why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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YWDaC: Maybe It’s Not So Fun After All
Hiii here is part 2 of pirate shenanigans I’ll probably do one more to finish this out but it probably won’t be for a while cuz I have some other stuff I wanna work on so enjoy for now ✨
←Previous - Castys Masterlist - Next→
Ingredients: pirate battle, wood splinters in a guy, stitches
The next few weeks were truly a learning experience, and also just an experience. Castys learned far more than he ever thought there was to know about ropes and knots and wind and how to clean things, all while his back slowly hurt less and less. He hadn’t even been whipped that much, but it was still super unfun as an experience, enough to motivate him to be a good little pirate. Well, more like a sailor, they hadn’t done any pirate activities since he was so kindly given a spot on the crew.
And of course when battle did come, he wished he could go right back to the peaceful days of hard labor and yelling.
Kamon had been teaching him to use a sword during their free time, since Castys’s spear wasn’t well suited for combat aboard a crowded ship, but before he even got a chance to use it, the ships had to fire their cannons at each other a bunch. It was loud, somehow way louder than he’d been expecting, and his arms burned from carrying ammunition up from the hold. By the time the fun part started, he was already gonna be exhausted, just great.
His new orders were to take supplies up to the main deck, and he was somehow surprised that there was even more chaos and yelling up here than down below. They were getting pretty close to the other ship now, and it was probably almost time to board them and steal all their shit, which he was actually excited for. Mainly the stealing part.
Just as he set the crate down, there was a loud crack next to him, and his body lit up with all these sharp little pains, like…he looked down, and he was indeed covered in splinters. They were a wonderful variety of sizes, from tiny little ones that weren’t even making him bleed to ones that were as long as his hand, but the worst one had poked completely through his fucking cheek, filling his mouth with the taste of wood and blood, which was a weird combination. Ears ringing, he stumbled away from the destroyed railing, and was just about to start pulling the splinters out before he remembered the medic’s stern warning to not pull splinters out yourself. So he had a cheek piercing for now, hooray.
Before he’d made it back belowdecks, Captain Izogie called for everyone to get ready to board, so nevermind to hauling stuff. Castys pulled out the sword he’d been given, the weight still feeling a little unnatural, but it was all he was gonna get. He saw some dudes climbing up the rigging and swinging over on ropes, but he’d rather just wait and walk over on the plank like a normal person. Was boarding another ship a normal person thing? Okay, really, swinging looked fun, but he didn’t feel like climbing when he was full of holes that were full of wood. Also he didn’t trust himself to land without breaking something.
And then it was his turn to cross the plank, running so he didn’t have time to look down and think about falling into the cold ocean, jumping down into the chaos of the fight, trying his best to weave through the clashing metal and warm spurts of blood, and suddenly he was face-to-face with someone, someone he didn’t recognize, and he raised his sword, but just as he was about to swing he remembered that he’d never fought another human, not for real, and he couldn’t help but hesitate, and they didn’t, they swung, he only jumped back at the last second, it was them or him, he had to fight, remember what he’d learned, remember what it felt like to slice through flesh and hear screams, and it was more familiar once he did it, coming back to him now, his grip steady as he jumped over the body and moved on, belowdecks, rummaging around for valuables, helping his crewmates pry crates open and carry them back to the ship, the wood almost slipping out of his hands, when did they get slick with blood, he wasn’t sure, it was all a haze of back and forth, up and down, fight and slash and stab and dodge and search and carry and he almost walked back across the plank onto the now-sinking ship, all of its contents plundered, all of its crew dead.
The fight was over, and everything hurt.
With shaky hands, he tried to put his sword back in its scabbard, but someone stopped him. “Clean your blade, newbie. And then go see the doc. You look like shit.” Castys nodded, wiping the blood from his sword with his shirt before sheathing it and stumbling belowdecks. Maybe he’d get less of a share of the treasure this way, but at the moment he didn’t care. He just wanted the damn splinters out. And the gash in his arm probably needed stitches, which were always his favorite.
He found Alfyn’s quarters without much trouble, having been there before after he’d been flogged on his first day. The healer was busy tending to people with more pressing wounds, so Castys just sat on the floor and watched. Alfyn’s healing magic was so strange to watch, the way he could just hold his hands out and make flesh rejoin the other flesh super unfamiliar to Castys. Neither of them could use magic back on the islands, so the whole concept was sorta new to him, especially this weird healing stuff. His fingers teased with the splinter through his cheek, wiggling it against his tongue. It would be kinda funny to pull it out and then try to squirt water out of the hole in his cheek, but that would require pulling it out and then finding water and also someone who would think he was funny, which sounded like a lot, so he settled for fucking with it and waiting for Alfyn.
By the time he got to him, Alfyn’s nose was plugged with a rag that was either completely soaked in blood or just red, but maybe it was red because it had been soaked in blood before. He looked Castys up and down, and Castys showed off his arm gash since it was very painful. Alfyn nodded, beckoning Castys to stand. “Nothing you’ve got’s pressing enough to use my magic on, but I’ll still get you fixed up. You’re…Castys, right?”
“That’s my name.” Castys sat on the little table, the spots of blood on it soaking into his pants, which kind of sucked, but what wasn’t dirty on this ship, anyway? “So why can’t I take out the splinters myself?”
Alfyn laughed a little, coming back over with tweezers and a metal bucket that had a bunch of other splinters in it. “I don’t trust you lot to get them out completely. If you do it wrong, little bits can get left behind.” He then started pulling out Castys’s splinters the right way, which seemed to be to do it slow and to use tweezers, but Castys could be wrong since he was a little distracted by all of his little wounds hurting all over again. Alfyn did the one in his cheek last, and once it was out Castys poked at the hole left behind with his tongue despite the pain, which got a sigh out of Alfyn instead of a laugh.
“Please don’t make the wound worse, Castys.”
“Sorry.” He was then a very still and patient and well-behaved boy while Alfyn cleaned all of his wounds, arm gash included. Whatever liquid Alfyn was pouring on everything stung a lot, but he sat still so he didn’t make things more difficult for Alfyn, who looked really damn tired now that Castys was paying attention.
“Alright, your arm and cheek are going to need stitches, so please keep holding still like you’ve been doing.”
“They used to call me statue boy.” Kind of funny considering the time he almost did get turned into a statue, but that was a joke for just him. He clenched his fists and Alfyn approached with the needle and thread. He’d been through this more than once, he’d be fine, it was all things he’d felt before. The sensation of the needle poking into his skin, the tug of thread following behind, the hand on his chin…
“Hold still.”
“I’m trying, but it’s hard not to laugh at the faces you’re making.”
“I’m trying to focus here, Castys, come on. You don’t want this to be a super nasty scar, do you?”
“Uh…I don’t really care. As long as I can still eat food and stuff what does it matter? I don’t see anyone else besides you, and I don’t think you care either.”
“I-I don’t, but…maybe there will be other people, someday?”
“Even then, whatever. If they’re scared off by a scar on my face they’re probably losers, anyway.”
“So you’ll fit right in, then!”
“And yet you still hang out with me all of the time.”
“Yeah, ‘cause there’s literally no one else, dumbass. It’s not like I have options.”
“Sucks to suck. I’m…I’m okay with just you, though.”
“...Me too, Castys. But that might change if you don’t sit still.”
His scars hurting more than his actual wounds was stupid, but it was certainly happening. He left Alfyn’s quarters in sort of a daze, trying to bury everything the stitches had brought to the surface. Focus on anything and everything else, on the awful food, on talking with Kamon, on getting more respect from the other crewmates, on drinking stolen ale, on the share of the treasure he was promised once they reached land.
But that night, lying awake in his hammock as the crew snored around him, his scars still hurting, the pain cutting through the warm haze of the alcohol, he didn’t feel any less alone.
Next→
Castys Cult: @as-a-matter-of-whump @blackrosesandwhump @fanmanga1357-blog @thehopelessopus @just-a-whumping-racoon-with-wifi @hearse-song @muddy-swamp-bitch @whumpasaurus101 @yet-another-heathen @galaxywhump @starnight-whump @his-unspoken-words @misspelledwitch @suspicious-whumping-egg @pumpkin-spice-whump @painsandconfusion @i-can-even-burn-salad @befuddled-calico-whump @whumpinggrounds @whump-queen @whumpedydump @theelvishcowgirl
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so. i've had an idea for a warrior cats fanfiction story, and have spent the last few years hammering out characters, the clans, how they work, the story... a whole lot of stuff. i've tried writing it before, and right now i don't have a current draft of early chapters, but I did recently write out a scene from much later in the story, and i'm pretty happy with it, soooo... here! a warrior cats fic scene i wrote in like an hour a week ago
By the time she led ShadeClan to the Gathering site, Emberstar felt her anxieties lessen. Her foreleg ached from the effort of the journey, but she kept her head high. Beside her, Acornfall glanced back at their clan, then nodded over to Emberstar. He led the clan down into the Gathering hollow, and Emberstar padded over to the slope up to the leader’s perch. PineClan and CliffClan cats were already quietly milling about in the hollow, and up on the overhang she could see Lakestar and Wolfstar waiting. There was no MoorClan scent among the gathered cats.
Emberstar made her way up the slope she’d seen Gorsestar and Froststar before her traverse. It was a thin path, slowly becoming steeper and steeper as she slunk closer to the overhang, finally reaching the steep, gravelly slope that led up to the leaders’ perch. Down at the base of the cliff, she could see Acornfall joining the other deputies with a polite nod of his head, and Troutfoot was carefully weaving her way through the crowd to meet with the other healers. Emberstar twitched her whiskers when Lakestar and Wolfstar noticed her. She crouched and tensed her back legs and leapt up the slope.
It wasn’t enough to reach the top, but she reached out with her forepaw and sunk her claws into the loose gravel and dug her back paws into the ground to keep from slithering back down. She slowly inched forward, moving a kittenstep at a time, but she kept her eyes fixed on the other leaders, more determined than ashamed of herself. Emberstar forced herself up the slope, but her heart skipped a beat when the gravel under her paw proved too loose to get a good enough grip- so close to the top, too. What a shame she had no other forepaw to lash out and find a grip with.
Emberstar felt herself begin to slide back down the slope, but a pair of jaws grasped her by the scruff and hoisted her up onto the overhang. She clawed at the grass and stumbled a step when let go and turned to meet Wolfstar’s amused gaze. “Careful there, three-paw,” the CliffClan leader gruffly purred. “It’s bad luck to fall at your first Gathering as leader.” She brushed past Emberstar to sit back down next to Lakestar.
With a huff, Emberstar followed her with a shake of her pelt. “I appreciate your help, but I would have been fine on my own. I suppose I owe you now?”
Wolfstar’s whiskers twitched. “Are you saying ShadeClan is now in CliffClan’s debt?”
The young leaders stared at each other, then broke out into amused purrs. Lakestar rolled her eyes and wrapped her tail around her paws. “So, you are ShadeClan’s leader now, Emberstar? Or is it still Emberblaze?”
“It is Emberstar now. I visited the Moon Cavern for my lives only a few sunrises ago.”
“May StarClan light your path as leader, then.” Lakestar stiffly dipped her head. Despite the brusque words, there was genuine respect in her pale eyes.
Wolfstar’s own eyes were still bright with humor. “You’ll be great, I know it. What happened to Froststar, then?”
Emberstar narrowed her eyes and turned her gaze to the gathered cats. “I’ll explain that once the Gathering begins. MoorClan is late tonight.” She surveyed the crowd of cats, peering straight down at the huddled healers. Sitting with her back to her PineClan clanmates, Flarelight was sitting close to Troutfrost. After a moment, she gazed up at the overhang, and her eyes met Emberstar’s. Her eyes grew wide and she stared at her littermate for a long moment until another healer got her attention. Then, as if she’d seen nothing, Flarelight flicked her tail and joined the conversation. Her twitching tail-tip was the only hint that she was distracted. Emberstar blinked. She’d become leader so recently that not even the other healers knew, much less the other clans’ warriors. In the crowd of CliffClan cats, she spotted Sunscorch, sitting with his fur brushing Moonwhisper’s, his eyes wide and his body stiff while he stared at his sister up on the overhang.
Poor Sunscorch, so softhearted under those honed claws and strong limbs- he was likely to take the news of Froststar’s death the hardest. Emberstar held his gaze, blinked slowly, and turned her head to the sky. The moon was nearly overhead, and still MoorClan was absent.
“You ought to start the Gathering now,” Wolfstar growled to Lakestar. “It’s newleaf, after all, and if MoorClan’s late then they’re late.”
“We should wait,” Emberstar sharply mewed. “This is my first Gathering as leader, so it would be disrespectful to me as well as MoorClan if we begin without them. It may anger StarClan as well,” she finished in a murmur, flicking her tail-tip up at the sky. Wolfstar just bushed out her stormy gray fur and huffed.
Lakestar gazed up at the sky. Emberstar looked over at her. For so long, as an apprentice, as a warrior, as the deputy, she’d never dared to be so close to the cold PineClan leader. But now, she was barely a tail-length from the sleek silver tabby, and they sat as equals in standing. Lakestar was likely at less than nine lives and Emberstar was without a right foreleg, but they were equals nonetheless.
She was knocked from her thoughts by Wolfstar headbutting her. The larger cat nearly shoved her off-balance. “Glad to see that we’re both finally up here. I was waiting to see when you’d catch up, three-paw.”
Emberstar licked Wolfstar’s ear. “You know I must take things slower than you.”
“Who’d you pick as deputy?” Wolfstar leaned over the edge to inspect the group of deputies. “Hm- Acornfall?”
“He’s a good warrior. Older than me by four seasons, so I trust his advice and his skill.”
“I thought you would have picked Lavenderflash. Or maybe Darknose, you two always seemed close.”
Emberstar gazed down at Lavenderflash, spotting the pure-black molly quickly- she was almost certain there was obvious fondness in her eyes as she looked at her former apprentice. “Lavenderflash is… young and still training her first apprentice. She is a good, loyal warrior, but not fit to be deputy or eventual leader in my mind. And Darknose…” The tom was sitting at the edge of the crowd, alone. “He is a possibility, but he still mourns his brother even all these moons later, so I don’t know if he would be the best choice.”
Wolfstar made a sniff of approval, then her gaze snapped to the far hill. A yowl rang out, and the three leaders pricked their ears and the cats in the hollow turned to see MoorClan finally arrive, led by Applestar. Emberstar sat stiffly until she spotted Glowflame in the crowd, side-by-side with Orangeclaw. He joined the cats in the hollow with his clan while Applestar broke off to climb up to the overhang, and he seemed to murmur something to Orangeclaw before she angled her ears up at Emberstar. Glowflame looked up and spotted her, and his jaw dropped open. Emberstar couldn’t help but let out a purr of affection for her brother as he gaped in amazement at her.
Applestar greeted the other leaders when he finally joined them, nodding briefly at Emberstar, and hurriedly sat down next to Lakestar, his mottled fur standing up along his spine. The leaders gave the cats in the hollow a few moments to settle down. In that time, Emberstar saw her littermates make their ways through the crowd towards each other. By the time Lakestar threw back her head and yowled to signify the beginning of the Gathering, Flarelight, Sunscorch, and Glowflame sat huddled together with their eyes trained on their sister. Emberstar met their gazes for just a heartbeat and felt the final icicles of her anxiety melt away.
She then turned her head to watch Lakestar as she began to announce her clan’s news for the moon, and reminded herself of what she had to announce when it was her turn. She was ShadeClan’s leader, now. StarClan had approved of her. Emberstar lifted her chin and, with a deep breath, finally settled into her place at the head of her clan.
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