My First Titanic Film - S.O.S. Titanic (1979)
Before there was Jack and Rose, there was Lawrence and Leigh.
(Yes, that's David Warner, aka Spicer Lovejoy from James Cameron's 1997 Titanic.)
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"Stuck in that amulet": From artifact to Crown Princess [Part 3]
Continued from part 2
Elena trapped inside the amulet as shown in the film, Elena and the Secret of Avalor
Coming back to the amulet, it bestows power on those who wear it, it stores magic, but cannot be a weapon. Even more significant is the fact that if the amulet had been destroyed before Sofia had freed Elena, she would have died! The amulet also can curse those who do bad deeds. Reportedly, it is famous among those who practice magic in the interconnected world of Elena of Avalor and Sofia the First. It has a bit of a provenance as well, specifically created in the Kingdom of Maru (akin to the Aztecs or Mayans perhaps), an ancient civilization that disappeared before the Kingdom of Avalor came about.
Reprinted from my Wading Through the Cultural Stacks WordPress blog. Originally published on Mar 15, 2023.
Unlike the magical mirror in Steven Universe, the amulet more directly fulfills the definition of an artifact in the Dictionary of Archives Terminology: "a physical object that is made or modified by human culture." More than that, the amulet is something tangible, as it obviously has "significant depth relative to its height and width", i.e., an object. It is not, however, a specimen nor a resource or an item. Hence, there are specific ways to preserve it and ensure it is not damaged. Over its history, it was passed down through royals until it reached Sofia, becoming her birthday present, and Elena even let her keep it as a sign of gratitude for saving her from the amulet.
Some have claimed that certain amulets have a "soul" or internal energy, noting that it is "important what material the amulet is made of, what kind of stones it is incrusted with" along with what signs and symbols. [4] Historically, the Egyptians believed that amulets would protect a mummified person after death. Others have stated that amulets, and talismans, were the "ultimate power players" in the ancient world, by "summoning protection". The amulet I'm discussing in this article is a fire opal, and originally red, becoming purple when she wore it. The word opal, itself, comes from the Latin words "opalus" or "opalius" in Greek, meaning precious stone, while a fire opal is named after fire, meaning a "fiery spirit and energy". It has also been associated with good luck, love, healing, calm, wealth, creativity, and amplifying feelings, depending on the culture. Compare this to a purple opal which seems to "increase...one’s mental capacity as a whole", while opals can also be "highly favored as a symbol of hope and purity". [5]
Otherwise, There isn't much else to say because the amulet doesn't really have much of a role in the show proper (Elena of Avalor) other than giving her magical powers, allowing to use the Scepter of Light, first shown in the episode "Scepter of Light". The scepter allows her to channel the magical powers given to her by being in the amulet. So, that's a positive from being stuck in an amulet for over 40 years! If her amulet had been stored usually, it would be in a special collections. Anyway, as always, comments and suggestions are welcome.
© 2022 Burkely Hermann. All rights reserved.
Notes
[4] For this, see "Spiritual amulets – The most consistent protection tool", a page on a website calling itself Spellcaster Maxim, run by a person who describes themselves as an esoteric, astrologer, and writer.
[5] See Minikin, Tracey. "The Powerful Legacy of Talismans and Amulets in Modern Society." Veranda, Jun. 29, 2020; Smith, Olivia. "Fire Opal Meanings, Properties and Uses." Crystal Stones, Nov. 3, 2021; "Purple Opal (Morado Opal)." Crystal Council. Accessed Sept. 1, 2022; "Purple Opal Meaning and Properties." Emoche. Accessed Sept. 1, 2022.
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I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.
And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.
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