also hyper-analyzed the villagers' speech patterns, having them repeat their newer slang and pronounce random words in Japanese, English, and German (something they did not realize they were fluent in until she came around). In return, they ask her questions about the past (mostly Senku, Yuzuriha, and Taiju), the sleeve on her arm, and why the hell she knows so many languages already.
Senku can’t really be mad about it slowly down progress, he’s sure he’d slack off a little too if they didn’t have so little time to prepare for their trip across the sea. Neither of them miss the way their eyes longingly stare at one another, meeting a few times before either is dragged away by the others they’re surrounded by. It’s even worse that (Y/n) feels she hasn’t been able to get any time alone with him since they made it to the village. She’d been made aware of their plans once her confusion died down a little, even taking the time to freshen up on the main languages she’d be focused on for their trip and doing what she can to pitch in. Unfortunately, their different preparations would barely, if ever, cross over. Lowkey, it had been killing both of them inside, but they kept up appearances for the sake of getting things done.
She’d learned from Gen, who gave her brain a break by speaking in English with her, that Senku had kept her relatively well hidden. He’d visit her often, but no one had put together that’s what he’d been doing until now. Yuzuriha made it clear she’d only learned of (Y/n)’s whereabouts a little before they’d revived her. However, the brown-haired girl did mention that a few passing statements he’d made in the past were starting to make sense.
It took the last night before the Kingdom of Science would set sail again for (Y/n) to find time away from the others. Despite the various discussions scratching her brain in the best way possible in a new world, the dark blue of the night accompanied by the low noises of crickets and crashing waves gives her the solace she needs. While everything has mostly settled, or settled as much as it can, it's still moving so fast. To her, everything was normal yesterday and then dark for longer than she thinks possible to comprehend, "Maybe this is how Sleeping Beauty felt..."
"I doubt that," A familiar voice speaks up from behind her, the heels of his shoes clopping along the ground as he approaches. The gravel scrunches as he shifts to sit next to her, deep zircon-colored eyes staring out towards the ocean's expanse. He scoots a little closer to her, his head tilting as his pinky reflexively reaches to dig out of his ear, "Considering she typically is depicted to have been a young preteen when she first fell asleep and an older teenager when she wakes, I doubt there were many technological changes to throw her for such a loop, especially if the story takes place in a fictional version of the middle ages."
His eyes shift to peak at her instead, his typical grin filing onto his face. Somehow, they're one of his few features to remain the same despite his growing age. He's one of the reasons she's out here tonight, gathering her thoughts privately one last time so she can tuck them away to focus her attention more on to returning civilization.
Of course, she always thought he was good-looking, most people did. However, where they were turned off by his passion for science and technical engineering, she found it to be all the more endearing for his character. He had his pesty moments, but so did everyone else in some way. It added to his charm, "Didn't see you as the fables type, Senku."
"Had a friend who was super into literature. She read it in different languages to challenge herself," He teases in response, his gaze turning back to the sight before them, "Wonder where she is now..."
(Y/n) tugs her knees up to her chest, the irony of the comparison not lost on her, though made completely on accident. She pulls them closer, resting her cheek on them as she takes in the boy next to her, "Maybe she's trapped somewhere in a stone prison back in the woods."
She watches his chest rumble with his chuckle, a soft breeze picking up and spreading the smell of salt water. He's closer now, the smaller changes staring her in the face and taunting her. She'd wanted him this close to her again, just for the reassurance, but now... She kind of regrets it.
"I would've found her by now," He mumbles, the sound just barely reaching her ears. A fond smile slowly eases across his mouth as he returns his gaze to her, "Would've taken me a while to finally see her like this again, but I think it'd finally be worth seeing her again. Even with the circumstances."
"I'm sure she'd be grateful to see you again too, even with the circumstances."
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poorly-drawn-mdzs · 1 year
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