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#to steal or not to steal
youraveragecatastrophe · 10 months
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The tiny Carmens during the choice sequences are so cute
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[Image description : 5 cropped screenshots from the interactive episode To steal or not to steal of the 2019 show Carmen Sandiego. Each shows Carmen in the simplified style of the choice sequences. She is, in order, running in a hallway, exiting a building, hiding behind a chinese terracotta warrior, sneaking past Tigress and moving like a puppet controlled by strings. /End image description]
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nixariel · 5 months
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Timelines and Carmen Sandiego: To Steal Or Not To Steal
...or, can I make the interactive special play nicely with canon? Meant as a companion to my previous timeline; please note that this is centred around the 'perfect' route where Carmen manages to save both her ground crew and the stolen items. For an overview of how to access all eight endings, I would highly recommend this excellent schematic.
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Shanghai (stated in dialogue as approx 1 year after Carmen started stealing from V.I.L.E.; "which part of the last year")
·        "Notorious V.I.L.E. stronghold" is in Lujiazui district of Shanghai; location roughly corresponds to the Jin Mao Tower based on position relative to the Shanghai Tower and the Shanghai World Financial Center ·        Carmen can enter from the air by ziplining across from the Shanghai Tower or from the ground via the elevator shaft ·        Walks into conspicuously-open vault to learn her ground crew has been kidnapped; if she does not cooperate, the faculty will use Dr. Bellum's mindwiping device to turn Ivy and Zack into V.I.L.E. operatives        ◦ As per bad ending 1, Coach Brunt had bet Professor Maelstrom a steak dinner that Carmen would refuse V.I.L.E.'s deal point-blank ·        Curiously, a 10-19 licence plate is visible on a passing car during Player's intro of the target; in the main series, this number seems to be used exclusively for A.C.M.E. vehicles
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Xi'an (roughly 2h direct flight time from Shanghai to Xi'an)
·        First task is the theft of a terracotta warrior for Brunt; Carmen goes to a "fresh dig site" where more statues have recently been found ·        Exact date unknown but apparently a Tuesday; "it's either dress-up Tuesday for the security staff or..." ·        Tigress has been sent as V.I.L.E.'s handler-slash-back-up for Carmen; leaving her in the pit reveals she has a fear of insects but helping her enables the later 'imperfect good' ending of saving Zack and Ivy while V.I.L.E. keeps the statue ·        Carmen gets her first check-in with the siblings, then is offered the choice of going to either Hell Creek, Montana, to retrieve a T. rex bone for Dr. Bellum or Monte Carlo, Monaco, to steal one hundred tins of Beluga caviar for Countess Cleo
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·        If trying to establish a 'canon' narrative for the special, Cleo's caper would make the most sense as the next theft; Carmen has managed one heist for V.I.L.E. but now struggles with the implications of needing to do it again, and to a charity no less. Mime Bomb is also present more to monitor Carmen than to help, much like Tigress, and Julia does not mention a stolen dinosaur bone despite bringing up the missing terracotta warrior during her brief conversation with Carmen. Going from one plainclothes agent in Monte Carlo (or presumably only one; no recognizably-A.C.M.E. faces in the crowd and Julia reaches for her pen rather than an earpiece if tricked into going to the roof) to three officially-dressed agents in Montana also seems like a more appropriate escalation of A.C.M.E.'s efforts to catch Carmen than the reverse.
Monte Carlo (roughly 11h direct flight time from Xi'an to Monte Carlo)
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·        Exterior of the hotel hosting the charity dinner appears somewhat similar to the Hotel Metropole Monte-Carlo ·        Debut of 'Scarlett Santarosa' as an alias; Player's startled "who??" upon hearing it suggests that this may not have been entirely planned ·        Declining the diplomat's offer to dance leads to Carmen expressing a preference for tango over the waltz; accepting it shows her losing focus/drifting into a daydream partway through, which may be a sign that having to rush through back-to-back capers is starting to wear on her ·        Evidently A.C.M.E. has received intel that V.I.L.E. may be targeting the caviar, Julia assigned to investigate and/or thwart; she seems much more comfortable blending in with upper-class society than pretending to be a fashion model in Milan ·        Julia also much more overt with her willingness to extend Carmen the benefit of the doubt; that she's carrying around a champagne glass full of some unspecified sparkling liquid is probably pure coincidence ;)
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·        Carmen acknowledges having "joined forces with Jules before"—a phrasing that suggests something more like their collaboration in Milan than simply leaving the recovered Magna Cartas on a train seat; trusting Julia is necessary to achieve the 'perfect' route ending ·        The successful grab 'n' dash route leads to Carmen landing on a bridge-like structure with some similarities to the Fontvieille Shopping Centre; the unsuccessful stash 'n' sneak option has her walking down what is almost certainly the Rue de Millo in La Condamine
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Terminal 5 of Heathrow Airport (roughly 2h direct flight time from Monte Carlo to Heathrow)
·        Before continuing on to the third heist, Carmen demands another check-in with Ivy and Zack; comparing the amount of light coming through their cell window at different times of day allows her to deduce that they are being held somewhere with 24/7 sunlight ·        Player confirms that this would currently be the North rather than South Pole; midnight sun in the Arctic goes from late March to late September
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·        Choosing to attempt a rescue instead of continuing with the third heist reveals that Tigress has been stationed at the Arctic facility, presumably to oversee the guarding of Carmen's ground crew; unclear how/if she is involved in their transfer to Île d'Oléron for the ending of the 'perfect' route        ◦ The diner from the post-Arctic bad ending is located in none other than San Diego, suggesting that this is after Team Red purchases the Carmen Brand Outerwear warehouse (and is quite possibly the Best Sneaky Detail in this entire special asdfghj XDD)
Hell Creek (roughly 9.5h direct flight time plus 3.5h drive time from Heathrow to Hell Creek State Park)
·        Carmen more resigned than upset at the thought of stealing the T. rex bone for Bellum; would be in keeping with having managed to get through two heists for V.I.L.E. already ·        Archaeologist from Morocco can be seen entering one of the tents at the excavation site (a.k.a. the OTHER contender for Best Sneaky Detail XD)
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·        Even considering something as risky as trying to catch and break into a plane while it's taking off may be another sign of strain/fatigue affecting Carmen; this would also fit with Montana being her third caper in a row ·        Research lab is approximately 200 miles away (and is attached to an amusement park like the discount version of a Michael Crichton novel, there's even a Tyrannosaurus head over the main entrance, this is ABSOLUTELY intentional XDD) ·        Bellum expected her to have snagged the bone within mere hours of landing in Montana ("been in Montana for an entire afternoon"); pushing Carmen to complete the thefts as quickly as possible is likely part of keeping her too busy to out-think V.I.L.E.'s trap ·        Carmen is offered the choice of El Topo or Le Chevre for assistance; El Topo will show up having helpfully researched potential exit routes while Le Chevre drops a pinecone on her head and calls her "the bossy one in [their] class" ·        Compared to El Topo, Le Chevre also distinctly under-impressed by the quality of A.C.M.E.'s suits ·        El Topo's knowledge of the tunnels underneath the combo museum/amusement park leads to a quick and A.C.M.E.-baffling disappearance after nabbing the bone; picking Le Chevre, on the other hand, leads to the very serious A.C.M.E. agents very seriously commandeering a dinosaur-themed roller coaster train in order to chase Carmen along said roller coaster's track until she manages a daringly acrobatic escape that ends with her hang-gliding off into the night (yes I have a favourite operative how can you tell)
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·        As an alternative to a straight reconciliation with show-canon, might I suggest that riding a literal roller coaster in order to chase Carmen Sandiego through an amusement park in the middle of the night sounds suspiciously like someone trying to prank a newly-reinstated Devineaux? ;)
Terminal 5 of Heathrow Airport (unknown drive time plus roughly 9.5h direct flight time from Montana to Heathrow)
·        After she returns to the airport, the faculty sends Carmen an e-ticket for a ferry to the Île d'Oléron; she is to bring the dinosaur bone and caviar tins there to exchange for her ground crew ·        Somehow Julia has managed to track Carmen to Heathrow, unclear if A.C.M.E. aware; her attempt to tail the thief is quickly noticed and Carmen uses the opportunity to ask for her help
Île d'Oléron (roughly 75 min direct flight time from Heathrow to La Rochelle; ferry to the island takes another hour)
·        Paperstar watching from the Phare de Chassiron; as per the final bad ending, V.I.L.E. plans to have Lady Dokuso and the Cleaners ambush Carmen after she disembarks
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·        All real-world ferries to Île d'Oléron look to be from La Rochelle; closest actual stop would be Saint-Denis-d'Oléron, approximately 4 km away, as the coastline near the lighthouse is too shallow to permit a commercial dock ·        Carmen has Julia take her place on the ferry and swims to the island instead, finds Zack and Ivy in the V.I.L.E. aircraft hangar there ·        Paperstar notices Julia's glasses and alerts the guards, interrupting their escape ·        Zack figures out how to fly a helicopter in a hurry and Carmen references Casablanca ("here's looking at you, crew"); terracotta warrior conveniently found to be already stowed/never unloaded in back
Julia's apartment, presumably still in Poitiers
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·        All stolen items deposited neatly outside Julia's door, complete with a bouquet of roses; we do not see who rings the doorbell ·        One possible explanation for the opening and closing scenes of Ivy and Zack during the post-ending bonus music video is that they indeed managed to break out of their cell at least once while Carmen was busy with V.I.L.E.'s capers, even if they were then recaptured before they could find a way off the Arctic base; certainly their parts of the song are referenced in-episode during both the post-Xi'an check-in and the post-Arctic bad ending
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Special vs. Canon
In terms of trying to fit the special with the rest of the show, both Carmen's dialogue ("which part of the last year", see estimated date for Boston caper in previous timeline) and the Arctic midnight sun reference suggest a late spring/early summer time frame, meaning roughly April to June-ish depending on how strict we want to be with the definition of a year. Shadow-san's absence from the faculty and from the special in general, plus the fact that the remaining members appear to be in some transitional location—as per the industrial metal-panel backgrounds during most of their calls to Carmen, rather than anything resembling either the Canary Islands school or the Outer Hebrides castle—isn't as definitive, but would at least be in keeping with a post-explosion (March-ish) pre-move-to-Scotland (October) placement.
There is also Julia's readiness to trust Carmen's intentions in Monte Carlo, combined with Carmen's "joined forces with Jules before" line, which would suggest that this is before Player Trojan-horses the A.C.M.E. database but after the Milan caper. Given the notable absence of any reference to Stockholm, this might further suggest a point after both that mishap and the failed Botswana collaboration because Carmen's willingness to reach out for A.C.M.E.'s help with the diamond mine could be seen as forgiveness for chasing her off a tower in Sweden—and with that attitude of letting bygones be bygones, Julia might consider doubling down on her faith in Carmen to be a more convincing apology than dragging up bad history.
With how quickly things go from Brunt dropping the Wolfebomb to Carmen salvaging the mainframe hard drive to her demanding answers from Shadow-san, it would be very difficult for the special to take place then regardless of how conveniently it would excuse the ninja's absence. However, there is an unspecified amount of time between that confrontation and Carmen showing up at Chief's usual coffee shop in Seattle—and since Carmen wouldn't have confirmed Shadow-san's truthfulness yet, he'd most likely still be benched in San Diego (nor would the faculty expect to see him with her given their belief in having driven a wedge between the two). Chase, at this point, would also have been retrieved from the island and fired by Interpol but not yet reactivated as an A.C.M.E. agent.
Although not a perfect reconciliation—that Carmen would be willing to put a hold on finding answers about her father's death in order to raid a random V.I.L.E. vault in Shanghai is... questionable, to say the least—the most plausible canon setting for the special would therefore seem to be after the reveal of how Shadow-san became a faculty member but before Team Red comes up with a plan for how to hack A.C.M.E.'s database.
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As always, this is the work of only one person. If there's something missing or incorrect, let me know and I'm happy to update. Otherwise, I have a CS 2019 trivia tag for the things that didn't quite fit in either timeline, as well as the odd headcanon that does a little more reading-between-the-lines. ;) Have fun.
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historyhermann · 1 year
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Booming LGBTQ Representation in Animation in 2021 [Part 1]
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Two of the choices for “Fan Favorite Couple” in Autostraddle’s Annual Gay Emmys in September 2021 were in animated series. Both choices are highlighted here by yellow boxes.
In December 2020, I wrote that there is “hope in the future for diverse storylines and expanded representation,” adding that there is “a lot to look forward to in 2021 in terms of animated series…[which] will undoubtedly affect the ongoing war between streaming platforms for more subscribers, profits for themselves, and film distribution itself.” That still rings true, and 2021 has even more representation that I had imagined in December 2020, with continuing series like The Owl House, Disenchantment, Helluva Boss, Star Trek: Lower Decks, the third (and final) season of Final Space, and many others. The representation in 2021 is part of the “whirlwind” of LGBTQ representation which creator Noelle Stevenson described in November 2021.
Reprinted from Pop Culture Maniacs, my History Hermann WordPress blog on Jan. 15, 2023, and Wayback Machine. This was the seventh article I wrote for Pop Culture Maniacs. This post was originally published on January 5, 2022.
When Autostraddle, a digital lesbian culture publication, posted about their annual awards show, the Annual Gay Emmys, in September 2021, the influence of LGBTQ representation in animation was evident. [1] While most of the nominees for the categories were live-action series, there was an entire category dedicated to such series, “Outstanding Animated Series.” Harley Quinn, Blues Clues & You!, the “Obsidian” episode of Adventure Time: Distant Lands, The Owl House, “The Politics Episode” of One Day at a Time, and Magical Girl Friendship Squad were nominees. [2] The Harley Quinn episode “Something Borrowed,” was one of the nominees for the “Best Episode with LGBTQ+ Themes” category, and two couples in animated series were nominated for the “Fan Favorite Couple” question. When the results were announced Harley Quinn won for Outstanding Animated Series, although it was unfortunately the only animated series to win in a category. Of the series nominated, Magical Girl Friendship Squad and One Day at a Time ended in 2020, [3] Distant Lands ended in 2021, while three others are ongoing (Harley Quinn, Blue Clues & You!, and The Owl House).
Keeping this in mind, reviewer Jade King, in a review of The Owl House, said “we shouldn’t look toward giant corporations for continual queer representation.” While that still rings true, many of the shows with LGBTQ representation are produced and broadcast by such companies. For instance, of the over 20 Western animations noted in this article, almost all of them are produced by the subsidiaries of companies like Disney, WarnerMedia, NBCUniversal, ViacomCBS, and Sony, which bring in more than $1 billion a year. [4] The same is the case with many of the Japanese anime series noted in this post, which tend to have more LGBTQ representation, generally, than Western animation, although the instances of representation between Western and Japanese animation is slowly reaching the same level, and Japanese anime often plays into “many problematic aspects” and stereotypes in one way or another. King also pointed out that queer representation is not a competition, but should be a collaboration, rather than putting down one show while elevating another, arguing that “queer representation isn’t a linear path to acceptance. It’s messy and inconsistent.”
In 2021, shows on streaming platforms lead the way when it came to representation. Netflix tops the list in this regard, with shows like Disenchantment, Carmen Sandiego (to a lesser extent), and City of Ghosts. With Disenchantment, the show was described as “queer through and through,” with what some would call queer vibes throughout, had its third part air on Netflix in January of 2021. Recurring characters Odval (voiced by Maurice LaMarche) and Sorcerio (voiced by Billy West) were shown to be a gay couple, while there was an implied gay couple between Big Jo (voiced by LaMarche), and his assistant, Porky. Furthermore, Princess Bean, called a “rebellious, alcoholic, adventurous princess” by one reviewer, the show’s protagonist, voiced by Abbi Jacobson, was shown to be bisexual or pansexual. This is illustrated through her kissing the elf, Elfo (voiced by Nat Faxon), trying to have sex with various men, seeming to have feelings for Lady Bowmore (voiced by Tress MacNeille), female explorer, and falling in love with a mermaid named Mora (voiced by Meredith Hagner). This is further supported by the fact that Jacobsen is bisexual herself, making the representation that much more genuine. As for Carmen Sandiego, it was more implied than anything else. In February, in Instagram Live interview, Duane Capizzi, the showrunner of Carmen Sandiego, said that it was intentional that Le Chevre (also known as Jean Paul) and El Topo (also known as Antonio) were together, and confirmed them at a couple, calling them villains which are “sweet,” but you “can’t help but love.” [5]
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Carmen Sandiego and Julia Argent in the Carmen Sandiego: To Steal or Not to Steal animated film
Some fans also speculated that protagonist Carmen Sandiego had feelings for Julia “Jules” Argent, called “Carulia” by fans, but that has not been confirmed by Capizzi or anyone on the show’s staff. Similarly, for City of Ghosts, the LGBTQ representation was subtle rather than outward like in Disenchantment. In the case of that series, Thomas, one of the show’s protagonists, a specialist of the Ghost Club and voiced by transgender child actor Blue Chapman, was non-binary, confirmed as such by show creator Elizabeth Ito. One episode of the series also showed a character with two mothers. The series, more broadly, was praised for its simple animation and characters, but having “strikingly complex” stories and background art which reflects the “realities of one of America’s richest cultural melting pots,” Los Angeles.
Disenchantment, Carmen Sandiego, and City of Ghosts were not the only Netflix shows with LGBTQ characters. The kids-oriented Ridley Jones also included such characters. The preschool animated series included a non-binary bison named Fred voiced by Iris Menas, and two characters (Aten and Kosi) voiced by Andrew Rannells and Chris Colfer, two openly gay actors. The series was created by Chris Nee, who created series like We The People and Doc McStuffins, both of which featured LGBTQ characters. Nee described herself as gay and “relatively butch” in an interview in 2021. Jacobson, who had voiced Bean in Disenchantment, voiced Katie, the protagonist of the animated film, The Mitchells vs. the Machines. In the film, she wears a pin with a rainbow flag and later is noted as having a girlfriend named Jade at film school, with the representation relatively subtle. More outward, in terms of the representation, were Chicago Party Aunt, which included a a gay man named Daniel, and Q-Force, which featured an assortment of LGBTQ characters. The latter series, which had caused great controversy and consternation online due to its use of stereotypes, features a gay protagonist named Steve Maryweather (voiced by Sean Hayes), a gay man named Benji (voiced by Gabe Liedman), a lesbian woman named Deb (voiced by Wanda Sykes), and a gay drag queen named Twink (voiced by Matt Rogers). A late-comer to this article was Arcane, the first part which aired from November 6 to November 20. Show writer Amanda Overton confirmed that Caitlyn Kiramman was a lesbian, saying that there is no word for gay or stigmatization against it in Piltover, meaning that Caitlyn could “marry any gender or race suitor,” but such a person would become “a part of her house.” Overton also said that the relationship between Caitlyn and Vi is “naturally developing,” with the trauma that Vi’s parents were killed by Enforcers, with Vi also confirmed as a lesbian as well. On Twitter, Overton said that everyone on the show’s crew is “working together to tell the same story.”
On November 25, 2021, the final season of F Is For Family, aired on Netflix. It included Louis, the gay brother of Sue, a character voiced by Neil Patrick Harris, an openly gay actor. It also included Ginny Throater, who divorces her husband, Greg Throater, and is bisexual, while Greg is gay, and divorces her as a result. Additionally, Eileen, Frank’s sister, is lesbian and becomes Ginny’s lover. The second and final season of the Netflix series, Centaurworld, premiered on December 7. It featured three gay characters: Zulius, Ched, and Splendib. Zulius, who was hinted to be gay in the show’s first season was confirmed as such in the second season, while Ched was revealed to be gay. Furthermore, Zulius is voiced by Parvesh Cheena, an openly gay actor.
Other than shows on Netflix, there were multiple series on other streaming platforms included LGBTQ characters. For instance, Volume 8 of RWBY, running from November 2020 to March 2021, which streamed on the Rooster Teeth website, featured a trans woman named May Marigold, who is voiced by a trans woman, Kdin Jenzen, a bisexual catlike woman named Blake Belladonna (voiced by Arryn Zech), and various lesbian characters. The latter included Ilia Amitola (voiced by Cherami Leigh) and a couple (Saphron and Terra Cotta-Arc) who have a child named Adrian. At the same time, the first season of Invincible, which aired on Amazon Prime from March to April 2021, included a gay recurring character named William Francis Clockwell, voiced by openly gay actor Andrew Rennells.
HBO Max, also owned by Warner Media like Rooster Teeth, featured a gay couple, Jonny Quest and Hadji Sing, in Jellystone!, while Young Justice, which focuses on young superheroes from DC comics, has a rash of such characters. Specifically, Kaldur’ahm/Aqualad (voiced by Khary Payton) is polysexual, while Marie Logan (voiced by Danica McKellar) is bisexual or lesbian, Eduardo “Ed” Dorado Jr. (voiced by Freddy Rodriguez) is gay, Violet Harper (voiced by Zehra Fazal) is genderqueer, Wyynde (voiced by Robbie Daymond) is gay, and Harper Row (voiced by Fazal) is bisexual. The second half of the fourth season of Young Justice premiered in late October of 2021 and aired until December 30, 2021. While Kaldur reappeared in the newest season and with speaking lines, characters such as Ed, Bart, Violet, and Harper either had no lines, were only pictured, or only their voices were heard. At the same time, Logan died in Season 2, Wynnde has not made an appearance. These are unfortunate developments.
The HBO Max preschool series, Little Ellen, featured same-sex couples, with a second part of season one released in October, while Summer Camp Island, which also airs on HBO Max, includes a non-binary couple (Alien King and Puddle) and two presumably gay ghosts. It was also implied in various episodes that Timothy Brice Campbell in the HBO Max series Close Enough was either gay or bisexual. The second and presumably final season of gen:LOCK premiered on HBO Max and it featured a genderfluid character named Val(entina) Romanyszyn. Her character was not only groundbreaking as a genderfluid character by smashing apart tropes attributed to such characters, but is voiced by a non-binary pansexual voice actor named Asia Kate Dillon. Val confirmed that she was pansexual in the same season and Robert Sinclair was shown to be gay, with a boyfriend named Chris.
© 2022-2023 Burkely Hermann. All rights reserved.
Continued in part 2
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fruity-phrog · 2 years
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You know what, I like you *Lumitys your Carulia*
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spooksier · 14 days
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young artist posting your work online, heed my warning. im holding your face so gently in my hands, you have to stop caring about numbers right now and start caring about making the weirdest and most self-indulgent art you possibly can
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imperatoralicia · 2 months
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I get a lot of entertainment thinking about how containers are used in video games sometimes.
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tenderanarchist · 5 months
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These are so fun to make
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getrope1 · 2 months
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You cant make this shit up
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yanderemeganekko · 1 month
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rillabel · 6 months
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mimic that has a diagetic red clickbait circle with arrows to get you to investigate it.
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youraveragecatastrophe · 10 months
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Carmen in To steal or not to steal : FINE I may not be able to talk to Jules but I'll imagine a scenario where I get to do a cool little dance and everyone notices and admires me, especially her >:(
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nixariel · 1 year
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Today I am a NERD because I have figured out where this is. Guess—just guess—what city is approximately 124 miles from Los Angeles, 502 miles from San Francisco, and 1083 miles from Portland, Oregon, when taking an interstate highway that runs north-south?
San Diego.
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historyhermann · 1 year
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"Carmen Sandiego": An Enthralling Animated Series [Part 6]
Continued from part 5
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The official Carmen Sandiego Twitter account teases a spin-off Carmen series in two tweets
Even though the series ended in January 2021, the show's official Twitter account confirmed that a spin-off series was in the "earliest stages". They also said that details would be shared as soon as they were available.
This article was originally meant for The Geekiary. I submitted the article in mid-August 2022, on August 16, and it got sent back for edits, and even after a long conversation with one of the editors, including re-submitting the article a second time, I decided to publish it on my own (see original post for details) It was published on my History Hermann WordPress blog on Jan. 2, 2023.
Unlike other shows, the official account remains active. Often the account shares fan art, images from the show, and other content. There is also a planned live-action film, with Rodriguez reprising the role of Carmen.
Such a spinoff could pick-up where the original series left off. It could focus, like various fanfictions on the topic, on the two year gap between Carmen becoming an independent thief tracking down VILE remnants, following the defeat of that organization.
As such, a spin-off could resemble, in some ways, Totally Spies!, especially if it focused on the stories of Jules, Chase, Ivy, and Zack as ACME agents. It would likely continue the theme of "good winning over evil".
On the hand, it would be different. ACME's technological know-how and technology, is no match for WOOHP (World Organization of Human Protection). They never whoop people out of nowhere, sucking them out of their lives and to an underground base in downtown Los Angeles. Neither does ACME employ animals as agents like the O.W.C.A. (Organization Without a Cool Acronym) in Phineas and Ferb and the second season of Milo Murphy's Law.
Even so, both organizations work with cops. Neither faces accountability for their actions. Equivalents to these organizations in reality are as terrifying as governmental intelligence agencies. The latter agencies, especially those in Western countries, interfere in countries by assassinating leaders, engage in psychological warfare, torture, or worse.
Moving back to the topic at hand, in the end, I would unequivocally recommend you watch Carmen Sandiego.
Currently, Carmen Sandiego, and the interactive special, To Steal or Not to Steal, is streaming on Netflix. See you next crime!
© 2022-2023 Burkely Hermann. All rights reserved.
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shortmexicangirl · 10 months
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'can i copy your homework?'
'yeah just don't make it obvious'
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bog-frog · 11 months
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Putting powdered sugar on the post below
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