I hope u guys don't mind me posting these au doodles while I work on things ahaha
I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit
Cherries, from fruit to pit. Atoms. The sun, every day. Worms. Mulch. Perspiration. The moon, every night. Me. You.
Rebirth.
The various cycles of life and death.
<GoodTimeWithScar> fell from a high place.
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EXPLODES THE DOOR ITS HSBB TIMEEEEE This is my piece for @minecraftbed's incredible fic "Gaussian Blur" in @hermitshippingbigbang :D
Go read it for the full context of the comic (and details if you can spot them!) heheeehehe I love it sm and had sm fun doing the comic! The concept is so cool and the feels are KSALDHTHRGRRHRH (please i have been losing it)
SO *grabs you by the shoulders and throws you directly at it* gogogogo 👉👉👉👉👉
not to be an obnoxious cottagecore lesbian but i think mai and ty lee should get a little house on kyoshi island together (also some extra funky little lighting variations bc i couldn't make up my mind)
i don't normally make posts about things myself but i keep thinking about how the whole point of EW was that the strength you needed didn't come from a god, or a supreme being, or a primal or anything: it all comes from you
your love for this world and your friends and everything that you allow purpose and meaning- that is what gives you the strength to climb to your feet, even when you feel utterly alone at the end of the universe
In Shb we had Ardbert who gave us the strength to take that next step, but in EW we are alone (save for Zenos i guess but this ain't about him). That's why even though I agree that "it was the ancients" is becoming an extremely stale take, I still forgive MotR and the Twelve because it's hammering in EW's theme of being enough to handle what life throws at you without needing to rely on something much larger than yourself
EW's plot- and even the Omicron quests -point to the fact that dynamis alone does nothing. It has to be moved to action by feelings/emotions for it to work. As N-7000 says, "all [dynamis] requires is for us to ask "what if?""
Zodiark did not save the Ancients. Hydaelyn cannot save Her Children. The Twelve do not answer your cries. Primals are bound to the prayers of those that summon them.
The Warrior of Light is an imperfect being. More talented than most, but imperfect yet. EW does not make you a god. It shows that change can be wrought by anyone, at any time. You need not do it alone: there are others willing to come to your aid. But when you are alone, at the end of your rope, facing insurmountable odds: the strength you need can only come from within.
i feel like the queer community lost when we started policing labels and making sure everyone used the Correct™ labels instead of letting a person decide what feels right for them
[video description: an amv centered on Ty Lee set to “all-american bitch” by Olivia Rodrigo. The video focuses on Ty Lee's dynamic with Azula throughout the years, and juxtaposes Ty Lee's bubbly flirty persona with her extremely efficient chi-blocking fighting style and shrewd observations. end description.]
cw for flashing. extended video description under the cut
First verse contrasts scenes of Ty Lee, Azula, and Mai as children with scenes of Azula threatening Ty Lee in Return to Omashu, and from then on being a weapon for Azula in her mission. Scenes mainly pull from the trio’s early book 2 action as they chase Aang.
First chorus: on “Forgive and I forget”: Ty Lee mid-air doing a flip cuts to young Ty Lee landing a flip. young Azula pushes young Ty Lee to the ground and laughs. Ty Lee chi-blocks a kyoshi warrior on "And I act like it. She flirts with Sokka on “Got what you can’t resist” and chi-blocks Katara on “perfect all-american”
Second verse features mainly scenes from the end of book 2 when Ty Lee, Azula, and Mai are in Ba Sing Se disguised as Kyoshi warriors. Many of the scenes show Ty Lee being undignified, contrasting with the lyrics (but fitting the ironic tone of the song). These scenes include Ty Lee jumping into the sludge during The Drill, her covered in mud, and flying through the air with Mai after Appa flaps his tail at them.
Second chorus: “Forgive and forget”: Ty Lee after her circus performance agreeing to join Azula. Other clips juxtapose Ty Lee during The Beach with Ty Lee fighting during The Boiling Rock.
“I know my place”: Rapid cuts of Ty Lee and Mai beside Azula, cut to Ty Lee anxiously looking side to side during The Boiling Rock confrontation. On the second “I know my place”: Rapid cuts of Ty Lee hugging Mai, and Mai and Azula preparing to fight.
“And this is it”: Ty Lee chi-blocks Azula.
Bridge: Scenes from the fallout of Ty Lee betraying Azula - Mai and Ty Lee being arrested − cut together with Ty Lee’s emotional outburst during The Beach campfire scenes. During the screaming and fast-paced music, there are rapid cuts of Ty Lee fighting and moments beside Azula, in between cuts shots of Ty Lee crying.
Outro: Ty Lee bowing to Azula during Return to Omashu. Then Ty Lee crying during The Beach party, and Azula apologizing to her.
post-the search for spock but it's a yuri slice of life comic <333 nothing as good a bonding activity as lovingly combing out your vulcan wife's hair as you fondly bitch about your other wife 🩵💙💛