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mashkaroom · 1 year

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Translation thoughts on the greatest poem of our time, “His wife has filled his house with chintz. To keep it real I fuck him on the floor”

It’s actually quite tricky to translate. Because it’s so short, each word and grammatical construction is carrying a lot of weight. It also, as people have noted, plays with registers. “Chintz” is a word with its own set of associations. Chintz is a type of fabric with its origins in India. The disparaging connotation is from chintz’s eventual commonality. Chintz was actually banned from England and France because the local textile mills couldn’t compete.

Keep it real” is tremendously difficult to translate -- it’s a bit difficult to even define. It means to be authentic and genuine, but it also has connotations of staying true to one’s roots. Like many English slang words, it comes first from AAVE. From this article on the phrase:

“[K]eeping it real meant performing an individual’s experience of being Black in the United States. As such, it became a form of resistance. Insisting on a different reality, one that wasn’t recognized by the dominant culture, empowered Black people to ‘forge a parallel system of meaning,’ according to cultural critic Mich Nyawalo...The phrase’s roots in racialized resistance, however, were erased when it was adopted by the mostly-White film world of the 1970s and ’80s....Keeping it real in this context indicated a performance done so well that audiences could forget it was a performance.This version of keeping it real wasn’t about testifying to personal experience; it was about inventing it.”

One has to imagine that jjbang8 did not have the origins of these phrases in mind when composing the poem, but even if by coincidence, the etymological and cultural journeys of these two central lexemes perfectly reflect the themes of the poem. The two words have themselves traveled away from the authenticity they once represented, and, in a new context, have taken on new meanings -- the hero of our poem, the unnamed “him”, is, presumably, in quite a similar situation.

Setting aside the question of register, of the phonology, prosody, and meter of the original, of the information that is transmitted through bits of grammar that don’t necessarily exist in other languages -- a gifted translator might be able to account for all of these -- how do you translate the journey of the words themselves?

In my translations, I decided to go for the most evocative words, even if they don’t evoke the exact same things as in the original. The strength of these two lines is that they imply that there’s more than just what you see, whether that’s the details of the story -- what’s happening in the marriage? how do the narrator and the husband know each other? -- or the cultural background of the very words themselves. I wanted to try and replicate this effect.

Yiddish first:

זייַן ווייַב האָט אָנגעפֿילט זייַן הויז מיט הבלים

צו בלייַבן וויטיש, איך שטוף אים אופֿן דיל. zayn vayb hot ongefilt zayn hoyz mit havolim.

tsu blaybn vitish, ikh shtup im afn dil

This translation is pretty direct. There is a word for chintz in Yiddish -- tsits -- but, as far as I can tell, it refers only to the fabric; it doesn’t have the same derogatory connotation as in English. I chose, instead, havolim, a loshn-koydesh word that means “vanity, nothingness, nonsense, trifles”. In Hebrew, it can also mean breath or vapor. I chose this over the other competitors because it, too, is a word with a journey and with a secondary meaning. Rather than imagining the bright prints of chintz, we might imagine a more olfactory implication -- his wife has filled his house with perfumes or cleaning fluids. It can carry the implication that something is being masked as well as the associations with vanity and gaudiness.

Vitish -- Okay, this is a good one. Keep in mind, of course, that I’ve never heard or seen it used before today, so my understanding of its nuances is very limited, but I’ll explain to you exactly how I am sourcing its meaning. The Comprehensive Yiddish-English Dictionary (CYED) gives this as “gone astray (esp. woman); slang correct, honest”. I used the Yiddish Book Center’s optical character recognition software, which allows you to search for strings in their corpus, to confirm that both usages are, in fact, attested. It’s a pretty rare word in text, though, as the CYED implies, it might have been more common in spoken speech. It appears in a glossary in “Bay unds yuden” (Among Us Jews) as a thieves cant word, where it’s definted as נאַריש, שרעקעוודיק, אונבעהאלפ. אויך נישט גנביש. אין דער דייַטשער גאַונער-שפראַך -- witsch -- נאַריש, or “foolish, terrible, clumsy/pathetic. not of the thieves world. in the German thieves cant witsch means foolish”. A vitishe nekeyve (vitishe woman) is either a slacker or a prostitute. I can’t prove this for sure, but my sense is that it might come from the same root as vitz, joke (it’s used a couple of times in the corpus to mention laughing at a vitish remark -- which makes it seem kind of similar to witty). I assume the German thieve’s cant that’s being referred to is Rotwelsch, which has its own fascinating history and, in fact, incorporates a lot of Yiddish. In fact, for this reason, some of the first Yiddish linguists were actually criminologists! What an excellent set of associations, no? It has the slangy sense of straightforward of honest; it has a sense of sexual non-normativity (we might use it to read into the relationship between the narrator and the husband) -- and a feminized one at that; it was used by an underground subculture, and, again, the meaning there was quite different -- like the “real” in “keeping it real” it was used to indicate whether or not someone was “in” on the life (tho “real” is used to mean that the person is in, while “vitish” is used to mean they’re not). It’s variety of meanings are more ambiguous than “keep it real”, which can pretty much only be read positively, and it also brings in a tinge of criminality. Though it doesn’t have the same exact connotations as “keep it real”, I think it’s about as ideal of a fit as we’ll get because it’s equally evocative of more below the surface. I also chose “tsu blaybn vitish”, which is “to stay vitish”, as opposed to something like “to make it vitish” to keep the slight ambiguity of time that “keep it real” has -- keeping it real does< I think, imply that there is a pre-existing “real” to which one can adhere, so I wanted to imply the same.

The rest is straight-forward. “Shtup” is one of a few words the Comprehensive English-Yiddish Dictionary (CEYD) gives for “fuck”, and I think it has a nice sound.

Ok, now Russian

женой твой дом наполнен финтифлюшками

чтоб не блудить с пути, ебемся на полу

zhenoy tvoy dom napolnin fintiflyushkami.

shtob ne bludit’ s puti’, yebyomsya na polu

In order to preserve, more or less, the iambic meter, I made a few more changes here -- since Russian, unlike Yiddish, is not a Germanic language, it’s harder to keep the same structure + word order while also maintaining the rhythm. I would translate this back to English as:

“Your house is filled with trifles by your wife. To not stray off the path, we’re fucking on the floor”

So a few notes before we get into the choice of words for “chintz” and “keep it real”. To preserve the iamb, I changed “his” to “your”. This changes the lines from a narration of events to some outside party to a conversation between the two men at the center. Russian also has both formal and informal you (formal you is also the plural form, as is the case in a number of other languages). I went with informal you because I wanted to preserve the fact that his wife has filled his house not their house, as someone pointed out in the original chain (though I don’t think that differentiation is nearly as striking in the 2nd person) and because it’s unlikely you’d be on formal you with someone you’re fucking (unless it’s, like, a kink thing). I honestly didn’t even consider making it formal, but that would actually raise a lot of interesting implications about the relationship between the speaker and the husband, as well as with what that means about the “realness” of the situation. Is, in fact, the narrator only creating a mirage of a more real, more meaningful encounter, while the actual truth -- that there is a woman the husband has made promises to that he’s betraying -- is obscured? that this intimacy is just a facade? Is there perhaps some sort of power differential that the narrator wishes to point out? Or perhaps is the way that the narrator is keeping it real by pointing out the distance between the two of them? there is no pretense of intimacy, the narrator is calling this what it is -- an encounter without deeper significance?

Much to think about, but I actually think the two men do have history -- i think the narrator remembers the house back when it was actually only “his house” and was as yet unfilled with chintz. We also don’t know what they were calling each other prior to this moment. This could be the first time they switched to the informal you.

Ok moving on, I originally translated it as “твой дом наполнен финтифлюшками жены”. Honestly, this sounds more elegant than what I have now, but I ultimately though removing the wife from either a subject or agent position (grammatically, I mean) was too big a betrayal of the original. The original judges the wife. She took an active role in filling the house. If she were made passive, that read is certainly a possible one -- perhaps even the dominant one -- but it could also read more like “we are doing this in a space filled with reminders of his wife and the life they share” -- the action of filling is no longer what’s being focused on. Why do I say the current translation is inelegant? I feel you stumble over it a little, because it’s almost a garden path sentence. This is also an assset though. “Zhenoy tvoy dom napolnen” is a fully grammatical sentence on its own, and it means “Your house is filled by your wife” -- as in English, the primary read is that the wife is what the house is full of. If the sentence makes you stumble, perhaps that’s even good -- we focus, for good reason, on the relationship between the two men, but in a translation, the wife is able to draw more attention to herself.

Ok, chintz: I chose the word “финтифлюшки” (fintiflyushki), meaning trifle/bobble/tchotchke, because it, allegedly, comes from the german phrase finten und flausen, meaning illusions and vanity/nonsense. Once again, I like that the word has a journey, specifically a cross-linguistic one.

Keep it real: this one, frankly, fails to capture the impact of the original, in my opinion, but allow me to explain the reasoning. “Stray off the path” implies, again, that there is some sort of path that both the narrator and the husband were on before the wife and the chintz -- and one they intend to continue taking, one that this act is a maintenance of. It brings in a little irony, since the husband very much is straying from the path of his marriage. “Bludit’“ can also mean to be unfaithful in a marriage (as, in fact, can “stray”). The proto-slavic word it comes from can mean to delude or debauch -- they want to do the latter but not the former.

As for register -- “shtob” is a bit informal. I would write the full version (shto by) in an email, for example. The word for fuck, yebyomsa, is from one of the “mat” words, the extra special top tier of russian swears, definitely not to be said in polite company (and, if you are a man of a certain generation or background, not in front of women; it’s not that the use of mat automatically invokes a male-only environment, but if we’re already thinking that deeply about it. But while we’re on the topic, i will say that in my circles in the US, women use mat much more actively than men (at least in front of me, who was, up until recently, a woman and also a child).)

Ok i think that’s all the comments i have!

#can you imagine if someone called you вы during sex unironically #i'd be like 'ты че? лучше меня тыкай' haha do you guys get it #also if you have not checked out the YBC's OCR software DO IT

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wosoamazing · 2 months

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Too Late To Be Fair

Warnings: death (caused by drunk driver), mentions of emotional abuse (R as a child), mentions of drinking and drunks, implications of self doubt and associated things, wishing someone would die. Please let me know if anything else.

Note: Grace is a fake player, due to previous ideas and maybe future ideas I had to make a player up... she does some things none of the girls would ever do....

A/N: Story inspired by Pray (Jessie Murph) & Mansion (NF) - and other things but I listened to these songs and I was like ooo good story idea. There probs will be a part 2. I hope you like it - also I know I said one of the McFoord fics would be out next but um yeah...

“Y/N We’re sorry to inform you but your Dad was in a car accident he was hit by a drunk driver” you couldn’t help but laugh at the irony, you dad the drunk being hit by a drunk driver. Everyone looked at you in disbelief.

“Y/N that’s not very appropriate,” Grace said, before others death stared her, clearly not knowing your situation, of course you were going to blow, especially at her, the thing you had wished for, for so long, finally happened, yet just after you cut him off, so it didn’t matter, it didn’t mean you could have an easier childhood, it was just another way of the universe punishing you. Waiting until you had moved out, cut your ties and in the spotlight, to finally kill him. Almost exactly a year since you cut him off, won the trial, got the restraining order, the one which he protested, causing the gruelling 3 day trial, to decide whether it was needed or not.

“Oh, sorry we don’t all have perfect little lives with perfect Mummies and Daddies, some of us actually had a shit childhood, faced real world problems, no rich bitch problems, oh Mummy and Daddy told me to pick up some rubbish, oh my life is shit they abuse me” you were dragged out of the locker room and into an empty physio room by Leah, Beth, Katie, Caitlin, and Steph who all sent you a glare when the door had shut, “Oh like she didn’t deserve it,” they all couldn’t but help let out a smile. There was an awkwardness in the room, as the girls all looked between each other not knowing how to approach this.

“You guys can all go, I’ve got this, thank you though,” Leah spoke, breaking the silence, everyone left except Beth, but Leah didn’t mind. You and Beth had a very close relationship, you had been close friends since your grassroots team, Beth helped you through the year of your life you realised you were gay, and then when you crushed on your now girlfriend, your then national Captain. Beth felt bad the year you told her about your Dad, she knew something was off but you never told anyone, barely anyone stills knows the full story, but that day Beth and you promised that you would be there for each other forever, and that was true, she had been there during your trial and so much more, and you were there for her when Dan broke up with her, Beth was really your rock and you were hers. Beth moved to sit in the chair on the opposite side of the room, giving you both space, whilst also being there in case you needed it.

“Are you okay?” Leah couldn't find the right words, but she knew deep down the wrong words were what you needed her to say, you weren’t going to break, and release it all otherwise.

“Of course I’m not fucking okay Leah,” you looked up at her, she hadn’t even flinch at your words, instead she pulled you in for a hug. Which caused hot angry tears to fall from your eyes “Why now, why couldn’t it have been a year ago, 3 years, hell any time after I was 12. It’s unfair, its fucking unfair,” you paused, and Leah slowly slid her back down against the wall, bringing you down with her, your legs either side of hers as you sat in her lap. Your eyes connected with her soft kind caring blue eyes, and you could see how her lips formed a soft kind reassuring smile. You broke, big fat tears streamed down your face, as you sobbed, Leah gently pulled your body forward, so you were no longer sitting up, but leaning on her, she placed your head into the crock of her neck, before moving her arm to wrap around you lower body, her other hand was placed on your back, her thumb moving up and down, as she whispered reassuring words in your ear.

“W-why now, when I’ve already lived the hard life, when I’ve been through all that shit. When I’m already screwed up, when I already have trust issues, when I already doubt myself everyday, so much so that I do it unconsciously” you sobbed into her neck.

“I know baby, it's not fair, and it's not right. But I’m here now, and I’ve got you.”

“I-I I used to wish he would die, I used to imagine cops showing up at the door when it was later than he used to come home, them telling me and me not being upset. I used to hope he just wouldn't come back from work trips. I used to imagine people asking me why I wasn’t upset when he died. I used to think of the fact that he was an alcoholic so he wouldn't get a kidney or liver transplant, unless it was a directed donation. I had to say yes, how could I say no if I was a match, but how could I say yes. You know how fucked up you feel when you think that stuff, you know how messed up I thought I was, but that was all his doing. It's just unfair.”

___

You had calmed back down and decided to go see all the girls again, the only problem was that no one had realised what song was playing in the locker room, too deep in conversation to be aware of it.

Waking up but wishing that you don’t. It’s something that I pray you’ll never know.

A song that connected with you so deeply sent you back over the edge, and you quickly spun on your feet and speed walked away, Beth followed behind you.

“What the actual fuck were you thinking McCabe” you girlfriend yelled.

“Wha?” the room had gone quiet and attention was drawn to the music, “Oh fuck, shit, sorry, we werent listening to it, its just automatically come on. I promise, I wasn't trying to be funny, I wouldn't do anything like that to Y/N”

Leah just turned around packing your bag and hers, “Tell Jonas we’re going home.”

“Sorry” Katie yelled as Leah went down the hall.

Leah found you sitting in the middle of one of the side hallways. Beth’s arms were wrapped around you and your body was shaking.

“Come on baby, let's go home.” She said as she placed a hand on your back, Beth slowly released her arms around you, which Leah quickly replaced with hers.

_____

“What’s on your mind? I know it's something more than your Dad” your girlfriend said as she sat down on the bed next to you, legs crossed and leaning back against the headboard. You had just arrived home.

“It's stupid.” you sighed, looking away from her eyes.

“I promise you, it's not stupid, it's your feelings, and your feelings are valid” she said, voice unwavering before pulling you into her lap.

“I don't know, I just feel like I’m waiting for the other shoe to drop.” “What do you mean baby?” “I don't know, I just feel like something is going to happen, like something is going to happen and you’re going to realise that this was all a mistake and leave. You’re going to get sick of constantly being second guessed for no reason just because I’m messed up, because I don’t believe someone could actually love me this much. You’re going to get sick of me, and all my insecurities, ” she pulled your body into hers, your head finding a place in the crock of her neck, tears started to fall from your eyes, causing her neck to become wet.

“Y/N, baby, I love you so much, and I promise, there is not another shoe that will drop, we have been through so much together, we got through those 9 months together, we got through the trial together, and I promise we will get through whatever life throws at us together, forever, we will go through the highs and lows together. I love you so much, and I wouldn't want to spend my life with anyone else. I will never hurt you, I promise.”

#woso #woso community #woso fanfics #woso x reader #woso imagine #arsenal wfc #awfc x reader #awfc #leah williamson x reader

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neil-gaiman · 8 months

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Hello Mr Gaiman, if you don't mind, could you please tell me if the fact that you once asked an official in China that Chinese people need more sci-fi stories to fuel their imagination and hence innovation, hence their invitation of sci-fi writers and yourself many years ago, was a true conversation?

I once found this in one of your journals but somehow I couldn't find it anymore and thinking of digging deeper in your archives through China tags sound way too daunting as I just had many exams today and in one essay I cited this very example and you in it to prove a point that scientists need artists (I see writers as artists too) in this world, and now I'm kind of freaking out on whether I hallucinated the whole story or something.

Whatever it is, if you managed to read this ask, thanks a lot and hope you have a good day/night ahead!

It was in 2007 in Chengdu, at the first offically approved and endorsed SF convention. Here's Bob Sawyer talking about it on his web site at the time:

And here's Michael Swanwick:

and a Chinese article from the time:

And yes. When I asked why the disapproval of SF had turned to approval, I was told that Chinese fact-finding conversations at Apple, Microsoft and Google had revealed that most of the engineers, creators, designers and inventors had read SF when younger and had become interested in making what they made because of SF, and that the official Chinese position in 2007 was that SF should now be encouraged -- thus the convention.

From the article at the time:

The 2007 China (Chengdu) SF/Fantasy Conference hosted the event. The theme: “Science, Imagination and Future” is an ambitious Chinese effort designed to inspire public creativity toward future scientific and technological development as well as promote national insight for scientific exploration. The conference has been scheduled immediately before the World Science Fiction Convention in Yokohama, Japan.

The conference has designated August 25 as “China Imagination Day”. SF and fantasy lovers signed their names on a banner to commemorate this day during the opening ceremony.

“Imagination is an important premise for creativity. Science fiction literature plays an important role in inspiring people’s imagination and creativity,” said Li Xiuting, vice director of the International Department of the China Association for Science and Technology, at the opening ceremony on Saturday.

“Our (science fiction) words become the world and our words become places that you can visit. They become books and stories that inspire people. It is both surprising and reassuring to know by accident that the places have helped to make a future we are now living. Places like Microsoft and Google, Apple and places like MIT are packed with science fiction readers and fantasy readers,” Neil Gaiman said on Saturday.

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general-cyno · 4 months

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I've been on law backstory brainrot and one thing stuck on my mind is the topic of lies, wrt rocinante in specific. I find him fascinating as a character and it's like - the flashback focuses on law, of course, since it's part of his story, but it's still somewhat objective. we're shown some of rocinante's inner thoughts at times. he's kinda hard to pinpoint though, in terms of overall personality. there's the little brother and son of former celestial dragons, rocinante the marine, corazón the executive, and law's cora-san.

a line that stayed with me despite the kinda goofy context was law's the most ridiculous thing about you is the only part that's true, back when rocinante first revealed his motives after learning of law's full name. rocinante is sincere but not necessarily always-honest. it's all over his character too, what with being an undercover agent. rocinante lied to doflamingo and his crew, he lied to his adoptive father/father figure, he even lied to law, denying his identity as a navy officer and insisting doffy wouldn't kill him. even so, the one person he apologizes to? is also law.

we don't really know if covert operations within the marines were always his thing or just something he did because it involved his brother. regardless, rocinante was forced to lie for different reasons: for a greater good (his mission to stop doflamingo), for law's sake (stealing the op op fruit). when faced with the brat he'd grown attached to and wished to save, he lies again, but only because he didn't want law to hate him. there's just something painfully bittersweet about it. it's a little selfish too. he didn't regret lying to his older brother. he didn't express regret over lying to sengoku, the man who'd raised him like a son, either. it's in the moment of his imminent death and the exposure he subjected himself to so that law could escape, when he voices it out - I'm sorry for lying, I just didn't want you to hate me.

rocinante was willing to make an enemy out of everyone, even the organization he belonged to and the man who'd raised him, yet it was law he didn't wish to be hated by. his last direct words to law were I love you and an apology, neither of which he received a response to. rocinante died not knowing for sure if law felt the same or if he resented rocinante for his association to the marines but he didn't need to, anyway, because reciprocity wasn't the point. he saved law because he loved him and saving him was the right thing to do, not for the D or whatever destiny awaited law in the future, just because he was a kid who'd suffered so much and deserved to live and be free. this is pretty much what law's conversation with sengoku is about, too. don't ever attach a reason to the love you've received.

on the one hand you've got rocinante who died, uncertain of whether law hated him or not, for the lies and all, hoping to be remembered for his smile. not knowing law would build so much of his self and life around his cherished memories of cora. on the other, there's law who spent thirteen years being unable to realize how truly unconditional cora's love for him was in the end, up until the aftermath of dressrosa. such a tragic duo for real.

#tp #one piece #donquixote rosinante #donquixote corazon #trafalgar law #anyway time to go cry again #that part of the heart pirates facing blackbeard is getting animated soon and it's making me emotional all over again #little law who hated the marines so much yet begged one (unknowingly that one being fucking vergo of all ppl) to help cora #URGHHHHHJ

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houseofashesif · 1 year

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The mad desire for vengeance burned within you like an uncontrollable wildfire, threatening to consume all thoughts and reason with each passing day. It lashed wildly like fire accumulating within the belly of a dragon, waiting to be unleashed at those who wronged you, and your family.

But you were too weak. Too fragile, like a newborn chick. What could you possibly do in your miserable state?

Every night while the world slept, you would lie awake in your dirty cot, praying endlessly for someone to save you. Be it God or the Devil himself, you begged to be saved. To be given a second chance.

Then, your prayers were answered. Not by God but the Devil.

"I can grant you only one of your wishes, little one. So, tell me, what do you desire?"

There were a million things that you desired. A warm home. A loving family. However none of those could be compared to your life long desire.

"Vengeance."

"Are you sure that is what you desire?" You do not remember what kind of expression he had on, but the amusement was evident in his voice.

"I am." You answer firmly.

"Very well."

He held his hand out for you to grab, a final chance for you to turn back on your world. But a normal life was something you have given up on a long time ago.

You firmly grab his inviting hand, knowing fully well that there was no turning back now.

The Devil smiled wickedly.

genres ; dark, gothic fiction, romance, crime, thriller

setting ; fictional world of Celtica (loosely based on modern Britain from 1900's), Modern (at the beginning of the Industrial Revolution)

Set in the early 19th century, you play as the heir of the powerful aristocratic family of Morrigan. But your true identity is that of a fallen noble from a disgraced house. Once renowned for its art and craftsmanship, your family collapsed after falling into crippling debt following a failed business attempt and accusations of planning a coup against the royal family. At least that's what the public is aware of. However you know better than that. Your family were no traitors, they were victims of a malicious plot woven by none other than the Duke of Sinclair, once an old friend of your family. Following the false accusations your family collapsed in no time and your parents and siblings were executed publicly.

You who were the lone survivor of this massacre changed your identity for fear of being caught and killed as well, living as a coal miner in an old orphanage. You craved vengeance but what could you, a fallen noble from a disgraced house, possibly do against a Duke who is one of the pillars of the great empire and the closest associate of the Empress.

You prayed day and night to the heavenly being that watched your downfall, desperately begging to be given a second chance in life. But all seemed for naught as the days turned to weeks and weeks to years. Just when you had given up all hope for revenge, an opportunity landed before you, appearing in the form of your father and the current head of the Morrigan Duchy, Law Morrigan.

Between the two choices given to you, as to whether you'd seek justice or vengeance against your enemies, you chose vengeance.

For the past 12 years you have been trained to become the perfect killer by your father. Born with the extremely rare phenomenon known only as a 'Miracle' you have been blessed by the Murder Miracle.

Now, young heir, this is your story. Your history to be written. Will continue down your bloody warpath of vengeance and be remembered in history as the punisher of the wicked and upsurer of the monarchy, OR will you let the impartial hands of justice make their judgement to your wrong doers and be remembered as the saint of justice. The choice is yours.

House of Ashes is a dark, interactive work of fiction that takes place in the early 19th century, at the beginning of the Industrial Revolution. It follows the story of vengeance in the midst of political chaos, grisly murders and schemes behind the scenes, while you have to choose between morality and desire to achieve what you want and what you believe in.

It is rated 18+ for violence, explicit themes, possible sexual content, and ofcourse, lots of blood and gore.

Customize yout heir from their name, appearance, gender identity, pronouns anf many more. Choose what your heir thinks of their family, their position and their responsibilities.

Choose a weapon and master an ancient martial art of choice. Or don't and become a jack of all trades.

Choose what kind of heir you want them become and how far you're willing to go to protect your title. Will you go for a more diplomatic approach with a case of mutual relationship with your siblings or crush them with your overwhelming strength to show your authority.

Will you choose to give in to your murderous instincts or suppress them.

Get involved in a murder investigation following a serious of gruesome serial killings, and maybe learn that there was more than what meets the eye regarding the downfall of your house.

Indulge in some romance along the way with six different characters with varying backgrounds to choose from. Or just don't.

Choose a pet cat or dog to become your acquaintance. Perhaps if you're feeling a little exotic, a hawk will do?

More features to come

The Crown Prince - Maximilian Windsor Celtica [Male]

The oldest of the Sun Twins, Crown Prince Maximilian is a very reverred personality among the nobles. He is known for his shrewdness and extremely ambitious nature. A very charismatic person, he has a way with his words which often allows others to lower their guard around him. Aiming to become the Emperor of the Celtica Empire one day, having such ambitious goals mean Maximilian is willing to do anything to achieve them. That includes sending assassins after his twin, the Crown Princess. With an analytical mind that allows him to see those inferior than him as mere pawns, falling for him is a doomed endeavor.

He is the holder of the Domination Miracle.

The Crown Princess - Victoria Windsor Celtica [Female]

The youngest of the Sun Twins, Crown Princess Victoria is often compared to her golden brother and frequently referred to as the ugly duckling of the two. An aloof individual, Victoria is a person of very few words and prefers to end things up quickly with sharp jabs and assertive speeches. Although a cold person, she has a kind side to her too, which often sees her donating large portions of her personal wealth to orphanages and charities, making her widely beloved among the citizens of the empire. Due to the frequent assassination attempts on her life, Victoria has chosen to close her heart off towards everyone, preferring to bear all the burdens on her own.

She is the holder of the Conquest Miracle.

The Fated Enemy - Cedric/Cordelia Sinclair [Gender Selectable]

Your mortal enemy. The child of the person responsible for your family's death and your misery. There are many things that you wish to address them as but cannot find the words to. That's how much you despise them. Imagine the surprise when they offered their hand for friendship to you. Contrary to how you imagine them as, like a spoiled young master from a privileged family, they're relatively humble. And also a little stupid. But behind their sunshine happy-go-lucky attitude, something much darker is lurking.

They are the holder of the Shackle Miracle.

The Best Friend - Orion/Ophelia Lancaster [Gender Selectable]

The lone, stoic heir of the righteous Lancaster Duchy, and also your best friend ever since the day you stepped foot into your new home, they are one of the few people that you trust. Although they have some trouble communicating with people regarding their feelings, they're a gentle giant compared to their intimidating features. They're also very open and blunt with their words whenever they speak so people tend to think of them as rude, not you though, you like their honesty. The two of you have stuck through the thick and thin of each other's lives like gum and even promised to do so until the end of your lives. But good things never truly last do they? A small misunderstanding which eventually gew to become a feud between the two oldest families of the empire, you wonder, what went wrong?

They're the holder of the Belief Miracle.

The Dream Demon - [???]

All dreams have a price to be paid. Are you willing to pay yours?

The Ash Demon - [???]

An old fossil, rising from the burnt ashes of your past. Do you remember me? Don't worry if you don't. I do.

DEMO || THE RO'S || THE FOUR FAMILIES || THE MIRACLE

More details on the RO's, their families and the Miracles will be added soon. Until then, i hope you like my poor attempt for an IF 🥲

#if wip #house of ashes #house of ashes if #interactive fiction #cyoa game #interactive if #choice script #dark fantasy #crime thriller #mystery

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duckiemimi · 9 months

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this was commented a while ago on my tiktok (it was about this post), but it’s so good, it’s stayed on my mind ever since. i’ve been meaning to talk about this for a while!

on geto & empathy.

let’s address the likely reason why people tend to see geto in this empathic light and through this lens that almost absolves him from blame.

the hidden inventory arc, especially towards the end, was written in a way that humanized geto; we read his mind, we saw his thoughts and how he processed them, we shadowed him as he went through traumatic event after traumatic event. we were placed in his shoes as he ran through a never-ending marathon—essentially, we were him in his moments. we’re supposed to empathize with him.

it’s why at first hand, his defection might’ve seemed like a logical conclusion to us. it made sense. (unlike how it was for every other character in the story, and especially how it was for gojo—geto’s decision came to them all as a shock.) this is what makes him a well-written character and an overall excellent villain.

it’s also probably why geto is such a personal character to many people, but this intimate association doesn’t make him faultless. yes, he was a victim of circumstance, but so was everyone else in the story. geto was also a perpetrator who inflicted harm on other people: a genocidal cult leader who had his eyes set on the greater good, someone who disregarded the means for the end. “well-written,“ in my opinion, also means multifaceted, complex.

now let’s talk about geto pre defection.

geto is gojo’s foil. at first read, he’s supposed to contrast gojo in a way that highlights specific aspects of gojo’s character. (and vice versa, but this arc is also called “gojo’s past arc” for a reason; gojo is our main character in this part of the story, he is our point of reference.) geto serves as a comparison to gojo, but he also stands as his own character. where gojo failed to empathize with the “weak,” geto succeeded. but what was empathy to geto anyway?

empathy, in its colloquial connotation, is seen as a virtue. it’s a community-building tool and it’s inherently human. it’s how we contextualize our place in the world and our connection to other people. in broad construct, it’s a “good” quality to have, to be empathic—but not all forms of empathy are the same.

geto’s empathy towards the “weak” was, in a word, paternalistic—like how a father would interact with his children, or how a deity or a king would interact with their subjects. it stemmed from his arrogance and his “well-meaning” saviorism tendencies: in short, “i am better than you, therefore i know better than you. i know what’s best for you.” this is especially true in regards to his patronizing attitude towards non-sorcerers pre defection (and it extends post defection, too).

geto’s sense of duty as a sorcerer manifested in how he assumed responsibility, and to a lesser extent, authority over non-sorcerers. it’s a type of benevolent prejudice; these people are powerless and weak, therefore inferior to him, and so it’s his job to protect them, it’s his job to care. while he had good intentions, he saw them as “lack,” not as humans who were ultimately just different from him. he saw them as helpless victims of themselves; which, given his occupation at the time, was an apt contextualization, but within the bigger picture, it ironically dehumanized non-sorcerers. it was underhandedly condescending, whether he was conscious of it or not.

the very root of his defection is this: he did not view non-sorcerers as equals to him in the first place. sure, plenty of other sorcerers also have this mindset, especially the very powerful ones, but geto made this the basis of his purpose, taking on the moral high ground by giving it meaning. after toji and after mimiko and nanako, he recontextualized and changed the meaning of what it meant to be powerful—but while his circumstances and his proximity to non-sorcerers changed (him revoking his empathy towards them), the patronizing way he viewed them (“monkeys” now) was constant; it was his pivot foot from charitable pity to resentment and hatred.

some things to consider: i assume geto was fairly new to the jujutsu scene in the hidden inventory arc, given his non-sorcerer family. i also assume he must’ve felt very alone prior to his enrollment, being the only one in his family to see cursed spirits, and possibly the only one in his childhood environment. this grand introduction to a some sort of a secret society must’ve felt special to him; it must’ve made him feel special, especially considering he was put on par with the kid who everyone thought was immensely powerful.

i can see why he thought himself better compared to the non-sorcerer background he grew up in. plus, it would be hard to not let your ego inflate when someone like gojo keeps referring to you as half of “the strongest duo.”

i also think that despite how black and white and consequential his outlook on life was before and after his defection, he probably still had his doubts and moments of wavering throughout his decade-long career as a curse user. i mean, he said it himself—his goal is only possible for one person only, and it’s not him. that could definitely be a factor, and it could also be some lingering sentimentality, too. he burned the bridge between him and his past and he just couldn’t risk the distance, but he probably thought of it sometimes.

i’ll end this post with a quote from him from the anime that made me really think. geto does care, but at such a young age, it was a juvenile and idealistic concept of “care.” had he stayed and grown up a little, worked through the trauma and organized with his fellow sorcerers (instead of assuming responsibility alone like he did, leaving to create a better future for sorcerers without including them in his plans), perhaps he could’ve made this a reality:

“survival of the weakest. that’s how a society should be. the weak help each other and discourage any who are too strong.”

#jjk #geto #geto suguru #jujutsu kaisen #gojo #gojo satoru #should i tag this as meta?#jjk meta

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skaldish · 8 months

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Functionally speaking I actually don't think magic is in any way mystical. No more mystical than, say, the workings of the internet.

Let's say I wanted to manifest pizza. The way I'd typically do this is I'd log on to [preferred pizza place website], place an order, and wait until the delivery guy arrives at my door. Bam. Pizza.

Now, the way casting spells work—at least in the way that I understand it—is that you send a command through the interface of the Astral, prompting the relationship of cause and effect to orchestrate the outcome of "pizza=true."

Technically speaking, these two actions are identical in function. You're submitting a query through an intangible, occluded dimension which produces the tangible outcome of pizza. The difference merely lies in the interface: The internet or the Wyrd.

The reason why we don't consider the first thing "magic" is because it doesn't match the aesthetics we associate with magic, despite being mechanically identical.

Additionally, there's cognitive dissonance involved: White Western society aknowledges the existence of the internet exists, but not the Astral.* This behavior is why we don't have technology and methodology pertaining to the Astral like we do with the internet, even though a non-insignificant number of people experience the Astral and its effects in ways that suggest consistency.

"Technology" is what we produce when we notice certain patterns in life and figure out how to engineer them. It doesn't really matter whether the medium is tangible or conceptual in nature.

Naturally, we aren't going to understand patterns we choose to ignore, and once we stop doing that, things such as the Astral and the Wyrd will become clear to us the same way reading books and ordering pizza online is.

*As a fun aside: Like the astral, we cannot tangibly prove that the internet actually exists. We can look at server boxes, sure, but that's no different than looking at a book to prove the existence of the story it contains. Deriving information from these constructs requires knowing how to interface with them, which can't be learned from examining the physical structure of the book or machine. This is why "reading" and "using digital technology" is occult knowledge. We just don't think of these that way because, again, we're confusing function with aesthetics, and confusing the word "occult" with the concept of "the unknown."

#zan speaks #witchcraft #magic #philosophy

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babyastrowitch · 2 years

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ASTROLOGY OBSERVATIONS!!

(hiii this is my first time making one of these im so excited! hope u enjoy <3)

please don't steal my work!

Aquarius Moon

can have a full on intellectual conversation for hours on end. they also looove to be right and i find get along well with sagittarius moons because the sag moon loves learning and the aqua moon loves teaching.

Pisces Rising/venus/sun/moon

always have beautiful eyes. they have such a distinct "watery" look to them, also a very dreamy aura.

Cancer men

love their moms. definitely calls their mom "mommy" or something like that. They are genuinely so sweet but very insecure and can be extremely moody/hot and cold. they also can be takers from a lot of women because their mothers over provided for them.

Aquarius women

have quick wit and power. they will rip you to shreds if you mess with them.

Cancer moon

they are so sweet! ultimate mom friend and always trying to supply and help their friends at any cost. can be extremely passive aggressive.

Scorpio rising

most scorpio risings i know have an iffy relationship with sex. they have a lot of deep rooted sexual traumas and/or fear associated with intimacy which results into them being unable to feel comfortable having sex. 3/4 scorpio risings i know are still virgins in their 20s.

Leo sun/moon/rising

i know everyone says this but their!!! hair!!! it's always so lion like. EXTREMELY loyal people and if you mess with their friends it's almost more personal than messing with them. can become angry in less than a second.

Aquarius men

similar to scorpio men but less mysterious and more friend based. they are attractive but dabble in narcissistic behaviours. very charming and usually has lots of friends. they are hard to tie down.

Scorpio men

they have an overall dark aesthetic to them, think dark clothes, dark hair, etc. very attractive, may not have social media or post a lot because they value their privacy. they tend to be "players" because they draw people in with their good looks but value a deep connection that not many can provide for them.

Capricorn moon

issues with the mother. may not have grown up in an emotionally accepting household. they have trouble connecting to their emotions and getting to know their true selves.

libra women

always come off very nice and friendly. may have issues with gossiping, and can be seen as "superficial" and surface level. enjoys makeup and interior design.

in my opinion, the worst venus signs in relationships are gemini, aquarius,sagittarius.

jupiter in the 4th house

people are so comfortable around you. you relax people's stress just by your presence. mom friend.

gemini mercury

y'all are liars!! ☠️ whether it's just a flat out lie or an exaggeration, you guys talk so much that you just create your own story as you go. you're really funny though so i'll give you that. but man you gotta slow down.

i hope you guys enjoyed!! let me know if you want a part 2 <3

#astrology observations #astrology #astro notes #astroblr #astro placements #scorpio #scorpio rising #pisces

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anthurak · 7 months

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Continuing my analysis and theorizing on Asmodeus, Mammon and the rest of the Deadly Sins of Helluva Boss and their backgrounds, characterization and where the show might be taking them, I’ve been thinking about what their expressions of their respective ‘Sins’ might truly represent for their characters. Both in the way they express it and even the whole reason they express a ‘Sin’ in the first place.

Now assuming that all of the Sins are Fallen Angels just like Lucifer, and their presence in Hell is a result of their expulsion from Heaven, and Hell being the new home they’ve built for themselves;

What if their expression of each of their ‘sins’ is a metaphorical or even outright literal trauma coping mechanism?

Like given what we’ve seen so far of how Vivzie and her team approach and interpret the ideas of Hell and Heaven, I think it’s all too easy to imagine them framing the ‘fall’ of the seven sins to be a truly horrific event that left all of them with massive emotional and mental scars and trauma. Like getting kicked out by the universe’s most controlling, rigid, conservative and violently judgmental family.

So what if the whole reason that Asmodeus, Mammon, Beelzebub and the rest started expressing and embodying their respective ‘sin’ was as a way of processing and coping with their trauma?

And of course, there are healthy ways of dealing with trauma, and unhealthy ways as well. Which I think is the true difference between the Sins.

Basically, Ozzie and Bee found healthy ways of processing and coping with their trauma, while Mammon DIDN’T.

More specifically, we see with both Ozzie and Bee that they are able to manage their ‘sin’ (ie; coping mechanism) so that it doesn’t become harmful to themselves or others: Bee is acutely aware of and concerned when someone is overindulging to the point of self-harm, while Ozzie strongly stresses the importance of consent when it comes to sex.

Mammon meanwhile, clearly has zero management or restraint over his ‘sin’. I think it’s all too plausible that Mammon’s obsession with wealth and attention for his ‘brand’ is deep-down a way for him to distract himself from some deeply repressed pain and trauma. Thereby showing how a coping mechanism can become harmful not just for oneself, but others as well.

And the best part is that even with the little we know of them at this point, I think we can already guess that Belphagor, Satan and Leviathan could display/represent other means of coping with trauma, either healthy or harmful.

We know that Belphagor runs Hell’s pharmaceutical business, so I think we can all agree that could easily be a way to show how medication can either help or harm in dealing with trauma. Satan being the Sin of Wrath could represent how anger can be used as a coping mechanism, while he apparently running a workout app could hint to him using fitness as a coping mechanism. And Leviathan being associated with social media of course has all kinds of potential to the show the good and bad ways THAT can be used to deal with trauma.

Over the course of its run thus far, Helluva Boss has shown itself to be in large part a story about dealing with trauma, with practically all of the primary and secondary characters having arcs heavily influenced or even outright defined by their struggles with past trauma. Blitzo, Moxxie, Loona, Stolas, Fizzerolli, Barbie Wire, even more minor or antagonistic characters like Octavia, Verosika and Striker. ALL of these characters have been shown grappling with past pain and trauma, with almost all showing that they are coping with their trauma in either a healthy or unhealthy manner.

Whether Moxxie recognizing that it is his father who is at fault for all the pain he went through and not himself, Fizzerolli finding a loved one who has helped him cope or Barbie Wire simply spending a long time in therapy to show the positive ways people can deal with their trauma. Or conversely, Loona’s closed-off, angry and generally anti-social defense mechanism, Stolas trying to throw himself into a relationship he doesn’t fully understand, or just… EVERYTHING that Blitzo has going on to show the harmful ways people can deal with trauma.

So I’d say it really only makes sense that with how the show has also taken steps to ‘humanize’ the Sins, that this theme of exploring how people deal with deep-seeded pain and trauma would likewise extend to them as well.

#helluva boss #helluva boss analysis #helluva boss theory #mammon #helluva mammon #asmodeus #helluva asmodeus #beelzebub #helluva beelzebub #analyzing the sins of helluva boss #healthy and unhealthy coping mechanisms

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thrashkink-coven · 3 months

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OKAY

I think we need to discuss something that I’ve literally never heard any other practitioners talk about but I think it’ll immediately clear up A LOT of confusion! This is obviously my own upg so take it with as much validity as you please.

When doing any kind of work with any kind of deity, you really need to understand the concepts of archetypes and syncretism.

Religion, faith, and mythology, it’s all a big mess. Our clumsy archaic human language and our tendency to destroy and distort information means that the ancient world is really, to our modern understanding, A LOT (and I mean a LOT) of hypothesizing.

We often use the same words to describe different concepts, mix up names, combine names, and misunderstand each other. Such is the nature of humanity.

Theology is always fluid. Different entities have different cultural associations, some major entities or characters are even shared among multiple groups of people. Syncretism means that groups of people develop their ideas with the influence of other groups of people, though shifted to make sense for their personal experience.

My favourite thing in the world is when different religions share stories- viewing history from totally different perspectives- Retelling the same events through the scope of their theology.

This is why we have archetypes. There are many goddesses of love and sex that are associated with the planet that is commonly known as Venus. Why these archetypes emerge in the way they do? That’s up for you to debate with yourself.

The question of whether Aphrodite is Astarte or Ishtar or Lucifer or Helel or Eosphoros or Hesperus is not a question that can be answered entirely objectively. It can never be proven and it can never be disproven. Because sometimes the answer is yes, sometimes the answer is definitely no, and sometimes it’s really hard to tell.

The way that we all experience the energy that is “Venus” is going to be different. If she definitely feels like the same energy as Astarte to you, then that could be the case. There’s no objective authority on reality or faith. There is no reason why the findings of 1000 year old magis are more legitimate than yours. Study, learn, experiment.

I like to imagine it similar to colors. We all agree that wavelengths between 620 to 750 nm are red. We have silly little cones in our eyes that work with our brains to turn information into color. But we all understand that there are thousands of shades of red, and some people can’t even see red. Do you see where I’m going? I hope this makes sense.

Because of the way that we interact with reality, there are as many Aphrodite as there are people who believed in Aphrodite- and this is true for every God (at least in my silly little opinion).

There are as many variations in her energy as there are variations of people who follow her.

I try to scope this around what Jophiel told me once. YHWH created him, sometimes. But not at the moment when I was talking to him. When I asked him if Lucifer was the Satan of Christianity he said “sometimes” as well. It depends. It all depends. That’s the beauty of this weird wacky thing that we do.

Anyways,

I don’t know how else to write this but to say some people aren’t compatible with every archetype lol. This is totally okay though, it’s not anyone’s fault! It’s just like … spiritual chemistry. Alchemy? Stay with me!

Nature has laws. If you try to push against these laws you will experience difficulty and suffering. ☹️

Nature creates certain compounds. Stable compounds thrive 🙂 and unstable compounds explode ☹️. Interactions create products and outputs. When two or more elements that are not compatible are introduced they may have a volatile reaction.

I will not claim to know how divinities operate. This is all just my silly billy pondering. But I do know for fact, that at least in my experience, certain entities that share the same address interact with different people in different ways- and some entities will only respond to you under a specific face. Some entities will share faces, and some won’t even respond to you at all.

I’ll use a couple personal examples for reference.

When I first started working with Prince Cerberus, I addressed him using his Goetic name Naberius, as recorded in the Lesser Key of Solomon. I used his sigil and addressed that name.

One of the first things that came through crystal clear was his request to not be called Naberius. He made it very clear to me that he wanted to he called Cerbere or Cerberus, or that I could make up a personal name, but never should I use Naberius. He did not give a reason but he was firm on it.

Now, does this mean that we all can’t use the name Naberius and that we should all blacklist the name? NO! and this doesn’t mean that anyone who works with Naberius is disrespecting Cerberus!!!

For whatever reasons, I don’t know why, my Naberius is Cerberus. I don’t know if Naberius and Cerberus are the same entity or not, I just know that when I think of Naberius I get forwarded to Cerbere. I’m still able to use Naberius’ sigil, but I always get Cerberus.

That might not be true for you. That might not even be logical. That’s just the way that my spirit interacts with that spirit.

I’ve been a long time admirer of Lord Hermes. I approached him and tried desperately to gain his favor, but he refused 💔💔. He made it pretty clear that it wasn’t going to happen through a few ways, and since then he’s repeatedly rejected me…

lol 🥲

I was confused about that for a while, until I started getting hints towards Lord Mercury.

I can’t explain why, I have no idea what the real reason behind this is, but I feel extremely compatible with Mercury, but not with Hermes, like at all. Their energy feels quite separate and different to me. My Mercury isn’t quick like silver, he’s actually quite slow and contemplative.

I was bummed to not be able to establish a “work” relationship with Hermes but it’s probably for the best. Mercury is an excellent teacher.

What I mean to say through all of this rambling is that these things are not concrete. My Astaroth is only Astarte sometimes. Sometimes they feel very similar, sometimes they feel very distinct.

It’s important to remember that the Gods are not one thing, but many things at once. The answers to these questions are all variable. Only you can find the answers for yourself.

If you read this far you’re a real one 🫡

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yuri-is-online · 2 months

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...so you just threw this beautiful idea of Fyuuture kid, and left me with a brainrot? Especially after you answered one ask with i quote "he loves his parent so much and was really fighting it to keep it together when he saw them alive again" end of the quote. WHAT DO YOU MEAN AGAIN? WHAT? HOW?

ask 1 and ask 2

Oh 👉👈? I wasn't expecting to get an ask about this au ever again actually, but I am so glad you did, I like it a lot. I mentioned Fire Emblem Awakening in the first ask I got about it but for those of you who haven't played the game, the plot features the children of your army traveling back in time to try and prevent the end of the world. That's more or less what happened in the fyuuture kid au, at least in my first draft... I always end up associating the "future kid meets their parents" trope with either FE: Awakening or I guess Golden Sun? Which I think is the name of the jrpg where something similar happens idk I just like there being a reason for the kid to need to meet their parents.

In my original draft of the au, Yuu was told by Crowley there was no way home for them, so they settled down with Yutu's father and started building a life together. This turned out to not be true, as the Magical Marshall's office began investigating the overblots that happened while Yuu was in school and came to the conclusion Yuu had something to do with them; so they were secretly arrested, cursed to forget everything about Twisted Wonderland, and sent home. The curse was meant to trigger every time Yuu vaguely remembered their time in the otherworld, with the idea their brain would prevent them from thinking about it after a while. They would have justified it, if anyone had been there to ask, by saying Yuu wouldn't know they were missing anything and would be able to live a happy life. When Yutu was born that made that outcome impossible, but the Marshal's office didn't think to check if Yuu was pregnant...

Shortly after they did that though strange things started happening. Monster attacks got more frequent, blot levels started rising, not to extremes immediately but still enough to be concerning. Reports of a strange, abyssal magic using beast, started pouring in to S.T.Y.X. suspiciously close to Grim's description. While Yuu was busy trying to put their life back together in their world, Twisted Wonderland slowly began to fall apart drowning under an ink colored sky. The overblot phantoms they fought come back and begin hunting in their respective homelands, and rumor has it they can turn certain mages into their thralls...

The curse slowly eats away at Yuu's brain, every time they see something that reminds them of their friends, their time at NRC, every time Yutu does something that would make them think about how much he takes after his dad, they feel a great deal of physical pain and temporarily lose the ability to function. It's killing them, and no doctor or specialist can figure out the cause, so Yutu just has to sit there and watch his parent slowly die and not be able to do anything about it. I was uncertain of where exactly I wanted Yuu to die in the story, but it always was around when Yutu gets isekaid to NRC, either before and he had to leave them behind or after when they both get to go home finally! But Yuu doesn't completely make it, they're able to have one moment of peace with their son and Professor Crewel before passing on.

Yutu's dad changes depending on who you want it to be of course, as does whether they met before he and his friends decided to go back in time to prevent this version of the future from ever happening, but his feelings about Yuu never changes. Yutu really admires his parent, he did even before he learned about them facing down overblots! They were really close and the more he learned about their curse, the more responsible he felt for their death. He's very determined to keep Yuu alive and safe in Twisted Wonderland in this timeline, even if it costs him his life.

His opinion on his dad really changes depending on who it is and what he learns about them. Like can you imagine learning your dad was known for being obsessed with teeth and no he had no intention of being a dentist? Clown behavior 💀💀💀 His friends were all ocs I made but never really developed... I do remember that one was a younger sibling of Kalim's (who could be his aunt if you like Kalim and absolutely embraces that role), her retainer, Crewel's son who also sees himself as Yutu's uncle (the feeling isn't mutual) because he is old enough to sort of remember Yuu and thinks of them as a sibling, and a random oc I based off of the kid from Up for no reason other than I like the movie. They also came back in time, but only Yutu ended up in the right place, just like fire emblem awakening.

idk I should probably do something with it. like writing the reactions for the other dorms...

#<3 asks #twisted wonderland x reader #twst x reader #future kid au #i am so sorry if you wanted more domestic moments w yuu and yutu and got a lore dump instead #if you want those feel free to ask i need a distraction from the long fic i am writing ha

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captainmera · 8 months

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I love that in your stories that include Hunter, whether it’s a TOH IBWR au, or TGB, he must have werewolf elements to his character haha. Do you have any ideas as to what the TOH Cast would look like in your IBWR Au? Particularly interested in the fae/peculiars elements? I love your designs for those types of characters in IBWR.

OF COURSE, HE'S SO WOLF CODED.

Fairies are colour coded. In folklore, it is said that fairies can only feel one thing at a time. This is not true, but the stories stem from that fairies have a "fairy-flaw" which is associated to their colour.

You recognise them by their pointy ears and... uniformely one-coloured stuff. In a green fairy's case, green hair, green eyes. And when they blush, it's a shade of green.

This emotion will, when felt, be so much stronger and all-consuming than any other emotion. A fairy has to be aware, and learn to control and regulate, that particular fairy-flaw.

However, fairies are also masters of one trait.

In folklore, fairies are often popping up as craftsmen. They make shoes, they make silk, they make clothes, mead, milk, etc. This stems from that fairies, when allowed to work with their fixation, become natural experts in their fields.

People often feel they are unfairly talented because they're fairies, and not because they learned like everyone else (which they did, it's just an analogy for being a gifted kid). and sabotages for them, either by excluding them or ensuring they can't pursue it.

Victorian England is, in majority, a christian culture. In England, they would categorise each fairy by a "sin". So, a green fairy's flaw would be envy/jealousy. For Willow, I think this works. At least if her life in IBWR meant she was kept away from doing what she wanted and often felt envy of those who got pursue what they want in life.

Fairies, also, if they are being influenced by their fairy-flaw, starts to turn the colour of it.

She would live with her dads, under the guise that one was her dad and the other was her godfather and simply just.. such a good friend to her "only" dad that he lives there as a roommate. You might be surprised to hear this wouldn't raise much eyebrows. Sounds reasonable! They own a store together after all! People would just often comment that it's such a shame they're both bachelors.

Werewolves are a controversial topic in the field of science at the time of when IBWR is taking place (1885), as they were moved from Erebus type to Beast type. People argue that, as they are associated with the moon and are coded as dangerous, they should remain in the erebus type. But they were moved to beast, as they are very dog-like in appearance.

Werewolves were not consulted on this re-categorisation.

Despite being moved to the beast type, they still practice within the sub-culture of Erebus types. Vampires, Night fairies and Banshees still acknowledges them as part of their group.

Werewolves are reduced, culturally and socially, to their looks and the horror stories that has been crafted around them. They are deemed barbaric, hound-like, uncivilised and.. Adorable. Werewolves struggle to find authentic people to socialize with, as most want to use them for their power. People don't think they have ambitions or intelligence larger than a canine.

I think this would fit Hunter, if he lived with his uncle, and Philip never considered Hunter's feelings. Just using him for what he was; a powerful henchman he could control and order around as he pleased - they're family after all.

Spriggans have a sense for mischief, trickery and has the ability to camouflage themselves just like chameleons. They are natural showmen, charismatic entertainers and cannot stop themselves around all that glitters. Like magpies, they collect things. It's a problem. They don't even mean to, it just kinda happens. Like a cat chasing a fly. Suddenly you're eating it and you sit there like "why did I do that. That was dumb."

Spriggans have a kleptomania problem. It is rarely even about actual riches, it can be spoons. An endless amount of spoons and they just can't help themselves. If you know a Spriggan's weakness, they'll knowingly make a bad bargain. They don't even want another damn spoon, but they just... It's a spoon. They don't have that spoon. They need that spoon. Good god the spoons. There are spriggans who have lost their homes to their unhealthy desire to collect. (pst, it's a metaphor for an addictive personality). Spriggans live both merry and unfortunate lives. They love life, they love people, but they get in trouble easily.

You'll find them in music halls, in thrifting shops, by the harbour, casinos, in any kind of sales work.

For Gus, I think he'd work in his dad's thrifting store and part time in a music hall! See the people, entertain the crowd! Perhaps find a watch that slips into his hand.... But Gus is a good boy. His dad taught him well! If you pick up something that isn't yours, say aloud "WOW WHAT A NICE THING." and put it back. It's difficult to walk away from something you loudly announce, and it gives him leeway to excuse himself for being eccentric and picking up what isn't his.

Perhaps Hunter and Gus meet at the music hall? :) I'm sure that's where they meet Willow too.

In this AU, I think Gus and Willow meets Luz, then Hunter, and lastly Amity. Perhaps whatever Philip is working with involves the blight family, and it conspires a story of drama, forbidden love and friendships from there. :P

Amity, a regular! a rich family with big expectations on their children. I like to imagine the blight twins are off to rebellious outlets! Like a music hall, and decides to bring their baby sister along. To which where she meets the gang.

Luz, a regular, who wants to be a witch! She wants to join the most powerful coven in all of England! But, ah-- She's not gifted. The Ashdown family does not hire people in their stores if they have no powerful fylgja of some sort. Or at the very least have the gift of sight.

Trying to learn witchcraft anyway, from a witch (Eda) who claims you don't have to be special to become a great witch, takes her in under her wing in the music hall The Owl House. She puts her to work there, and Luz is determined to work in exchange of learning witchcraft.

Luz soon discovers that witchcraft is... rather gruesome work. Blood, rituals, dead bodies and overbearing gods. But perhaps magic can be different? Maybe you could.. Do something else with it? That doesn't involve murdering innocent peculiars.

And there is.

She just got to figure out how. And maybe with her friends, she could. :P

So... basically what Theodore is doing. :l He would hire her in a heartbeat.

#toh ibwr au #ibwr #toh

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princeasimdiya12 · 2 months

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Return to Nyan Nyaight Love-A Happy Ending in Sight?

Before I begin my analysis for Episode 9's NNL segment, I would like to thank everyone who reblogged my previous post and left kind and wholesome compliments about my analysis. It really warms my heart that so many of you guys enjoyed my thoughts on these segments. Especially if they helped provide a clearer understanding of what thematic purpose they serve in the Bucchigiri series. I'm more than happy to help and I appreciate the compliments.

Secondly, I'd like to thank @saph-yells-into-the-void for providing a majority of screenshots for me to use. Even though you didn't mind not being credited, you still deserve it for these great screenshots!

So just as a quick recap, the NNL segments serve as a Greek Chorus as they parallel the main story of Bucchigiri by using the customer's relationship with Jasmine to symbolize various relations and plot events. This time, their relationship parallels the main relationship of the series: Arajin and Matakara.

Episode 9: A Heartfelt Reunion

The segment starts with the customer being nervous as usual about whether he should go in, only to hurry inside as to avoid being spotted by Arajin who's on his way to the bathhouse. The customer is greeted by the receptionist who is still uneasy with him avoiding Jasmine. And even the customer himself looks less indecisive and more somber when he's asking for Pu'er instead of Jasmine.

As I mentioned in the Episode 1 segment, the customer is meant to symbolize Arajin while the catboy receptionist represents the colorful delinquents that Arajin encounters. And even though the first episode had Jasmine stand in for Mahoro, this time she stands in for Matakara.

The receptionist describes Jasmine as being strong-willed, clingy, and too much at times. Many of which are traits that are associated with Matakara.

-While Episode 9 shows him slowly succumbing to Ichiya's twisted therapy sessions, it's worth noting that it's been several days since when he first merged with the Blue Genie til then. So it's worth noting that Matakara lasted a good while before succumbing to Ichiya's will. And even before that, it was his strong will that helped him become stronger and find a place among Minato Kai while also evading the shadows that constantly haunted him. His determination in becoming stronger helped him to evade those shadows; maybe not vanquish them but not to succumb to them either.

-The clingy and too much at times qualities seem to go hand in hand as most of Matakara's screentime has been spent trying to reconnect with Arajin while holding him on a pedestal. Even as Arajin kept pushing him away, Matakara still clinged on to his idealized version of his best friend. One who constantly inspired him to be a Honki person and do the impossible. The too much at times part also works since Mataraka just wouldn't stop gushing over Arajin to his other friends or tries to force Mahoro to talk with him about Arajin and his involvement in Siguma Squad. While is very much a sunshine puppy boy, he can be quite overbearing when it comes to his old friend.

As of the last episode, Arajin made his true feelings for Matakara painfully clear and how he wants to avoid him at all costs. Only now the rest of the cast have taken notice and how much it's effecting Matakara given his refusal to talk to his other friends Zabu and Sakigake mixed with him running away from home. It's become a serious problem and they're all worried about him.

Something peculiar about the receptionist's behavior, and the whole scene overall, is how it's played for dramedy.

The receptionist treats the customer abandoning Jasmine as something tragic and how badly it's effecting her. There's soft music at play as the receptionist speaks his heart out about the cat's distress and how only the customer can help her.

But at the same time, it's just so ridiculous. Utterly ridiculous! There's no reason that the receptionist should need to be so invested in the customer's preferences in cats. They haven't actually bonded with each other apart from letting the customer in so he can spend time with the cats and spend Lord knows how much money. This is his job so it shouldn't matter which cat some random, pathetic everyman chooses to play with since he's still getting paid rather handsomely at the end of the day.

But it does matter to him.

Maybe (as far as we know) the receptionist doesn't know the customer very well but he (supposedly) knows that Jasmine truly misses him and is miserable without him. The receptionist could try to make Jasmine feel better herself given that he sees her more often and knows more about her. But he knows that she holds the customer in his heart and implores him to go back to her.

And while the Minato Kai boys don't care much for Arajin or flat out tell Arajin to patch things up with Matakara, they do make it clear that their friend isn't doing so well after their falling out. He's in need of help and they unfortunately can't do anything about it given how they were brushed aside. And even Mahoro, who also happens to be a colorful character that Arajin met when he entered the Ichizu gang life, has also picked up on Mataraka's despair and wants him to feel better. She clearly doesn't care for Arajin but she knows how much he means to Matakara, someone who understands her when it comes to valuing an older brother figure. She even flat out orders Arajin to go see how he's doing.

Something to consider is that while the Minato Kai boys and Mahoro have their respective but serious scenes with Arajin, they still have their quirky (questionable in Mahoro's case) personalities at play. Such as Sakigake singing his heart out in the bathhouse with Arajin while in his birthday suit to Mahoro having a tea party with a blow up doll of her big brother before learning about Matakara's brother. They're still weird and silly but they show how much heart they have and how they can empathize with someone who's at their lowest. And while they might not be the best person to help out, they know that Arajin is the best person to help them out.

Just like how the customer is the best person to help out the upset cat. And what does he choose when he's asked a second time?

He loses his mopiness for just a moment, becomes slightly more confident and chooses his precious Jasmine. Much to the receptionist's jubilation.

I'm gonna be leaning on the optimistic side and say that this will foreshadow Arajin reconciling with Matakara.

As much as I find Arajin to be a detestable and disappointing human being, I will admit that he is capable of growth. Particularly with bonding with his old childhood friend.

Right after defeating Akutaro, we see Arajin help out a grievously wounded Matakara while mildly complaining about it. We see them being on speaking terms during the Pro Wrestling Episode and Arajin even took the time to teach him how to make gyoza. Not to mention that Arajin was also willing to stick around for Mitsukuni's Welcome Party. The guy is not a good person (ESPECIALLY towards women) but he is capable of becoming better. Maybe at a snail's pace, but it's possible.

And we see those glimpses of growth in Episode 9 with him secretly admitting that there was one person (Matakara) who actually would like his rock for a gift.

So I want to be an optimist and say that Arajin will be able to save Matakara from his despair and they'll reconcile. Maybe accepting that he took Matakra's feelings for granted and how he should have treated his former friend better. How he was acting like a dunderhead and how he doesn't expect to be forgiven after treating him like yesterday's trash. I don't know if the puppy boy will forgive and accept Arajin again so quickly after everything that's happened (it actually would make for an impressive writing choice if Matakara chose not to accept him right away but with their being hope that they'll be friends in the future) but their relationship status will be a hopeful one.

Random Thoughts

When the receptionist brought up how the customer has seen other cats, I had two thoughts in mind. The first is from the Group Date til now, the customer has seen other cats at NNL apart from Pu'er.

The second is that this could be an implied parallel to Ichiya. I don't have enough information since we don't know much about Honki People and the Pasts of the Two Genies, but it's possible that Ichiya has encountered other masters in the thousands of years from when he was human to the present. The other cats could have been masters that Ichiya encountered and tried to possess to take revenge against Senya. But as the receptionist claims, Jasmine kept waiting for the customer. In this case, Jasmine was Senya. Ichiya's oldest friend who still longs to see and reunite with him after so many years of separation and regret.

Another thing I want to bring up is how conclusive this segment feels. It feels like it was wrapping up the plotline between the customer and Jasmine. I find this odd since this happened in Episode 9 and we supposedly have three more episodes before Bucchigiri is officially over. Does that mean we won't get more NNL segments in the final 3? Or will we still get them but in different formats? Like an epilogue of the customer bonding with Jasmine (along with getting an official reveal of who she is) or maybe we get a new customer who's set up to meet another cat potentially foreshadowing a final plot point in the series.

And those would be my thoughts on this segment. No lie, I did not expect this to be this long. But given how conclusive this NNL segment was, I felt there was alot to say about this. And what did you guys think of this segment? As before, feel free to reblog this if you agree with what I wrote, disagree or have another interpretation for this scene. So if you think of something, please say that you know.

"Do you know? Do you know? Do you know what this means?"

#bucchigiri?!#bucchigiri #arajin tomoshibi #matakara asamine #mahoro jin #zabu kakeru #komao sakigake #ichiya #senya #greek chorus #character analysis #anime #eddy's posts #Nyan nyaight love #the receptionist #the customer

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aragornsrockcollection · 2 years

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The silly post about Elrond’s healing just being very strong Dad Energy™️ made me want to put forth a theory I’ve had for a while about what Melian is the Maia of, and how that affects the powers of her descendants.

So it’s no secret that the Valar are a pantheon in the style of the Pre-Christian Europe, like the Greek and Norse pantheons; head-honcho god has bird/sky themes, and all the big archetypes are filled: war, nature, forge, spring, death/doom, chaos, sea, weaving/history, hunting, dancing, dreams, healing/medicine, stars, and pity, the last one being Nienna and a bit of an outlier who makes a lot of sense filling the role that Mary fills in Catholicism, which makes the whole group align better with Tolkien’s Catholic worldview of compassionate deities, a concept that was NOT prevalent in those pre-Christian gods.

A few main members of the archetypal pantheon are missing, One is a god of music, which makes sense because ALL the Ainur are gods of music due to the nature of the universe. Others are taken up by maiar, such as Arien and Tillion being the sun and the moon, Tillion being a Maia of Orome the hunter, which draws Artemis connections, and Arien being a Maia of Vana the ever young. Eonwe is the messenger and

Melian’s role is never expressly defined unlike Arien and Tillion and others. She’s associated with both spring and healing through Vana and Este, and her contribution to the song pre-children seems to be songbirds-more specifically teaching the nightingales to sing songs, since birds should fall under Manwe or Yavanna’s purview (she is said to be akin to Yavanna, but that’s vague and not fleshed out).

But she’s also seen as one of the more powerful Maia, and I don’t see that justified by being the Maia of songbirds. Again, music is ALL of the Ainur’s thing, and what do songbirds have to do with healing, the main power her descendants inherit?

Well, what do songbirds have to do with spring? What is the point of their songs?

It’s attracting a mate. Birds in spring is euphemistically associated with love and sex.

Melian is the only Maia we know of to marry one of the children, and this pantheon is MISSING a goddess of love and marriage and motherhood. Her daughter then goes on to have THE romance of legend, and while Luthien is acting out of love for Beren she is basically unstoppable.

We never see Luthien use her power any other way, outside of her love story, and the idea that she would NOT be as powerful when her songs were not in service of saving her love is actually pretty compelling to me. And also solves the problem of “Why did Luthien, who can put a spell on MORGOTH, let Celegorm and Curufin keep her hostage for a bit.”

The idea of Melian being the Maia of Love and Motherhood also makes sense in context of her abandoning Doriath. If her power comes from love of her husband and daughter, then the girdle was doomed once Thingol died whether she stuck around or not, so her leaving is more forgivable.

Love being such a huge theme in Tolkien’s work, it makes sense why Melian and her descendants are SO powerful. And why they are canonically the most beautiful creatures to walk the earth, as beauty and love are usually intertwined in these figures of mythology.

And Tolkien connects love and healing many times in his work. Aragorn working in the halls of Healing specifically orders Eomer to be the first person Eowyn sees, because her love for her brother is more true than her toxic obsession with him. Also as noted in the other post, his magic healing includes giving them a kiss on the forehead.

Faramir and Eowyn’s whole relationship plays out in the halls of healing, and Eowyn’s arc in this time is seeing no value in healing, either herself or others, until she finds love and hope in Faramir and basically in the same breath vows to become a healer.

Elrond’s compassion and Big Dad Energy and love for everyone is indeed what makes him the best healer in middle earth. And I’m going to argue there is a legit reason for that, with the source of his family’s healing talent being this world’s goddess of love. And of motherhood, which I think translates well to Elrond being everyone’s dad. Perhaps I should say “parenthood” since that is so obviously passed down.

Tl.Dr. Melian is the Maia of love, romantic and familial, which is the source of the Peredhil’s healing powers (and extreme attractiveness).

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lychee-angelica · 1 year

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ashwini nakshatra 🍯

please do not plagiarise or copy my work, thank you my loves

ashwini nakshatra occurs at 0.00° - 13.20° of aries, ruled by ketu and influenced by mars. it is the first nakshatra of the twenty-seven lunar mansions, in a sense marking itself as the original ascendant point. planet sun becomes exalted in ashwini specifically and funnily enough the sun rises on the eastern horizon - where all of our ascendant signs are calculated from. ashwini is the dawn of the sun x

the word ashwini literally means "horse-woman" or "a beautiful stallion". despite the yoni of this nakshatra being a male horse the word ashwini translates to something quite feminine. a horse is the main symbol of this nakshatra, making it very important when understanding the qualities of ashwini. horses are a symbol of good health, vitality, beauty and opulence. the quality of ashwini is light and swift, aligning well with horses characteristically speaking. this nakshatra is fast, powerful, wild yet elegant and graceful.

additionally, the bird that symbolises ashwini nakshatra is an eagle. a bird that represents a kind of fierce beauty, proud independence, freedom and strength.

i would also like to add that just as how not all aries people are the same, not all ashwini people are the same either. the padas distinguish the nakshatra further into fourths. each pada essentially is a sign that planet falls within in our navamsa charts. the pada will indicate certain traits attributed to the sign in our navamsa charts.

ashwini pada 1 falls in aries - lively, pioneering, energetic

ashwini pada 2 falls in taurus - materialism, down to earth

ashwini pada 3 falls in gemini - light-hearted, witty, friendly

ashwini pada 4 falls in cancer - emotional, compassionate

mythological significance 🍯

wife of suyra

the ashvini kumaras are the gods of ashwini, they are twin horse headed deities. their mother was wife of sun, suyra. she had once fled her husband due to his immense heat, taking on the form of a female horse, venturing far away into the woods in order to recuperate. she had casted a shadow of sorts or a clone of herself to take care of her affairs at home. although, suyra eventually figured the reality of the situation, from there he swiftly took form of a horse and ran after her. upon reunion the two made love in their horse forms and the ashvini kumaras were then born.

this story portrays many things, the first being a tendency to run-away from our issues in life whether literally or metaphorically. this can manifest in someone's life through forms of escapism and even deception. although this theme of running away from our problems tends to be for the purpose of regaining our own vitality and peace, finding ourselves once more.

the second key message in the story is that of loyalty and devotion. suyra's wife did not wish to leave his side, she temporarily distanced herself from her husband for her own health and well-being. this is why ashwini individuals tend to remain loyal in love despite their apparent independence, boldness and awareness of their own needs. for this reason, sun becomes exalted in ashwini nakshatra, specifically occurring at 10° of aries - pada four. ashwini pada four resembles the most softest and compassionate side of ashwini as it falls in the sign of cancer in our navamsa charts, this is why suyra thrives best here. ashwini is the true wife of sun.

another note is that suyra's wife married a man of high status, he is literally the hottest. this is why ashwini is often times attributed to opulence and luxury. additionally, horses are symbolic of wealth in society which has been quite a timeless association. although money and fame is not the motive of ashwini women, just a little side note.

miraculous healing

the asvini kumaras are celestial physicians to the gods. there are copious amounts of stories told of the twins performing medical miracles for others. they most notedly cure blindness specifically, but also regenerated the health, well-being, youth and beauty of others. the twins were knowledgeable on the sciences, medicine and art of surgical practice but had a thirst for divine and occult knowledge in order to 'cut to the chase' so to speak with their miracle workings.

the fact that the asvini kumaras primarily cure blindness is quite significant. when we think of eyesight, visible perception and light, suyra's exaltation within ashwini provides deeper reason. ketu on the other hand, resembles a dark force of ultimate nothingness, metaphorical blindness. it is just like to say that our literal pupils are just twin black holes of empty space, with those same eyes all that can be taken in is the immense light of suyra. the story portrays the act of curing blindness as miraculous, meaning attributed to divine working, acknowledging the divinity of our own vitality. in ashwini nakshatra health and well-being is expressed as something divine with a sense of regenerated youth. ashwini individuals are able to peer through beyond the veil so to speak, entwined with the affairs of tangible and internal realties, the seen and unseen.

characteristically the asvini kumaras are painted as youthful and delightful deities, even a mischievous and cunning pair with good intentions. they are interested in the secrets of divinity and are willing to take short cuts or loopholes in order to learn quickly. they are highly compassionate and in tune with the needs of others. ashwini people tend to be very light-hearted and don't take things too seriously. their cunning and intelligent nature ultimately negates any mistaken nativity in their character.

appearance 🍯

when discussing the physical appearance, it is important to note that our other placements will garner influence over the appearance in our charts too - specifically speaking our moon, sun and ascendant. i believe too that first or second house lord placed in ashwini will result similar features.

one of the most notable traits of ashwini women is their lips, they are usually wide, if not they'll be quite moderate in length, along with moderate plumpness. the cheekbones of these women tend to be high set too along with a moderately pointed chin - the face is usually tight in structure despite the overall length. the most common eye shape i have seen with these women is slightly hooded and large eyes, especially with ashwini ascendant and moon. overall these women physically possess a quite youthful and elegant kind of beauty.

suyra ashwini (sun) - gigi hadid & anya taylor-joy

chandra ashwini (moon) - selena gomez & zendaya

personality sun, moon & ascendant 🍯

when either sun, moon or ascendant is placed within ashwini the traits of course become personal. these individuals are independent and bold, they are the types to value their freedom and will prioritise their health and well-being. they have a quite cunning, playful and even mischievous side to them too. they are light-hearted, sweetly-spoken and don't take life too seriously. they are also very loyal and devoted to their loved ones.

people born under ashwini may have a tendency to become quite impatient, they may even speak or walk pretty swiftly too. they may love adrenaline and adventure. these people likely have a thirst for divine and occult knowledge too.

planets in ashwini mercury, venus, mars, jupiter & saturn 🍯

mercury in ashwini people are very friendly and good at communicating with others, most people will often find these individuals highly likeable. they can be quite witty, cunning and have good sense of humour. they are highly intelligent, skilful and have the ability to learn very quickly. they may also speak in a quick yet delightful and persuasive manner.

venus in ashwini people are highly compassionate and devotional lovers. others may perceive them, particularly the women as worthy of a very valuable or even high status partner. there is also something beautiful when it comes to their light-hearted and playful natures - especially when relating to love interests.

mars in ashwini people may be very self-made types, very strong independent streak can be seen. people with this placement can have a very stunning physique too, they may appear very healthy. similar to sun, mars in ashwini can indicate someone who possesses the characteristics of a pioneer or leader.

jupiter in ashwini people may be very intrigued with the bigger, over arching questions in life. they most likely have a thirst for divine and occult knowledge and refreshing perspectives and beliefs. they also tend to grasp these topics quickly, even through some sort of spiritual loophole. they are like pioneers when it comes to spiritual and existential ideology.

saturn in ashwini people may be quite impatient, they can be frustrated when it comes to their karmas and struggles in life. although saturn is not debilitated in ashwini, he still struggles within the sign of aries. unfortunately saturn's slow paced and patient nature is quite uncomfortable within ashwini.

#vedic astrology #astrology #jyotish #sidereal astrology #astrology observations #vedic #sun #ashwini

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