“Nice try but I’m not adulting today”: the Millennials of Sk8
It’s really delightful to me that the grownups in Sk8 are recognizably millennials and I was really pleased by the way the show employs the visual hallmarks of my teen years to establish the flashbacks to the youth of the last generation. Feels like Officially becoming a Media Adult
Like obviously I am no longer the shonen target demo / main character being well out of my teens and that is not new, but I’ve been in a weird gap because Media Grownups have still seemingly been gen-Xers, aesthetically and values-wise (retro = the 80s, for seemingly forever), and that’s not me. But these Manic-Panic-haired Hot-Topic-shopping X-Games-watching sk8er bois absolutely are:
Kaoru was edgier in his youth than I would’ve dared in my own but I sure did have those bangs. Look at his eyeliner you could cut glass with those wings!!! He’s serving Avril Lavigne and I just know he’s got Death Cab or his local equivalent playing in his (wired, on-ear) headphones. This is ostensibly a school uniform but I wanted identical trendy skinny plaid pants so bad
Note the wallet chain and the aggressive side part which TikTok would have me believe is no longer cool?? This nice young man will go get a Godsmack shoulder tattoo at chef school and it will become part of his personal brand when he moves back to his hometown and decides to maintain a quirky high school hobby at great personal injury risk and what must be a disastrous sleep schedule situation. He’s somehow the best-adjusted man in all of shonen
And I know there’s not even a full generation between the two groups of main characters (as the show itself constantly jokes by way of Shadow’s objections to being called an old man) but they are separated by life-phase-dependent narrative trajectories: Reki and Langa and Miya are in coming of age (cough first love) stories, Kaoru is in a healing from old wounds story, Kojiro is a mentor figure (does he have character development or just a rockin bod?? Who’s to say) and Shadow is also mentor/supporter/team-mom. (Ainosuke is an important exception which I will discuss in a separate post; he’s in some ways belatedly coming of age.)
So the older group feels narratively/functionally like The Grownups but they are aesthetically My Peers. It’s kind of wild! “Feel old yet?” Yeah I do, finally, thanks! Congrats on graduating to anime adulthood my fellow millennials!
I’m sure there’s tons of other media where my generation is represented this way but this is the first one I’ve really noticed, maybe because it touches on a specific subculture that evokes my experience of youth, or maybe I don’t watch that many things set in the present anyway. Who knows. I think my particular delight in this experience also has to do with how Sk8 treats coolness and how the adults (at least The Founders) still get to have it. Maybe also the fact that the show’s characters get to be generationally differentiated but not at odds for that feels fresh to me; there are clearly marked aesthetic/narrative differences but they’re not hinging the conflict on the grownups being out of touch or the kids being immature. That feels a little bit utopian, actually, and opposed to a particular strain of discourse that paints Gen Z/The Youth as incomprehensible to the “olds” and separate from millennials, who should implicitly start to identify instead with more traditional values and attitudes, i.e. those of our parents. In fact I would argue that Sk8 actually models that identification with outdated parental values via Ainosuke and his family, and frames it as sad and toxic and villain-making, but we see a healthier alternative in the core squad, where Reki jokes about Shadow being an old man, and Joe and Cherry bemoan the kids joining vacation, but it’s lighthearted and we get to have fun joking about age/generational differences without it creating conflict! Found family/intergenerational dynamics without manufactured parent-child tension, except for fun at the beach! Neat! (Also the actual parent-child dynamics of Langa and his mom are pretty great)
So it’s cool to see my specific peer group’s aging represented without any suggestion that it should necessarily mean generational conflict or value-stagnation, or even uncoolness or the trope of inevitable adult boredom and the loss of youthful freedom and joy. We can have our own millennial culture AND separate adult narratives/problems AND solidarity with younger people AND empowered fully-realized maturing selves with fun hobbies! I can see myself in the Media Adults in a piece of media that’s got a pretty optimistic view of what adulthood means and I think that’s neat.
36 notes
·
View notes
what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
424 notes
·
View notes